Category Archives: Crafts


Philadelphia Open Studio Tours 2017THIS OCTOBER: Explore. Discover. Connect with a vibrant artist community during Philadelphia Open Studio Tours

October 7: South | October 8: Northeast | October 14: Northwest | October 15: West | FROM NOON – 6:00 PM

PHILADELPHIA, PA – September 11, 2017. From October 7 through October 15, 2017 the Center for Emerging Visual Artists (CFEVA) will present the 18th annual Philadelphia Open Studio Tours (POST)—a behind-the-scenes look at a day in the life of a visual artist. Discover Philadelphia’s creative gems—artist studios, house galleries, maker spaces and community workshops—as hundreds of artists throw open their doors and bring the artistic process front and center in twenty Philadelphia neighborhoods.

POST is a community building initiative designed to strengthen bonds within the visual artist sector, foster meaningful interaction between artists and the public, and promote a greater awareness for the creative minds that make Philadelphia a vibrant place to live, work, and visit. New this year, POST is four distinct quadrants: South, Northeast, Northwest and West. The program spotlights the vitality of each neighborhood’s visual arts scene and underscores the important contributions artists make to our city’s economy and civic life.

Philadelphia Open Studio Tours 2017Lucas Kelly by Matthew Bender

Great for all ages, POST makes connecting with local artists easy in an approachable and easy-to-navigate, self-guided tour over two consecutive weekends. The program provides attendees with a rare glimpse at the creative process through open studio visits, hands-on demonstrations, workshops, artist discussions, receptions, guided tours, and featured exhibitions. No other open studio event in the region provides a rich and diverse cultural experience to the public, free of charge.

Philadelphia Open Studio Tours is made possible with generous support from Sonesta Hotel Philadelphia, myCIO Wealth Partners, LLC, Reed Smith LLP, University of Pennsylvania and 40ST Artist-in-Residence Program. Additional support is provided by Brandywine Realty Trust, Stifel, MJB Wealth Management, The William Penn Foundation, Philadelphia Cultural Fund, and the Independence Foundation. Promotional support is provided by Fireball Printing, HeavyBubble, Metro Philadelphia, ici, and Design Philadelphia.

The Center for Emerging Visual Artists receives state arts funding support through a grant from the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. 

Philadelphia Open Studio Tours 2017Rachel Constantine by Mae Belle Vargas

Featured Exhibitions and Events

Comprehensive festival information is available at, the best source for the most up-to-date details about participating artists, venue locations, and events. Audiences can search POST participants alphabetically by last name, geographically by neighborhood, and thematically by type of work or media. Printed Directories are available for free at all participating POST venues starting in mid-September. CFEVA and ici are proud to offer studio visitors a free POST mobile app and smartphone guide, powered by the ici platform. Information about the mobile app and smartphone guide is online at, or by following the ici User Guide, available immediately after download.



October 7 to 8NOON to 6PM

Reception: October 86 to 8PM

Featuring Elena Bouvier, Bill Brookover, and PD Packard. @HBHQ is an exhibition, workshop, and demonstration space housed at 1241 Carpenter Studios, and curated by the artist team at Heavybubble.

1241 Carpenter St, 3rd Floor, Philadelphia, PA 19147 │

Da Vinci Art Alliance (DVAA) OPEN HOUSE

October 7NOON to 5PM

Get in the Halloween spirit early with Da Vinci Art Alliance (DVAA)! Enjoy an afternoon of art-making, cider-sipping and glass pumpkin patch picking all while supporting DVAA, Tyler School of Art, and CFEVA’s Philadelphia Open Studio Tours. Featuring Periphery”, a group of multi-disciplinary artists whose production and conceptual queries are articulated on the outer boundaries of their material communities.
704 Catharine St, Philadelphia, PA 19147 │

Philadelphia Open Studio Tours 2017POST Artist Katherine Fraser in her studio at 319 N. 11th St.


Over the Rainbow

August 20 to October 15
Artist Talk: October 15Noon
Featuring new work by CFEVA Fellow Mi-Kyoung Lee

ArtBox at Shirt Corner │ 259 Market St, Philadelphia, PA 19106 │

Glen Foerd on the Delaware

October 8 │Tour/Artist Talk: 11AM & 12:30PM Reception: 4 to 6PM
Featuring installations by Talia Greene, Lewis Colburn, Myung Gyun You, and Aislinn Pentcost-Farren with Camp Little Hope. 2017-18 Resident, Karina Puente, will be working on site.

5001 Grant Ave, Philadelphia, PA 19114 │

Old City Fest

October 811AM to 6PM

Old City Fest is a celebration of art and design, fashion and food, creativity and culture on the streets of America’s most historic square mile.

3rd and Arch St │



October 14NOON to 6PM

A partnership between The Schuylkill Center for Environmental Education (SCEE) and CFEVA, LandLab Residents will spend the next year engaging with SCEE’s property, conducting research, and developing creative installations that intervene with the land. Visit them during POST f to learn more about ways in which they will be working to remediate the ecological issues found in the 340-acre wooded property.

Schuylkill Center for Environmental Education │ 8480 Hagy’s Mill Rd, Philadelphia, PA 19128 │

Local Engagement at Awbury Arboretum
September 20 to October 209AM to 5PM
Post-POST Reception: October 196:30 to 8:30 PM

Awbury Arboretum is a historic landscape in Northwest Philadelphia that is free and open to the public 365 days a year. The parlors of the beautiful Francis Cope House will feature 2017 POST Northwest artists.
Awbury Arboretum │ One Awbury Rd, Philadelphia, PA 19138 │



Through December 31 │ Artist

Featuring works by: Henry Bermudez, Andrea Krupp, Robert Miller, and Dolores Poacelli.

Sonesta Hotel │1800 Market St, Philadelphia, PA 19103 │

40ST Artist-in-Residence

October 15NOON to 6PM

A year-long studio program catering to West Philadelphia. Residents include Santiago Galeas, Khiry W. Worrell, Serena Muthi Reed, Josh Graupera, and Margaret Kearney.

4007 & 4013 Chestnut St, Philadelphia, PA 19104 │

For Our Ancestors
October 9 to November 14
Artist Talk: October 15 at 2:00 PM

Featuring new photographic pop-up books by Colette Fu that “speak, mediate, express, delight and inform.” Constructing pop-ups allows Fu to combine intuitive design and technical acuity with her love of travel and curiosity about the world around her.

CFEVA │ 237 S 18 St, 3A, Philadelphia, PA 19103 │

Philadelphia Open Studio Tours 2017


With of mission to cultivate, nurture, and advance the careers of emerging visual artists while simultaneously expanding opportunities for the public to discover and connect with art, CFEVA’s services are designed to: raise the profile of Philadelphia’s professional artists, foster artistic experimentation and innovation, and showcase how vibrant artistic communities boost cultural tourism and foster economic development. Through fellowships, residencies, educational outreach, exhibitions, professional development, and city-wide events, CFEVA provides artists with the tangible resources needed to develop viable and sustainable careers.

Explore Philadelphia’s visual arts community this October with POST, a free citywide event. #POSTPHL #POST2017
Hundreds of artist workspaces open this October during Philadelphia Open Studio Tours! #POSTPHL #POST2017

Thank you to CFEVA for the content of this POST.

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Jakob Weissflog, Sculptures in Wood, Ist Bob Stocksdale International Excellence in Wood Award, The Center for Art in Wood

The Center for Art in Wood offers activities from within several different program areas, including the Gerry Lenfest Gallery, the Museum Collection, The Fleur & Charles Bresler Research Library, the Museum Store, and The Earl Powell Artist Research Files.

The Center displays wood art on site and in traveling exhibitions. Our Windgate ITE International Residency Program has involved over 100 international residents as it continues through its third decade. Education and community outreach programs bring hands-on wood turning and woodworking experience to students throughout the region. The Museum Collection contains over 1000 objects from around the world, ranging from functional, every-day objects to contemporary sculptures. Our research library consists of over 25,000 images, artists’ files, and books that help preserve the exciting history of wood turning and woodworking and their continuing evolution as a contemporary art form.

Over the last two years, the Center mounted 15 exhibitions which served as the central programming focus during the time of their presentation. For instance, the Center publishes catalogues and books around many exhibitions and offers special events and dinners that correspond with each show. The Center comes alive during Old City District‘s notable First Fridays, which are the perfect opportunity for exhibition openings and events.” – The Center for Art in Wood

“German craftsman Jakob Weissflog just won the first Bob Stocksdale International Excellence in Wood Award. He learned woodturning from his father Hans Weissflog. Both are world class artists in wood.” – John Thornton

Jakob Weissflog, Germany, is the inaugural honoree recipient of the Bob Stocksdale International Excellence in Wood Award.

Supported by an anonymous donor, the Bob Stocksdale International Excellence in Wood Award annually grants $1,000 and a documented exhibition to an emerging or mid-career artist whose work, like Stocksdale’s, unites quality of craftsmanship and respect for materials.

All exhibition items are for sale to the public. For inquiries, please contact Lori Reece, at 215-923-8000 or by email at” –The Center for Art in Wood

“Bob Stocksdale (born 1913 in Warren, Indiana—died January 6, 2003 in Oakland, California) was an American woodturner, known for his bowls formed from rare and exotic woods. He was raised on his family farm and enjoyed working with tools. His wife of more than 30 years, Kay Sekimachi, stated that, “His grandfather gave him a pocketknife, and he started to whittle. That’s how it started.”

According to an oral history he recorded at the University of California Bancroft Library, Stocksdale powered his first lathe with a surplus Maytag gasoline washing machine motor. He turned baseball bats and spindles among early projects. After graduating from high school, he worked in a factory making wooden paddles used by cracker bakers. Later he worked in a factory that made cedar chests. His job was to assemble the chests from the pre-cut wooden pieces.

He was drafted into the Army in 1942. Like two of his three brothers, he claimed conscientious objector (CO) status during World War II because he believed war never solved anything. He spent World War II in several CO camps doing forestry work. It was at a camp in Michigan where Stocksdale turned his first bowl on a lathe. This brought him to the West. He was encouraged in his woodturning efforts by Helen Winnemore, the owner of a crafts gallery in Columbus, Ohio.

After the war, Stocksdale moved to Berkeley, California in 1946, one year after Gump’s in San Francisco began showing his work. His first solo exhibition followed in 1958 at the Long Beach Museum of Art. He bought a Victorian duplex in South Berkeley, where he lived and worked for the rest of his life. He put together a shop of modest tools in his basement, and there turned out work for more than 50 years that gradually earned him acclaim and fame as a woodturner. He was a friend, and sometime collaborator, of Sam Maloof.

His work was included in the American exhibit of the 1958 Brussels World’s Fair and has been recognized internationally for fine design and workmanship. His many honors include the American Association of Woodturners Lifetime Achievement Award (1998) and the Masters of the Medium Award, James Renwick Alliance (2003). Stocksdale received the American Craft Council’s Gold Medal in 1995.

Stocksdale’s bowls are prized by collectors. They have been shown in Europe and Japan, and they appear in the permanent collections of the Smithsonian American Art Museum, the Metropolitan Museum of Art in New York, the Oakland Museum, Philadelphia Museum of Art and the Royal Scottish Museum in Edinburgh, Scotland.

Stocksdale died on the January 6, 2003, at Kaiser Oakland Medical Center in Oakland, California from complications of prostate cancer. He was 89. He was survived by second wife, Kay Sekimachi, a famous weaver and craft artist; a daughter, Joy, a noted fabric designer, of Sebastopol, California; a son, Kim, of Los Angeles; and a sister-in-law, Marge Stocksdale of Huntington, Indiana.” – Wikipedia

The Center for Art in Wood,141 N. 3rd Street, Philadelphia, PA 19106, Jakob Weissflog through April 8th, 2017.

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Holiday Bazaar, ID8

IDEATE Holiday Bazaar, Art Show and Sale

IDEATE, Sherman Mills Art Center, 3502 Scotts Lane, building 16, suite 1616, East Falls, PA.

Saturday, December 17th, 10:00am – 4:00pm

Participating artists include award winners, Jameir Andrews, Tyrike Brown, Alonzo Troy Humphrey, Oranit Solomonov and musician Mel G. The IDEATErs having been preparing holiday themed gifts, greeting cards, artwork, housewares, furniture and even a new music CD for this festive open studio.

Jameir Andrews is an award winning painter, creating vibrant colorful abstract patterns on canvas. His recognizable style has gained him a strong following, if you’re a collector, now is a great opportunity to expand your collection or start a new one. Jamier’s body of work is expansive – buy several for a great art display for your home.

IDEATE Holiday Bazaar Art Sale

Tyrike Brown is a poet. The poignant emotion and sentiment his words express are printed on unique custom greeting cards with a distinct esthetic of an old soul in a youthful man. Not only does Tyrike write, he works with Illustrator to create designs that are then cut into rich papers with delightful surprises peaking through the openings.

IDEATE Holiday Bazaar Art Sale

Alonzo Troy Humphrey is currently showing work in three downtown galleries but currently his solo show, SCORE!!!, installed in the studio represents a career spanning exhibition of his drawings installed and curated by head IDEATEr Kaelynne. Alonzo’s work includes African, Southern, transportation and animal themed artworks. But his drawings of figures of the Black Cowboy, the lady in the rocking chair and African chiefs are mesmerizing. If you’re a collector now is the time to buy since everything is less than $20.! Alonzo’s greeting cards depicting happy or grumpy Santa are signed and numbered, perfect for framing. Or give them to your kids to color.

IDEATE Holiday Bazaar Art Sale

Oranit Solomonov is an award winning outsider artist who has created a series of hand colored Hanukkah cards that are very special and suitable for framing. The holiday cards are limited edition, signed and numbered and would make great gifts that your friends will cherish. Oranit has created custom decorated Mary Jane slippers that are one of a kind. Stylish prints, drawings and paintings are for sale, too.

IDEATE Holiday Bazaar Art Sale

Artwork and crafts by members of the IDEATE team will be on display, exhibiting the skills, talents and empathic abilities of the extraordinary group that makes the world of art more open and welcoming than you can imagine.

Located in Sherman Mills Art Center the team of Social Practice artists referred to as IDEATErs turn career goals into real work. The studio/office serves as a hub towards including artists with cognitive disabilities in the wider community by running an art business. The talented team helps to develop inherent artistic talents for those who want to work in the world of art. Art is a hard job, it’s not just about creating beautiful work, getting the artwork in front of the public takes a team willing to take risks and push boundaries.

“IDEATE is an inclusive employment organization dedicated to providing trauma-informed support to individuals with barriers to getting and sustaining earning opportunities. Our mission is to support our clients to identify and retain person-tailored occupations. We want to redefine “work,” one person at a time while leveling the playing field using technology. In order to support our clients in person-tailored work, our fundamental approach focuses on empowerment, choice, safety, trustworthiness, and collaboration. We seek to identify any barriers and overcome them by building inclusive employment solutions. Our practice is designed to support self-actualization and inclusion. We do this by offering support in community-based employment, including customized employment, alternative staffing, a deep-dive into technology-based accommodations and the development of formalized innovative practices wherein the individuals can cultivate natural supports especially in careers where our participants are under-represented.” – RHD

Visit IDEATE at Sherman Mills, your holidays will be happier and happier.

Written by DoN Brewer

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zo8Art of the ZoPhiladelphia Museum of ArtTiddim Woman’s Wedding Mantle (Tawnok), 1900–30, Myanmar (Burma), Chin State, Tiddim Township (Gift of David W. and Barbara G. Fraser, 2014-70-28)

Art of the Zo: Textiles from Myanmar, India, and Bangladesh, Philadelphia Museum of Art

The Philadelphia Museum of Art presents an exhibition of woven textiles made by the Zo peoples of South Asia, including works that range from ceremonial tunics and wrap skirts to mantles, capes, blankets, and loincloths. Art of the Zo: Textiles from Myanmar, India, and Bangladesh features traditional weavings worn for daily life and ceremonial occasions, such as weddings, funerals, and feasts. The exhibition comprises works from the Museum’s collection of costume and textiles, supplemented by gifts and loans from David W. and Barbara G. Fraser, coauthors of Mantles of Merit: Chin Textiles from Myanmar, India, and Bangladesh (2005).

Art of the Zo, Haka High-Ranking Man’s Mantle (Can-lo Puan) Art of the ZoPhiladelphia Museum of Art, Haka High-Ranking Man’s Mantle (Can-lo Puan), 1900–40, Myanmar (Burma), Chin State (Purchased with funds from the proceeds of the sale of deaccessioned works of art, 2006-57-1)

The exhibition showcases the patterns, techniques, and local variations that contribute to the beauty and craftsmanship of these woven treasures. Zo weavers create textiles that vary from unpatterned, indigo-dyed cloth and simple, colorful stripes to complex weaves that could be mistaken for embroidery. Among the highlights is a cotton blanket produced in a warp-faced weave around 1900 that would have been used in ceremonies for the sacrifice of a mithan, a semi-domesticated, ox-like animal. Also included is a Dai woman’s gray and white wedding blanket, woven between 1920 and 1960, which would have been created for a bride by her mother, along with shoulder cloths, decorated with glass beads and metal bells, which could double as baby carriers. A variety of men’s loincloths are on display as well, woven of cotton and silk.

Art of the Zo, Lauktu Woman’s Head Wrapper (Tonpauk La), Art of the ZoPhiladelphia Museum of Art, Lauktu Woman’s Head Wrapper (Tonpauk La), 1910–20, Myanmar (Burma), Rakhine State (Purchased with the Stella Kramrisch Fund, 2006-1-23)

In addition to textiles, various adornments are featured in the exhibition, among them earrings, bracelets, and necklaces made of metals, glass, and mirrors. The exhibition includes an example of the back-tension looms made of bamboo rods and wooden sticks that are traditionally employed by the Zo peoples to produce their fabrics. The simple loom is shown with a partially woven cloth next to a finished example from the Museum’s collection to offer insight into the weaving techniques. A video presentation, photographic details of selected works, and graphics of specific weave structures further demonstrate the virtuosity of Zo skills.

Art of the Zo, Laytu Man’s Tunic (Khrangimm)Art of the ZoPhiladelphia Museum of Art, Laytu Man’s Tunic (Khrangimm), 1920–40, Myanmar (Burma), Chin or Rakhine State (Purchased with the Stella Kramrisch Fund, 2006-1-18)

The Zo peoples, of Tibetan-Burmese origins, have lived for hundreds of years in mountainous regions of South Asia. They comprise about fifty linguistic groups, culturally related through affinities of language, the values surrounding their textiles, and the structure and technique of their weavings. Prior to the arrival of missionaries in the mid-1800s, they worshiped ancestral spirits and spirits dwelling in nature. Today most are Christian. Encouraged by missionaries to give up their traditional textiles, today Zo weavers continue to produce these culturally important textiles and frequently sell them as collectibles.

Art of the Zo, Khami Woman’s Breast Cloth (Akhen)Art of the ZoPhiladelphia Museum of Art, Khami Woman’s Breast Cloth (Akhen), 1920–50, Myanmar (Burma), Rakhine State (Purchased with the Stella Kramrisch Fund, 2006-1-6)

In Zo communities, textiles have long conferred status on the weaver and document the wearer’s merit in this life and in the afterlife. The textiles are woven exclusively by women and are prized as the highest form of art. The exhibition explores how these works are made and worn, and features early to mid twentieth-century examples from specific localities and cultural divisions, such as the Northern Chin; Southern Chin; Ashö; and Khumi, Khami, and Mro. Although today most Zo people increasingly adopt Burmese and western attire, the weaving traditions are being preserved through the efforts of textile experts like Pa Mang, Nu Shwe, and Mai Ni Ni Aung, who have engaged master weavers to produce contemporary pieces for sale and to train the next generation of weavers. Some of these are available in the Museum Store.

Art of the Zo, Utbu Woman’s Mantle (Pachang Sungkyar)Art of the ZoPhiladelphia Museum of Art, Utbu Woman’s Mantle (Pachang Sungkyar), 1930–80, Myanmar (Burma), Magwe Division, Sedouttaya Township (Gift of David W. and Barbara G. Fraser, 2014-70-23)

David Fraser stated: “These extraordinary textiles offer us rare and exceptional beauty. As records of the artistic traditions that illuminate Zo values, they also are highly valuable in preserving a living culture. Among the Zo, men create the looms, and they also make utilitarian baskets. The women create the art and they are much respected for it.”

Art of the Zo, Haka Woman’s Ceremonial Tunic (Kor)Art of the ZoPhiladelphia Museum of Art, Haka Woman’s Ceremonial Tunic (Kor), 1940–70, Myanmar (Burma), Chin State (Purchased with funds from the proceeds of the sale of deaccessioned works of art, 2006-57-5)


Support for this exhibition is provided by The Coby Foundation, Ltd.


Dilys E. Blum, The Jack M. and Annette Y. Friedland Senior Curator of Costume and Textiles, with consulting curators David and Barbara Fraser


Joan Spain Gallery, Perelman Building, ground floor, The Philadelphia Museum of Art

About David and Barbara Fraser

David W. and Barbara G. Fraser have been studying the artistry, structure, and cultural importance of Zo textiles for fifteen years. Their book, Mantles of Merit: Chin Textiles from Myanmar, India, and Bangladesh, won the Millia Davenport Publication Award of the Costume Society of America and the R.L. Shep Book Award of the Textile Society of America. Their work also garnered the Ancient & Modern Prize. They have curated exhibitions of Zo textiles at the Textile Museum in Washington, D.C., the University of Pennsylvania’s Arthur Ross Gallery, and Denison University, and David Fraser has co-curated an exhibition at Haverford College. Barbara Fraser is a member of the Advisory Council of the Textile Museum. A retired financial services attorney, she is a graduate of Bryn Mawr College and Emory University Law School. David Fraser is a member of the Costume and Textiles Advisory Committee of the Philadelphia Museum of Art. He is a research associate at the Textile Museum, a consulting scholar at the University of Pennsylvania Museum of Archaeology and Anthropology, and a master artisan of the Pennsylvania Guild of Craftsmen. A former president of Swarthmore College, he is a graduate of Haverford College and Harvard Medical School.

Art of the Zo, Mizo Woman’s Ceremonial Wrapped Skirt (Puan Laisen)Art of the ZoPhiladelphia Museum of Art, Mizo Woman’s Ceremonial Wrapped Skirt (Puan Laisen), 1950–70, Myanmar (Burma), Northern Chin State or India, Mizoram (Gift of David W. and Barbara G. Fraser, 2014-70-25)

Exhibition hours

Tuesday–Sunday: 10:00 a.m.–5:00 p.m.

Social Media

Facebook and Twitter: philamuseum ; Tumblr: philamuseum ; YouTube: PhilaArtMuseum ; Instagram: @philamuseum

The Philadelphia Museum of Art
is Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

Thank you to The Philadelphia Museum of Art for the content of this post.

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Joseph Opshinsky Here & ThereFrameWorks Studio & Gallery presents: Joseph Opshinsky Here & There

October 10 – November 28, 2015. Opening Reception: Saturday, October 10, 2015: 5-8 P.M.

On display beginning October 10th, FrameWorks Studio & Gallery proudly presents Here & There, a solo exhibition featuring twelve new cut-paper collages by Joseph Opshinsky. From the artist who created last spring’s popular Philadelphia A to Z series, Here & There showcases large-scale collages inspired by two Pennsylvania cities significant in the artist’s life – Scranton and Philadelphia.

The exhibition runs October 10 to November 28 with an artist’s opening reception on Saturday, October 10, 2015, from 5-8 p.m. The exhibition and opening reception at FrameWorks Studio & Gallery are FREE and open to the public. Through Here & ThereJoseph Opshinsky invites the viewer to explore the two locales through the eyes of one who has called both cities, “home”. Though connected to each city, Opshinsky’s depictions juxtapose the observations of a native resident, intimately tied to the region’s heritage, to that of a transplanted inhabitant – observing and creating history anew.

In Here & ThereJoseph Opshinsky demonstrates an evolution of his unique medium, cut paper collage, elevating his craft with the increased intricacy and delicacy. The vibrant color palette further enhances the divergent perspectives. In the Scranton works, Opshinsky’s palette – a stark contrast from the traditionally muted colors of post-industrial representations – challenges the viewer to discover the unexpected beauty in forgotten or overlooked settings. In contrast, the bold assemblage of cut paper revealing Philadelphia’s most iconic landscapes offers the historic landmarks a renewed vibrancy, created by fresh perspective.

Joseph Opshinsky’s award-winning work has been selected for regional exhibitions at galleries, including the State Museum of Pennsylvania, Savery Gallery, Roberson Museum, and GoggleWorks Center for the Arts, since 2004. Most recently, Opshinsky’s small scale cut-paper collage series, Philadelphia A-Z, was featured in a joint exhibition with Philadelphia-artist, Mark Price at FrameWorks Studio & Gallery. In addition, Opshinsky has completed seven public murals for the City of Scranton. Opshinsky is a fine arts graduate of The University of the Arts and Keystone College.

FrameWorks Studio & Gallery, serving the Philadelphia community since 2008, is located at 2103 Walnut Street in Philadelphia. FrameWorks Studio & Gallery is open Monday-Thursday 11 a.m.-7 p.m., Friday and Saturday 11 a.m.-6 p.m. and Sunday by appointment. For more information on Here & There, call 215.567.6800 or visit

Thank you to Kylie P. Grant, UArts BFA ’03 (Painting & Drawing), Owner,FrameWorks Studio & Gallery for the content of this post.

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