Category Archives: Philadelphia Art Shows

Art shows DoN has reviewed for DoNArTNeWs.

REBECA MARTELL – NIGHT IS THE NEW DAY

Rebeca Martell, Night is the New Day

REBECA MARTELL – NIGHT IS THE NEW DAY

Where will we go after the last borders? 

Where will the birds fly after the last darling? 

Where will the plants sleep after the last wind? 

We’ll write our names with steam dyed crimson,  we will cut the hand to the edge so that our meat completes it.

Here we will die.

Here, in the last passage.

Here or there… our blood will plant its olive trees.

Mahmoud Darwish

Night is the New Day, Rebeca Martell
Night is the New Day, Rebeca Martell

In the black and white photographic series Night is the New Day, Rebeca Martell evokes the recognition of the strangeness that she experiences looking at in exile.  Between surprise and nostalgia, Martell moves towards the redefinition of herself, cautiously exploring the places she sees and the people who inhabit them.  With a foreign lens, looks for the moment that sublimates the experience of herself, that captivates the feeling of being in the dark leaving behind the memories of the tropic, like running away from a bad dream.

Rebeca Martell

Martell’s camera is the vehicle that intervenes between her gaze and the other; where the faces are not recognized, where the blur in the images is the metaphor of the distance between the self and the beings that inhabit reality.  Martell utilizes the absence of light to blur the very act of looking. Martell’s work not only sublimates emotions but is also a lonely walk; the cold and silence, the memories that inhabit the memory. 

Night is the New Day, Rebeca Martell

The images of Night is the New Day are an evocation of what the darkness hides from the eye, what cannot be perceived by the naked eye, the ghost of the absent light during the winter that only leaves in its wake a few shades. Rebeca Martell makes use of photography to portray her days of winter in Sweden while, at the same time offers us a testimonial of a look that becomes raw, powerless and unprotected against others and before her own process of self-recognition.  She portrays the moment where the connection between the gaze and the soul is created, right there where it appears what cannot be shown with the naked eye, where she reaches the image from the furthest part of the unconscious.                            

Liliana Marcos Lozano, 2022

Night is the New Day, Rebeca Martell

Rebeca Martell bio:
Rebeca Martell, an independent photographer, trained at UNAM, Centro de la Imagen, Jumex Collection, Philadelphia Photo Arts, Rufino Tamayo Museum, Alameda Art Laboratory, and Photoespaña.


Her work has been exhibited at the Museum of Contemporary Art of Oaxaca, the Barnes Foundation, X-Teresa Arte Actual, the Sebastián Foundation, Brukenthal National Museum of Contemporary Art in Romania, Philadelphia Photo Arts, and the National Auditorium; as well as in the Mexican embassy in Spain, Belgium, Lithuania, Hungary, Greece, Holland, France, San Pedro Museum of Art, and in the Juan C. Méndez PhotoMuseum, as well as having been a winner at the eighth State Meeting of Contemporary Art in Puebla, Mexico.

Night is the New Day, Rebeca Martell

Philiput presents: Rebeca Martell – Night is the New Day photographic art by Rebeca Martell, curated by Devin Cohen, curatorial text by Liliana Marcos Lozano

event photos by Devin Cohen

Night is the New Day, Rebeca Martell


Philiput presents: Calo Rosa – Fiorenza at Philiput at SOSNA on 1901 Washington Ave in Philadelphia.

Calo Rosa – Fiorenza at Philiput at SOSNA, Philadelphia


Liliput is a house that is restructured to become an experimental art gallery, residence and artistic workshop; a multidisciplinary space that opens its doors in Puebla, Mexico. Liliput has exhibited international experimental contemporary art for 6 years now.


Philiput is an extension of Mexico’s Liliput though in Philadelphia, Philiput is a nomad art space currently housed at SOSNA at 1901 Washington Ave.


Soon Calo Rosa will exhibit as well at Liliput in Mexico.  His exhibition at Philiput at SOSNA in Philadelphia, as well as his upcoming exhibition at Liliput Xperimental Gallery in Mexico are both curated by Rebeca Martell and Devin Cohen.

Thank you so much,
Devin Cohen / Rebeca Martell

https://liliputxperimental.wixsite.com/liliput

https://liliputxperimental.wixsite.com/philiput

Exhibition and art: Calo Rosa Curated by
Rebeca Martell and Devin Cohen
Photos: Devin Cohen

PHILIPUT sends an enormous thank you to SOSNA


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Pandemic

Kassem Amoudi is a Palestinian Jordanian American artist who came to the US in 1983. He got his MFA from the Pennsylvania Academy of the Fine Arts and now teaches there. The first time I remember seeing one of his paintings was at the Woodmere Art Museum. Like a philosopher Kassem thinks in terms of dualities, pairs of things that complement one another. He told me about one of the greatest of these pairings. – John Thornton, arts videographer

Artists in the Time of Pandemic, Kassem Amoudi

One of the paintings I will show at Cerulean Arts Gallery from the Stripes series. It is a 48×48 Acrylic. The show starts May 5th with social distancing and masks. The opening will be a Virtual tour and talk on Saturday the 8th at 2 pm. You can register for it at the gallery website when they add it. It hasn’t been posted yet because there is another show right now. — Kassem Amoudi

Cerulean Arts Collective, Kassem Amoudi

Cerulean Arts Collective

I will be One of the panelists at this webinar at Woodmere Art Museum May 6th at 7.
Please click the link to register.
Closing Reception (virtual): Group ’55 and Midcentury Abstraction in Philadelphia
Presenters: Bill Valerio, Woodmere Director & CEO; Patricia Stark Feinstein, Curator of the Samuel L. Feinstein Trust; Barbara Wolanin, PhD, Curator of the Group ‘55 exhibition; Kassem Amoudi, Artist
Join Woodmere in celebrating the art and artists of the Group ‘55 exhibition through an online closing reception. The online program will feature a new film on the exhibition, along with a conversation between Bill Valerio; Patricia Stark Feinstein; Barbara Wolanin, PhD; and Kassem Amoudi. Group ‘55 and Midcentury Abstraction in Philadelphia is on view through Sunday, May 9.
This event will be held online via Zoom, and registration is required. Participants will receive event information via email upon registration.
Free | 7pm | Click here to register.
https://zoom.us/webinar/register/WN_aCKZqyA-R-WFIqoOgyrUEQ

Kassem Amoudi, Cerulean Arts Collective

Thank you to Kassem Amoudi and John Thornton for the content of this post.

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mOTHER

Sarah Detweiler: mOTHER

A solo exhibition by Sarah Detweiler, presented by Paradigm Gallery.

April 23 – May 22, 2021


Sarah Detweiler, Life of the Party, Oil on Canvas, 16”w x 20”h 
(oval canvas with beveled edge)

Paradigm Gallery is pleased to present mOTHER, a solo exhibition by figurative painter Sarah Detweiler. mOTHER features 12 new vibrantly haunting works from Detweiler’s ongoing series, Hidden Mother, which adeptly subverts the portrait form and instead, focuses on a woman’s self-imposed perceptions and expectations that a mother attaches to their identity. Her evocative paintings use concealment as a way to reveal deeper truths. mOTHER marks Detweiler’s first solo exhibition at Paradigm Gallery and will be on view* from April 23 – May 22, 2021 with a virtual opening on Friday, April 23 at 5:30PM, RSVP is required: 

https://www.eventbrite.com/e/sarah-detweilers-mother-opening-and-live-qa-tickets-1505768303 53

The Hidden Mother series was inspired by a trend in Victorian portrait photography in which mothers concealed themselves in fabric while they held their children still for long exposure photographs. Detweiler’s images remove the children, showing only the women covered and posed alone within each frame. In this way, they are both hyper visible and hidden. While the artist used herself as the model for previous works, her new collection turns her gaze toward other women, thus expanding the view of motherhood as both a connective thread and as an experience that is unique to each individual. 

Though the series has been ongoing since January 2020, mOTHER marks the first body of works where Detweiler collaboratively created the pieces with her subjects. Detweiler worked closely with her subjects to best tell their stories, intuitively translating their experiences and feelings onto the canvas. By personalizing her paintings to her subjects’ stories, their life experiences shine through the patterns and colors of the work, even as their faces are obscured. Though Detweiler knows her subjects personally, in maintaining the anonymity of her subjects, she preserves a universal relatability — the woman under the shroud could be you, your mother, your friend. 

Sarah Detweiler: mOTHER, The Night Owl

The paintings in mOTHER include hand-stitched embroidered elements that add texture and dimension, while alluding to a craftwork traditionally associated with femininity. The stitching is often only noticeable upon closer inspection, reinforcing the significance of that which is hidden in plain sight. The resulting images in this exhibition are deep, vibrant, and fantastical. They express their subjects’ ambivalence, acceptance, and embrace towards their changing roles as mothers, all while celebrating the true multiplicity of their identities. 

Detweiler opens the conversation around transformation and identity, honoring each woman’s existence beyond motherhood. Her powerful images are both eerie and whimsical, cathartic and hopeful. Though the subjects are hidden on a superficial level, the coverage actually allows the artist to see more deeply, revealing them in new and beautiful light. 

*Due to COVID-19, ”mOTHER” will be open for regular weekend hours with limited capacity and is available to view by private appointments during the week until further notice. The digital exhibition twin is available on https://www.paradigmarts.org/ for viewing from home. 

These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email info@paradigm-gallery.com. 

About Sarah Detweiler 

Sarah Detweiler is a Philadelphia area-based, mixed media painter. Her experiences as a woman and mother are explored through figurative narratives created with a combination of embroidery with oil, acrylic, gouache, and watercolor.

Sarah has a BFA from the University of Delaware in Visual Communications and a Masters in Art Therapy from Pratt Institute in Brooklyn, NY. She has exhibited in group and solo shows in various locations including New York City, Brooklyn, New Jersey, Los Angeles, San Francisco, Dallas, Chester County, PA and Philadelphia. Sarah has been featured by The Jealous Curator, Create Magazine, Making Art Films, and Thrive Art Studio. Her work has been published in Uppercase Magazine and Create Magazine. 

Sarah’s art centers around themes of fertility, motherhood, female empowerment, and the human experience. 

About Paradigm Gallery 

Paradigm Gallery + Studio® was established in 2010 by co-founders and curators, Jason Chen and Sara McCorriston. The gallery exhibits meaningful, process-intense contemporary artwork from around the world. Now open 11 years, Paradigm Gallery is globally recognized and known as a tastemaker within their greater Philadelphia arts community. As the gallery grows, it maintains its original mission to keep art accessible. Through monthly donations, free public art installations, and initiatives like Insider Picks, Paradigm Gallery, continues to be a champion of small businesses and emerging and mid-career artists. 

Location: 

746 S 4th St 

Philadelphia, PA 19147 

Media Contact: 

Lainya Magaña, A&O PR 

347 395 4155 

lainya@aopublic.com

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Ouroboros

Ouroboros- works by Jordan Kressley

Ouroboros- works by Jordan Kressley

May 1st- 31st

Black Moth Gallery

18 East Lancaster Avenue Ardmore, PA 19003

For the month of May new works by illustrator Jordan Kressley will be on display in the gallery.

A fairly recent graduate in the field of illustration Kressley has made the wise decision to stick to traditional hands on mediums, quickly and adeptly honing the skills of chalk pastels. In an age of digital content one can drown in these works on paper that have tediously been labored upon are a fresh breath on art. Everything about this young artist’s choices set her apart from the pack. She impresses the viewer with every single work she creates with scale and attention to detail. Kressley creates a fantastical and rich sense of depth and luminosity in her work, where the bright and energetic meet calm of boundless darkness. While referencing the living world around her, she develops exciting compositions with unique narratives that capture the viewer’s attention. Presenting a new series of works that tie in her current interest in flora and fauna that push the boundaries of reality just enough. Do not miss the opportunity to view these wonderful works in person. Stop in the gallery 5 days a week to view and add to your collection. All works are also available for sale online through our site www.blackmothgallery.com

https://www.facebook.com/events/1098597167326716

Steve Martin Black Moth Tattoo & Gallery Voted Best of Philly 2020·Voted Best of the Main Line 2020 ·Voted MontCo’s Best of in the Happening List 2018 2019 2020

www.BlackMothTattooandGallery.comFacebook | Instagram | Youtube18 East Lancaster Avenue
Ardmore, PA 19003
610-642-1500

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