DoNArTNeWs

Robert Bohne, Seated Nude, gouache/pencil @ The Plastic Club 2010 Worksop Show.

Paul Clement, Dryad, watercolor.

Barbara Fleming, Solitude, photograph, Syd Torchio, Untitled, acrylic & DoN Brewer, Homme Debout, charcoal & chalk.

Drawings in the Workshop Show @ The Plastic Club by Don McPartland, DoN Brewer & Mike Roberson.

DoN Brewer, La Bella Blonde, charcoal & chalk, Greg Lewis, Untitled, ballpoint, Don McPartland, Untitled, mixed media & Alden Cole, Untitled, oil.

 The Workshop Show @ The Plastic Club embraces art of all kinds as long as the piece relates to work done in one of the many workshops held throughout the week in the Studio on the 2nd floor.  Friday night is DoN’s favorite workshop; dedicated artists drag their tired asses up to the studio to draw, paint, etch, collage, drink wine…and the last Friday of the month, President Bob makes dinner.

Photos by DoNBrewerPhotography.

Karl Richard Olsen took home the Gold Medal in the Plastic Club’s Members’ Medals Show for “Norge“, graphite & pastel.  Check out the perfect hoop earring, a simple shape created with confidant strokes, anchoring the image in a time, place, personality, style… it’s amazing how charcoal & pastel can look so liquidy & fluid. Olsen has a major installation for MCGOPA @ The Inquirer Building in Conshohocken.

Robert Bohne won the Dorothy Invernizzi Guinn Memorial Prize for his masterpiece, “Crustacean Feast“.  The award honors realist paintings because Dorothy didn’t get abstract art and this oil painting is a timeless example of atmospheric naturalism of the highest achievement.  As an artist, when viewing a painting which speaks of years of observation, practice, study, patience & wisdom, it leaves a sensation of living forever, feasting in the moment and leaving a mark on the world.

DoN Brewer, Denmark, photograph, Marie Samohod, Night Still Life, acrylic, Morris Klein, Washington Square, photograph and Eileen Eckstein, Finger Painting, photograph.

Tom McCobb, Adirondack Tea Party, oil.

Burton Greenspan, Albert, oil.  Honorable Mention Award for The Plastic Club’s Members’ Medals Show.

The Members’ Medals Show presents 130 artworks throughout three gallery spaces, Alan Klawans explained that volunteers organize and hang the show; the organic mix of paintings, drawings, photos & mixed media often is brilliant with quirky juxtapositions, DoN is confused by the placement of Syd Torchio’s Art Porn, Take 3, a fantastical painting with a grown up fun-house vibe that gets a bit lost in the dim hall, the best view is from the stairs.

The image above is a digital photo of a projected “Magic Lantern” glass slide that was digitally scanned which DoN compressed for viewing on the web, a long way for a photo to travel.  April 14th, 2010 The Geographic Society Of Philadelphia invited members of The Photographic Society of Philadelphia to view glass slides of a travelogue through Japan by Charles R. Pancoast, an early member of PSoP, from the beginning of the 20th Century in Franklin Hall @ The Franklin Institute.

The invitation only viewing of the slides, not seen since the 1960s, was hosted by Senior Curator of Collections, John V. Alvin, who explained the origins of glass slide projections with the “Magic Lantern” and guided our tour of absolutely exquisite, engrossing, detailed, immediate, gloriously colorful photographs of life, architecture, landscape and fashion in early 1900s Japan.

Example of a “Magic Lantern” projector which allowed glass slides with hand-colored positive photographs to be projected on a wall in the dark with light from a candle.  Magic Lantern shows became a popular form of public entertainment before the advent of electricity and entrepreneurs could purchase a lantern with a set of slides and booklets which allowed them to present guided travelogues, traveling town to town putting on shows like the tour GSoP & PSoP members viewed at The Franklin Institute.

This beautiful image is of a dancer performing in a pagoda displays the beauty, grace, architecture, aesthetics, and quality of life in pre-war Japan as well as exhibiting the high quality of Pancoast’s photography loaded with immediacy, gorgeous composition and technical virtuosity.  Charles Pancoast operated a successful glass slide development business, producing his own slides as well as other photographers, he became a member of the Photographic Society of Philadelphia in 1877, serving as secretary and participating in the  photography section of the Franklin Institute.

This slide is of “The Polar Stars”, Captain Roald Amundsen, Sir Ernest H. Shackleton and Rear Admiral Robert E. Peary in a historic meeting of the famous polar explorers at The Franklin Institute.  The Photographic Society has a long relationship with The Franklin Institute, DoN picked up an invitation to a PSoP meeting at 1305 Arch St, June 20th, 1888 - the conversation was about “the reproduction of negatives” and ” a new developer - Hydroxylamine and Pyro” - PSoP, the 2nd oldest photography club in the world, still holds monthly meetings at The Plastic Club on Camac Street, continuing the long conversation about photography which has been going on in Philly since the beginning of the development of this “magical” technology.

While Alan Klawans, the Exhibitions Chair of The Plastic Club, awarded honors for the excellent Black & White show, DoN observed sunlight creeping across Vetiado # 48, a mixed media painting by Louisa Velben.  The painting glittered as if diamonds are embedded in the surface but the illusion was shiny paint bubbles in the thickly painted and swirled liquid.

Pulled From The Darkness, Erik Melendez, charcoal.

Karl Richard Olsen, Portrait, graphite. Bill Meyers, of PSoP, volunteer posed at the Plastic Club, the likeness is striking yet loose and free.

Rebecca Miller, Overrripe: Compost 3, graphite.  Miller is completing the Master program @ PAFA, studying with the extraordinary Scott Noel; this piece was created by drawing on gessoed board, draw with graphite, layer watered gesso over the drawing, let dry, draw some more…the result is an award winning drawing.  Miller also took home a prize the same day from The Philadelphia Sketch Club for an oil painting.  Seeing young new talent emerging from local art schools with the skill of masters participating in the grass roots arts movement in Philly is extremely satisfying.

Alden Cole, Dancing in the Dark, pencil and Leroy Fornoy, Night Bus, oil.  Pairing these two graphic pieces is genius - Cole’s trippy Starlings dance ecstatically and Fornoy’s painting has a Manga skate-punk nihilist vibe.

One of the great aspects of this show is the variety of media displayed, now that photography is accepted in  the art circles as a legitimate art form, many Photographic Society of Philadelphia members have the opportunity to show with their work along side traditional media - some photographers even entered paintings!

Arthur Ostroff, Floreal Ancienne, ink jet print.

Riikka Salo, Windows to Spruce, photograph.

Lois Schlachter, Exhibitions Chair of The Philadelphia Sketch Club, and Alan Klawans, Exhibitions Chair of The Plastic Club, at the Black & White Show.  The Philadelphia Sketch Club opened their 147th Annual Exhibitions of Small Oil Paintings the same afternoon - between the two art clubs there are over 300 new art works by contemporary Philadelphia area artists to see.  The juxtaposition of two strong theme shows is visually and psychologically invigorating, one show is limited to size and medium, the other limited to no color, the problem-solving and creativity of the artists is inspiring, entertaining and lucid.

Photography by DoNBrewerPhotography.

DoN Brewer @ his artist reception.  All event photos by Peter Prusinowski.

The Center for Emerging Visual Artists hosted an artist reception for DoN Brewer and the Philadelphia Art-erati turned out in full force - friends & colleagues from the past, present & future converged on the Coffee Bar @ 17th & Locust to support DoN’s explorations into photography.  Amie Potsic of CFEVA (& fellow photographer) and Ann Koivunen worked with the Coffee Bar to have a POST (Philadelphia Open Studio Tours) artist show in their recently remodeled cafe - the buttery walls and excellent lighting is so satisfying and easy on the eyes the photos have never looked better - and out of 30 artists the team presented, they picked DoN.  What an incredible honor & pleasure to represent Philadelphia Artists in the venerable Warwick Hotel, a landmark & planetary crossroad; DoN overheard languages from all over the world, it is so gratifying to have the work stand on it’s own, this being the largest collection of DoN’s “light being” series to date.

Muralist David Guinn, his Dad & Plastic Club former President Mike Guinn, the back of Ted Warschal’s head, Cynthia Arkin (manager of The Plastic Club website), UArts’ Regina Barthmeier, DoN, Ona Kalstein and Rob Stauffer (Rob mounted, matted and framed most of the show, his outstanding presentation skills enhances the work immeasurably) @ the Artist Reception for “light beings“.

Enhabitues of the Philly art scene, Regina & Lisa lounge below light being (Thelma) @ the artist reception for DoN Brewer’s light beings show @ The Coffee Bar - these intrepid art crawlers have been extremely supportive of DoN’s career and have been present at almost every art event important to his reputation.  Having friends be there when you need them is so important to an artists ego - Merci!

Ann Koivunen of The Center for Emerging Visual Artists manages the Philadelphia Open Studio Tours submissions (going on now) and took DoN’s feeble attempt at image size accuracy and created the terrific transparent labels, a beautiful bio book and documentation - Thank you Ann for your patience!

light being (Leo Seeger), DoN Brewer @ The Coffee Bar, The Radisson Warwick Hotel through July 2010.  This image has appeared in several art shows from the Philadelphia Sketch Club’s Absolutely Abstract Show to The University of Princeton Medical Center’s ArtFirst show to The Beauty Shop Cafe @ 20th & Fitzwater - DoN LoVeS it when people start seeing “light beings” in the wild.

Thanks to Shoshana Aron, Alden Cole & Les Howard for helping hang the show, Rob Stauffer for framing and the Center for Emerging Visual Artists for their tireless support of artists in Philadelphia.  DoN will be announcing an artist talk date soon.

Special thanks to Peter Prusinowski for photographing the event and his support and friendship, it’s such a good feeling to be recognized as an artist by peers - Philadelphia XOXO.

Dog by Karen McDonnell & Anthony Cortosi perfectly encapsulates the theme of this groundbreaking, historic art show curated by Jody Schweitzer of Off the Wall Gallery @ Dirty Franks Bar on the corner of 13th & Pine Streets, bringing together artists from the dual art clubs, The Plastic Club & The Philadelphia Sketch Club on the historic Avenue of the Artists - a painting of a three-legged dog created in collaboration by an opposite sex couple.  The formally all female Plastic Club and the formally all male Philadelphia Sketch Club have been co-existing on the same block for decades - the Sketch Club is celebrating it’s 150th anniversary this year with a stunning array of historic art shows & the Plastic Club is nearly 100 - both clubs integrated sexes in 1991, since then Camac Street has become a fantastic haven for artists to work and learn side by side, the competition raising the bar for quality, prestige and creativity for everyone.  Alan Klawans, the exhibitions chair @ The Plastic Club, told DoN participation in art shows is up 300%; the current Small Oils Show @ PSC has 170 paintings, you couldn’t squeeze another piece in if you wanted to.

Karen & Anthony, create all of their art together: drawing, cutting, spraying, dumpster-diving, brain-storming…resulting in iconic imagery resonating with vibrant contemporary urban life.  Their work is proof men & women can work together in partnership, even if the result is like walking on three legs to get there.

The showcase @ Off the Wall Gallery with Dorothy Roschen, Cara Kendric and more, many of the artists are members of both clubs.

Mina Smith-Segal @ An Offering on Camac.  Mina won an award Saturday for a painting she created for the Lantern Theater Company’s Henry IV, Part 1 production, another art collaboration between the Da Vinci Art Alliance of South Philly and the St. Steven’s Theater in Center City - it’s art synergy, baby!

Sibylle-Maria Pfaffenbichler is getting terrific buzz for her jazzy paintings of couples dancing; every show they’re in is instantly energized by the bold color and confidant brushwork, capturing the attention of the viewer like watching a really good-looking couple dancing deep in the groove of the music in a smokey dive with a great juke-box.

An Offering on Camac @ Dirty Franks is the perfect third leg for an art crawl; after trying to absorb over 300 fantastic new art works on view between the two clubs current shows, a stiff drink is in order.  What do you call a one-eyed, three-legged dog?  Lucky.

Sibylie Pfaffenbichler, Sailor on Leave, oil.  The artist explained to DoN her inspiration came from the forties and the famous images of sailors returning home.  The painting is so exuberant, vibrant and distinctive it really makes you wonder why we don’t dance in the street when our soldiers make it home.  Pfaffenbichler is chair of The Philadelphia Sketch Club’s Annual Flower Show.

Paul Davis Jones, Enigma, acrylic.

Gail Morison-Hall, The Burning Bush, mixed media & Elise Arnold, Untitled One, acrylic.  With 199 works of art, Small World @ The Plastic Club would have been even bigger if more artists understood that presentation is half the battle, the exhibitions committee refused several pieces (DoN spotted a few suspect entries who passed muster).

Nick Brown, Orange Juice Cup & Mug, stone ware.  Brown brings unfired pottery to life study workshops at The Plastic Club and sketches directly onto the clay, often you can hear him scratching grooves into the design to prevent the glaze from spreading when applied.  The resultant objects are like ancient vessels found at an acheological dig - future meets ancient.

Lee Mamaluy, Popping Blooms, oil, Kathryn Russo, At Ease, mixed media and Jeanne Chesterton, Dots, oil.

Robert Stauffer’s photograph, Thorazine Can Kill The Human Spirit, with broken glass in a mirror lined shadow-box frame is like a history of modern art all mushed up like DuChamp meets Warhol meets Ansel Adams.  The broken glass reads like disaster, the desert scene feels like being stranded and the infinite reflections on all sides have secret hidden images to uncover.

 Alden Cole, Now n Then #3, Mother & Child, wax/clay, 2010 & 1964.

Bob Makoid, Avian Capers,markers.  Makoid told DoN this drawing is extra special to him because his kids surprised him by having the design made into a stained glass window.

Michele Jenkins, New Glasses, oil.  DoN LoVeS this painting!  Timeless, super-fun, nostalgic, funny, happy and executed with aplomb.

Anders Hansen, Earth Goddess, ink/watercolor, Lois Schlachter, Queen of the Night, acrylic and Joseph De Fay, The Cafe’, ink-jet print.

Lois Schlachter, Balloon Release, acrylic.  DoN appreciates Lois’ combination of real & unreal, abstract & illustrative, signs & significations - cool.

Alan Clawans, Small Shed, photograph, DoN Brewer, light being (Farrah Fawcett), photograph (it’s not DoNArTNeWs without some DoN news), Sylvia Schreiber, White Flower, acrylic, Susan Wierzbicki, Saim, acrylic and Elise Arnold, Cats, acrylic.  DoN is so pleased to have his entries placed so strategically in the beginning, #3, and the end, #196 - the magic of 3.

Photos by DoNBrewerMultimedia Photography.

P. J. Smalley, Girl on Toilet, oil/digital print @ The Plastic Club.

Donna P. Collins, Our Love Dissolved, photograph.

Donna P. Collins, One Way Out, photograph.

Julianna Struck, Untitled, oil @ The Plastic Club New Members Exhibition 2010.

Karen Frank, Effervesence, acrylic.

New Member Exhibition 2010 @ The Plastic Club.  Corel Topel, Baby #1, pen & ink, Armand Scavo, 101 Walnut Street #1, photograph and Karen Freeman, Modiglianni Girl, ink.

Serena Perrone, Dreaming of Flying Fish, oil/charcoal/graphite.

Welcome to the 24 new members of the Plastic Club; the current show is super-strong with technical virtuosity, broad variety of styles, big personalities and aspirational contemporary ideas from established and new members of the Philly Art Community.

Eileen Eckstein, Balloons, photograph, DoN Brewer, light being (Mama Cass), photograph, Laura Pritchard, Portrait, mixed media, Dorothy Roschen, Red, White and Green, relief tiles and Alan Klawans, Milan, archival pigment print @ The Plastic Club’s Red, White and Green exhibit.

DoN Brewer Photography

light being (Mama Cass) $150.00 light being (Kurt Cobain) $150.00

Michael Guinn, 12th Street Still Life, oil.

3rd Honorable Mention Lois Schlachter, My Brother’s Keeper, acrylic, Alden Cole, Good Vibrations, mixed media and Honorable Mention Morris Klein, Love Park, photograph.  Juror Rich Harrington has a great eye and excellent taste considering that the theme was ambiguous in that the three title colors had to be used but not exclusively; Harrington chose works who fully met the criteria such as Dorothy Roschen’s wall sculpture in blatant red, white and green squares for 2nd prize and Peter Petraglia’s trippy undersea fantasy in a subtle palette for First Prize to Lois Schlachter’s wildly imaginative abstraction with what seems like millions of colors.

Tracy Landman, Reflections on Stewart, oil, Patricia Wilson-Schmid, Catching the Light, and Lucy Roehm, Radish Trio, color pencil @ The Plastic Club’s Red White & Green exhibit.

The theme is Red, White & Green which one would think should conjure Holiday Cheer but @ The Plastic Club the art is edgy, sarcastic, goth, even scary like Hunter Thompson meets Charles Addams meets Salvador Dali.  Some of the work is literal and literate like Roehm’s Radish Trio and some is out and out transcendental like Jake Smith’s Merry Fish Mess.  Above: Anders Hansen, Shiva, ink, graphite & charcoal, First Prize Peter Petraglia, Tubulars, pen & ink, Marie Davis Samohod, Funerary Portrait, mixed media and Karen Frank, Totem and Taboo, Acrylic.

DoN is honored to be exhibited along with such wonderful artists as those in the Plastic Club, their shows are always challenging, pushing the envelop, breaking rules yet there’s no stress, the only expectation is making art.  And when the art is all hanging together it feels really good to be an artist rubbing shoulders with some of the best in town.  A cool thing about writing this blog is that when DoN took the photos he didn’t know that he was shooting the work of some of his best friends, the Plastic Club uses a number system for labeling, it’s kind of like doing your own blind jury-ing and then finding out you picked only your friends such as Lois, Pat, Mike, Alan, Alden, Eileen, Dorothy, Morris, Anders…

Jake Smith, Merry Fish Mess, acrylic and Theodore J. Amick, Untitled, oil.

Merry Fish Mess, everybody!