Category Archives: Experience Design

FUTUREPROOF

Futureproof, HAVERFORD'S CANTOR FITZGERALD GALLERY

FUTUREPROOF at Haverford’s Cantor Fitzgerald Gallery Explores Our Present by Interrogating How We Imagine THE FUTURE

Artists, writers, inventors, moviemakers, militaries, and think tanks have long tried to predict coming technologies or foresee catastrophic events — not merely for entertainment’s sake, but to prepare for possible outcomes, quell anxieties, or gird against tragedy. Shell Oil even has a “Scenarios” team, founded in 1965 and still working today, whose job is to explore “possible versions of the future by identifying drivers, uncertainties, enablers and constraints, and unearthing potential issues and their implications.” A new exhibit at Haverford College‘s Cantor Fitzgerald Gallery, Futureproof, gathers work from contemporary artists on this theme with real-world images and archives from governmental and corporate scenario planners to explore how we have imagined and continue to imagine different futures.

In engineering, industrial design, and architecture, “futureproofing” typically refers to creating something in a way that minimizes or slows down technological obsolescence. Futureproofing methods are often reflective of people’s anxieties, aspirations, and assumptions about the present, sometimes acting as self-fulfilling prophecies. In this sense, they recall another form of proof—proof as mathematical argument, defined by a series of accepted axioms and truths. The artists in Futureproof engage with the many malleable interpretations of futureproofing, drawing from both the legacy of military and corporate scenario planning and the use of semi-fictionalized artifacts or archives as “proof,” or evidence, of alternate timelines or futures yet to come.

So, a 1991 in-house film on climate change produced by the Shell Corporation will be shown alongside a multi-faceted installation by Ilona Gaynor (“Everything Ends in Chaos”), featuring 2D and 3D objects with video in a piece that deconstructs corporate risk assessment. The Guantanamo Bay Museum of Art and History, which foresees that the detention facilities in Cuba have been closed and replaced with a museum that reflects on Guantanamo Bay’s social and political significance, will be represented, as will images and archival documents from Cybersyn Project, the real-life cybernetics economy-management operation of Salvador Allende’s Chilean government.

In a time when each day seems to bring a new cascade of political uncertainties, when every “now” is assumed to be “more than ever” and every crisis feels more unmanageable than the last, Futureproof encourages viewers to interrogate the fraught systems of the present moment and imagine how they might be otherwise.

Futureproof is curated by Ingrid Burrington and features the work of Morehshin AllahyariSalome Asega, Gui Bonsiepe and the Cybersyn Project, the United States Department of Energy, Ilona GaynorAyodamola Tanimowo Okunseinde, Shell Corporation, and The Guantánamo Bay Museum of Art and HistoryFutureproof is supported by the John B. Hurford ’60 Center for the Arts and Humanities.

Futureproof will be on view Oct. 27 through Dec. 17, at Haverford College’s Cantor Fitzgerald Gallery. On Friday, Oct. 27, to celebrate the show’s opening, there will be a talk by curator Ingrid Burrington at 4:30 p.m. followed by a reception at 5:30 p.m. An associated screening of Peter Galison and Robb Moss’s film Containment will take place Nov. 29, at 7 p.m., in the Visual Culture, Arts, and Media building’s screening room. For details and additional related events: exhibits.haverford.edu/futureproof.

Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday through Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 p.m. to 5 p.m., and Wednesdays until 8 p.m. For more information, contact Matthew Seamus Callinan, associate director of the Cantor Fitzgerald Gallery and campus exhibitions, at (610) 896-1287 or mcallina@haverford.edu, or visit the exhibitions program website: www.haverford.edu/exhibits.

Haverford College is located at 370 Lancaster Avenue, Haverford, Pa., 19041

Thank you to Rebecca Raber for the content of this post.

SEO and Photoshop by DoN.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Happily

Happily Ever After, Main Line Art CenterEmily Smith, when a man decides to hurt you series_existential

Investigating the Female Gaze in Happily Ever After

at Main Line Art Center

October 2 – 29, 2017

Artist talk and opening reception: Friday, October 13, 5:30 – 8:00 pm
2017 Digital Artist in Residence Jenny Drumgoole debut presentation
DESIGNPHILADELPHIA featured event
—-
Panel Discussion: October 26, 6:00 – 8:00 pm

Happily Ever After and the Female Gaze: Philadelphia
Women Artist Trailblazers – Then and Now
—-
Portfolio Review with Main Line Art Center’s
Artistic Advisory Board: October 20, 1:00 – 4:00 pm

Main Line Art Center investigates the female gaze, modern femininity, and contemporary challenges to women’s rights with Happily Ever After, an exhibition of works by female artists running October 2 through October 29.

Curated by Amie Potsic, Executive Director & Chief Curator of Main Line Art Center, the show features the work of artists Aubrie Costello, (Philadelphia, PA), Jenny Drumgoole, (Philadelphia, PA), Jes Gamble, (Philadelphia, PA), Erica Zoë Loustau, (West Grove, Pennsylvania), Mari Ogihara, (White Plains, New York), Glynnis Reed, (Egg Harbor, NJ), and Emily Smith, (Philadelphia, PA). From self-defined vantage points of power, these women artists address the human experience through a female lens in the 21st century – a post-feminist era rife with demands for a new feminism. Addressing pre-pubescent characters, trans and female identities, emotionally charged language, and complex female forms, a single definition of woman is defied. In today’s fairytale, Cinderella is breaking the glass slipper and “happily ever after” remains elusive. A free artist talk and opening reception will be held on Friday, October 13, from 5:30 – 8:00 pm at Main Line Art Center, and starting at 6:30 pm, Aubrie Costello will be doing a live installation that will carry throughout the evening.

Happily Ever After, Main Line Art CenterMari Ogihara

Taking inspiration from the majesty and strength of samurai armor as well as the vulnerable sensuality suggested by women’s undergarments, Mari Ogihara creates ceramic chastity belts and female figures alluding to corporeal desire and implied violence.  Directly confronting the emotional impact of violence against women, Emily Smith’s paintings reveal the psychological and physical trauma of being attacked by a male stranger processed through paint, fabric, and memory.

Jes Gamble uses photography to document performance and fiber based works that explore an emotional journey from fear to empowerment, all the while referring to the inescapable history of female experience and the act of mending to build human connection. Celebrating the authenticity of female kinship, Glynnis Reed’s photographs meld confident female and transgender subjects with natural imagery to create auras of complex spirituality.  Influenced by the natural landscape, her girlhood home, and architecture, Erica Zoë Lostau creates site specific installations of repeated shapes on geometrically arranged lines of mono-filament seeking a sublime level of illusion and metaphor.

Happily Ever After, Main Line Art CenterGlynnis Reed

Imagining what would happen if the sexual awakening of puberty were averted, Jenny Drumgoole’s videos present her alter-ego named Soxx who turns traditional women’s behavior on its head by throwing parties for sanitation workers, eating pudding for hire, and running for Mayor of Philadelphia.  As if applying punctuation to the same city, Aubrie Costello’s silk graffiti speaks to women’s physical and emotional struggles, the power of language, and unrelenting natural elements.

The artists in Happily Ever After resist and embrace the traditional trappings of women’s beauty and identity while rewriting urban legend, redefining women’s work, and re-forging paths to power. In doing so, they not only actualize the female gaze, they stare you straight in the eye.

In conjunction with the exhibition, Main Line Art Center is proud to present the lecture “Happily Ever After and the Female Gaze: Philadelphia Women Artist Trailblazers – Then and Now” led by Cindy Veloric, MA, research assistant at the Philadelphia Museum of Art,  Artistic Advisor at Main Line Art Center, and independent art historian.  Veloric will explain an extended series of circumstances particular to Philadelphia that enabled a number of “firsts” for trailblazing women artists. In the context of Main Line Art Center’s exhibition Happily Ever After, Veloric will also lead a panel discussion with women artists in the show (Aubrie Costello, Jenny Drumgoole, Jes Gamble, and Emily Smith) looking at the female gaze and politics of influence in the their work today.

Main Line Art Center is the community’s home to discover, create, and experience visual art. The mission of Main Line Art Center is to inspire and engage people of all ages, abilities, and economic means in visual art through education, exhibitions, and experiences. Committed to increasing the visibility and accessibility of art, the Art Center presents innovative exhibitions and events in the community, including Panorama: Image-Based Art in the 21st Century, a Greater Philadelphia-wide celebration of the photographic image and digital media. Main Line Art Center’s educational offerings for all ages, abilities, and economic means span from traditional to contemporary, and are all held to the highest level of excellence. In 2015, Main Line Art Center received the Commitment to Cultural Access Award from Art-Reach for the Center’s Accessible Art Programs for children and adults with disabilities. Additionally, the Art Center grants over $10,000 in need-based scholarships annually. Last year, Main Line Art Center engaged 21,000 people through classes, exhibitions, and Summer Art Camp, and touched the lives of over 78,000 through Exhibitions in the Community and festivals across the Philadelphia area. Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking.

As the oldest design festival of its kind in the country, DesignPhiladelphia highlights the work of thousands of local designers, architects, and creative professionals to demonstrate Philadelphia’s reemergence as a 21st century city shaped by thoughtful design, collaborative business practices, and community engagement. Over the course of ten days each October, places such as universities, cultural institutions, civic associations, city agencies, retailers, manufacturers, and startups across the city participate in over 100 engaging events including panel discussions, fashion shows, participatory workshops, studio tours, book signings, professional development classes, design exhibitions, and imaginative celebrations.

For more information about Happily Ever After, please visit www.mainlineart.org or call 610.525.0272 X 116.

Thank you to Amie Potsic for the content of this post.

SEO and Photoshop by DoN.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Warbler Migration

Deirdre Murphy and Scott White

Deirdre Murphy and Scott White, Warbler Migration

Wife-husband collaborators and UPenn School of Design faculty Deirdre Murphy
and Scott White recently completed a 5 by 25 foot sculpture that was installed last month in the burgeoning Silicon Valley city of Dublin, CA.

The project, which took nearly two years to complete, combines Murphy’s fine arts expertise and climate science research with White’s unique knowledge of digital modeling and 1930’s car design. Murphy and White will be discussing the groundbreaking project at UArts’ Design Philadelphia event this October, detailing their unusual design and build process—an integration of traditional and digital fabrication techniques.

Warbler Migration was inspired by a shy species that resides in the Dublin ecosystem, and one which Murphy developed a particular fondness for in the course of her research. She has been researching the effects of global warming on bird migration for several years, using the visual data that scientists share with her to conceptualize and execute her paintings. The couple sees the opportunity to create environmentally-aware public art as an especially fulfilling one because of the potential to touch so many lives.

“Climate change has created new flight patterns; birds are staying in their summer homes longer, depleting the food supply they rely on to fuel their autumn journey,” says Murphy. “As educators, it’s important for us to share this knowledge. Embedding information about climate change in our art is a softer way to reach a broader audience.”

It was White’s task to take Murphy’s mesmerizing depictions of flocking birds and activate them into 3D space, which he did by digitally designing, then hand cutting and assembling more than 500 aluminum plates into a handcrafted hyperbolic curve.

Murphy’s and White’s presentation will take place Monday, October 9 at 6.30 at 211 South Broad Street, Terra Hall, room 511/513. Process art from Warbler Migration will be on display, along with the Industrial Design NOW exhibition prior to the presentation, from 5:00-6:30. The event is free and open to the public.

Deirdre Murphy and Scott White

Deirdre Murphy is an adjunct professor of fine arts at the University of Pennsylvania. Her work has been shown nationally and internationally, at institutions including the Philadelphia International Airport, New Bedford Museum, Tacoma Art Museum, University of Pennsylvania and Pennsylvania Academy of Fine Art. She is the recipient of numerous awards and grants, including a Pennsylvania Council for the Arts Fellowship and a Leeway Foundation award, and is represented by the Gross McCleaf Gallery in Philadelphia; her work can be viewed at www.deirdremurphyart.com.

Scott White is a senior lecturer in animation at the University of Pennsylvania. His sculpture, animation, and designs have been shown nationally and internationally at venues including Design Philadelphia, Philly Works, Woodmere Art Museum, Gross McCleaf Gallery, and the Abington Art Center. Scott has been a visiting artist at institutions such as Philadelphia University, Moore College, and Wilmington University, Simeone Foundation Automotive Museum and is the owner and operator of Preservation Coachworks LLC.

Thank you to Christina Cook, Media Relations, Deirdre Murphy Art for the content of this post.

SEO and Photoshop by DoN.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

HOW

Ada Trillo, Twenty-Two GalleryANDREA, 2017 by Ada Trillo

”Andrea is dying of stomach cancer and addicted to heroin,” said Trillo.

“HOW DID I GET HERE?”
BY ARTIST ADA TRILLO

PHOTOGRAPHY EXHIBITION
TWENTY-TWO GALLERY

 PHILADELPHIA, PA – June, 2017 Twenty-Two Gallery is pleased to announce the opening of a new photography exhibition by Philadelphia-based artist Ada Trillo entitled How Did I Get Here? The dynamic portrait series documents the exploitation of women in the prostitution industry. The opening reception is Thursday, July 13, 2017 and the exhibition runs through August 6, 2017. Proceeds will benefit organizations helping to end prostitution and human trafficking.

Photographed in the brothels of Juarez, Mexico, Trillo captures the adversity these women must overcome in their daily lives, giving context and an identity to the prostitutes. With this exhibition, she is raising awareness about this global issue and inviting you to be part of the solution. Proceeds from the sale of these photographs will be donated to two organizations: The Coalition Against Trafficking Women, an international organization dedicated to protecting human rights, and the Mother Antonia Center of the Oblate Sisters of the Most Holy Redeemer, Mexico City, who support the dignification of women in prostitution who work in La Merced.

On her experience, Trillo shared “This series and experience has greatly humbled me, and I hope it will have an impact, moving viewers to want to make a difference as well.”

Many artists deploy photography for commentary on a variety of issues in society. Its intent is to provoke a response and, frequently, its two most common subject matters are poverty and labor. Trillo’s exhibition does both. The subjects of her portraits are prostitutes working in Juarez, known for its violent drug cartel.

“A majority of the women are not from Juarez. Instead, many were abducted into the sex trade while attempting to cross the border, or sold into the industry by family members,” stated Trillo.

Ada Trillo, Twenty-Two GalleryCLAUDIA, 2017 by Ada Trillo

”Claudia was abused as a minor by her stepfather and ended up as a prostitute and heroin user. The last time I was there she had been missing for 30 days,” shared Trillo.

Nearly all of the women are addicted to drugs—crack cocaine and heroin—and have neither healthcare nor access to rehabilitation. Those who cannot attract clients are deprived of food. Trillo braved the Juarez Valley for her series of photographs taken during multiple visits over three years.

The power of Trillo’s narrative creates an intersection of sympathy, dignity, and hope. This is Trillo’s first foray into photography. She is also a painter, whose paintings use “symbolism of transformation, impermanence, and power” and now, so does her photography.  This summer’s exhibition at Twenty-Two Gallery, “How Did I Get Here?” will be an opportunity to introduce Trillo’s new genre to a broader audience and raise awareness about the trafficking and exploitation of women as an international issue.

Twenty-Two Gallery | 236 South 22nd Street Philadelphia, Pa 19103

Opening | Thursday, July 13 | 6:00pm-8:00pm

Exhibition Dates & Times | July 14 – August 6

Wednesdays through Sundays | 12:00pm – 6:00pm or by appointment

ABOUT ADA TRILLO   | WEBSITE www.adatrillo.com  |  INSTAGRAM @adatrilloart

Ada Trillo is an artist who works in multiple media, including oil and acrylic painting, as well as photography. Her work is influenced by the rich cultural heritage of the American Southwest and Mexico and the symbols related to Latin culture. It is frequently characterized by her use of gold powder and gold leaf.

Born on the American/Mexican border, Trillo lives and works in Philadelphia and frequently travels to Mexico and Europe for inspiration while continuing to develop as an artist with classes in painting and photography at PAFA and the University of the Arts. She has been featured in solo, two-person and group exhibitions and is represented by RASCO Fine Arts and Twenty-Two Gallery in Philadelphia.

For editorial & image inquiries:
Tara Theune Davis | Bespoke Strategies | taratheunedavis@gmail.com  | 917.318.5577

Thank you to Tara Theune Davis for the content of this post.

Like Twenty-Two Gallery on facebook

SEO and Photoshop by DoN.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

12th

RESIST, 12th Annual Juried ShowBrooke Jana, Pussy Hat

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

In a way, RESIST, our 12th Annual Community Juried Show OPENING THIS THURSDAYis a sequel — perhaps an unfortunate one — to last summer’s HOW WOULD YOU SAVE THE WORLD? We do need some saving. Right now.

RESIST, 12th Annual Juried ShowChloe Pinero, Pose

But rather than offer ideas for evolution, the 34 artists of RESIST — 16 of them brand-new to our space — are often more closely attuned to the frequency of revolution. They tap into this energy and harness it to power their creativity.

RESIST, 12th Annual Juried ShowChloe Pinero, Titi’s House

The results just as easily can be ad hominems or odes to courage:

* We see the many faces of the demagogue who needs exposing (not exposure), painted in a JIM BIGLAN lampoon, spliced together in an ALYSE C. BERNSTEIN collage, made into the stuff of children by LANCE PAWLING and JOSH TODD, as well as…
* The heroes of the Resistence, from WOODLEY WHITE‘s recognizable leaders and CHLOÉ PIÑERO‘s resolute fighters to ALONZO TROY HUMPHREY‘s haunting figures and BOB GORCHOV‘s ultimately triumphant angel.

RESIST, 12th Annual Juried ShowChris Vecchio, RESIST #2
But if RESIST were composed merely of perceived good and evil, our show, shackled to this dichotomy, would fail to aspire or inspire. Instead our jury uncovered greater depths.
DAVID R. EVANSON adds four images from his compelling “Strange Fruit” series, which shows racial injustice and resistance in a visual language of his own invention.
BROOKE JANA makes words one of her media, inviting you to spend time inside her intricate constructions.
* Look up to take in HEATHER RAQUEL PHILLIPS and CHIARA NO‘s hangable book, which predicts a banner day for empowerment.
MONK E BURNSWELL dominates the 3D case with a measure of last resort that channels both Duchamp and Cornell.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Incarceration

So can RESIST mean something apolitical? Sure it can. It always has. To wit:
ELIZABETH H. “BETTY” MACDONALD‘s cockroachs, the never-say-die warriors from the insect world,
NOA TRAVALIA‘s tangled web of foods we love…though we know we really shouldn’t, and,
CHRIS VECCHIO‘s carved “ohmage,” which returns resistance to its electrical origins.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Selma

And we’re not halfway through our show. So even after you experience these works in person, you will have plenty more to discover firsthand.

RESIST, 12th Annual Juried ShowBrooke Jana, BANFIRE

And if you choose to purchase art, you will be doing more than speaking out. You will be speaking up for members of our community. 20% OF ALL SALES benefit two urgently needed nonprofit organizations in our own backyard: the WOMEN’S MEDICAL FUND (womensmedicalfund.organd SUNDAY BREAKFAST RESCUE MISSION (sundaybreakfast.org).

RESIST, 12th Annual Juried ShowLance Pawling, All the King’s Horses

Plus, as is always the case with our OPENING RECEPTIONS, there will be light hors d’oeuvres to nibble…your favorite drinks poured by none other than JODY SWEITZER, our host and curator…tunes playing on the juke…and much, much livelier conversation offline. In addition, a handful of our artists will be singled out with JURY CITATIONS, which we will announce at the Opening, roughly an hour into our party. And don’t pay too close attention to the end time; we’re sure to keep going well past 10:00.

HARD TO RESIST, RIGHT?!?

We look forward to seeing you Thursday evening!

Togo

Togo Travalia
Manager

OFF THE WALL GALLERY at Dirty Frank’s

NE Corner, 13th & Pine Streets, Philadelphia, PA  19107

offthewallgallery@gmail.com

(215) 732-5010 (bar)

(484) 357-6440 (cell)

Philly’s pioneering alternative art space, since 1978.

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

Like Off the Wall Gallery on facebook

Follow @OTWDirtyFranks on Twitter

Follow @otwdirtyfranks on Instagram

SEO and Photoshop by DoN.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs