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— Glassboro, NJ: Rowan University Art Gallery is pleased to announce its upcoming exhibition Common interests: mobility and transformation of public life, which examines how public spaces – from hardscapes to natural landscapes – inform our everyday lives begins January 22 through March 16, 2013 with a reception and gallery talk on Wednesday, January 30, 5 7 pm. Working with sculpture, interventions, social practice, drawing, performance, and video, the artists in the exhibition reflect on the limitations and possibilities of public space, proposing new ways of accessing, navigating, and improving our shared spaces and resources.
Curated by Sara Reisman the exhibition features work by Pierluigi Calignano, Sue Jeong Ka, Jonggeon Lee, Mary Mattingly, Diego Medina, Francesco Simeti, Tattfoo Tan, Lan Tuazon, and Alex Villar. Villar and Tuazons projects video installation and sculpture, respectively highlight the tensions created by the boundaries that limit and restrict access to public spaces. As if in response to these kinds of limitations fences, curbs, and imposing facades Pierluigi Calignano and Diego Medinas drawings and sculptures suggest abstracted yet expansive architectural concepts that can be read as proposals for public art, architecture, and monuments. Working with memory of both public and domestic spaces, Jonggeon Lees artworks reposition fragments of historic architectural details and monuments to evoke the time, place, and textures of their original existence.
Undermining the implied stability of architecture, Francesco Simeti and Mary Mattingly have both produced works that are designed as mobile structures. Simetis sculptural installation entitled Rubble (2007) is based on Charles Eames House of Cards printed with close up images of ruins and debris that is a theoretical kit designed to rebuild from the remains of destruction. Mattinglys recent projects The Waterpod (2009) and Flock House (2012) are both human-tested mobile living systems that serve as models for living with (and surviving) the threat of rising water levels and flooding.
Both Tattfoo Tan and Sue Jeong Ka offer up ways to improve our shared resources in the form of two very different libraries that sustain our health and intellect. Tans Free Seeds Library provides the public and gallery visitors with access to free seeds as a means of controlling the destiny of our food and promoting ecological diversity. Kas Refresh Library is an interventionist approach to book conservation in which she has developed a method for restoring broken and incomplete books in the public library.
Common Interests: mobility and transformation of public life is a small survey of artist projects that call into question how public space and assets are managed, offering ideas and means for reclaiming autonomy in public space.
Reisman has curated exhibitions and projects for numerous institutions, non-profits, and other art spaces including The Cooper Union School of Art, New York; Smack Mellon, New York; Queens Museum of Art, New York; Socrates Sculpture Park, New York; Philadelphia ICA; Museum of Contemporary Art, Banjaluka, Bosnia and Herzegovina; and Kunsthalle Exnergasse, Vienna, Austria, among others. She was the 2011 critic-in-residence at Art Omi, an international visual artist residency in upstate New York. She is currently the Director of New York City’s Percent for Art program that commissions permanent public artworks for newly constructed and renovated city-owned spaces, indoors and out.
Admission to the gallery is free and open to the public. Regular gallery hours are Monday Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.
Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ.
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Terrance Smith, Some Are Dead, charcoal, The Plastic Club New Members 2013
The New Members 2013 Exhibit, The Plastic Club introduces thirty-eight new members – Norman Tomases, Rik Viola, Elizabeth Hughes, Roderick Schichtel, Ellen LoCicero, John Attanasio, Lori Balistocky, Gail Morrison Hall, Sung Ham, Mark Ciocca, Victoria Nevins, Joan McGrane, Alice K. Chung, Jordan Artim, Meri Collier, Janice Ward, Cayla Belser, Kelly McCaughern, Alexis Turner, David Katz, Tilda Mann, Rose Maria Kalogerakis, Aimee Goldsmith, Terrence Smith, Robert Kallish , Robert Allen, Judy Engle, Ruth Formica, Neil C. Johnson, Veronica Kelly, Carol Magakis, Rosa Kim Paik, Frank P. Rausch III, Constance Rea, Ruth E. Rineer, Ed Snyder, Sanny Williams and Sheila Fox.
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Written and Photographed by DoN Brewer.
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Susan Moloney, Success, Upcycling Trash to Treasure, Philadelphia Dumpster Divers
Susan Moloney‘s artwork exemplifies the Joseph Cornell line of thinking that the Dumpster Divers represents. In Success the composition is formal presenting a puppet show. But each element is signified with random information, the storytelling and narrative sweetly refined with a pure eye for color, each bit of fabric, text and objet trouve´ has a story all it’s own. Susan Moloney creates her own poetic theater creating parallels and reverence for other art forms.
Linda Lou Horn, Dart of My Heart, Philadelphia Dumpster Divers
January 5 – February 10, 2013
Upcycling Trash to Treasure
Main Line Unitarian Church, Fireside Gallery
816 S. Valley Forge Road, Devon, PA
Over 20 Dumpster Divers are exhibiting in this delightful and inspiring exhibit.
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Written and Photographed by DoN Brewer.
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Wishes/Lies/Dreams, Alison Stigora and Jay Walker
Alison Stigora has created large scale installations for the Crane Arts Center Icebox Gallery, Skybox and Delaware Center for Contemporary Arts. For those projects she gleaned the forests to find logs to scorch black then arrange in flowing meditative assemblages arranged like a flood of logs through large spaces. By concentrating on wood her attention would naturally be drawn to paper products in the urban environment. Philadelphia has fallen wood but not enough to build an Alison Stigora sculpture, at 1616 Walnut Street she shows how recycling materials can expose the spark of enlightenment she experienced when she wanted to make art. The crystalized idea culminates in a structure that transforms the trash we create into something as luxurious and lustrous as gold.
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Photograph by DoN Brewer.
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