Category Archives: Drawings

DoN LoVeS drawing.

Doll

Elaine M. Erne, Lanie Doll and Friends, Drawings and Prints, House Gallery

Elaine M. Erne, Lanie Doll and Friends, Drawings and Prints, House Gallery
  Lanie Doll, graphite pencil on paper, 72″ x 126″

HOUSE Gallery, 1816 Frankford Ave, Philadelphia, PA 19125

Through June 30th

Artist Talk Sunday June 23rd, 4:00 – 7:00 pm followed by potluck.

The Lives and Traumas of Stuffed Animals is a continuing series of prints and large graphite drawings of Lanie Doll and her friends that represent individuals and their emotional relationships with themselves and others. In recurring distressful situations, people often become like dolls, putting forward a cheerful personae no matter what is happening.  The dolls encapsulate the personality of an individual and allows me to explore the inner workings of painful relationships without being immersed in the reality of difficult interactions. Although there is a playful side, the underlining theme is fear, cruelty, isolation, and survival. Though the situations represented are far from real, no stuffed animals were hurt in the making of the work, they capture the aura that surround people who on the outside appear happy while actually experiencing deep sorrow, loneliness, and tension in their daily lives.   

ABOUT E. M. Erne

E. M. Erne, co-founder and co-director of Star Wheel Printers, received a BFA from Carnegie Mellon University in Pittsburgh, PA and a MFA from Tyler School of Art, Temple University in Philadelphia, PA.  Erne’s drawings and prints have been featured in numerous invitational and juried national exhibitions.  Erne has had six solo exhibitions in the past ten years: ‘Mr. Bunny Misses His Friends’, Nexus, Foundation for Today’s Arts, Philadelphia PA; ‘E. M. Erne: Drawing and Prints’, Rowan University, Glassboro, NJ; ‘Mr. Bunny and Friends’, Nexus, Foundation for Today’s Arts, Philadelphia PA; ‘The Lives and Traumas of Stuffed Animals’, BahdeeBahdu Gallery, Philadelphia, PA; a ‘Wind Challenge Exhibition’, Fleisher Art Memorial, Philadelphia, PA; and a ‘Community Gallery Solo Exhibition’, Abington Art Center, Abington, PA.  Erne is a recipient of a Dene M. Louchheim Faculty Fellowship, Fleisher Art Memorial, Philadelphia, PA, and a Career Development Fellowship with The Center for Emerging Visual Artist, Philadelphia, PA.  Erne was one of 25 artists selected by the Center of Emerging Visual Artist to represent them in their 25th Year Anniversary Exhibition at the Philadelphia Museum of Art. In 2015 Erne won the Jane Friend Purchase Award in the Brand Associates’ 43rd Annual Works On Paper National Juried Exhibition in Glendale, CA. She is currently on the faculty at Drexel University, Moore College of Art and Design, and the Fleisher Art Memorial all in Philadelphia, PA.

Location: 1816 Frankford Ave, Philadelphia, PA 19125

Hours: by appointment

Michelle Marcuse, Co Director, HOUSE Gallery, 1816 Frankford Ave, Philadelphia, PA 19125, 215-901-7190


www.housegallery1816.com

www.michellemarcuse.com

www.henrybermudezart.com

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Workshop

The Plastic Club Annual Workshop Art Show

The Plastic Club Annual Workshop Art Show

The Plastic Club holds eleven artist workshops every week, in which the Club supplies a well-lighted studio space and models, if required. 

These workshops are great incubators of artistic expression. Once a year, the Club has an exhibition of work done in these workshops — whether completed during the workshop or started in the workshop and completed at home.

The Annual Workshop Show, June 1st – June 27th, will open with a party on Saturday, June 1, from 7:00 – 9:00PM at The Plastic Club, 247 S. Camac St., Philadelphia, PA 19107, 215-545-9324 info@plasticclub.org

Viewers of the exhibition will vote for their favorite works, and the top vote-getters will receive coupons for free workshops. (Workshops are inexpensive, but not free.)

Among the workshops are Clothed Portrait Model, Draped Figure, Life Model (Long pose), Clothed Model (Long pose), and Open Studio. (During the Open Studio, students work on their own projects and a still-life composition is available.) The full list of workshops is shown on the Club’s website, www.plasticclub.org/workshops.

The Annual Workshop Show can be viewed by the public during the opening party and at The Plastic Club‘s monthly Third Sunday Open Gallery, on June 16, from 1:00 to 4:00PM.

About The Plastic Club

The Plastic Club was founded in 1897 by a group of professional women artists At a time when already existing art clubs in the city were only open to men, the founders of the Plastic Club wanted a place for artists who were women to meet, exchange ideas, and exhibit their work. They wanted to bring experienced, professionals together with younger artists who were just beginning their careers.

Today, in a building purchased through member fundraising in 1909, the original mission of the now co-ed Plastic Club continues with 200+ members, ten open drawing sessions a week, and a year-round program of film, dance, music, poetry, salons discussion groups, community dinners, and other fun events.

The term “Plastic” refers to the “plastic” arts — malleable, changeable, and ever in-progress work. From the beginning the Club has been a home to artists of all media including painting, drawing, sculpture, photography, printmaking, fiber arts, and more.

Thank you to Bob Moore for the content of this post.

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What Follows

The Birthing, 2019, mixed media on paper, 22″ x 30″

The Art of Grief and What Follows
Paintings and Writings by Tremain Smith


May 1 thru June 1, 2019

Old City Jewish Arts Center
119 North 3rd Street
Philadelphia, PA 19106
215-627-2792
Gallery Hours: Mon-Fri 10-5, Sat & Sun 12-5
www.ocjac.org
www.tremainsmith.com

May 3, 5-9 pm: First Friday Opening
Sun, May 19, 2-4 pm: Art & writing workshop led by the artist
Wed, May 29, 6-8 pm: Closing Reception/Poetry Reading

All events are free and open to the public.

Rare Orchid

Let it blossom in its time
Let it unfold of its own accord
Slowly gently imperceptibly 
Like that rare orchid you spoke of, Mom
It’s multiplied
In my window in the light of my window
protected by the pine and nestled in peace 
Brand new bold stems have come 
It’s you.
I made it, Mom. I made it through the grief.
I’m happy now. I’m living again.
Changed and sustained by your life and death I love you.
You fell into my soil
like the leaves from the trees
Bountifully nourishing my essence
I grow,
strong, deep, solid
I can touch the sky
I touch the sky indeed.
You smile.
Ever my encourager, now you are my guide, my holy being.

Remember how we said as you were leaving this earth:
“I place myself in the hands of holy beings.”

I do that now, while still on earth.
Thank you.
Always.
That line that stretches back
Before time
And forever
That’s where I meet you
Thank you to Tremain Smith for the content of this post.

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Faux-Pas

HOUSEGallery April First Friday opening reception :

Autumn Wallace : How could I say no to you?

Autumn Wallace uses her artwork as a means to address social change. Illustrating individuals as large, curvy beings with slightly distorted features, she aims to encourage viewers to see beauty within the ‘imperfect’.  Most recently, Ms. Wallace received a Creative Arts, Research and Scholarship Grant to study at the National Museum of African Art and National Museum of African American History and Culture in Washington, D.C.  Titled “The Origins of Respect[ability],” her research paper focused on themes of queerness and femininity, specifically within the Black community. 


We invite you join us for Autumns reception on April 5th. 

Michelle Marcuse

Would a No by any other name smell as sweet?

Shut-out, Shut-In, or Shut-Up? That big, hard wall sprung by dismissal creates so many wonderful possibilities! Where, oh where will that sharp left turn bring you?  Before you Google what tools you need to split a second for that decision, be aware that in April at HOUSEGallery, Autumn will use experimental thought exercises assisted by paint and clay to lead a guided exploration of the prospects at How Could I Say ‘No’ to You? Come discover your ways here.

About Autumn Wallace

To Autumn Wallace, Faux-Pas is a destination island where anything is possible. On this island [floated in a small undisclosed Philadelphia enclave], Autumn blends daily life with their borderline obsessions. Prominent features of the island’s attractions include 90’s cartoons, Baroque aesthetics, and ‘Adult Materials’ arranged in painting and sculptures, stirring up narratives of chaotic [con]fusion. Why? Eluding reason boosts emotional response, makes viewers voyeurs, or participants–no bystanders. Here, absurdity is the moderator and we’re all in for the ride.
www.autumnwallaceart.wordpress.com/www.instagram.com/veggiemon/

HOURS by appointment

Location HOUSEGallery1816 Frankford Ave, Philadelphia, PA 19125

Thank you to Michelle Marcuse for the content of this post.

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Stories

Stories to Tell

Stories Told in Pictures at The Plastic Club

April will be a time for story-telling at The Plastic Club, as the historic art club invites visual artists to show how they retell the world’s stories, whether drawn from holy books or comic books or the depths of their own imaginations.

The prospectus explains that works can be representational or abstract, based perhaps on literature or perhaps on popular genres or even current events. “It is your story to tell, using your special way of doing art.”

The prospectus quotes the poet Wallace Stevens for inspiration:
“They said, ‘You have a blue guitar, you do not play things as they are.’ The man replied, ‘Things as they are are changed upon the blue guitar.'”

Stories to Tell at The Plastic Club

Stories to Tell Opening Reception Sunday, April 7th, 2:00 and 5:00 PM, with juror’s awards and announcement at 3:30 PM. The work can also be viewed by appointment or at The Plastic Club‘s special Third Sunday Open Gallery on Sunday, April 21 from 1 to 4 PM.

The Plastic Club. 247 South Camac Street, Philadelphia, PA 19107, (215) 545-9324
info@plasticclub.org

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