May 3, 5-9 pm: First Friday Opening Sun, May 19, 2-4 pm: Art & writing workshop led by the artist Wed, May 29, 6-8 pm: Closing Reception/Poetry Reading
All events are free and open to the public.
Let it blossom in its time Let it unfold of its own accord Slowly gently imperceptibly Like that rare orchid you spoke of, Mom It’s multiplied In my window in the light of my window protected by the pine and nestled in peace Brand new bold stems have come It’s you. I made it, Mom. I made it through the grief. I’m happy now. I’m living again. Changed and sustained by your life and death I love you. You fell into my soil like the leaves from the trees Bountifully nourishing my essence I grow, strong, deep, solid I can touch the sky I touch the sky indeed. You smile. Ever my encourager, now you are my guide, my holy being. Remember how we said as you were leaving this earth: “I place myself in the hands of holy beings.” I do that now, while still on earth. Thank you. Always. That line that stretches back Before time And forever That’s where I meet you
Exhibition Dates: April 26 – May 18, 2019 Opening Reception: April 26, 2019 5:30 – 10pm
Paradigm Gallery + Studio is pleased to present pa•per, a group exhibition of paper works curated by Paradigm co-founder Jason Chen, opening on April 26, 2019 and remaining on view through May 18, 2019.
There will be a public opening reception on April 26th from 5:30 – 10pm. Though paper is often thought of as craft material, Chen’s exhibition, pa•per, tries to re-contextualize the medium by showcasing 15 artists who use nontraditional techniques to elevate it.
Included in the exhibition is Baltimore-based Rosa Leff, who is a member of The Guild of American Papercutters. Two of Leff’s pieces in pa•per, Dinner’s On Me and Sorry Not Sorry, incorporate traditional imagery that you might find on fine china plates. All of her work is cut by hand from a single sheet of paper.
While the exhibition does not range in medium, it ranges in technique. From surgical X-Acto blade cuts to minimal collage to Sally Hewitt’s series of paper reliefs, paper is transformed by technique and treatment. India-based Nayan and Vaishali’s ongoing project, 730 Days of Miniature, poses a creative challenge on the seemingly limited nature of the material. Each day, they spend four to six hours meticulously creating miniature paper bird artworks. Each one is colored and cut by hand, and layered to create a “2.5 dimensional” piece. These works and the show itself treats paper not as a background or foundation for artworks, but as a transformable material.
Jason Chen specifically chose artists who have not been featured ever before at Paradigm. Artists participating in pa•per include: Kanako Abe, Daria Aksenova, Joey Bates, Albert Chamillard, Colette Fu, Lizzie Gill, Sally Hewett, Danielle Krysa, Rosa Leff, Huntz Liu, Ryan Sarah Murphy, Marianne R. Petit, Lucha Rodríguez, and Nayan and Vaishali. The gallery is known for working with established and emerging paper artists, but pa•per’s lineup is fresh and unexpected.
pa•per is curated around art that is pushed beyond its practical applications into the world of fine art. The capacity of paper as a medium, rather than a surface to paint or draw on, highlights its potential of exceeding expectations.
Paradigm Gallery + Studio Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
April will be a time for story-telling at The Plastic Club, as the historic art club invites visual artists to show how they retell the world’s stories, whether drawn from holy books or comic books or the depths of their own imaginations.
The prospectus explains that works can be representational or abstract, based perhaps on literature or perhaps on popular genres or even current events. “It is your story to tell, using your special way of doing art.”
The prospectus quotes the poet Wallace Stevens for inspiration: “They said, ‘You have a blue guitar, you do not play things as they are.’ The man replied, ‘Things as they are are changed upon the blue guitar.'”
Stories to TellOpening Reception Sunday, April 7th, 2:00 and 5:00 PM, with juror’s awards and announcement at 3:30 PM. The work can also be viewed by appointment or at The Plastic Club‘s special Third Sunday Open Gallery on Sunday, April 21 from 1 to 4 PM.
On first glance, my drawings are clearly narrative. What is often and easily missed is the very specific platform on which all of them are made. The drawings originate on vintage ‘doodle pad’ sheets from 20th century.
I collect and utilize these somewhat risqué novelty drawing pads. These mass-produced pads of paper feature incompletely drawn women (and occasionally men) with instructions to complete- or doodle in- the missing parts. And that’s what I do. As a lifelong fan of the art and craft of illustration, representational drawing, comics, and cartooning, I use pen and ink to complete the incomplete images to make them my own.
The practice of ‘repurposing’ items from the past is quite popular. We’ve all seen the cable TV shows and passed by boutiques that take old antique doors and turn them into coffee tables, or crafters who take old military artifacts and turns them into lamps. Giving new life to objects left for dead is fun, quirky, and often times environmentally considerate.
What I’m doing with these old sheets of paper is ‘purposing’ them. I’m doing exactly what the printers had in mind when they originally produced and distributed them. I like the idea that I’m doing this decades after they were made, after they’ve been sitting in drawers until someone decided to post them for sale on eBay or Etsy. Perhaps ‘retro-purposed’ would be a more appropriate term for what I’m doing with these old doodle pads.
Regardless of they’re called or how they originate, I’ve found them to be ideal for my creative process. When artist’s face a complete blank canvas or paper, they face that paradoxical problem of endless possibilities. Too many options can often be constraining.
I sidestep this with the help of my muse. I simply access that part of the brain that we use when we play the game of charades. “What could she be doing.” my mind asks. Ideas then flow. I mentally sift through them and make loose sketches to narrow down the options. Which would make a drawing that I’d want to make? What haven’t I done before? Maybe something funny, maybe macabre, or maybe I feel like challenging myself with some complex perspective angle. I get to draw it all..foliage, animals, technology, different eras of human history. That’s half the fun. It’s always the same challenge and always new and different. –David Jablow
Wendee Yudis is a serigraph mixed media artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990’s. The females in her work become icons that reoccur in new contexts and combinations to create a visual vocabulary. Many times they question the females’ role in society as well explore the various roles within ourselves. By juxtaposing various images, nuances are implied and tension is created to imply and explore new meanings. She primarily uses printmaking along with painting rather than printing in edition because it allows her more freedom to create spontaneously and to explore the subtleties of printmaking. Yudis typically print images or icons in combination with other images to create not only a dialogue between the images but also to create an illusion of being camouflaged by translucency, patterns, and layers to explore relationships seen and unseen.
“A new fusion of custom body art and curated exhibitions brought to Montgomery County by local artist, Steve Martin. Expect more of the great ideas you have come to know me for. With 9 years professional experience I cover a range of disciplines in tattooing; from mandala and geometric designs, Japanese, neo-traditional, traditional Americana, custom lettering, as well as black and grey realism.
Celebrating 2 years in historic Ardmore, we’re turning heads with its premier tattoo parlor. I look forward to bringing to you, the art enthusiast and collector, a select presentation of custom tattoo designs as well as some of the finest works of art month after month. You can expect the professionalism, mindful customer service, attention to detail, and quality products in a clean and safe setting that you have known from me all these years.”
Sylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)
Civil Disobedience: Celebrating Queer Resilience
presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia
East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm
DVAA(Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.
In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.
“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.
PARTICIPATING ARTISTS: To be determined/announced by the juror
ABOUT THE JUROR: Warren Mulleris sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.
ABOUT DVAA: MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs. VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.