Tag Archives: mixed media art

Souls

Souls Shot, Portraits of Victims of Gun Violence, Presbyterian Church of Chestnut Hill

“On November 3, 2017 I went to the Presbyterian Church in Chestnut Hill to see a show of portraits of victims of gun violence. Artist Laura Madelaine had invited me to a show that she co-curated with Rebecca Thornburgh. Artists were paired up with family members of shooting victims to commemorate the lives of their loved ones.” – John Thornton

“There is a parable told by Jesus about a man who kept accumulating possessions. At some point, he had so much stuff, he had to build barns to contain it all.  Apparently once the barns were built and the stuff stored, he said to his soul, “Soul, you have ample goods laid up for many years; take your ease, eat, drink and be merry.”  “Fool!” booms God’s voice disrupting this man’s satisfaction with the future he had secured. “This night your soul is required of you; and the things you have prepared, whose will they be?” It was God’s way of saying, “You can’t take it with you.” – Presbyterian Church of Chestnut Hill, Stewardship

Presbyterian Church in Chestnut Hill8855 Germantown Avenue, Philadelphia, PA 19118

Through November 30th, Gallery Hours 10:00am – 4:00pm, Monday – Friday

Thank you to John Thornton Video for the content of this post.

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Bowie

Philly Loves Bowie 2018

Philly Loves Bowie Week 2018

An Open Call to All Artists

We are currently looking for gallery ready works of art, relating to David Bowie, to be shown at an Philadelphia Olde City gallery on January 5th for a pop-up event for #PhillyLovesBowie Week January 5th – 13th, 2018. If you currently have Bowie related work, in any medium, or are able to produce a piece prior to the deadline of December 1st 2017, please send an image with the medium, dimensions, etc to bowieweek@gmail.com. You must submit images prior to your work being accepted. Please feel free to share!

Thank you to Patti Brett for the content of this post.

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Two

Two, 3rd St Gallery, Pia De GirolamoGreen River Blue Mountain, Pia De Girolamo

Pia De Girolamo: Mountain Series and Carol Wisker: Accumulators.

Two Curated Exhibitions at 3rd Street Gallery

November 1-26, 2017

The 3rd Street Gallery, Philadelphia, PA presents solo exhibitions by Pia De Girolamo and Carol Wisker, November 1-26. For Mountain Series, curator Christine Stoughton, Instructor of Aesthetics at the Barnes Foundation has selected a group of abstract landscape paintings for De Girolamo’s 3rd Street Gallery debut solo exhibition. Acting as a pictorial element across the series, the mountain is also a potent symbol of challenge, risk and refuge.

Long time 3SG member, Carol Wisker presents Accumulators, an exhibition of sculptural assemblages, selected by curator Barbara Bassett, the Constance Williams Curator of Education for School and Teacher Programs at the Philadelphia Museum of Art. In Wisker’s recent exhibition Left Behind, the Accumulators brought together textiles and findings from a variety of cultures left behind due to migration. In this new exhibition Wisker extends her definition of the Accumulators to also include aggregations of “created natural growth” in her fiber, wood and textile sculptures.

Highlights:

Artist Reception and Talks: Saturday November 11, 5:00 – 8:00pm.

Artist Talk by Pia De Girolamo: A Wild Peace: Art, Nature and Wellbeing. Saturday November 11, 6:00pm

Artist Talk by Carol Wisker: Accumulator…I Am! Saturday, November 11, 6:30pm.

First Friday: November 3, 5:00 – 9:00pm

Pia De Girolamo: Mountain Series

Curator Christine Stoughton says of De Girolamo’s landscape series: “She strips away the details to capture the vibration of colors, the geometric structure of the forms and the ambient space. While the viewer recognizes these abstracted works as a landscape we are given the opportunity to see this environment in a whole new way, which is what art is all about”.

Pia enjoys being out in nature, especially in the mountains. She finds that the key word in that sentence is “being”.

She states, “All the senses are engaged as I pocket smooth stones, sketch, smell the thyme and clover, taste the tartness of wild plants and listen to the sounds of nature as well as its silence. Then back in the studio, I explore what makes these landscapes beautiful and mysterious to me, letting the natural forms, the surrounding emptiness, and the sense of gravity influence how I use color and shape. As I work, the paintings evolve, and while some of them refer to real places, others spring from composite memories of shapes or vistas. All are a record of what is for me of the essence in these landscapes, whether they are in Iceland, Hawaii, the Canadian Rockies, or the American Southwest”.

In her artist talk, A Wild Peace: Nature, Art and Well-being De Girolamo will talk about her work and also link it to recently elucidated scientific thinking affirming the importance of exposure to nature and art to maintaining the individual’s physical and psychological health.

Pia De Girolamo grew up in New York City and lives in the Philadelphia area. She has had sequential careers, first as an Infectious Diseases physician and since 2003, as a visual artist. Recent exhibitions include the Professional Artist Members Exhibition at Main Line Art Center, Haverford, PA and a solo show curated by Inliquid at the Courtyard Mariott at the Philadelphia Navy Yard in 2017. Her work is in corporate and individual collections including those of PNC Bank Headquarters in Pittsburgh and Thomas Jefferson University Hospital in Philadelphia. A full member of 3rd Street Gallery, she is also a member of the Cerulean Gallery Collective, Main Line Art Center, Inliquid.com. Her website is

www.piadegirolamo.com

Curator Christine Stoughton is an art educator, sculptor, printmaker and formerly a practicing psychologist. She is an Instructor in Art Aesthetics at the Barnes Foundation, Philadelphia, PA and at West Chester University, West Chester, PA. She is also a printmaking instructor at Main Line Art Center, Haverford, PA. She has exhibited her work, including public art installations, in Philadelphia and the surrounding region, in New York City, Toronto and in Washington, DC.

Two, 3rd St Gallery, Carol WiskerCumulus, Carol Wisker

Carol Wisker: Accumulators

Curator Barbara Bassett says of Wisker’s installation: “Carol’s work takes what the world leaves behind: hinges, gears, fabric and fibers, furniture and antiques, bones and cocoons… and imbues them with new stories and purpose. In each, we find the familiar transformed, compelling us to look deep within ourselves.”

The works in the abstract Accumulator series are fashioned using the domestic art techniques of crochet, wrapping and braiding to form surface textures on a variety of shapes and forms that will be ceiling, floor and wall-hung. In this exhibition Wisker also presents painting like fiber works created through her hand and finger manipulation of painted wool roving in its basic combed state, depicting multi-colored flora, hills and valleys on round and square fields of dense off-white cotton.

Carol Wisker is a sculptor, painter and installation artist, born in Brooklyn, NY and who now resides in the Philadelphia area. Carol studied textile arts and received a BA in psychology at Mansfield University and her Masters of Education from University of the Arts in Philadelphia. Her artistic practice included a fifteen-year tenure at the Philadelphia Museum of Art in the Division of Education and she also instructed art history and studio art in maximum-security men’s Correctional Facilities for twenty years. Wisker’s work is in corporate collections and has been shown in museum exhibitions, most recently at the Delaware Art Museum. She is a member of Philadelphia Sculptors, Assemblage Artists Collective and the da Vinci Art Alliance, and has also participated in the Philadelphia Fringe Festival in 2016 and 2017. She is a member of Inliquid.com and her website is www.carolwisker.com Curator Barbara Bassett is The Constance Williams Curator of Education or School and Teacher Programs at the Philadelphia Museum of Art. She has spent over 30 years leading programs and developing resources that encourage children and adults to have rich personal experiences with art.

Two, 3rd St Gallery, Agathe Bouton

Showing in the 3rd Street Annex Gallery: Agathe Bouton: Reflections and Light, a series of monotypes.

3rd Street Gallery, 45 N 2nd Street Philadelphia, PA 19106

www.3rdstreetgallery.com

215- 625-0993

Thank you to Pia De Girolama for the content of this post.

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Gerbstadt

David GerbstadtDavid Gerbstadt, Artist Shopping for a New Art Gallery

Artist and author David Gerbstadt of Berwyn, Pennsylvania is shopping for a new art gallery to handle his artwork as a stable artist.   David has been in galleries, solo, and group shows worldwide since 1993. Now in over 15 countries and most of the United States.

Lower Schoool Making Buttons with visiting artist David Gerbstadt from Westtown School on Vimeo.

“My vocabulary is full of creatures – both real and imagined.  I often incorporate words phrases and doodles into my paintings.  I recycle materials found on the street that become part of and inspire my work.       

“After my near death experience on December, 28 2007 my life changed.  My hospital chart read, man on bicycle vs. 14 wheeled tracker trailer truck.  The doctor’s told me they don’t know why I am here but I am. I believe I was spared to continue to make art, make people happy, and to let people know they are loved.  Since then life has been a consent struggle.  I get through the day with my doctors, art, friends, and my three legged rescue dog Noel.”   

“Art heals me on a daily basis”.

David Gerbstadt, 484-995-1541                                                                                                              davidgerbstadt@gmail.com                                                                              www.facebook.com/david.gerbstadt

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FUTUREPROOF

Futureproof, HAVERFORD'S CANTOR FITZGERALD GALLERY

FUTUREPROOF at Haverford’s Cantor Fitzgerald Gallery Explores Our Present by Interrogating How We Imagine THE FUTURE

Artists, writers, inventors, moviemakers, militaries, and think tanks have long tried to predict coming technologies or foresee catastrophic events — not merely for entertainment’s sake, but to prepare for possible outcomes, quell anxieties, or gird against tragedy. Shell Oil even has a “Scenarios” team, founded in 1965 and still working today, whose job is to explore “possible versions of the future by identifying drivers, uncertainties, enablers and constraints, and unearthing potential issues and their implications.” A new exhibit at Haverford College‘s Cantor Fitzgerald Gallery, Futureproof, gathers work from contemporary artists on this theme with real-world images and archives from governmental and corporate scenario planners to explore how we have imagined and continue to imagine different futures.

In engineering, industrial design, and architecture, “futureproofing” typically refers to creating something in a way that minimizes or slows down technological obsolescence. Futureproofing methods are often reflective of people’s anxieties, aspirations, and assumptions about the present, sometimes acting as self-fulfilling prophecies. In this sense, they recall another form of proof—proof as mathematical argument, defined by a series of accepted axioms and truths. The artists in Futureproof engage with the many malleable interpretations of futureproofing, drawing from both the legacy of military and corporate scenario planning and the use of semi-fictionalized artifacts or archives as “proof,” or evidence, of alternate timelines or futures yet to come.

So, a 1991 in-house film on climate change produced by the Shell Corporation will be shown alongside a multi-faceted installation by Ilona Gaynor (“Everything Ends in Chaos”), featuring 2D and 3D objects with video in a piece that deconstructs corporate risk assessment. The Guantanamo Bay Museum of Art and History, which foresees that the detention facilities in Cuba have been closed and replaced with a museum that reflects on Guantanamo Bay’s social and political significance, will be represented, as will images and archival documents from Cybersyn Project, the real-life cybernetics economy-management operation of Salvador Allende’s Chilean government.

In a time when each day seems to bring a new cascade of political uncertainties, when every “now” is assumed to be “more than ever” and every crisis feels more unmanageable than the last, Futureproof encourages viewers to interrogate the fraught systems of the present moment and imagine how they might be otherwise.

Futureproof is curated by Ingrid Burrington and features the work of Morehshin AllahyariSalome Asega, Gui Bonsiepe and the Cybersyn Project, the United States Department of Energy, Ilona GaynorAyodamola Tanimowo Okunseinde, Shell Corporation, and The Guantánamo Bay Museum of Art and HistoryFutureproof is supported by the John B. Hurford ’60 Center for the Arts and Humanities.

Futureproof will be on view Oct. 27 through Dec. 17, at Haverford College’s Cantor Fitzgerald Gallery. On Friday, Oct. 27, to celebrate the show’s opening, there will be a talk by curator Ingrid Burrington at 4:30 p.m. followed by a reception at 5:30 p.m. An associated screening of Peter Galison and Robb Moss’s film Containment will take place Nov. 29, at 7 p.m., in the Visual Culture, Arts, and Media building’s screening room. For details and additional related events: exhibits.haverford.edu/futureproof.

Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday through Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 p.m. to 5 p.m., and Wednesdays until 8 p.m. For more information, contact Matthew Seamus Callinan, associate director of the Cantor Fitzgerald Gallery and campus exhibitions, at (610) 896-1287 or mcallina@haverford.edu, or visit the exhibitions program website: www.haverford.edu/exhibits.

Haverford College is located at 370 Lancaster Avenue, Haverford, Pa., 19041

Thank you to Rebecca Raber for the content of this post.

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