Tag Archives: Paradigm Gallery & Studio

Lands

Drew Leshko, Sacred Lands, Paradigm Gallery + StudioDrew Leshko, Penn Treaty Metals

Sacred Lands

New sculptural works by Drew Leshko

Exhibition Dates: March 23rd – May 19th, 2018

Opening Reception: March 23rd, 2018 5:30 – 10:00pm

Paradigm Gallery is pleased to present Sacred Lands an exhibition of new sculptural works by the artist Drew Leshko opening March 23rd, 2018 and remaining on view through May 19th, 2018. The exhibition’s title is a reference to Leshko’s Philadelphia neighborhood of Fishtown and its ancestral roots as the home to the indigenous Lenni-Lenape. For more than a decade Leshko painstakingly documented the rapid re-development occurring in his hometown of Philadelphia specifically the historical neighborhood of Fishtown. Although Leshko’s works are sculptural by nature, he largely considers himself a documentarian, his sculptures echoing the work of legendary documentary photographers Gordon Parks and Bernd and Hilla Becher.

Leshko is particularly attracted to overlooked and oft-neglected sites, the unremarkable
buildings which will not be preserved. With past works, Leshko’s been drawn to the
once-thriving churches that have closed their doors as parishioners have been forced to
relocate, and the small local businesses with their classical designs which are now juxtaposed
with modern slapdash renovations, as well as the facades and machines of yesteryear. His
models splendidly isolate anachronistic architecture, encouraging the viewer to consider history
through a unique prism.

Drew Leshko, Sacred Lands, Paradigm Gallery + Studio

For Sacred Lands, Leshko replicates the Kensington Soup Society, a soup kitchen which
opened in 1844 and closed in 2008; Penn Treaty Metals, a metal recycling business spanning
three generations, the name of which references William Penn’s Treaty with the Native Lenape
in 1683; and the Edward Corner Marine Merchandise Warehouse, with its hand-painted signs
providing a physical reminder of Fishtown’s waterfront history. Leshko’s sculptures will be
complemented by his small-scale reproductions of local signage (for bars, restaurants, VFW
halls, and even strip clubs), as well as vintage photographs of historical buildings courtesy of the
Philadelphia City Archives.

Drew Leshko, Sacred Lands, Paradigm Gallery + StudioYesterday’s Tavern, 2018, paper, acrylic, inkjet prints, PVC plastic, chain, wire, pastel, 12” x 1 1/2” x 11”

Leshko’s 1:12 dollhouse scale replicas are meticulously crafted, requiring 120 to 160 studio
hours to create. He begins each sculpture working from a single photograph as an image
reference, but then will discard the photograph in mid-process, relying on memory to complete
the piece. His miniatures act as singular physical documents of the buildings and businesses
which are sadly proving unsustainable. Leshko’s ongoing examination of gentrification and
historical preservation (or lack thereof), asks the timely question “in a soon-to-be-forgotten
America, what is worth preserving?”.

About Drew Leshko

Drew Leshko is a Philadelphia, Pennsylvania-based artist. Working from observation and
photographs, the artist painstakingly recreates everything from building facades to campers at a scale which may be familiar to some viewers as standard dollhouse spec; the treatment to
Leshko’s work is widely different. The minute detail of his work includes city detritus such as
dumpsters and pallets, which are commentary of the ideas of what is worth preserving.
Accumulations of typically overlooked details and minutiae like acid rain deposits and rust
become beautiful adornments.

Leshko’s work has been exhibited in galleries, and museums both nationally and internationally.
His work is included in permanent collections including the Dean Collection (NYC), West
Collection (Philadelphia), Iron State Development’s corporate collection (Hoboken), Urban
Nation Museum (Berlin), and many private collections throughout the world.

About Paradigm Gallery

Established February 2010, Paradigm Gallery + Studio started as a project between
co-founders and curators, Jason Chen and Sara McCorriston, to create a space to make
artwork, exhibit the work of their peers, and invite the members of the local community to make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, while maintaining a focus on Philadelphia artists.

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Far

Far From The Tree, Katherine Fraser, Paradign Gallery + StudioThe War of Independence, oil on canvas, 54″ x 60″

Paradigm Gallery + Studio is pleased to present
Far from the Tree

A solo exhibition of new oil paintings by artist Katherine Fraser on view February 23 – April 21, 2018.

In her third solo exhibition with the gallery, Katherine Fraser draws inspiration for Far from the Tree from fables and explores what it means to have control over our own destinies. Universally-known stories and endings are suddenly given the ability to change. The artist’s most cohesive series to date, each character is presented with the agency to alter their own outcomes.

In the work, The War of Independence, the natural beauty of the Acadian National Park
acts as the backdrop. Having grown up in rural Maine, the landscape is a reference to
the artist’s childhood – a symbol of a time when Fraser felt her most strong and
independent.

Fraser says, “When I use the rural landscape in my paintings it symbolizes
the homeland; I use it to create a feeling of peace and protection. I mostly paint solitary
figures, and being alone in nature is the best kind of alone. In nature I feel most myself,
vibrant, and at one with the world.”

Fraser’s figurative compositions ‘depict moments of quiet reflection and insight, of wonder, vulnerability, yearning, determination, humility, strength, and growth’. She cites realist painters Edward Hopper and Bo Bartlett as influences, but also sees parallels between her work and photographers like: Diane Arbus, Mary Ellen Mark and Sally Mann. All of these artists act as storytellers, capturing individuals in moments and settings with a great deal of intimacy.

Far From The Tree, Katherine Fraser

By Example, oil on canvas, 56″ x 74″

Classically trained, Fraser exclusively works with oil paint for its flexibility and luminosity, striving to make her paintings beautiful, but also to emotionally engage with the viewer. Fraser likes to draw attention to dynamic and conflicting emotions within individual characters. In her overall practice she seeks to portray ‘our continual need to reckon expectations with truth, and the struggles we endure to feel satisfaction with our choices’.

In Far from the Tree, Fraser asks the viewers, “how much power do we really have to
change the narratives of our own lives”?

ABOUT PARADIGM GALLERY + STUDIO

Established February 2010, Paradigm Gallery + Studio started as a project between co-
founders and curators, Jason Chen and Sara McCorriston, to create a space to make artwork, exhibit the work of their peers, and invite the members of the local community to make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, while maintaining a focus on Philadelphia artists.

ABOUT KATHERINE FRASER

Katherine Fraser has been exhibited in galleries and museums throughout the United
States. She is a graduate of the Pennsylvania Academy of the Fine Arts and of the University of Pennsylvania. As a student she received the Thomas Eakins Painting prize, the Cecelia Beaux Portrait prize, and the William Emlen Cresson Memorial Travel Award, among others. Since graduating in 2002, she has received awards including the Lucy Glick Award and the Victor Klein Family Award. Her work has been published in Studio Visit Magazine, Philadelphia Weekly, Die Blumen die Frauen, The Fertile Source, New American Paintings, The Southern Review, the Best of American Oil Painting, and more. Her work may be found in many permanent and private collectionsmnationally and abroad.

Paradigm Gallery + Studio 746 S. 4th Street, Philadelphia, PA, 10147

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Asynchronist

Asynchronist, Alex Eckman-Lawn and Jason ChenHollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches. Courtesy Paradigm Gallery + Studio.

Paradigm Gallery + Studio is pleased to announce Asynchronist, an exhibition of new works by Alex Eckman-Lawn and Jason Chen.

The presentation explores the aesthetic and conceptual connections between the artists’ practices, with a particular focus on the use of paper cut mediums to investigate the notion of separation. Several works on view were made collaboratively, a first for both artists. The exhibition is on view through October 21, 2017.

Calling to mind the work of Max Ernst and Joseph Cornell, this exhibition presents Eckman-
Lawn’s cut paper and collage pieces that explore the artist’s fear of the body, particularly how Hollow, Jason Chen and Alex Eckman-Lawn, 2017. Layered cut paper/collage/woven photo. 16.75 x 12.75 inches.

Asynchronist, Alex Eckman-Lawn and Jason ChenCaptive Witness, Alex Eckman Lawn, 2017

The body physically entraps and cages the human subject. Drawing from his experience as an
illustrator, he creates a visual narrative using his own distinct vocabulary of symbols and
images, combining seemingly disparate images and sources. Jason Chen will present a new series of handwoven photographs that investigates the notion of duality, interrogating the liminal space between aesthetic perspectives. Rather than a concern with patterning that typifies much of woven artwork, Chen utilizes the process of weaving to deconstruct and reconstruct the photographic image.

About Alex Eckman-Lawn

Alex Eckman-Lawn creates multi-layered, hand-cut, paper collages using everything from his
original digital paintings to imagery from old medical texts. Each layer is spaced, creating a
depth that draws you into the works. His work has appeared in comic books, on album covers,
book covers, T-shirts, music videos, and posters. His cut paper works have most recently been
on display at SCOPE Miami Beach, Art on Paper NY, Paradigm Gallery + Studio, Arch Enemy
Arts, Art Dept., Gallery 1988, Crane Arts Ice Box, Bottleneck Gallery, and more. Eckman-Lawn
received his BFA in Illustration from the University of the Arts in 2007, and is a Philadelphia
native.

About Jason Chen

Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the
University of Arts in 2008. Jason is a Philadelphia based Photographer specializing in Fashion,
Editorial, and Alternative Process Photography. He is the Co-Founder of Paradigm Gallery + Studio and Juggling Wolf (a film and animation production studio). Jason’s work has been
displayed in galleries and venues including: Paradigm Gallery + Studio, Crane Arts, The Light
Room Gallery, Trust Gallery, Kimmel Center, and Commerce Square.

Asynchronist, Alex Eckman-Lawn and Jason ChenWhat If, Jason Chen, 2017

About Paradigm Gallery + Studio

Established February 2010, Paradigm Gallery + Studio® started as a project between co-
founders and curators, Jason Chen and Sara McCorriston, to create a space in which to make artwork, to exhibit the work of their peers, and to invite the members of the local community make their own artwork in a welcoming gallery setting. Over the years, Paradigm Gallery + Studio has become a gallery of diverse contemporary artwork from around the world, but still with a focus on Philadelphia artists.

Paradigm Gallery + Studio provides an artistic space for both the visual and performing arts,
with a focus on dedicated, emerging to established Philadelphia-based visual artists. We
provide artists with individualized attention, strong promotional support and a transformable
gallery space to make their own. We strive to make art accessible to the whole community
through free bi-weekly events and support work that welcomes a wide audience.

SOCIAL MEDIA

Instagram: @ParadigmGS
Twitter: @ParadigmGS
Tumblr: paradigm-gallery.tumblr.com
Facebook: facebook.com/paradigmgallery

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The Endless One

The Endless One, Hilary White, Paradign Gallery

The Endless One, Hilary WhiteParadigm Gallery 

Hello DoN,
I was actually DJing an art event at the James Oliver Gallery one evening when we met briefly and you handed me your card. I like to hold onto things of that nature so I looked into what you do and it’s great! I appreciate the time and effort you put towards keeping people updated on art events in Philadelphia on your website.
I am having an art opening at Paradigm Gallery on May 24th. The title of the show is “The Endless One”. I do large scale mixed media pieces as well as screen printing. I have attached my show card for the event. The front image is also titled “The Endless One” it’s medium is hand cut wood, acrylic sheet, oil paint, acrylic paint, acrylic rod, vinyl. It’s dimensions are 77″ x 78″ x 15″ .
My website is www.hilarywhiteart.com

The Endless One, Hilary White, Paradign Gallery

The Endless OneHilary WhiteParadigm Gallery 

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