Tag Archives: mixed media art

12th

RESIST, 12th Annual Juried ShowBrooke Jana, Pussy Hat

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

In a way, RESIST, our 12th Annual Community Juried Show OPENING THIS THURSDAYis a sequel — perhaps an unfortunate one — to last summer’s HOW WOULD YOU SAVE THE WORLD? We do need some saving. Right now.

RESIST, 12th Annual Juried ShowChloe Pinero, Pose

But rather than offer ideas for evolution, the 34 artists of RESIST — 16 of them brand-new to our space — are often more closely attuned to the frequency of revolution. They tap into this energy and harness it to power their creativity.

RESIST, 12th Annual Juried ShowChloe Pinero, Titi’s House

The results just as easily can be ad hominems or odes to courage:

* We see the many faces of the demagogue who needs exposing (not exposure), painted in a JIM BIGLAN lampoon, spliced together in an ALYSE C. BERNSTEIN collage, made into the stuff of children by LANCE PAWLING and JOSH TODD, as well as…
* The heroes of the Resistence, from WOODLEY WHITE‘s recognizable leaders and CHLOÉ PIÑERO‘s resolute fighters to ALONZO TROY HUMPHREY‘s haunting figures and BOB GORCHOV‘s ultimately triumphant angel.

RESIST, 12th Annual Juried ShowChris Vecchio, RESIST #2
But if RESIST were composed merely of perceived good and evil, our show, shackled to this dichotomy, would fail to aspire or inspire. Instead our jury uncovered greater depths.
DAVID R. EVANSON adds four images from his compelling “Strange Fruit” series, which shows racial injustice and resistance in a visual language of his own invention.
BROOKE JANA makes words one of her media, inviting you to spend time inside her intricate constructions.
* Look up to take in HEATHER RAQUEL PHILLIPS and CHIARA NO‘s hangable book, which predicts a banner day for empowerment.
MONK E BURNSWELL dominates the 3D case with a measure of last resort that channels both Duchamp and Cornell.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Incarceration

So can RESIST mean something apolitical? Sure it can. It always has. To wit:
ELIZABETH H. “BETTY” MACDONALD‘s cockroachs, the never-say-die warriors from the insect world,
NOA TRAVALIA‘s tangled web of foods we love…though we know we really shouldn’t, and,
CHRIS VECCHIO‘s carved “ohmage,” which returns resistance to its electrical origins.

RESIST, 12th Annual Juried ShowDavid R. Evanson, Selma

And we’re not halfway through our show. So even after you experience these works in person, you will have plenty more to discover firsthand.

RESIST, 12th Annual Juried ShowBrooke Jana, BANFIRE

And if you choose to purchase art, you will be doing more than speaking out. You will be speaking up for members of our community. 20% OF ALL SALES benefit two urgently needed nonprofit organizations in our own backyard: the WOMEN’S MEDICAL FUND (womensmedicalfund.organd SUNDAY BREAKFAST RESCUE MISSION (sundaybreakfast.org).

RESIST, 12th Annual Juried ShowLance Pawling, All the King’s Horses

Plus, as is always the case with our OPENING RECEPTIONS, there will be light hors d’oeuvres to nibble…your favorite drinks poured by none other than JODY SWEITZER, our host and curator…tunes playing on the juke…and much, much livelier conversation offline. In addition, a handful of our artists will be singled out with JURY CITATIONS, which we will announce at the Opening, roughly an hour into our party. And don’t pay too close attention to the end time; we’re sure to keep going well past 10:00.

HARD TO RESIST, RIGHT?!?

We look forward to seeing you Thursday evening!

Togo

Togo Travalia
Manager

OFF THE WALL GALLERY at Dirty Frank’s

NE Corner, 13th & Pine Streets, Philadelphia, PA  19107

offthewallgallery@gmail.com

(215) 732-5010 (bar)

(484) 357-6440 (cell)

Philly’s pioneering alternative art space, since 1978.

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

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Resist

RESIST, Off the Wall Gallery

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

“I’m pleased to announce that Off the Wall Gallery and our jury have decided to donate a portion of the commission (not your proceeds!) of each sale to support two underfunded nonprofit organizations serving our immediate community:

WOMEN’S MEDICAL FUND (formerly the Greater Philadelphia Women’s Medical Fund)

http://www.womensmedicalfund.org

and

SUNDAY BREAKFAST RESCUE MISSION

http://www.sundaybreakfast.org

While not all of our art is politically motivated, once our show is up the call for social justice and voices against the current administration will be clear. What better way to back up our creative ideas and outspoken voices than the ensure we are expanding the safety net just a little and helping support more neighbors in need?!” – Togo Travalia

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

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Progression

Paula Cahill, Progressions

“Progression” New Works by Paula Cahill

Crane Arts Building, through May 26th

In “Progression” we see Paula Cahill return to her “Calligraphy Series” with a playful eye on twenty-first century color, movement, and metaphor. Compositions, often created with one continuous line, meander, change color, move forward, backward, and sometimes off the page. Cahill describes her paintings as a metaphor for progress, a process integral to civilization. The painting experience is immersive for this artist and she wishes her viewers their own moments of immersion and contemplation as they move through the composition.

“Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of form and creating a written record, I form the catalysts for my paintings.  Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning.  Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.” Paula Cahill Artist Statement

Hours: Wednesday through Saturday, Noon to 6:00 or by contacting

paulacahill2010@gmail.com for a private appointment.

Second Thursday Reception: May 11th, 6:00 – 9:00pm

Crane Arts Building, 1400 N. American Street, Philadelphia, PA 19122-3803

paulacahill.com

Crane Arts Building Mission:

  • Creating a unique community that encourages and supports artistic production by both emerging and established artists.
  • Assisting the development and growth of Philadelphia’s creative resources, assets, and potential.
  • Creating a unique location for certain creativity-based businesses to thrive alongside the vibrant, Crane Arts community.
  • Providing unique space for the visual and performing arts to showcase events on a local, regional, and national scale.

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Marathon

Drawing Marathon. The Plastic Club

Drawing Marathon, April 23rd, The Plastic Club

Life drawing, portrait drawing and painting, short poses/croquis, still life set-ups, noir lighting, Sunday April 23rd, 10:00am – 10:00pm. $15.00 cash for come and go all day. All proceeds benefit Sunshine Arts, an artist-in-residence outreach program  encouraging neighborhood kids to learn the wonderful worlds of dance. music, literature, and art.

The Plastic Club, 245 S. Camac Street,The Avenue of the Artists, Philadelphia, PA, 19107
215-545-9324

“Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.

The name ” Plastic Club,” suggested by Blanche Dillaye, referred to any work of art unfinished, or in a “plastic” state. The term also refers to the changing and tactile sense of painting and sculpture.

Among the founding members of The Plastic Club were the “Red Rose Girls” — Violet Oakley, Jessie Willcox Smith, and Elizabeth Shippen Green — outstanding artists of their time. The name was given to this group of talented women by their teacher Howard Pyle.”

Sunshine Arts41 Sunshine Road, Upper Darby PA, 19082, 610.352.7968

Ms. Sheila Modglin started Sunshine Arts at 41 Sunshine Road in the summer of 2004. She invited children from the neighborhood to listen to stories as they sat around the fish pond in the front yard. The kids enjoyed helping to water the plants and feed the fish.

Since then the organization has grown significantly. Now, resident artists Mr. Patrick O’Banion, Ms. Kat Lehmer, and Mr. Fen Jeeters teach classes to children of all ages from the community. Classes are scheduled after school during the week and on Saturdays. Regardless of the listed class schedule, children come to Sunshine Arts daily to talk, do crafts or get help with homework. Often, they enjoy Mr. Patrick’s fresh baked bread, homemade soup, cookies, or other wholesome snacks when they visit.

The goal of Sunshine Arts is to enhance the education and personal growth of our future generations. Executive director, Sheila Modglin grew up with a very strong sense of community within her family; “We would do any thing for each other. I want to share the sense of community that I have in my life with all the beautiful people right here surrounding this home. The house itself is a manifestation of living art and was accomplished through hard work from my generous and creative family and friends.”

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Anahata

John Singletary - Anahata, James Oliver Galleryclick for large images

John Singletary – Anahata, James Oliver Gallery

James Oliver Gallery, 723 Chestnut Street, 4th Floor, Philadelphia, PA 19106

215-923-1242 (office)

267-918-7432 (mobile)

jamesolivergallery@gmail.com

May 6th – June 9th, 2017

Opening Reception: Saturday, May 6th, 6:00 -10:00 PM

Gallery Hours: Wednesday – Friday 5:00pm – 8:00pm, Saturday 12:00pm – 8:00pm

John Singletary - Anahata, James Oliver GalleryDetail of “Providence, 30′ x 5′, Photography Based OLED Installation.

Philadelphia native, John Singletary, is a fine art photographer and multi-media artist.  His educational training includes both Drexel University and The University of the Arts. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and Gallery 1401. As well, his work is represented in the permanent collections at the Philadelphia Museum of Art, The Center for Fine Art Photography and The Free Library of Philadelphia.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art organic LED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired compositions. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg. In addition, the show will feature a live performance by dancers Amber Malmstadt and Megan Hannon.

John Singletary - Anahata, James Oliver GalleryDetail of “Providence“, 30’x5′ Photography Based OLED Installation.

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary - Anahata, James Oliver Gallery“The Dance of Hades”, 5’x3′ Photography Based OLED Installation.

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to take us seamlessly forward into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and his exacting print work, the fantasticality in Anahata becomes very real.

John Singletary - Anahata, James Oliver Gallery“Clarise”, 8’x8′ Photography Based OLED Installation.

Thank you to John Singletary for the content of this post.

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