GLASSBORO, NJ: Rowan University Art Gallery presents The Nature of Time, a new installation by stone mason Thea Alvin. On view through July 24th at 301 West High Street, Wednesday – Saturday 11 am – 5 pm, Artist reception July 9th, 2021, 4 – 7 pm. This project complements the anticipated Time Sweeps, her permanent public art work coming soon to the East Garden Courtyard of Discovery Hall at Rowan University.
Made from nearly 14 tons of integrated stone pieces of Pennsylvania Field Stone, which contains fossils, moss, and lichen, the installation consists of three distinctive formations: a winding wall, a stone floor mosaic, and a cairn, which are joined by large format photographs of Thea’s numerous public art projects, ambient projected light, video and a melodic background soundscape.
Time Sweeps is a stone sculpture currently under construction, in the East Garden Courtyard of Discovery Hall at Rowan University. The approximately 264-ton sculpture will be composed of three main features: a 100 ft. long winding wall with an arch, and two non connecting winding walls, and a small passageway between the two walls, often referred to as a squeeze. The sculpture is comprised of primarily Pennsylvania Fieldstone (264 tons), which contains fossils, moss, and lichen, and also includes seven boulders (2-3 tons each) of the primary stone types (igneous, sedimentary, and metamorphic) including basalt, conglomerate, gabbro, gneiss, granite, rhyolite, schist. Six of the boulders sit at the end of walls and the seventh are columns of basalt that will mark the winter solstice. The wall will be capped in buff sandstone from Colorado (12 tons) containing dendrites.
Conceived as an “organic collaboration,” between the artist, the land, the stone, and the visitor, Time Sweeps is a uniquely interactive public artwork that provides quiet space for personal reflection and experiential learning.
When describing her design process Thea explains, “Each sculpture is a composed expression of the thoughts of the land itself. I’m in the moment with the chosen material, capturing that angst, that patience, that essence, and setting it in stone. The lines are laid and the rhythm is established on paper, but the melody becomes clear as the structure rises from the ground in situ.”
Using the natural world as her primary inspiration, Thea sees stone as an object in motion; as lines pushed by wind and driven by rain, casting shadows, capturing light. It is her intention to create places of rest and reflection, while honoring the natural faces of the stone by not adding too many marks that suggest that it was forced into position. The beauty of the material is allowed to shine through, imperfectly perfect. Not asking too much of the viewer, but acceptance and gratitude.
Thea Alvin is an artist and stone mason, a designer and builder with determination and creativity. She started her career in stone at age 16, working for her father as a tender, then for years as a mason and then stone mason. She refined her stone style while traveling and working all over the world, from China to Iceland, Canada to Italy, and all across North America. She draws on the traditions in stone and expands those to create large site specific, unique, geologic installations.
Time Sweeps, in progress
Contact: Mary Salvante, email@example.com, 856-256-4521
A solo exhibition by Sarah Detweiler, presented by Paradigm Gallery.
April 23 – May 22, 2021
Paradigm Gallery is pleased to present mOTHER, a solo exhibition by figurative painter Sarah Detweiler. mOTHER features 12 new vibrantly haunting works from Detweiler’s ongoing series, Hidden Mother, which adeptly subverts the portrait form and instead, focuses on a woman’s self-imposed perceptions and expectations that a mother attaches to their identity. Her evocative paintings use concealment as a way to reveal deeper truths. mOTHER marks Detweiler’s first solo exhibition at Paradigm Gallery and will be on view* from April 23 – May 22, 2021 with a virtual opening on Friday, April 23 at 5:30PM, RSVP is required:
The Hidden Mother series was inspired by a trend in Victorian portrait photography in which mothers concealed themselves in fabric while they held their children still for long exposure photographs. Detweiler’s images remove the children, showing only the women covered and posed alone within each frame. In this way, they are both hyper visible and hidden. While the artist used herself as the model for previous works, her new collection turns her gaze toward other women, thus expanding the view of motherhood as both a connective thread and as an experience that is unique to each individual.
Though the series has been ongoing since January 2020, mOTHER marks the first body of works where Detweiler collaboratively created the pieces with her subjects. Detweiler worked closely with her subjects to best tell their stories, intuitively translating their experiences and feelings onto the canvas. By personalizing her paintings to her subjects’ stories, their life experiences shine through the patterns and colors of the work, even as their faces are obscured. Though Detweiler knows her subjects personally, in maintaining the anonymity of her subjects, she preserves a universal relatability — the woman under the shroud could be you, your mother, your friend.
The paintings in mOTHER include hand-stitched embroidered elements that add texture and dimension, while alluding to a craftwork traditionally associated with femininity. The stitching is often only noticeable upon closer inspection, reinforcing the significance of that which is hidden in plain sight. The resulting images in this exhibition are deep, vibrant, and fantastical. They express their subjects’ ambivalence, acceptance, and embrace towards their changing roles as mothers, all while celebrating the true multiplicity of their identities.
Detweiler opens the conversation around transformation and identity, honoring each woman’s existence beyond motherhood. Her powerful images are both eerie and whimsical, cathartic and hopeful. Though the subjects are hidden on a superficial level, the coverage actually allows the artist to see more deeply, revealing them in new and beautiful light.
*Due to COVID-19, ”mOTHER” will be open for regular weekend hours with limited capacity andis available to view by private appointments during the week until further notice. The digitalexhibition twin is available on https://www.paradigmarts.org/ for viewing from home.
These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email firstname.lastname@example.org.
About Sarah Detweiler
Sarah Detweiler is a Philadelphia area-based, mixed media painter. Her experiences as a woman and mother are explored through figurative narratives created with a combination of embroidery with oil, acrylic, gouache, and watercolor.
Sarah has a BFA from the University of Delaware in Visual Communications and a Masters in Art Therapy from Pratt Institute in Brooklyn, NY. She has exhibited in group and solo shows in various locations including New York City, Brooklyn, New Jersey, Los Angeles, San Francisco, Dallas, Chester County, PA and Philadelphia. Sarah has been featured by The Jealous Curator, Create Magazine, Making Art Films, and Thrive Art Studio. Her work has been published in Uppercase Magazine and Create Magazine.
Sarah’s art centers around themes of fertility, motherhood, female empowerment, and the human experience.
About Paradigm Gallery
Paradigm Gallery + Studio® was established in 2010 by co-founders and curators, Jason Chen and Sara McCorriston. The gallery exhibits meaningful, process-intense contemporary artwork from around the world. Now open 11 years, Paradigm Gallery is globally recognized and known as a tastemaker within their greater Philadelphia arts community. As the gallery grows, it maintains its original mission to keep art accessible. Through monthly donations, free public art installations, and initiatives like Insider Picks, Paradigm Gallery, continues to be a champion of small businesses and emerging and mid-career artists.
746 S 4th St
Philadelphia, PA 19147
Lainya Magaña, A&O PR
347 395 4155
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For the month of May new works by illustrator Jordan Kressley will be on display in the gallery.
A fairly recent graduate in the field of illustration Kressley has made the wise decision to stick to traditional hands on mediums, quickly and adeptly honing the skills of chalk pastels. In an age of digital content one can drown in these works on paper that have tediously been labored upon are a fresh breath on art. Everything about this young artist’s choices set her apart from the pack. She impresses the viewer with every single work she creates with scale and attention to detail. Kressley creates a fantastical and rich sense of depth and luminosity in her work, where the bright and energetic meet calm of boundless darkness. While referencing the living world around her, she develops exciting compositions with unique narratives that capture the viewer’s attention. Presenting a new series of works that tie in her current interest in flora and fauna that push the boundaries of reality just enough. Do not miss the opportunity to view these wonderful works in person. Stop in the gallery 5 days a week to view and add to your collection. All works are also available for sale online through our site www.blackmothgallery.com
Steve Martin Black Moth Tattoo & Gallery Voted Best of Philly 2020·Voted Best of the Main Line 2020 ·Voted MontCo’s Best of in the Happening List 2018 2019 2020
Shawn Theodore: Night Stars A Solo Exhibition of New Work February 26 – March 20, 2021
February 11, 2021 (Philadelphia, PA) – Paradigm Gallery is pleased to present Night Stars, a solo exhibition of new photographic work by interdisciplinary artist Shawn Theodore. Night Stars is an expansion of Theodore’s investigation into a space he calls ‘Afromythology’, which unites the real and imaginary histories and futures of African Americans. In Night Stars, Theodore widens this space by melding together the traditions of African indigo making and the magical powers of water and stars.
The evocative exhibition illuminates the space where they all converge, a body of work that is a deep, deep blue. Night Stars marks the first exhibition at Paradigm with the artist. Night Stars is open to the public from February 26 – March 20th with an opening event on Friday, February 26th at 5:30PM.
Theodore makes connections, finds linked points and intersections within the past and seeing what is repeated in the current he identifies recurring themes, like spirituality. Spirituality has been passed on from generation to generation, and is something that is ostensibly part of the Black experience, but it is not something you can see or touch; it happens without direct knowledge, just faith.
In Night Stars, Theodore looks deeper for where instances of faith happen such as in music, quilt making or code switching. All of these hold examples of coded language, subversive art and intent and Night Stars is constructed from these metaphysical bridges. Bridges like quilts that were used to smuggle secret messages guiding people to freedom, far beyond the maker’s own physical passing. Or the Dogon tribe of West Africa, who were master astronomers.
They believed that their ancestors were descendants of a species from the Sirius star system eight and half light years away and to be free meant going back home. Though they were physically limited, their collective celestial knowledge somehow traveled across time and space to other groups of Black people who used it to understand the same set of stars that were used in the same way: to be led to freedom. ‘Afromyth’ sits upon these bridges.
The works in Night Stars are a series of statuesque portraits, monuments within a vast space of blue. Blue is a multi-tiered reference within the exhibition. The color is known to ward off evil in African and African American culture and Theodore questions how that symbolic signal came to be and why it still holds that power today.
The artist says, “To create in blue, one must first understand its powerful nature. There has to be a world that exists inside of the color. A spiritual process is happening that is begging us to look inside of it, and somewhere within it are answers”. Theodore connects the symbolic color to the 19th century process of cyanotype.
The artist has always been fascinated by the historic practice, which produces a cyan-blue print; however, it is extremely rare to find a Black subject in one of these prints. Rather than shooting in cyanotype, Theodore uses it as a guideline, photographing his subjects using blue filters and blue cast lights.
The resulting works are less historic than they are revolutionary. On the series Theodore says, “Featured in this collection are portraits made of bejeweled deities in the indigo-hued ether, the fervor of fête revelers, the quiet stillness amongst the dense foliage and haints of Low Country of South Carolina, possession in the Blue Mountains of Jamaica, and sunrise reverence at the edge of the Caribbean Sea. At the center is the viewer, who stands at the bardos of these seemingly disjointed experiences, their presence unifying the real and unreal”.
Photography often acts as a fast route to see the past, but what is beyond the camera’s sight? Subconsciously, the brain creates narratives beyond physical photographs, beyond what we logically know or see. These leaps are our imagined archives and it’s within their boundless possibilities that Night Stars lives, filling the gaps.
*Due to COVID-19, “Night Stars” will be open for regular weekend hours with limited capacity and is available to view by private appointments during the week until further notice. The digital exhibition twin is available on https://www.paradigmarts.org/ for viewing from home. These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email email@example.com.
About Shawn Theodore Shawn Theodore (b. 1970, Germany) is an award-winning photographer whose work opens broad conversations regarding the role of the photographer in the shaping of agency and imagery, engages in new forms of storytelling, and impacts the trajectory of the collective black consciousness.
Theodore has participated in exhibitions at various institutions, galleries and fairs, including the African American Museum in Philadelphia (2017, 2018), Mennello Museum of American Art (2018), The Barnes Foundation (2017, 2018, 2019), Steven Kasher Gallery (2018), AIPAD (2018, 2019), Hudson Valley Community College (2018), Catherine Edelman Gallery (2017), The Bakalar & Paine Galleries at MassArt (2017), Snap! Orlando (2018), Richard Beavers Gallery (2018), PRIZM Art Fair, Scope Art Fair, Philadelphia Photo Arts Center, Rush Arts Gallery (2017, 2018), and the University of the Arts (2019).
His commercial projects include works for Apple, Showtime Networks, RocNation, PAPER Magazine, New York Magazine, Smithsonian Magazine, The Atlantic, The New York Times, PDN and others. Theodore was awarded the prestigious PDN’s 30 New & Emerging Photographers to Watch (2019), the Getty Images / ARRAY ‘Where We Stand’ (2018) grant and a grant from the Knight Foundation for ‘A Dream Deferred’ (2018). He is a two-time nominee of The Pew Center for Arts & Heritage Fellowship, and a nominee of the Magnum Foundation Fund.
Theodore earned his BA in JPRA (Journalism, Public Relations and Advertising) from Temple University. He currently attends the MFA for Photography program at Savannah College of Art and Design (SCAD Atlanta). Theodore is a current trustee of the Rush Philanthropic Arts Foundation and the Philadelphia Photo Arts Center.
About Paradigm Gallery Paradigm Gallery + Studio® was established in 2010 by co-founders and curators, Jason Chen and Sara McCorriston. The gallery exhibits meaningful, process-intense contemporary artwork from around the world. Now open 11 years, Paradigm Gallery is globally recognized and known as a tastemaker within their greater Philadelphia arts community. As the gallery grows, it maintains its original mission to keep art accessible. Through monthly donations, free public art installations, and initiatives like Insider Picks, Paradigm Gallery, continues to be a champion of small businesses and emerging and mid-career artists.
Location: 746 S 4th St Philadelphia, PA 19147 Media Contact: Lainya Magaña, A&O PR 347 395 4155 firstname.lastname@example.org
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Paradigm Gallery is pleased to announce Be Kind Rewind, an immersive solo exhibition of new works by Contemporary artist, Charles Clary, opening* on June 26, 2020 and remaining on view through August 8, 2020. Presented as an immersive video store installation, Be Kind Rewind is comprised of 1,000 new paper relief works from Clary’s ongoing VHS series, making it the largest showing of VHS since its inception in 2016, and explores the cathartic power of shared nostalgia.
VHS is a reactionary body of work to the passing of Clary’s parents, both of whom he had a complicated relationship with growing up. As they were often absent during his childhood, movies acted as a surrogate babysitter. Clary began thinking about how his nostalgia for a happier childhood could be translated through his work and used as a way to channel his grief. A pop culture fanatic, Clary began to notice cheap, 50 cent VHS tape copies of his favorite movies at his local thrift stores. Analog and carelessly discarded, these films held a lot of emotional significance to Clary, who saw them as “beautiful scarifications”, a traumatic moment healed by a film.
Clary sourced every one of Be Kind Rewind’s massive number of works at thrift stores or garage sales, with a large number being old copies of horror movies. A self described ‘horror nut’, Clary always felt a kindred spirit to the final person standing in a scary movie – surviving through the trauma. Not wanting to take away from the cover’s imagery, Clary will design around what he feels is important and then will carefully cut and layer 15 pieces of paper into the slipcase, salvaging and elevating the artifact with a newfound intricacy and depth. Viewers will recognize old favorites like Tron, Labyrinth and Dark Crystal, movies that have become synonymous with Clary’s childhood cinematic history. Lovingly handmade, Be Kind Rewind reimagines a mom and pop video store where visitors can take coordinating tabs to the register to “rent” a tape, making it an immersive and joyful experience. From a first date to the surprise twist ending of a thriller, watching movies has become a communal human experience. Be Kind Rewind reminds us of our collective human spirit through the power of nostalgic connection and in doing so, brings us all a little bit closer.
*Due to COVID-19, “Be Kind Rewind” will be available for viewing by appointment only or on https://www.paradigmarts.org/ until further notice. These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email email@example.com.
About Charles Clary Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has shown in exhibitions at Galerie EVOLUTION-Pierre Cardin in Paris, France, Pierogi Gallery and Nancy Margolis Gallery in New York, Spoke art in San Francisco, and museum shows at Mesa Contemporary Art Museum, Gadsten Museum of Art, and Cornell Museum of Art. He has also completed a three week residency in Lacoste France, completed a painting assistantship with Joe Amrhein of Pierogi Gallery in Brooklyn NYC, and had work acquired by fashion designer Pierre Cardin and gallery owner James Cohan.
Clary has been featured in numerous print and Internet interviews including, This is Colossal, WIRED magazine (US and UK), Hi Fructose, Beautifuldecay.com, Bluecanvas Magazine, and This Is Colossal as well as a recent feature in American Craft Magazine. He was also featured in the Art On Paper Art Fair with Kenise Barnes Fine Art. He has also been featured in publications including 500 Paper Objects, Paper Works, Paper Art, Papercraft 2, PUSH: Paper, and The New Twenties. Charles has exhibited regionally, nationally, and internationally in numerous solo and group shows. Clary currently lives and works in Conway SC.
About Paradigm Gallery Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. Now open 10 years, the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.
Location: 746 S 4th St Philadelphia, PA 19147 Media Contact: Lainya Magaña, A&O PR 347 395 4155 firstname.lastname@example.org
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