Philadelphia Open Studio Tours (POST) returns this October 2022 with over 250 participating artists and partners.
What: PHILADELPHIA, PA – October 6, 2022. NEW. Philadelphia’s best behind-the-scenes, creative space showcase, Philadelphia Open Studio Tours (POST) is back in-person over two weekends, October 15th/16th, and 22nd/23rd.
Traversing the city’s four quadrants — by SEPTA, bike, car, or on foot — Philadelphians and visitors alike can take part in an extraordinary self-guided discovery of local art practice. Philadelphia Open Studio Tours is the largest studio visit experience in the region, featuring over 250 artists in situ and community spaces who will open their doors to visitors for one of the four days. Participating businesses and creative spaces enhance the energy already taking place in the more than 30 neighborhoods where art studios are located. Related POST activities include: studio visits, hands-on demonstrations, artist talks, preview events, featured exhibitions and more.
Who should attend: All are welcome to participate in the Philadelphia Open Studio Tours! Families, students, community groups, visitors of all ages are encouraged to attend.
Why: POST is not just an intimate window of a day in the life of an artist, or a gallery hop. Instead, it highlights the enormous artistic capital of talent that is Philadelphia in an approachable, accessible way for all to enjoy. No other open studio event in the area provides such a rich and diverse cultural experience for the public. For more detailed, up-to-date information, to view the digital directory and interactive map of participating artists, as well as in-person event updates in October, please visit the NEW POST event website at www.cfeva.org/philaopenstudios.
When and Where: Philadelphia Open Studio Tours occurs, city-wide over two weekends, with ancillary activities scheduled for the weekdays in between. Studios and creative spaces are open to the public from noon-6pm all four days: POST South quadrant – Saturday, October 15th; POST West quadrant – Sunday, October 16th; POST Northwest quadrant – Saturday, October 22nd; POST Northeast Quadrant – Sunday, October 23rd.
For the interactive map and artist directory listings, please click here. Media Contact: Lily Gilston, Community Program Manager at The Center for Emerging Visual Artists (CFEVA) www.cfeva.org/philaopenstudios | 215.546.7775 x 13| Post@cfeva.org | email@example.com | #POST2022 #POSTPHL @PhilaCFEVA on Instagram, @CFEVA @Philaopenstudios on Facebook
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We’ll write our names with steam dyed crimson, we will cut the hand to the edge so that our meat completes it.
Here we will die.
Here, in the last passage.
Here or there… our blood will plant its olive trees.
In the black and white photographic series Night is the New Day, Rebeca Martell evokes the recognition of the strangeness that she experiences looking at in exile. Between surprise and nostalgia, Martell moves towards the redefinition of herself, cautiously exploring the places she sees and the people who inhabit them. With a foreign lens, looks for the moment that sublimates the experience of herself, that captivates the feeling of being in the dark leaving behind the memories of the tropic, like running away from a bad dream.
Martell’s camera is the vehicle that intervenes between her gaze and the other; where the faces are not recognized, where the blur in the images is the metaphor of the distance between the self and the beings that inhabit reality. Martell utilizes the absence of light to blur the very act of looking. Martell’s work not only sublimates emotions but is also a lonely walk; the cold and silence, the memories that inhabit the memory.
The images of Night is the New Day are an evocation of what the darkness hides from the eye, what cannot be perceived by the naked eye, the ghost of the absent light during the winter that only leaves in its wake a few shades. Rebeca Martell makes use of photography to portray her days of winter in Sweden while, at the same time offers us a testimonial of a look that becomes raw, powerless and unprotected against others and before her own process of self-recognition. She portrays the moment where the connection between the gaze and the soul is created, right there where it appears what cannot be shown with the naked eye, where she reaches the image from the furthest part of the unconscious.
Liliana Marcos Lozano, 2022
Rebeca Martell bio: Rebeca Martell, an independent photographer, trained at UNAM, Centro de la Imagen, Jumex Collection, Philadelphia Photo Arts, Rufino Tamayo Museum, Alameda Art Laboratory, and Photoespaña.
Her work has been exhibited at the Museum of Contemporary Art of Oaxaca, the Barnes Foundation, X-Teresa Arte Actual, the Sebastián Foundation, Brukenthal National Museum of Contemporary Art in Romania, Philadelphia Photo Arts, and the National Auditorium; as well as in the Mexican embassy in Spain, Belgium, Lithuania, Hungary, Greece, Holland, France, San Pedro Museum of Art, and in the Juan C. Méndez PhotoMuseum, as well as having been a winner at the eighth State Meeting of Contemporary Art in Puebla, Mexico.
Philiput presents: Rebeca Martell – Night is the New Day photographic art by Rebeca Martell, curated by Devin Cohen, curatorial text by Liliana Marcos Lozano
A solo exhibition by Sarah Detweiler, presented by Paradigm Gallery.
April 23 – May 22, 2021
Paradigm Gallery is pleased to present mOTHER, a solo exhibition by figurative painter Sarah Detweiler. mOTHER features 12 new vibrantly haunting works from Detweiler’s ongoing series, Hidden Mother, which adeptly subverts the portrait form and instead, focuses on a woman’s self-imposed perceptions and expectations that a mother attaches to their identity. Her evocative paintings use concealment as a way to reveal deeper truths. mOTHER marks Detweiler’s first solo exhibition at Paradigm Gallery and will be on view* from April 23 – May 22, 2021 with a virtual opening on Friday, April 23 at 5:30PM, RSVP is required:
The Hidden Mother series was inspired by a trend in Victorian portrait photography in which mothers concealed themselves in fabric while they held their children still for long exposure photographs. Detweiler’s images remove the children, showing only the women covered and posed alone within each frame. In this way, they are both hyper visible and hidden. While the artist used herself as the model for previous works, her new collection turns her gaze toward other women, thus expanding the view of motherhood as both a connective thread and as an experience that is unique to each individual.
Though the series has been ongoing since January 2020, mOTHER marks the first body of works where Detweiler collaboratively created the pieces with her subjects. Detweiler worked closely with her subjects to best tell their stories, intuitively translating their experiences and feelings onto the canvas. By personalizing her paintings to her subjects’ stories, their life experiences shine through the patterns and colors of the work, even as their faces are obscured. Though Detweiler knows her subjects personally, in maintaining the anonymity of her subjects, she preserves a universal relatability — the woman under the shroud could be you, your mother, your friend.
The paintings in mOTHER include hand-stitched embroidered elements that add texture and dimension, while alluding to a craftwork traditionally associated with femininity. The stitching is often only noticeable upon closer inspection, reinforcing the significance of that which is hidden in plain sight. The resulting images in this exhibition are deep, vibrant, and fantastical. They express their subjects’ ambivalence, acceptance, and embrace towards their changing roles as mothers, all while celebrating the true multiplicity of their identities.
Detweiler opens the conversation around transformation and identity, honoring each woman’s existence beyond motherhood. Her powerful images are both eerie and whimsical, cathartic and hopeful. Though the subjects are hidden on a superficial level, the coverage actually allows the artist to see more deeply, revealing them in new and beautiful light.
*Due to COVID-19, ”mOTHER” will be open for regular weekend hours with limited capacity andis available to view by private appointments during the week until further notice. The digitalexhibition twin is available on https://www.paradigmarts.org/ for viewing from home.
These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email firstname.lastname@example.org.
About Sarah Detweiler
Sarah Detweiler is a Philadelphia area-based, mixed media painter. Her experiences as a woman and mother are explored through figurative narratives created with a combination of embroidery with oil, acrylic, gouache, and watercolor.
Sarah has a BFA from the University of Delaware in Visual Communications and a Masters in Art Therapy from Pratt Institute in Brooklyn, NY. She has exhibited in group and solo shows in various locations including New York City, Brooklyn, New Jersey, Los Angeles, San Francisco, Dallas, Chester County, PA and Philadelphia. Sarah has been featured by The Jealous Curator, Create Magazine, Making Art Films, and Thrive Art Studio. Her work has been published in Uppercase Magazine and Create Magazine.
Sarah’s art centers around themes of fertility, motherhood, female empowerment, and the human experience.
About Paradigm Gallery
Paradigm Gallery + Studio® was established in 2010 by co-founders and curators, Jason Chen and Sara McCorriston. The gallery exhibits meaningful, process-intense contemporary artwork from around the world. Now open 11 years, Paradigm Gallery is globally recognized and known as a tastemaker within their greater Philadelphia arts community. As the gallery grows, it maintains its original mission to keep art accessible. Through monthly donations, free public art installations, and initiatives like Insider Picks, Paradigm Gallery, continues to be a champion of small businesses and emerging and mid-career artists.
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For the month of May new works by illustrator Jordan Kressley will be on display in the gallery.
A fairly recent graduate in the field of illustration Kressley has made the wise decision to stick to traditional hands on mediums, quickly and adeptly honing the skills of chalk pastels. In an age of digital content one can drown in these works on paper that have tediously been labored upon are a fresh breath on art. Everything about this young artist’s choices set her apart from the pack. She impresses the viewer with every single work she creates with scale and attention to detail. Kressley creates a fantastical and rich sense of depth and luminosity in her work, where the bright and energetic meet calm of boundless darkness. While referencing the living world around her, she develops exciting compositions with unique narratives that capture the viewer’s attention. Presenting a new series of works that tie in her current interest in flora and fauna that push the boundaries of reality just enough. Do not miss the opportunity to view these wonderful works in person. Stop in the gallery 5 days a week to view and add to your collection. All works are also available for sale online through our site www.blackmothgallery.com
Steve Martin Black Moth Tattoo & Gallery Voted Best of Philly 2020·Voted Best of the Main Line 2020 ·Voted MontCo’s Best of in the Happening List 2018 2019 2020
Linda Dubin Garfield’s Solo Exhibit Benefits Women International Leadership
In 2020, as the Covid-19 pandemic swept the globe, Linda Dubin Garfield cancelled her travel plans and instead spent time reminiscing about her past travels. In a typical year, Garfield travels during the summer months and returns home to create artworks using the impressions left by these landscapes and cultures. Garfield has spent decades creating mixed media collages inspired by her travels to 37 countries on every continent. Instead of traveling this year, she spent her time working on a new body of mixed media work that reflects on the memories associated with her past expeditions.
Footprints: Travel Landscapes is a selection of new work by the artist, curated like a map that touches each of the 7 continents she has visited. The Da Vinci Art Alliance, 704 Catharine Street opening/birthday party is May 13, 5- 8 PM. The exhibit runs until May 30. For appointments visit www.davinciartalliance.org/footprints.There will also be a virtual opening and exhibit at the DVAA website.
In lieu of birthday gits, Linda asks the people make a donation to Women international Leaders at www.will-pa.org whose mission is to invest in underserved women globally who take the lead in becoming self-sufficient, elevating their families and communities. A percentage of sales will also benefit WIL.
Linda Dubin Garfield’s abstract and dynamic works use multiple layers of ink that waver between background and foreground to create a fusion of surface design and abstract expressionism. Using hand-pulled printmaking techniques, photography, collage and digital imaging, she explores the mystery of memory and the magic of place, inviting viewers to observe the world through her “mind’s eye.”
Linda Dubin Garfield is an award-winning printmaker, the founder of ARTsisters and smART business consulting, and sits on the board of several nonprofits. She also offers memoir art-making workshops at several organizations like Philadelphia Parks and Recreation Centers for Older Adults, Simpson House and Atria Senior Living. Linda Dubin Garfield has hosted charitable birthday celebrations since the untimely death of her dear friend 15 years ago. In lieu of birthday gifts each year, Garfield collects donations for nonprofits that she supports and that match her annual art theme. Some charities are Family Support Services, Locks of Love, Women in Leadership, Breastcancer,org, and the Dementia Society. She has raised over $15,000 for various charities since 2006. ###