Tag Archives: DoNArTNeWs

Noségo

Noségo: Died a Few Times to Live This OncePast Lives, 2018, acrylic on wood panel, 32” x 32”

Noségo: Died a Few Times to Live This Once

Exhibition Dates: December 14, 2018 – February 9, 2019

Opening Reception: December 14, 2018 • 5:30 – 10:00pm

November 12, 2018 (Philadelphia, PA) – Paradigm Gallery + Studio is pleased to present Died a Few Times to Live This Once, an exhibition of new works by the Philadelphia-based contemporary artist Yis ”Noségo” Goodwin. The exhibition, marking Noségo’s third solo presentation with the gallery and his first solo exhibition in his hometown of Philadelphia in 3 years, will open on December 14, and remain on view through February 9, 2019. There will be an opening reception at the gallery on December 14, from 5:30 to 10pm.

Employing a distinctively unrestrained visual vocabulary of vivid colors and bold patterns, anthropomorphic forms and irregular shapes, Noségo’s richly colorful, dreamily surreal new series explore themes of resilience and rebellion.

Executed with an extraordinary degree of freedom and panache spanning the full breadth of the artist’s multidisciplinary practice, the exhibition will feature new acrylic paintings as well as never before exhibited mural and sculpture—his most personally significant presentation of his works to date.

Derived from childhood memories and a seemingly boundless imagination, ambiguous characters find themselves in unique, sumptuous atmospheres, at once strange and familiar, of and not of this world.

Through a dynamic cartoon-expressionist style, Noségo creates works of graphic intensity and fervent energy, painting meticulously rendered, high-spirited dispatches from earthly yet surreal realms, a dazzlingly radiant world of mythological characters, dreamlike scenes, and fresh, childlike imaginings.

Intuitively blending comic book aesthetics with a pop culture sensibility, his vibrant, saturated canvases are marvels of invention. Through a process of continual addition, disparate elements are fused into intricately worked tapestries—leaving the viewer pleasantly lost in lush, chimerical reveries.

Conjuring eclectic images from an ecstatic imagination, mythical creatures—part animal, part human, part object—nomadically roam in vortexes of brilliant color, playful and fantastical landscapes that look nearly as alive as his animated characters.

Possessing the sublime qualities of a lucid dream, Noségo’s highly inspired works of painterly improvisation transform the natural world into mysteriously alluring, joyously alive fantasias—manifest of an irrepressible creativity, his exuberantly painted canvases display an wholly original rapturous aesthetic vision.

Noségo: Died a Few Times to Live This Once

About Noségo Noségo is a Philadelphia based artist with a passion for combining fine art with contemporary styling. Through a marriage of dynamic patterns and vibrant colors, he creates whimsical environments with characters created from a place of playful imagination and the natural world. Deriving from infinite inspiration, that is, we are inspired therefore we can and should inspire others, themes of boundlessness run as a common motif throughout his work. This can be found through the interminable subjects he puzzles together through constant addition. Knowing that there’s perfection in the imperfect, he believes his work always has space for more in the constant pursuit of inspiration.

About Paradigm Gallery Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

Location: 746 S 4th St Philadelphia, PA 19147

Media Contact: Lainya Magaña, A&O PR 347 395 4155 lainya@aopublic.com

Thank you to Madison Fishman for the content of this post.

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Leisure

American Leisure, Gravy Studio

American Leisure

Matt Hurst, Lauren Klein, Katie Reynolds, Katie Tackman, and Jesse Todd at gravy.

November 2nd – December 1st, 2018

Opening Reception:  First Friday November 2nd, 6 – 10pm, Gravy Studio & Gallery, 910 N. 2ND Street, Philadelphia, PA 19123 · 267.825.7071

American Leisure, Gravy Studio

Jesse Todd

This collection follows five Philadelphia-based photographers who’ve traveled near and far, from places such as the shore towns of Wildwood, NJ and Atlantic City, NJ to Williams, Arizona and Miami Beach, FL, searching for inspiration in the leisurely and recreational activities that define the American consciousness.

American Leisure, Gravy Studio

Katie Reynolds

Images of mid-century motels and diners, rodeos, carnivals, and classic cars, seen through the eyes of photographers Matt Hurst, Katie Reynolds, Katie Tackman, Jesse Todd, and Lauren Todd, populate American Leisure.

American Leisure, Gravy Studio

Katie Tackman

Inspired by the work of John Baeder, Robert Frank, William Eggleston, and Robert Adams this series of 35mm and 120 film photographs offer a glimpse at how average Americans spend their time and providing a link between the past and present.

American Leisure, Gravy Studio

Matt Hurst

Additional American Leisure events:

South Broad St. Photo Walk: November 17th

Artist Talk/ Movie Event: December 1st at 1pm

Open Hours: Saturdays 1-5pm

Sponsors: Powers Whiskey and Neshaminy Creek Brewing Company

American Leisure, Gravy Studio

Laurin Klein

“Gravy started in 2011 by Drexel photography program alumni Emma Stern, Katie Tackman, and Benjamin Riley in a motorcycle warehouse space in Fishtown. Since then Gravy Studio + Gallery has grown to include six members and functions as a collaborative photography workspace and gallery located on 2nd Street in the Northern Liberties neighborhood of Philadelphia. Our goal is to serve as a multi-functional space that promotes the discussion and advancement of photography as an art form. As one of the only photography-based galleries in Philadelphia, we strive to support local photographers through gallery exhibitions, events, artist talks, and workshops. We are an artist-owned gallery collective which fosters an equal dialogue between curator and artist. We strive to connect with the community through open dialogue about social, political, and artistic ideas filtered through the lens of photography. The rest is Gravy.” – Gravy

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Kind

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Sarah Watkins Nathan

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241

July 13, 2018 to July 28, 2018

Some people sing the blues. Some people feel blue. Picasso has a blue period. Blue is one of the three primary color of pigments in painting and traditional color theory, as well as in the RGB color model. It lies between violet and green on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. — Wikipedia

ARTIST RECEPTION: Saturday July 14, 4 – 6 PM

PUBLIC HOURS: Fridays + Saturdays 1 – 4 PM

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Thom Duffy

Did you know a blue jay’s feathers and a butterfly’s wings aren’t actually blue? Neither are your blue eyes. Pure water is, but only very slightlyFrom the colors we see in flowers and birds, to the hues we use in art and decoration, there’s more than one way to make a rainbow—and it all starts with molecules and structures that are too small to see. –Science Friday

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Terri Fridkin

“The Post Office was the only establishment allowed to print postcards, and it held its monopoly until May 19, 1898, when Congress passed the Private Mailing Card Act, which allowed private publishers and printers to produce postcards. Initially, the United States government prohibited private companies from calling their cards “postcards”, so they were known as “souvenir cards” – Wikipedia

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241DoN Brewer

Miniature painting, also called (16th–17th century) limning, small, finely wrought portrait executed on vellum, prepared card, copper, or ivory. The name is derived from the minium, or red lead, used by the medieval illuminators. Arising from a fusion of the separate traditions of the illuminated manuscript and the medal, miniature painting flourished from the beginning of the 16th century down to the mid-19th century. – Britannica

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Continent

AGATHE BOUTON, Burmese Days IAgathe Bouton, Burmese Days I, Woodcut print onto handmade Shan paper and sewing, 21″ x 36″, 2009

  French artist in Philadelphia presents career retrospective with artwork made in Asia, Africa, Europe, and America.

From One Continent to Another:  20 years of Printmaking, A solo exhibition & career retrospective by French artist Agathe Bouton

Curated by Amie Potsic

June 1 – July 1, 2018

OPENING RECEPTION & ARTIST TALK: First Friday, June 1, 5:00 – 9:00 PM, Artist Talk begins at 7:00 PM

CLOSING RECEPTION & ARTIST TALK: Sunday, July 1, 3:00 – 5:00 PM, Artist Talk begins at 4:00 PM

LOCATION: 3rd Street Gallery, 45 N. 2nd Street, Old City, Philadelphia, 19106

Wednesday – Sunday, 12:00 – 5:00 PM and by appointment

http://www.3rdstreetgallery.com/

Admission is free.

Agathe Bouton, Indigo XXXI Diptych, Woodcut and monotype onto handmade Shan paper, fabric and metal plate mounted on wood panel, 14″ x 30″, 1 panel, 2012

Philadelphia, PA – 3rd Street Gallery, located at 42 N. 2nd Street, Philadelphia, presents From One Continent to Another, a solo exhibition and career retrospective by French artist Agathe Bouton. The exhibition presents twenty years of printmaking works created in Asia, Africa, Europe, and America.  Curated by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, LLC, the show begins on June 1 and runs through July 1.  The opening reception will be on First Friday, June 1 from 5:00 – 9:00 PM with an artist talk beginning at 7:00 PM.  The closing reception will be on Sunday, July 1 from 3:00 – 5:00 PM with an artist talk beginning at 4:00 PM. Gallery hours are Wednesday through Sunday from 12:00 PM to 5:00 PM and by appointment.

AGATHE BOUTON, Warehouse IAgathe Bouton, Warehouse I, Monotype and collage, 20″ x 28″, 2017

From One Continent to Another, a solo exhibition and career retrospective by French artist Agathe Bouton, celebrates the artist’s boundary-pushing printmaking and paper works created across the globe over the last 20 years.  Bouton will exhibit her unique engravings and etchings as well as installations, paper clothing, collages, and artist books.  Having lived and created her work internationally in the United Kingdom, France, Myanmar, the Ivory Coast, Senegal, Turkey, and the United States, Bouton’s work poetically reveals a consistent artistic vision enhanced, stretched, and strengthened by international experiences and perspectives.  Continually inspired by the landscape, both urban and natural, as well as the culture in each region, she creates an imprint of time, traces of erosion, and recollections of a disappearing world by inscribing atmosphere, color, and texture in her prints.

“My work is inspired and fed by all the experiences and cultures I have discovered during my travels.  Each time I had to reinterpret myself with my art and find new techniques and inspiration, which was challenging but so worthwhile,” says Bouton.  Discussing how her work has changed since moving to Philadelphia, she explains, “I have been inspired by the urbanism I see around me.  My latest series of work was inspired by architecture, including abandoned warehouses.  This series focuses on the details of these grand facades, with their patchwork of broken windows. I’m drawn to the intrinsic beauty of these buildings, archiving the color palette into an evocation of the original inspiration.” – Agathe Bouton

Agathe Bouton is a French artist living and working in the Philadelphia area whose boundary-pushing printmaking and paper works exhibit influence from living and working in exotic, international locations. Bouton earned her BFA in Painting and Printmaking and her MFA in Arts and Textile Design from the prestigious ESSAA Duperré in Paris, France.  Since leaving Paris 13 years ago, Bouton has lived and exhibited her work internationally in Paris (France), London (UK), Philadelphia (USA), Rangoon (Burma/Myanmar), Abidjan (Ivory Coast), Dakar (Senegal) and Istanbul (Turkey).  She has presented solo exhibitions at the Biennale de l’Art Africain Contemporain in Dakar, Senegal; Rathaus House in Waldbrol, Germany; Centre d’Arts Plastiques Albert Chanot in Clamart, France; Bundaberg Art Centre in Bundaberg, Australia; Galerie Od’A in Istanbul, Turkey; River Gallery in Yangon, Burma/Myanmar; and the Bettie Morton Gallery in London, UK.

Bouton has received numerous awards in France and the United States for her accomplished printmaking including the Pierre Laurent First Prize in 2007 in Albi, France; being named a finalist in the Prix GRAV’X in 1999, 2003, 2004, and 2005 in Paris; and being selected as a semifinalist in the 91st and 92nd Annual International Competitions of The Print Center in Philadelphia.  Her work is in the collections of French institutions including: the Bibliothèque Nationale, Cabinet des Estampes; L’Inventaire, Artothèque du Nord Pas de Calais; and the Musée Français de la carte à jouer.  Since moving to Philadelphia, she has exhibited at Inliquid, the Center for Emerging Visual Artists, Main Line Art Center, and NoBa Art Space, with a forthcoming exhibition at the Brandywine Workshop.

Agathe Bouton

Amie Potsic, MFA is the CEO & Principal Curator of Amie Potsic Art Advisory LLC, Chair of the Art In City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia, as well as an established photographer and installation artist.  Potsic has extensive experience curating exhibitions and installations for museums, galleries, art organizations, and public spaces.  She received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University.  She also studied at the University of the Arts in Philadelphia and the Corcoran School of Art in Washington DC.

Potsic has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute and been a guest lecturer at the International Center of Photography, the University of the Arts, Tyler School of Art, and the Delaware Contemporary. Professional appointments have included Director of Gallery 339, Curator and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA), and most recently Executive Director and Chief Curator of Main Line Art Center.  Curatorial projects have included exhibitions for the Philadelphia International Festival of the Arts, the Office of Arts and Culture of the City of Philadelphia, Philagrafika, Moore College of Art & Design, Main Line Art Center, Maryland Art Place, Pittsburgh Center for the Arts, and the Philadelphia Museum of Art.

3rd Street Gallery, located in Old City Philadelphia, actively seeks to foster new and unique relationships between its artists and the public. It achieves this through the city-wide First Friday event, Philadelphia Open Studio Tours, and by annually hosting open-invitations to its varied community-based exhibitions.  The foremost commitment of 3rd Street Gallery is to extend an awareness of and appreciation for fine art by engaging the public with insightful and challenging creative works in various mediums, genres and styles.  Agathe Bouton is a Full Member of 3rd Street Gallery.

One Continent to Another will be on view June 1 through July 1.  The opening reception will be on First Friday, June 1 from 5:00 – 9:00 PM with an Artist Talk beginning at 7:00 PM.  The closing reception will be on Sunday, July 1 from 3:00 – 5:00 PM with an artist talk beginning at 4:00 PM. Gallery hours are Wednesday through Sunday from12:00 PM – 5:00 PM and by appointment.  Admission is free.

For more information, please contact Amie Potsic at amie@amiepotsicartadvisory.com or 610-731-6312.

Thank you to Amie Potsic for the content of this post.

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Crane

Spring Open Studios, Crane Arts

Spring Open Studios at Crane Arts and Crane Old School

Crane Arts and the Crane Old School are opening their doors to the public on Saturday, April 21st, 2018 from noon to 6:00pm. Nine galleries and over 30 artist’s studios will be open. That’s a lot of great art to see! For more information Contact info@cranearts.com or 215-232-3203.

Crane Arts

1400 N. American Street, Philadelphia, PA, 19122

Established in 2004, Crane Arts LLC is a unique community that supports the creative production and exhibition of work by both emerging and established artists.

Galleries

ICEBOX | CRANE TENANT GALLERY | PPAC | INDIGO ARTS | FJORD TSA | SPILLWAY COLLECTIVE | INLIQUID | SECOND STATE PRESS

NOTE: MOST GALLERIES ARE OPEN WEDNESDAY-SATURDAY 12-6PM OR BY APPOINTMENT. PLEASE CHECK GALLERY WEBSITES TO CONFIRM CURRENT HOURS.

Crane Old School

The Crane Old School is home to many artists and organizations including Pig Iron Theatre Company. Located at 1417 N. 2nd Street. Philadelphia, PA, 19122

“The mission of Pig Iron Theatre Company is to expand what is possible in performance by creating rigorous and unusual ensemble-devised works; by training the next generation of daring, innovative theatre artists; and by consistently asking the hardest questions, both in our art and in its relation to the world around us.”

Crane Building History

200710_history01

The Crane Company Building was built in 1905 out of cast concrete faced with brick in the Kensington warehouse and manufacturing area just north of Girard Avenue. It was designed by Philadelphia architect Walter Ballinger, an early innovator of concrete building techniques. The long wedge-shaped building was used as a plumbing warehouse, and had an adjacent three-story stable for delivery vehicles and draft horses. It was later used to process frozen seafood. The enormous concrete-block, first-floor addition which functioned as a walk-in freezer now serves as the Ice Box Project Space.

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DoNArTNeWs – celebrating ten years reporting on Philadelphia artists and art.