Tag Archives: DoNArTNeWs Philadelphia Art News Blog

Doll

Elaine M. Erne, Lanie Doll and Friends, Drawings and Prints, House Gallery

Elaine M. Erne, Lanie Doll and Friends, Drawings and Prints, House Gallery
  Lanie Doll, graphite pencil on paper, 72″ x 126″

HOUSE Gallery, 1816 Frankford Ave, Philadelphia, PA 19125

Through June 30th

Artist Talk Sunday June 23rd, 4:00 – 7:00 pm followed by potluck.

The Lives and Traumas of Stuffed Animals is a continuing series of prints and large graphite drawings of Lanie Doll and her friends that represent individuals and their emotional relationships with themselves and others. In recurring distressful situations, people often become like dolls, putting forward a cheerful personae no matter what is happening.  The dolls encapsulate the personality of an individual and allows me to explore the inner workings of painful relationships without being immersed in the reality of difficult interactions. Although there is a playful side, the underlining theme is fear, cruelty, isolation, and survival. Though the situations represented are far from real, no stuffed animals were hurt in the making of the work, they capture the aura that surround people who on the outside appear happy while actually experiencing deep sorrow, loneliness, and tension in their daily lives.   

ABOUT E. M. Erne

E. M. Erne, co-founder and co-director of Star Wheel Printers, received a BFA from Carnegie Mellon University in Pittsburgh, PA and a MFA from Tyler School of Art, Temple University in Philadelphia, PA.  Erne’s drawings and prints have been featured in numerous invitational and juried national exhibitions.  Erne has had six solo exhibitions in the past ten years: ‘Mr. Bunny Misses His Friends’, Nexus, Foundation for Today’s Arts, Philadelphia PA; ‘E. M. Erne: Drawing and Prints’, Rowan University, Glassboro, NJ; ‘Mr. Bunny and Friends’, Nexus, Foundation for Today’s Arts, Philadelphia PA; ‘The Lives and Traumas of Stuffed Animals’, BahdeeBahdu Gallery, Philadelphia, PA; a ‘Wind Challenge Exhibition’, Fleisher Art Memorial, Philadelphia, PA; and a ‘Community Gallery Solo Exhibition’, Abington Art Center, Abington, PA.  Erne is a recipient of a Dene M. Louchheim Faculty Fellowship, Fleisher Art Memorial, Philadelphia, PA, and a Career Development Fellowship with The Center for Emerging Visual Artist, Philadelphia, PA.  Erne was one of 25 artists selected by the Center of Emerging Visual Artist to represent them in their 25th Year Anniversary Exhibition at the Philadelphia Museum of Art. In 2015 Erne won the Jane Friend Purchase Award in the Brand Associates’ 43rd Annual Works On Paper National Juried Exhibition in Glendale, CA. She is currently on the faculty at Drexel University, Moore College of Art and Design, and the Fleisher Art Memorial all in Philadelphia, PA.

Location: 1816 Frankford Ave, Philadelphia, PA 19125

Hours: by appointment

Michelle Marcuse, Co Director, HOUSE Gallery, 1816 Frankford Ave, Philadelphia, PA 19125, 215-901-7190


www.housegallery1816.com

www.michellemarcuse.com

www.henrybermudezart.com

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moments

Gail Kolflat, Moments in Place: moments in time, Main Line Art Center

June 14 – July 15, 2019, Main Line Art Center 746 Panmure Road, Haverford, PA 19041

Monday – Thursday 9am-9pm Friday – Sunday 9am-5pm.


Suitable Arrangements: time and place, Gail Kolflat, 38 x 48 inches oil/acrylic


Reminiscent of a shadow box with 4 overlapping layers, beyond the pink liatris and blue hydrangea in the foreground, this painting presents a couple of women actively engaged in floral design activity and conversation during an evening session of flower arranging. Behind them a woman works on her creation, and in the distance through the window, cars are parked under a darkening sky – the mode of transportation for the aficionados.

Melding The Collegiate: lessons learned, Gail Kolflat, 46 x 40 inches oil / acrylic


College life! Students between classes mingle and walk on campus grounds, with a stately school building behind them. In this painting, there’s a clear dialogue between abstract and representational elements, forming the body of the composition.


Life and the Progression of Human Bonds : birth and demise, diptych 38 x 96 inches (when flat) oil/acrylic, Gail Kolflat


This is a poignant painting that highlights the maternal bond of a mother and her new daughter, and the daughter’s compassion and sorrow after the death of her mother years later. Raw human emotions transpired from two of life’s most significant events, combine and contrast making this a powerful piece.

Exciting colors and engaging themes draw viewers into the vibrant paintings of regional artist Gail Kolflat. Eye-catching, and invigorating, this one-person exhibition touches on themes of social commentary, with an emphasis on compositions featuring people involved in assorted activities and events, such as: a concert in a park, a flower arrangement class, commuters on a train, students at a university, or a lakeside interlude. Kolflat’s interpretation of Americana and genre painting is contemporary, and uniquely fresh, with distinctive hues and a stylish manner of presentation. A number of works are multi-panel, large format compositions and several have irregular shaped borders. All are painted in oil and acrylic on canvas.

“In a sense these works portray America in positive and refreshing tones that are so rare in contemporary art. It’s America at play, and it is a significant facet of our culture as is violence and drug abuse. Kolflat’s work stands alongside those artists who came before who have portrayed a segment of a population, one that describes a particular time and place. Like Impressionists with their sun dazzled boating scenes and picnics, Kolflat’s people at play describe an innocence in America that still exists.” Marilyn J Fox

Gail Kolflat is a notable east coast artist, who returned to the exhibition arena in 2013 after taking a fifteen year break while raising her daughters. She has long, strong exhibition history, and currently serves as the Membership Chairperson for the New York City Chapter of the Women’s Caucus for Art.


Midsummer Trilogy : sorting through waves of circumstance, irregular perimeter 147 x 74 inches oil/acrylic, Gail Kolflat


This piece represents two anticipatory gatherings, one of several girl friends primping and chatting, the other of male friends casually relaxing and enjoying refreshments, and finally center stage, a melding of the highlighted parties into respective pairings. The idea behind the creation of this piece flowed from a series of optimistic possibilities related to young graduates in my orbit, their coteries, encouraging news from professionals, and the glow of a positive mindset.

Artist Statement: Gail Kolflat


As an artist I find it compelling to create compositions of human society. My paintings are a recording of people today, living in our world, partaking in experiences, culture and lifestyles common to us all. Painted over a period of months, my compositions evolve much on their own.
A spontaneous abstract footprint initiates every work. It is intertwined with figurative representations derived from sketches and photographs used as sources for the primary layout of a painting. The sources are then disregarded, as I prefer to improvise from that point onward, relying on a continuing interaction of realistic and abstract principles. Using human forms, objects, landscapes, and buildings, I invite the viewer into a world he/she can recognize, understand and share – as if at the scene, participating in an event, or surmising a situation. The abstract elements “free the viewer from the monotony and predictability of a too real vision.”
My work consists of singular or multi-panel assemblages, executed with a broad use of color. Color is of great significance, appealing to emotions and mood. I allow myself to use any pigments that seem appropriate for a painting; instinct derived from experience.
Observing and delving into the interplay of shapes, textures and colors is what drew me into the visual arts. I focus on groupings of people – who they are, where they are, why they are there, the ambiance surrounding them collectively as well as individually. Tapestries, textiles, Art Nouveau, modern abstract painting, Impressionism, the human condition and numerous venues in Philadelphia, Chicago, Los Angeles, and New York City continue to serve as inspiration for my work. The greatest contributing factor to the development of my art is a need to create.

Entertainment and Amusement: summer fare, summer fair, 82 x 59 inches, triptych, oil/acrylic, Gail Kolflat

Thank you to Gail Kolflat for the content of this post.

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Review

B. Proud, Wilmington, DE., Owen and Blue, Transgender Men
Archival pigment print, 36″x24″,First Prize 2018

2019 Photo Review 35th International Photography Competition

Noted critic, curator, and writer Lyle Rexer will be the juror for the 2019 Photo Review Photography Competition. He is the author of several books on art and photography, including The Edge of Vision: The Rise of Abstraction in Photography (2009) andPhotography’s Antiquarian Avant Garde: the New Wave in Old Processes (2002). In addition, he has published numerous catalogue essays and articles on art, architecture, and photography and contributed to such publications as The New York TimesArt in AmericaAperture, Parkett, BOMB, and DAMn. As a curator, he has organized exhibitions in the United States and internationally, most recently The Edge of Vision, a selection of contemporary abstract photography. He teaches at the School of Visual Arts in New York and is a columnist for Photograph magazine.

Photo Review 2019
Lyle Rexer (Daguerreotype by Jerry Spagnoli)

The Photo Review, a highly acclaimed critical journal of photography, is sponsoring its 35th annual photography competition with a difference. Instead of only installing an exhibit that would be seen by a limited number of people, The Photo Review will reproduce accepted entries in its 2018 competition issue and on its website. Thus, the accepted photographs will be seen by thousands of people all across the world and entrants will have a tangible benefit from the competition. Also, the prize-winning photographers will be chosen for an exhibition at the photography gallery of The University of the Arts, Philadelphia. Plus numerous Editor’s Selections will be exhibited in several Photo Review web galleries. Check out additional prizes below and on the competition website.

2019 Photo Review, Eric Mueller, Minneapolis, MN, On The Bund, 2018, archival pigment print, 20" x 30", 2018 Prize Winner
Eric Mueller, Minneapolis, MN, On The Bund, 2018, archival pigment print, 20″ x 30″,2018 Prize Winner

Because their work was seen in The Photo Review, past winners have been given one-person exhibitions, have had their work reproduced in other leading photography magazines, and have sold their work to collectors throughout the country. 

Learn more at www.photoreview.org.

PRIZES & AWARDS
Prizes include:

  • A $500 purchase prize from Haverford College
  • A $500 prize from Blue Flower
  • a Wacom Intuos tablet
  • a Lambert 12L camera bag from Cecilia
  • a 20″x24″ silver gelatin fiber print from Digital Silver Imaging
  • camera bags from ThinkTank Photo and Mission Workshop
  • “The Complete Photographer’s Set” from Tog Tees
  • several Kodak Printomatic Instant Print Cameras
  • a $200 gift certificate from Shades of Paper, a leading supplier of inkjet photo paper

Awards include:

  • Prizewinners exhibited at the University of the Arts Photography Gallery, Philadelphia
  • Accepted entries reproduced in The Photo Review journal and on our website
  • Editor’s Selections exhibited in several Photo Review web galleries

NOT-SO-FINE PRINT
An entry fee of $35 for up to three prints or images and $8 for each additional image entitles all entrants to a copy of the full-color catalogue. In addition, all entrants will be able to subscribe to The Photo Review for $36, a 20% discount. (Higher rates apply for non-US subscribers.)
All entries must be received by May 31, 2019.
You can download contest rules and submit images on our 2019 Competition page. If you have any further questions, don’t hesitate to contact us.
The Photo Review 2019 International Photography Competition is sponsored by Haverford College, Blue Flower, Digital Silver Imaging, Wacom, Kodak, Cecilia, ThinkTank Photo, Shades of Paper, Mission Workshop, and Tog Tees.

Thank you to Steven Perloff for the content of this post.

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aA

art Ability at Bryn Mawr Rehab, Chester County Open Studio Tours, Linda Killingsworth, COLORED PENCIL , Emily McGuigan, ACRYLIC, Kathryn Noska, WALNUT OIL, Kathryn Noska WALNUT OIL, Meg Quinlisk, GLASS MOSAIC

Art Ability, Chester County Open Studio Tours, at Bryn Mawr Rehab Hospital

Saturday, May 18, 10:00 am – 6:00 pm

Artist Demonstrations Glass mosaic: 10:00 am–2:00 pm; Colored pencil drawing: 2:00–6:00 pm

Sunday, May 19, 11:00 am–5:00 pm

Artist Chat Natural, chemical-free painting

Art Ability at Bryn Mawr Rehab Hospital will be participating as a host gallery stop along the tour route for the annual Chester County Open Studio Tour! Guests are invited to view and purchase works by four local “pop-up studio” artists, as well as shop our Art Ability consignment collection. We will be featuring artists Linda Killingsworth, Emily McGuigan, Kathryn Noska and Meg Quinlisk. Collection tours are also available.

For more information, call or email: artability@mlhs.org | 484.596.5607

Art Ability at Bryn Mawr Rehab Hospital 414 Paoli Pike, Malvern, PA 19355 | Main Entrance

art Ability at Bryn Mawr Rehab Hospital

chestercountystudiotour.com

There are 143 artists and 63 studios participating on the tour this year. We have partnered with businesses and other supporters of the arts in the community to offer a variety of ways to see and collect art.

It is not an exclusive club and there are no membership fees or dues. Just come out and enjoy our one weekend of open studios.
 
Plan your day and get out early to ensure you have art on your walls by Monday!

chestercountystudiotour.com

Thank you to Cristine B. Largoza, Art Ability Program Coordinator, for the content of this post.

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Anahata

John Singletary, Detail of Providence, 3′ x 30′ Photography Based OLED Installation/Pigment Print

John Singletary – Anahata

The Delaware Contemporary

200 S Madison Street, Wilmington, DE 19801

Opening Reception: Friday, May 3rd, 5:00 – 9:00 PM

Museum Hours:Monday closed, Tues. 12 – 5pm, Weds. 12 – 7pm, Thurs. & Fri. 10 – 5pm Sun. 12 – 5pm

Philadelphia native, John Singletary, is a fine art photographer and multimedia artist. His educational training includes both Drexel University and a BFA in Photography from The University of the Arts, Philadelphia, PA. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and The James Oliver Gallery. As well, his work is represented in the permanent collections of the Philadelphia Museum of Art, The Center for Fine Art Photography and The Haverford College Archives.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art OLED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired composition. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg.

Installation View, Clarise, 8′ x 8′ Photography Based OLED Installation

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary, Clarise, 8′ x 8′ OLED Installation/Pigment Print

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to move forward seamlessly into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and through his exacting print work, the fantasticality in Anahata becomes very real.

The Delaware Contemporary

Phone: 302-656-6466 (main)

Thank you to John Singletary for the content of this post.

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