Tag Archives: encaustics

What Follows

The Birthing, 2019, mixed media on paper, 22″ x 30″

The Art of Grief and What Follows
Paintings and Writings by Tremain Smith


May 1 thru June 1, 2019

Old City Jewish Arts Center
119 North 3rd Street
Philadelphia, PA 19106
215-627-2792
Gallery Hours: Mon-Fri 10-5, Sat & Sun 12-5
www.ocjac.org
www.tremainsmith.com

May 3, 5-9 pm: First Friday Opening
Sun, May 19, 2-4 pm: Art & writing workshop led by the artist
Wed, May 29, 6-8 pm: Closing Reception/Poetry Reading

All events are free and open to the public.

Rare Orchid

Let it blossom in its time
Let it unfold of its own accord
Slowly gently imperceptibly 
Like that rare orchid you spoke of, Mom
It’s multiplied
In my window in the light of my window
protected by the pine and nestled in peace 
Brand new bold stems have come 
It’s you.
I made it, Mom. I made it through the grief.
I’m happy now. I’m living again.
Changed and sustained by your life and death I love you.
You fell into my soil
like the leaves from the trees
Bountifully nourishing my essence
I grow,
strong, deep, solid
I can touch the sky
I touch the sky indeed.
You smile.
Ever my encourager, now you are my guide, my holy being.

Remember how we said as you were leaving this earth:
“I place myself in the hands of holy beings.”

I do that now, while still on earth.
Thank you.
Always.
That line that stretches back
Before time
And forever
That’s where I meet you
Thank you to Tremain Smith for the content of this post.

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DoNArTNeWs – celebrating eleven years reporting on Philadelphia artists and art.

Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

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Written and photographed by DoN Brewer except where noted.

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The Galleries at the Chamber

Maggie Mills, The Galleries at the Chamber

Maggie Mills, New House, oil on linen, 44″ x 52″, Center for Emerging Visual ArtistsThe Galleries at the Chamber, Arts and Business Council of Greater Philadelphia

Lori Dillard Rech, President and Chief Executive Officer of Center for Emerging Visual Artists addressed the assembled guests for the innaugeral art show at the Arts and Business Council of Philadelphia’s offices on the Avenue of the Arts. The Galleries at the Chamber is showcasing contemporary Philadelphia artists in the lobby, board rooms, meeting rooms and offices on the 7th floor of the grand Bellevue-Stratford Hotel, designed in the French Renaissance style by G.W. & W.D. Hewitt.

“I am with the Center for Emerging Visual Artists and we’re really thrilled to be invited to present this show. I want to thank the Karin Copeland and Miriam DeChant who really had the vision for being able to enhance these spaces, enliven these spaces in a way that’s so enriching. We’re very appreciative.”

Tremain Smith, Arts and Business Council

Tremain Smith, Mercy, oil, wax and collage on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis, Director, Regional Community Arts Program has been with CFEVA for about twelve years and she really began the program of starting to look at trying to customize exhibitions for businesses. We go into lobbies, hospitals, office spaces, all kinds of different non-profits use us and many businesses. We would hope that many of you would consider having an exhibition in your space. We would be more than happy to come out to talk to you about what that means. The way we curate the shows is we bring in a group of artists and we allow you to look at the works and help you find something appealing to you. And hopefully will be appealing to to your clients and what’s appropriate for you and your clients.

For many years we’ve been providing programs just like this, a wide variety of exhibitions in spaces throughout the Philadelphia area. And one of the most important things for us, in terms of our mission, is that this also gives us the opportunity to showcase the amazing artistic talent of this region. And we can give you that opportunity to do that as well. Thank you to the Arts and Business Council for this incredible opportunity to bring artists into these spaces so that the wider business community can look at it and appreciate it. And think about it for themselves.” – Lori Dillard Rech

Gregory Brellochs, The Galleries at the Chamber

Gregory Brellochs, The Hallow, Soma, Sign ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Gregory Brellochs, The Galleries at the Chamber

Gregory BrellochsThe Hallow, ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis introduced the artists in attendance but first pointed out that all of the artwork is for sale. The represented artists include photographer James B. Abbott, Gregory Brellochs, Kirsten Fischler, Tish Ingersoll, Eric Kennedy, Shalya Marsh, Maggie Mills, Tremain Smith and Michael Yoder.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“The Arts & Business Council of Greater Philadelphia (ABC) strengthens our creative sector, including arts, culture and for-profit creative businesses, by engaging the business, legal & technology communities, providing capacity-building services, and serving as a thought leader and a convener. ABC, with the support of the Greater Philadelphia Chamber of Commerce, is uniquely positioned to actively connect the creative sector with the business, legal and technology communities.” – The Arts & Business Council of Greater Philadelphia mission statement.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic (click the picture) Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

DoN asked Miriam DeChant what the Philadelphia arts community should know about the Philadelphia Arts and Business Council and Philadelphia Volunteer Lawyers for the Arts?

“What I think I want them to know the most is we are available for them. And we prefer to be a vaccine instead of a bandage. So, I would like them to ask questions, even if they’re not sure of what the question is because if you’re a little wiser about getting things in writing, being more careful about paying their taxes, working within copyright laws. But, in the future, we want to help people determine whether this is a legal problem or not, before it gets to the point where something actually goes wrong.

I’ve been here for five years and in the last ten years our case load had indicated that with the internet people are more aware that there might be a problem. And if they take risks they’re likely to get caught. So, there’s actually a bit of a chilling effect because people are hesitant to appropriate because they’re afraid to use other people’s work in a way their personal rights might not let them allow them to use in a ‘fair use’ way because it’s such a gray area.”

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“It would be useful to talk to a lawyer about these gray areas. It’s important to talk to a lawyer and ask, ‘How big of a risk is this?’ “Is it worth getting permission or is this enough of a commentary that it’s fair use?

Appropriation is an art form of it’s own, absolutely. There’s a very large case in the Appeals Court of the 2nd Circuit involving prints about photography and approbation in a very interesting way so we’re waiting to see if that goes up to the Supreme Court or not. There’s been progress but it’s a very gray area.

If an artist has a question, they need to submit to me, to us, the work that they’re worried about that’s their’s and whatever it is that they think they are using or gaining inspiration from is legal to share. And then we can talk to them about the therapy. They can call us, there’s an application on-line, We primarily help artists in a pro-bono way for artists who have a low income or modest income, collectors and non-profits, so it’s a bit of paperwork but we’ll work with you on it.

And everyone in the office is really passionate about art.” – Miriam K. DeChant, Esq.

Michael Yoder, The Galleries at the Chamber

Michael YoderCenter for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Written and photographed by DoN Brewer except where noted.

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