Category Archives: Books

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49 bookstore at 408 East Girard Ave, Philadelphia, 19125, US. Poetry Night in honor of the collective poetry book Boreal from Philiput and Cisnegro.

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

Andrés Cisnegro. Ciudad de México, 1979. Estudió Letras Hispánicas en la UNAM y Comunicación Social en la UAM. Camisa de once varas (BM, CDMX, 2022) es un recuento de sus primeros veinte libros. Recientemente fue realizada por artepoética press, en Nueva York, la edición bilingüe de Llegada del Malnacido, con traducción de Christopher Perkins. En Nicaragua apareció Zarrpastra, mapa de obra (400 elefantes, 2020); en Chile, La perra láctea (Cinosargo, 2021) y Fabla errante (Mano Falsa, 2022), en Perú. Su más reciente libro es Nivola del bien adverso (Ícaro Ediciones, 2023). Cisnegro traza rutas vivas sobre poéticas del siglo XX e investiga la poesía matérica. Gestiona cruces generacionales, debates, reediciones, talleres, laboratorios y la publicación de óperas primas y otras destrucciones necesarias. Entre ellas el Atlas Inverso de Poesía y el Biombo de movimientos mexicanos de poesía. Ha participado en congresos nacionales e internacionales de poesía y literatura. En 2018 participó en el Festival de Matemáticas, Ciencia y Cultura 2018 en Oaxaca, organizado por el Instituto de Matemáticas de la UNAM. Y en 2012 en el Festival Internacional de Ajedrez, como conferencista. Su poesía ha sido traducida al náhuatl, francés, inglés, árabe y portugués y griego. Actualmente es operador del proyecto múltiple Cisnegro. Lectores de alto riesgo, coordinador de la revista Blanco Móvil y cátodo dístico en la revista La Piraña.

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

Christopher Perkins USA 1980Christopher Perkins is a writer and professional translator of poetry, teaches literature, creative writing, and essay writing for the University of Nevada LasVegas (UNLV).
He holds a Master of Fine Arts (MFA) in Creative Writing with an emphasis inpoetry and international literature and has translated poems from French andSpanish into English. He currently lives between Las Vegas, NV, U.S. and Mexico City.

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

Devin Cohen (Philadelphia, USA) is a multi-instrumentalist multidisciplinary artist, working with experimental abstract visual art, painting, poetry, sound art. He has written, painted, exhibited, performed, across the U.S., Mexico, Israel, Paris, Iceland, Germany, Sweden, Lithuania, Spain, Japan, Hungary, Greece, Italy, Belgium, Switzerland, Austria, Argentina, Canada, Poland, India, Turkey… His poetry book is ALL PRAISES and his experimental Alien Architect poetry music album is Arteria. He has attended artist residings in Hungary, Lithuania, Romania…. Mekisko.. His work has been selected for the Ibero Biennale de Puebla de Los Ángeles, as well as the Biennale de pintura J.A. Monroy in Mexico; Devin’s work has been exhibited in Museo de Arte Contemporáneo Ateneo de Yucatán MACAY, Centro Estatal de las Artes de Baja California in Tijuana, Centro Cultural Plaza Fatima in Monterrey, Museo UPAEP in Puebla, Museo de la Mujer in Mexico City, as well as the Slought Foundation and Barnes Foundation in Philadelphia, art festival en Lithuania, art fair Sweden… Devin Cohen with Rebeca Martell run and curate Liliput Gallery in Puebla, Mexico, and Philiput Gallery in Philadelphia, Pennsylvania, USA. Devin´s art was recently exhibited in Berlin, and is currently exhibited in Merida, Atlixco, Paris, Philadelphia… Devin Cohen just returned from Leipzig to Berlin to Paris, to now in Philadelphia to read his poetry at Lot 49 as part of Philiput poetry tour. Liliput Xperimental Gallery celebrates its 8 year anniversary this month.

NYC/Philadelphia Philiput Poetry Tour Dates:Philiput presents: Devin Cohen, Andres Cisnegro, Christopher Perkins Poetry Tour Oct 16 : Poetry reading at 7:30 pm at 125 E. 15th St , NYC 

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15 minute walk to 9pm reading at 85 E 4th St, New York, NY 10003 

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Oct 17: Manayunk-Roxborough Art Center at 419 Green Lane (rear) Philadelphia PA 191285pm-8pmOct 18: Lot 49 Books at 408 E Girard Ave, Phila. Reading at 6pm 

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 Oct 19: Philiput at 1901 B Washington Ave , Phila. starts at 8:30pm 

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 *poet Cassie Macdonald reading as well

Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49
Philiput presents: Andres Cisnegro, Christopher Perkins, Devin Cohen poetry reading Oct 18 at 6pm at Lot 49

                         

Thank you to Devon Cohen for the content of this post.

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Twentysix Wawa Stores

Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage

Philiput presents: Twentysix Wawa Stores – Eric Weeks Photographic Exhibition, Book and Film : Poetic Finissage 1901b Washington Ave, Philadelphia, PA. Sept 29, 5pm – 9pm. Curated by Rebeca Martell and Devin Cohen.

Shoutflower Four Poetry reading event happening featuring: Heather Houde Samantha, PiousJohn Pinto,Myene Yanu and more.

Eric Weeks is an artist using photography and video, a curator, and Chair of the Photography & Video Department at the Pennsylvania College of Art and Design in Lancaster, Pennsylvania, USA. He has exhibited his photographs and short films nationally and internationally, including in Australia, China, Egypt, France, Germany, Italy, Morocco, Singapore, South Korea, Spain and the United States. His work is in the permanent collections of the Los Angeles County Museum of Art, The Art Institute of Chicago, Museum of Contemporary Photography, Maison Européene de la Photographie, Bibliothèque Nationale, Yale University Art Gallery and the Sir Elton John Collection, among others. He is the author of two monographs, World Was in the Face of the Beloved and A Rose By Any Other Name. Portfolios have appeared in FotoNostrum, Dodho, Zoom, Photo +, Fahrenheit and Dear Dave. Awards include a City Corps Artist Grant from the New York Foundation for the Arts; an Individual Creative Artist Fellowship Grant from the Pennsylvania Council on the Arts; Open Call Winner, Art Speaks Out, ikonoTV, Berlin; Finalist, Black Maria Film Festival, Jersey City; and Semi-Finalist, G2 Green Earth Film Festival, Los Angeles. Weeks received a MFA from Yale University, and a BFA from the School of Visual Arts. His work is represented by Galerie Catherine & André Hug in Paris.

Twentysix Wawa Stores examines the Pennsylvania-based convenience store and gas purveyor Wawa. Wawa means wild goose in the indigenous American language of the Ojibwe. The Wawa business started in 1902 as a dairy farm located in Wawa, Pennsylvania, an area first named as such by land owner Edward Worth. The film, photo exhibition, and discussion follows the Lincoln Highway, starting in Lancaster, Pennsylvania and culminating at the farthest north Wawa store in Elizabeth, New Jersey.Made in reference to Edward Ruscha’s Twentysix Gasoline Stations, Twentysix Wawa Stores unobtrusively observes the phenomenon of automobile culture in America in the 2020’s.

Philiput presents: 
Twentysix Wawa Stores – Eric Weeks
Photographic Exhibition, Book and Film : Poetic Finissage 
1901b Washington Ave, Philadelphia, PA

Thank you to Devon Cohen for the content of this post.

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REBECA MARTELL – NIGHT IS THE NEW DAY

Rebeca Martell, Night is the New Day

REBECA MARTELL – NIGHT IS THE NEW DAY

Where will we go after the last borders? 

Where will the birds fly after the last darling? 

Where will the plants sleep after the last wind? 

We’ll write our names with steam dyed crimson,  we will cut the hand to the edge so that our meat completes it.

Here we will die.

Here, in the last passage.

Here or there… our blood will plant its olive trees.

Mahmoud Darwish

Night is the New Day, Rebeca Martell
Night is the New Day, Rebeca Martell

In the black and white photographic series Night is the New Day, Rebeca Martell evokes the recognition of the strangeness that she experiences looking at in exile.  Between surprise and nostalgia, Martell moves towards the redefinition of herself, cautiously exploring the places she sees and the people who inhabit them.  With a foreign lens, looks for the moment that sublimates the experience of herself, that captivates the feeling of being in the dark leaving behind the memories of the tropic, like running away from a bad dream.

Rebeca Martell

Martell’s camera is the vehicle that intervenes between her gaze and the other; where the faces are not recognized, where the blur in the images is the metaphor of the distance between the self and the beings that inhabit reality.  Martell utilizes the absence of light to blur the very act of looking. Martell’s work not only sublimates emotions but is also a lonely walk; the cold and silence, the memories that inhabit the memory. 

Night is the New Day, Rebeca Martell

The images of Night is the New Day are an evocation of what the darkness hides from the eye, what cannot be perceived by the naked eye, the ghost of the absent light during the winter that only leaves in its wake a few shades. Rebeca Martell makes use of photography to portray her days of winter in Sweden while, at the same time offers us a testimonial of a look that becomes raw, powerless and unprotected against others and before her own process of self-recognition.  She portrays the moment where the connection between the gaze and the soul is created, right there where it appears what cannot be shown with the naked eye, where she reaches the image from the furthest part of the unconscious.                            

Liliana Marcos Lozano, 2022

Night is the New Day, Rebeca Martell

Rebeca Martell bio:
Rebeca Martell, an independent photographer, trained at UNAM, Centro de la Imagen, Jumex Collection, Philadelphia Photo Arts, Rufino Tamayo Museum, Alameda Art Laboratory, and Photoespaña.


Her work has been exhibited at the Museum of Contemporary Art of Oaxaca, the Barnes Foundation, X-Teresa Arte Actual, the Sebastián Foundation, Brukenthal National Museum of Contemporary Art in Romania, Philadelphia Photo Arts, and the National Auditorium; as well as in the Mexican embassy in Spain, Belgium, Lithuania, Hungary, Greece, Holland, France, San Pedro Museum of Art, and in the Juan C. Méndez PhotoMuseum, as well as having been a winner at the eighth State Meeting of Contemporary Art in Puebla, Mexico.

Night is the New Day, Rebeca Martell

Philiput presents: Rebeca Martell – Night is the New Day photographic art by Rebeca Martell, curated by Devin Cohen, curatorial text by Liliana Marcos Lozano

event photos by Devin Cohen

Night is the New Day, Rebeca Martell


Change


Save the City of Philadelphia Office of Arts, Culture, and the Creative Economy

iradiophilly started this petition to Mayor of Philadelphia Philadelphia Mayor Jim Kenny and 2 others

Link to Change.org petition

Philadelphia Mayor Jim Kenney released a revised budget for fiscal year 2021 in response to the coronavirus COVID-19 pandemic on May 1, 2020. Businesses have been closed and workers have been off the job for weeks, reducing the city’s tax revenue significantly. The Office of the Department of Finance projects that without any changes the city would have a $649 million deficit next year. The city cannot legally operate with a deficit. We understand that hard decisions needed to be made and that cut backs and program budget reductions were inevitable. However, to completely eliminate an office that supports a vital industry in the city of Philadelphia, especially one that has been hit very hard during this crisis, is short sighted and should be reversed.

In the new budget, the Office of Arts, Culture, and the Creative Economy was budgeted $0 dollars, down from approximately $4.4 million, effectively closing the office. Most of that budgeted money goes directly to the Philadelphia Cultural Fund, which gives grants to hundreds of non-profits in the city.

The presentation of the budget by the Mayor is only the first step. It still must be approved and voted on by City Council before July 1. 

SEE: Mayor’s Operating Budget – re: page 80
SEE: Philadelphia Mayor Jim Kenney Delivers New Budget by Video; Jobs/Services Cuts, Tax Hikes

According to the Greater Philadelphia Cultural Alliance, the arts and cultural sector generates $4.1 billion in economic impact annually and supports 55,000 jobs. That creates $1.3 billion in household income and $224.3 million in state and local taxes.* The creative economy includes but is not limited to artists, musicians, painters, sculptors, dancers, actors, filmmakers, graphic designers, venues, theaters, museums, galleries, bartenders, waiters, chefs, box office workers, bouncers, sound engineers, tech crews, art/dance/recording studios, and all employed by those entities, as well as support industries such as accountants, lawyers, hotels, ride shares, parking, public relations, marketing, and media. On the other side there are the fans, patrons, concert goers, theater attendees, and more who support the arts and make the purchases.

Most of this industry has been shut down during this crisis and needs support now more than ever to rebound during the economic recovery.

The Office of Arts, Culture, and the Creative Economy’s mission is to close the gap in access to quality cultural experiences and creative expression through the support and promotion of arts, culture and the creative industries; connecting Philadelphians to enriching, arts-infused experiences; linking local artists and cultural organizations to resources and opportunities; and preserving the City’s public art assets. http://creativephl.org

The OACCE is also responsible for the Music Industry Task Force, the Mayor’s Cultural Advisory Council, Art in City Hall, all of Philadelphia’s public art, and funding the Philadelphia Cultural Fund which gives grants to numerous Philadelphia arts and culture non-profits.

Philadelphia is a vibrant city teeming with culture that has been driving our identity for hundreds of years. The art created in Philadelphia reaches well beyond its borders and has touched the world and helps drive our other industries through attention and attraction to our area. As we look to rebound and recover from this crisis, there are certainly sectors that are essential to our health and safety and must be prioritized. However, unless we take care to ensure our cultural health is also revived, we risk losing our spirit.

Philadelphia’s creative economy deserves proper representation in City Hall. Understandably, it is likely not possible for the OACCE to be budgeted at the same level as the original budget, however, the industry’s economic impact alone justifies that the office’s budget be more than zero. We are simply asking that the City of Philadelphia Office of Arts, Culture, and the Creative Economy not be eliminated.

*https://www.philaculture.org/why-arts-culture/prosperityStart a petition of your ownThis petition starter stood up and took action. Will you do the same?Start a petition

Updates

Over 6,200 Support the Creative Economy in Philadelphia!Thank you for all your support! Let’s keep the momentum going. Artists, musicians, actors, dancers, writers, back stage, front of house, all venue/gallery workers, recording studios, producers, photographers, video…iradiophilly5 days agoMore updates

Streets Dept signed this petition

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Cherie Lucier signed 6 minutes ago

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Ted Warchal signed 10 minutes ago

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Literary

Delaware Art Museum

Delaware Art Museum Offers Expanded Literary Programming

The Delaware Art Museum is quickly becoming the literary heart of Wilmington, Delaware, expanding on the success of its wildly popular Wilmington Writers Conference to create a wealth of free literary programming for Delaware’s growing community of writers and readers.

Those Delawareans still mourning the closing of Wilmington’s Ninth Street Book Shop, rejoice! The Delaware Art Museum Store is now an official independent bookstore, offering a variety of books in addition to its usual assortment of gifts and souvenirs. As members of the American Booksellers Association, the Store recently celebrated its first Indie Bookstore Day. The Store also commemorated Banned Books Week by offering a variety of banned books chosen by members of the Museum Associate team as well as the Museum’s Librarian and Archivist, Rachael DiEleuterio. In addition, DiEleuterio and the Store team collaborated to offer custom journals and ephemera modeled after books in the Museum’s astounding collection of more than 3,000 rare, decoratively bound books.

The Store is also thrilled to host a chapter of the Well-Read Black Girl Book Club in partnership with the American Booksellers Association and One Village Alliance. Chandra Pitts of One Village Alliance hosts monthly gatherings discussing Young Adult books chosen by the Well-Read Black Girl team. The club is also a part of One Village Alliance’s “Girls Can Do Anything!” initiative.

“It’s been such a privilege for One Village Alliance to partner with the Delaware Art Museum Store to bring a national reading initiative to Wilmington,” says Pitts. “Well-Read Black Girl is directly in line with ‘Girls Can Do Anything!’ in that it not only celebrates, supports, and inspires Black girls, but it includes all genders, ages, and ethnic/racial backgrounds. It creates such a fun space to get to know a diverse group of people in a comfortable environment that fosters a lifelong love for literature.”

The Well-Read Black Girl Book Club meets once a month in the Store and is suitable to anyone age 13 or older. The inaugural meeting featured a read-aloud and lively discussion led by Pitts. The Store’s Instagram page, @delartstore, posts check-ins and periodic updates on the club, and the Store offers the titles for this book club at a 20 percent discount.

The Well-Read Black Girl Book Club is just one of the book clubs flourishing at the Museum. The DelArt Readers is a monthly book club that discusses literature connected to art, often drawing on the Museum’s collections and special exhibitions for inspiration. One 2020 title is Circe by Madeline Miller, which provided inspiration for artist Angela Fraleigh’s latest work, Sound the Deep Waters, currently on view at the Museum through April 2020. Another pick, In Sunlight or In Shadow: Stories Inspired by the Paintings of Edward Hopper, edited by Lawrence Block, features short stories by such literary heavyweights as Megan Abbott, Joyce Carol Oates, and Stephen King. A selection of DelArt Readers books will be available for purchase in the Museum Store.

The Museum is wrapping up its literary programming for 2019 with the End of Year Writers Gathering and Open Mic on Thursday, December 12. Guests will meet fellow writers, learn more information about literary events, and hear a variety of poetry and prose at the Open Mic. The last event featured slam poetry, a reading from former Delaware Poet Laureate JoAnn Balingit, and even juggling! Participants are encouraged to register in advance and arrive on time to snag a reading slot.

“It’s really unique to see a community bookstore within a museum,” says Jessa Mendez, the Lead Museum Associate who works on literary programming alongside Store Supervisor, Jeanie Robino. “Jeanie and I are so excited to be a part of this literary evolution through our work in the Museum Store. I began my relationship with the Museum through literary programming, so it’s amazing to see how much the writing community has grown in this time. We’re creating an inclusive space and encouraging conversations around literature and art, and I’m so grateful to be a part of this vision.”

Plans are already underway for the fourth annual Wilmington Writers Conference, which includes a full day of breakout sessions, a panel discussion, and a keynote on a summer Saturday. More details will be announced in spring 2020. 

About the Delaware Art Museum

For over 100 years, the Museum has served as a primary arts and cultural institution in Delaware. It is alive with experiences, discoveries, and activities to connect people with art and with each other. Originally created in 1912 to honor the renowned illustrator and Wilmington-native, Howard Pyle, the Museum’s collection has grown to over 12,000 works of art in our building and sculpture garden. Also recognized for British Pre-Raphaelite art, the Museum is home to the largest and most important Pre-Raphaelite collection outside of the United Kingdom and a growing collection of significant contemporary art.

Under the leadership of our Board of Trustees, the Delaware Art Museum is implementing a comprehensive approach to community and civic engagement. This exciting new strategic direction requires that we increase our value and relevance to all audiences. Visit delart.org to for the latest exhibitions, programs, and performances or connect with us via social media.

Thank you to Cynthia Smith, Marketing Manager, The Delaware Art Museum, for the content of this post.

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DoNArTNeWs – celebrating eleven years reporting on Philadelphia artists and art.