Category Archives: Philadelphia Art

Art in Philadelphia, PA.

Metropolitan Gallery 250 Presents “Second State, Second Edition”

 

Metropolitan Gallery 250 Presents 
“Second State, Second Edition”

The Crane Arts Second State Press to show new print work from emerging local talent

PHILADELPHIA (January 8, 2013) – Philadelphia’s print artist community has been livened by the sustainable workspace provided by Second State Press, a workshop based at Crane Arts in Kensington. Metropolitan Gallery 250 is happy to host them for the first time in Rittenhouse Square, debuting the group’s “Second State, Second Edition” show running January 19th to February 24th, 2012.

The exhibition is comprised of forty-six, 8”x10” prints created by the members of Second State Press, and includes work within a number of mediums, including intaglio (etching), relief, screen printing and lithography. A special First Friday reception that is free and open to the public, will he held inMetropolitan Gallery 250 on February 1st from 6-9pm.

“Second State, Second Edition” is an exciting and unique continuation of the annual Print Exchange, where Second State Press volunteers known as “Fob Holders” have the opportunity to create and show new bodies of work for their peers and their community. The Fob Holders hold coveted spots as members of this competitive program, having unlimited access to the Second State Press workspace in exchange for twelve hours of volunteer work per week within the space.

McTague elaborates, “The Print Exchange is a key component to Second State Press.  This year, we doubled the number of members participation and with the addition of our Fob Holders work inMetropolitan Gallery’s “Second State, Second Edition”, we are especially able to highlight the accomplishments of these breakout artists.”

Second State Press is the premier printmaking workshop in greater Philadelphia. Located on the bottom floor of the Crane Arts building in the South Kensington neighborhood, Second State Press serves as a creative workspace that fosters the development of ideas and innovation for emerging artists. Spearheaded by the Second State Press Directors, Jennifer McTague and Zach Lindenberger, the group provides their artists with printmaking tools, presses and inks through its membership program, paired with the opportunity to continuously grow their work through their annual Print Exchange exhibit.

“The idea is to give artists a professional workshop that’s also affordable,” says Jennifer McTague, Co-Director of SSP.  “There are some interesting things that happen when printmakers from all different backgrounds come to together and share ideas, creating an amazing dialogue around contemporary print making.”

The exhibit will show on Saturdays and Sundays from 12-5pm January 19th through February 24th, and by appointment on weekdays.

For a private showing or information about Second State Press/Metropolitan Gallery 250, please contact Dani Sigel at 508-523-9796

For more info on Second State Press, visit http://secondstatepress.org.

About Metropolitan Gallery 250

Metropolitan Gallery 250  – dani@metropolitanbakery.com– www.facebook.com/MetropolitanGallery250

About Metropolitan Bakery
Since 1993, Metropolitan Bakery has been tempting Philadelphians with their handmade all-natural breads, pastries, snacks and world-famous granola. Known for their intense, earthy flavors, crackling crusts and complex texture,Metropolitan breads are baked in over thirty varieties at a 10,000-foot baking facility in Fishtown and then delivered to five neighborhood shops and to more than 90 of the Philadelphia area’s best restaurants and gourmet markets. And now, Metropolitan‘s products are available nationwide… Call 1.877.41.BREAD or visit the online shop atwww.metropolitanbakery.com.

Metropolitan Bakery   –   1.877.41.BREAD   –  www.metropolitanbakery.com – www.blog.metropolitanbakery.com

Press Contact:
Dani Sigel
508-523-9796
dani@metropolitanbakery.com

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Common interests: mobility and transformation of public life

— Glassboro, NJ: Rowan University Art Gallery is pleased to announce its upcoming exhibition Common interests: mobility and transformation of public life, which examines how public spaces – from hardscapes to natural landscapes – inform our everyday lives begins January 22 through March 16, 2013 with a reception and gallery talk on Wednesday, January 30, 5 – 7 pm. Working with sculpture, interventions, social practice, drawing, performance, and video, the artists in the exhibition reflect on the limitations and possibilities of public space, proposing new ways of accessing, navigating, and improving our shared spaces and resources.

Curated by Sara Reisman the exhibition features work by Pierluigi Calignano, Sue Jeong Ka, Jonggeon Lee, Mary Mattingly, Diego Medina, Francesco Simeti, Tattfoo Tan, Lan Tuazon, and Alex Villar. Villar and Tuazon’s projects – video installation and sculpture, respectively – highlight the tensions created by the boundaries that limit and restrict access to public spaces. As if in response to these kinds of limitations – fences, curbs, and imposing facades – Pierluigi Calignano and Diego Medina’s drawings and sculptures suggest abstracted yet expansive architectural concepts that can be read as proposals for public art, architecture, and monuments. Working with memory of both public and domestic spaces, Jonggeon Lee’s artworks reposition fragments of historic architectural details and monuments to evoke the time, place, and textures of their original existence.

Undermining the implied stability of architecture, Francesco Simeti and Mary Mattingly have both produced works that are designed as mobile structures. Simeti’s sculptural installation entitled Rubble (2007) is based on Charles Eames’ House of Cards printed with close up images of ruins and debris that is a theoretical kit designed to rebuild from the remains of destruction. Mattingly’s recent projects The Waterpod (2009) and Flock House (2012) are both human-tested mobile living systems that serve as models for living with (and surviving) the threat of rising water levels and flooding.

Both Tattfoo Tan and Sue Jeong Ka offer up ways to improve our shared resources in the form of two very different libraries that sustain our health and intellect. Tan’s Free Seeds Library provides the public and gallery visitors with access to free seeds as a means of controlling the destiny of our food and promoting ecological diversity. Ka’s Refresh Library is an interventionist approach to book conservation in which she has developed a method for restoring broken and incomplete books in the public library.

Common Interests: mobility and transformation of public life is a small survey of artist projects that call into question how public space and assets are managed, offering ideas and means for reclaiming autonomy in public space.

Reisman has curated exhibitions and projects for numerous institutions, non-profits, and other art spaces including The Cooper Union School of Art, New York; Smack Mellon, New York; Queens Museum of Art, New York; Socrates Sculpture Park, New York; Philadelphia ICA; Museum of Contemporary Art, Banjaluka, Bosnia and Herzegovina; and Kunsthalle Exnergasse, Vienna, Austria, among others. She was the 2011 critic-in-residence at Art Omi, an international visual artist residency in upstate New York. She is currently the Director of New York City’s Percent for Art program that commissions permanent public artworks for newly constructed and renovated city-owned spaces, indoors and out.

Admission to the gallery is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ.

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The Plastic Club New Members 2013

Terrance Smith, The Plastic Club New Members 2013

Terrance Smith, Some Are Dead, charcoal, The Plastic Club New Members 2013

The New Members 2013 ExhibitThe Plastic Club introduces thirty-eight new members – Norman Tomases, Rik Viola, Elizabeth Hughes, Roderick Schichtel, Ellen LoCiceroJohn Attanasio, Lori Balistocky, Gail Morrison – Hall, Sung Ham, Mark Ciocca, Victoria Nevins, Joan McGraneAlice K. Chung, Jordan Artim, Meri Collier, Janice Ward, Cayla Belser, Kelly McCaughern, Alexis Turner, David Katz, Tilda Mann, Rose Maria Kalogerakis, Aimee GoldsmithTerrence Smith, Robert Kallish Robert Allen, Judy Engle, Ruth Formica, Neil C. Johnson, Veronica Kelly, Carol Magakis, Rosa Kim Paik, Frank P. Rausch III, Constance Rea, Ruth E. Rineer, Ed Snyder, Sanny Williams and Sheila Fox.

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Upcycling Trash to Treasure, Philadelphia Dumpster Divers

Susan Malony, Success, Upcycling Trash to Treasure, Philadelphia Dumpster Divers

Susan Moloney, Success, Upcycling Trash to TreasurePhiladelphia Dumpster Divers

Susan Moloney‘s artwork exemplifies the Joseph Cornell line of thinking that the Dumpster Divers represents. In Success the composition is formal presenting a puppet show. But each element is signified with random information, the storytelling and narrative sweetly refined with a pure eye for color, each bit of fabric, text and objet trouve´ has a story all it’s own. Susan Moloney creates her own poetic theater creating parallels and reverence for other art forms.

Linda Lou Horn, Dart of My Heart, Philadelphia Dumpster Divers

Linda Lou Horn, Dart of My HeartPhiladelphia Dumpster Divers

January 5 – February 10, 2013
Upcycling Trash to Treasure
Main Line Unitarian Church, Fireside Gallery
816 S. Valley Forge Road, Devon, PA

Over 20 Dumpster Divers are exhibiting in this delightful and inspiring exhibit.

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Wishes/Lies/Dreams, Alison Stigora and Jay Walker at 1616 Walnut Street

Wishes/Lies/Dreams, Alison Stigora and Jay Walker

Wishes/Lies/DreamsAlison Stigora and Jay Walker

Alison Stigora has created large scale installations for the Crane Arts Center Icebox GallerySkybox and Delaware Center for Contemporary Arts. For those projects she gleaned the forests to find logs to scorch black then arrange in flowing meditative assemblages arranged like a flood of logs through large spaces. By concentrating on wood her attention would naturally be drawn to paper products in the urban environment. Philadelphia has fallen wood but not enough to build an Alison Stigora sculpture, at 1616 Walnut Street she shows how recycling materials can expose the spark of enlightenment she experienced when she wanted to make art. The crystalized idea culminates in a structure that transforms the trash we create into something as luxurious and lustrous as gold.

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