Category Archives: One-Person Art Show

One person art shows. Philadelphia artists one person art shows.

HOW

Ada Trillo, Twenty-Two GalleryANDREA, 2017 by Ada Trillo

”Andrea is dying of stomach cancer and addicted to heroin,” said Trillo.

“HOW DID I GET HERE?”
BY ARTIST ADA TRILLO

PHOTOGRAPHY EXHIBITION
TWENTY-TWO GALLERY

 PHILADELPHIA, PA – June, 2017 Twenty-Two Gallery is pleased to announce the opening of a new photography exhibition by Philadelphia-based artist Ada Trillo entitled How Did I Get Here? The dynamic portrait series documents the exploitation of women in the prostitution industry. The opening reception is Thursday, July 13, 2017 and the exhibition runs through August 6, 2017. Proceeds will benefit organizations helping to end prostitution and human trafficking.

Photographed in the brothels of Juarez, Mexico, Trillo captures the adversity these women must overcome in their daily lives, giving context and an identity to the prostitutes. With this exhibition, she is raising awareness about this global issue and inviting you to be part of the solution. Proceeds from the sale of these photographs will be donated to two organizations: The Coalition Against Trafficking Women, an international organization dedicated to protecting human rights, and the Mother Antonia Center of the Oblate Sisters of the Most Holy Redeemer, Mexico City, who support the dignification of women in prostitution who work in La Merced.

On her experience, Trillo shared “This series and experience has greatly humbled me, and I hope it will have an impact, moving viewers to want to make a difference as well.”

Many artists deploy photography for commentary on a variety of issues in society. Its intent is to provoke a response and, frequently, its two most common subject matters are poverty and labor. Trillo’s exhibition does both. The subjects of her portraits are prostitutes working in Juarez, known for its violent drug cartel.

“A majority of the women are not from Juarez. Instead, many were abducted into the sex trade while attempting to cross the border, or sold into the industry by family members,” stated Trillo.

Ada Trillo, Twenty-Two GalleryCLAUDIA, 2017 by Ada Trillo

”Claudia was abused as a minor by her stepfather and ended up as a prostitute and heroin user. The last time I was there she had been missing for 30 days,” shared Trillo.

Nearly all of the women are addicted to drugs—crack cocaine and heroin—and have neither healthcare nor access to rehabilitation. Those who cannot attract clients are deprived of food. Trillo braved the Juarez Valley for her series of photographs taken during multiple visits over three years.

The power of Trillo’s narrative creates an intersection of sympathy, dignity, and hope. This is Trillo’s first foray into photography. She is also a painter, whose paintings use “symbolism of transformation, impermanence, and power” and now, so does her photography.  This summer’s exhibition at Twenty-Two Gallery, “How Did I Get Here?” will be an opportunity to introduce Trillo’s new genre to a broader audience and raise awareness about the trafficking and exploitation of women as an international issue.

Twenty-Two Gallery | 236 South 22nd Street Philadelphia, Pa 19103

Opening | Thursday, July 13 | 6:00pm-8:00pm

Exhibition Dates & Times | July 14 – August 6

Wednesdays through Sundays | 12:00pm – 6:00pm or by appointment

ABOUT ADA TRILLO   | WEBSITE www.adatrillo.com  |  INSTAGRAM @adatrilloart

Ada Trillo is an artist who works in multiple media, including oil and acrylic painting, as well as photography. Her work is influenced by the rich cultural heritage of the American Southwest and Mexico and the symbols related to Latin culture. It is frequently characterized by her use of gold powder and gold leaf.

Born on the American/Mexican border, Trillo lives and works in Philadelphia and frequently travels to Mexico and Europe for inspiration while continuing to develop as an artist with classes in painting and photography at PAFA and the University of the Arts. She has been featured in solo, two-person and group exhibitions and is represented by RASCO Fine Arts and Twenty-Two Gallery in Philadelphia.

For editorial & image inquiries:
Tara Theune Davis | Bespoke Strategies | taratheunedavis@gmail.com  | 917.318.5577

Thank you to Tara Theune Davis for the content of this post.

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Progression

Paula Cahill, Progressions

“Progression” New Works by Paula Cahill

Crane Arts Building, through May 26th

In “Progression” we see Paula Cahill return to her “Calligraphy Series” with a playful eye on twenty-first century color, movement, and metaphor. Compositions, often created with one continuous line, meander, change color, move forward, backward, and sometimes off the page. Cahill describes her paintings as a metaphor for progress, a process integral to civilization. The painting experience is immersive for this artist and she wishes her viewers their own moments of immersion and contemplation as they move through the composition.

“Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of form and creating a written record, I form the catalysts for my paintings.  Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning.  Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.” Paula Cahill Artist Statement

Hours: Wednesday through Saturday, Noon to 6:00 or by contacting

paulacahill2010@gmail.com for a private appointment.

Second Thursday Reception: May 11th, 6:00 – 9:00pm

Crane Arts Building, 1400 N. American Street, Philadelphia, PA 19122-3803

paulacahill.com

Crane Arts Building Mission:

  • Creating a unique community that encourages and supports artistic production by both emerging and established artists.
  • Assisting the development and growth of Philadelphia’s creative resources, assets, and potential.
  • Creating a unique location for certain creativity-based businesses to thrive alongside the vibrant, Crane Arts community.
  • Providing unique space for the visual and performing arts to showcase events on a local, regional, and national scale.

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afterimage

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

April 8, 2017 to April 27, 2017

“The contemporary new work of Robert McNellis is a bold departure from his lit abstractions of the last year. Expanding from the previous structural solutions, he has turned to using surprising, anonymous images derived from photographs, or photographs derived from anonymous images, and combining these with precise, sleek structures. The elements that makes this possible are vague, almost anonymous, figuration and focused light. In the earlier abstract work, the image relied almost entirely on the structure. This new work is an attempt to bring image and structure onto a more equal footing. This required a movement towards limited figuration in the images, for abstraction rests almost entirely on structure. The brilliant resonances produced are sure to reward those who are able to spend time with the work.” – 1241 CARPENTER

Reception Saturday, April 8, 4 – 7 pm

1241 CARPENTER Studios / Ground Floor + @HBHQ  |  A creative community : artist studios : creative businesses : exhibition spaces.

1241 CARPENTER – Over fifty artists and craftspeople working in an awesome 19th Century factory building.

We’re in the Hawthorne neighborhood of Philadelphia. We’re often lumped in with Bella Vista to the east and South Philadelphia which officially begins south of Washington Avenue. Our building is always buzzing with our many creative businesses and art studios.

One exhibition venues is ARTSPACE 1241. It features our tenants and some guest artists each month.

Our close proximity to the Italian Market is terrific for us and our visitors. It’s an authentic taste of Philadelphia!”

Thank you to 1241 CARPENTER for the content of this post which DoN lifted in whole without permission from the press release and website.

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Prime

Prime Time, Maureen, Maureen Gass-Brown, New Watercolors

Prime Time, Maureen Gass-Brown, New Watercolors,

Church St. Art & Craft

Join us for the month of April as we welcome spring with “Prime Time” a delightful floral watercolor exhibit by member artist, Maureen Gass-Brown.

An opening reception will be held on April 8th from 4:00 – 7:00pm. There will be a special discount on all unframed originals that will only be offered during the reception!

As always, artful refreshments will be served and everyone is welcome.

Church St. Art & Craft, 2 Church St., Mt. Holly, NJ in the Historic Mill Race Village of Shops,

609-261-8634

Prime Time, Maureen Gass-Brown, New Watercolors, Church St. Art & Craft

Church St. Art & Craft is an eclectic art space. We are a cooperative art gallery in the historic Mill Race Village in Mt. Holly, NJ. We are a custom frame shop, a place to gather and create art and a shop to purchase charming hand made gifts. In short, a wonderfully creative place to visit!

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Picket

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

ART GALLERY AT WILLIAM WAY LGBT CENTER DEBUTS

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

Solo Exhibition  Features 26 Works on Paper through April 28, 2017

Picket Fences,” a solo exhibition by textual artist Gerard Silva, made its debut at the Art Gallery at the William Way Center on March 10 and runs through April 28, 2017.

Each of the exhibition’s 26 works on paper has been hand-printed by Silva and culled from a larger group in his “Picket Fences” series, serving a symbol of the way we choose what parts of ourselves to present to a society that makes judgements of approval or disapproval, of acceptance or rejection. While Silva strives for perfection, the hand-printing process produces slight variations that he can’t help but leave for the viewer to pass their judgements on.

“These screen prints relate to our daily lives in which we strive for acceptance; we are selective and we seek some kind of perfection in ourselves and in others,” Silva explains. “And it is this search for perfection in the many roles we all play that leads to insecurities that we have a difficult time admitting to or sharing with someone: insecurities that I’m acknowledging here.  But ultimately, I am who I am.  We are who we are.”

This project originated from the artist’s own frustrations and discouragement while working in his studio, often resulting in insecurities and self-doubt that spilled over into the many other roles in his life: a son, a friend, a gay man, a minority, a citizen, an outcast, a non-white, a non-black, a punk, a skeptic, a sinner, a foreigner, an American.

When pondering how he measures up, Silva’s collective work asks, “Is there a perfect state of being out there? Is the grass greener on the other side? Where is my white picket fence?”

Silva is a Philadelphia-based artist who has studied in New York, London and Arizona. His work has been shown in the Meyerson Gallery at the University of Pennsylvania, at the Kingston Gallery in Boston, at the San Diego Art Institute and at the Museo de Arte Contemporáneo de Puerto Rico. He was also included twice in the Arizona Biennial.

The William Way Center is open Monday through Friday from 11:00am -10:00pm and on Saturdays and Sundays from 12:00pm – 5:00pm.  Admission to the main floor gallery is free.

The William Way LGBT Center is located at: 1315 Spruce Street, Philadelphia, PA 19107

215-732-2220

PICKET FENCES” is showing the following 15” x 22” works on paper:

PERFECT

WHITE

LATINO

PRETTY

PHONY

LUCKY

ESTABLISHED

PREEMINENT

COMMERCIAL

IMPORTANT

RICH

PROMISCUOUS

OLD

EMERGING

POOR

SERIOUS

WILD

BLACK

YOUNG

MAN

FABULOUS

QUEER

FUCKED-UP

BUTCH

CONNECTED

ANGRY

Thank you to Jolyn for the content of this post.

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