Category Archives: Installation

FUTUREPROOF

Futureproof, HAVERFORD'S CANTOR FITZGERALD GALLERY

FUTUREPROOF at Haverford’s Cantor Fitzgerald Gallery Explores Our Present by Interrogating How We Imagine THE FUTURE

Artists, writers, inventors, moviemakers, militaries, and think tanks have long tried to predict coming technologies or foresee catastrophic events — not merely for entertainment’s sake, but to prepare for possible outcomes, quell anxieties, or gird against tragedy. Shell Oil even has a “Scenarios” team, founded in 1965 and still working today, whose job is to explore “possible versions of the future by identifying drivers, uncertainties, enablers and constraints, and unearthing potential issues and their implications.” A new exhibit at Haverford College‘s Cantor Fitzgerald Gallery, Futureproof, gathers work from contemporary artists on this theme with real-world images and archives from governmental and corporate scenario planners to explore how we have imagined and continue to imagine different futures.

In engineering, industrial design, and architecture, “futureproofing” typically refers to creating something in a way that minimizes or slows down technological obsolescence. Futureproofing methods are often reflective of people’s anxieties, aspirations, and assumptions about the present, sometimes acting as self-fulfilling prophecies. In this sense, they recall another form of proof—proof as mathematical argument, defined by a series of accepted axioms and truths. The artists in Futureproof engage with the many malleable interpretations of futureproofing, drawing from both the legacy of military and corporate scenario planning and the use of semi-fictionalized artifacts or archives as “proof,” or evidence, of alternate timelines or futures yet to come.

So, a 1991 in-house film on climate change produced by the Shell Corporation will be shown alongside a multi-faceted installation by Ilona Gaynor (“Everything Ends in Chaos”), featuring 2D and 3D objects with video in a piece that deconstructs corporate risk assessment. The Guantanamo Bay Museum of Art and History, which foresees that the detention facilities in Cuba have been closed and replaced with a museum that reflects on Guantanamo Bay’s social and political significance, will be represented, as will images and archival documents from Cybersyn Project, the real-life cybernetics economy-management operation of Salvador Allende’s Chilean government.

In a time when each day seems to bring a new cascade of political uncertainties, when every “now” is assumed to be “more than ever” and every crisis feels more unmanageable than the last, Futureproof encourages viewers to interrogate the fraught systems of the present moment and imagine how they might be otherwise.

Futureproof is curated by Ingrid Burrington and features the work of Morehshin AllahyariSalome Asega, Gui Bonsiepe and the Cybersyn Project, the United States Department of Energy, Ilona GaynorAyodamola Tanimowo Okunseinde, Shell Corporation, and The Guantánamo Bay Museum of Art and HistoryFutureproof is supported by the John B. Hurford ’60 Center for the Arts and Humanities.

Futureproof will be on view Oct. 27 through Dec. 17, at Haverford College’s Cantor Fitzgerald Gallery. On Friday, Oct. 27, to celebrate the show’s opening, there will be a talk by curator Ingrid Burrington at 4:30 p.m. followed by a reception at 5:30 p.m. An associated screening of Peter Galison and Robb Moss’s film Containment will take place Nov. 29, at 7 p.m., in the Visual Culture, Arts, and Media building’s screening room. For details and additional related events: exhibits.haverford.edu/futureproof.

Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday through Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 p.m. to 5 p.m., and Wednesdays until 8 p.m. For more information, contact Matthew Seamus Callinan, associate director of the Cantor Fitzgerald Gallery and campus exhibitions, at (610) 896-1287 or mcallina@haverford.edu, or visit the exhibitions program website: www.haverford.edu/exhibits.

Haverford College is located at 370 Lancaster Avenue, Haverford, Pa., 19041

Thank you to Rebecca Raber for the content of this post.

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Happily

Happily Ever After, Main Line Art CenterEmily Smith, when a man decides to hurt you series_existential

Investigating the Female Gaze in Happily Ever After

at Main Line Art Center

October 2 – 29, 2017

Artist talk and opening reception: Friday, October 13, 5:30 – 8:00 pm
2017 Digital Artist in Residence Jenny Drumgoole debut presentation
DESIGNPHILADELPHIA featured event
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Panel Discussion: October 26, 6:00 – 8:00 pm

Happily Ever After and the Female Gaze: Philadelphia
Women Artist Trailblazers – Then and Now
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Portfolio Review with Main Line Art Center’s
Artistic Advisory Board: October 20, 1:00 – 4:00 pm

Main Line Art Center investigates the female gaze, modern femininity, and contemporary challenges to women’s rights with Happily Ever After, an exhibition of works by female artists running October 2 through October 29.

Curated by Amie Potsic, Executive Director & Chief Curator of Main Line Art Center, the show features the work of artists Aubrie Costello, (Philadelphia, PA), Jenny Drumgoole, (Philadelphia, PA), Jes Gamble, (Philadelphia, PA), Erica Zoë Loustau, (West Grove, Pennsylvania), Mari Ogihara, (White Plains, New York), Glynnis Reed, (Egg Harbor, NJ), and Emily Smith, (Philadelphia, PA). From self-defined vantage points of power, these women artists address the human experience through a female lens in the 21st century – a post-feminist era rife with demands for a new feminism. Addressing pre-pubescent characters, trans and female identities, emotionally charged language, and complex female forms, a single definition of woman is defied. In today’s fairytale, Cinderella is breaking the glass slipper and “happily ever after” remains elusive. A free artist talk and opening reception will be held on Friday, October 13, from 5:30 – 8:00 pm at Main Line Art Center, and starting at 6:30 pm, Aubrie Costello will be doing a live installation that will carry throughout the evening.

Happily Ever After, Main Line Art CenterMari Ogihara

Taking inspiration from the majesty and strength of samurai armor as well as the vulnerable sensuality suggested by women’s undergarments, Mari Ogihara creates ceramic chastity belts and female figures alluding to corporeal desire and implied violence.  Directly confronting the emotional impact of violence against women, Emily Smith’s paintings reveal the psychological and physical trauma of being attacked by a male stranger processed through paint, fabric, and memory.

Jes Gamble uses photography to document performance and fiber based works that explore an emotional journey from fear to empowerment, all the while referring to the inescapable history of female experience and the act of mending to build human connection. Celebrating the authenticity of female kinship, Glynnis Reed’s photographs meld confident female and transgender subjects with natural imagery to create auras of complex spirituality.  Influenced by the natural landscape, her girlhood home, and architecture, Erica Zoë Lostau creates site specific installations of repeated shapes on geometrically arranged lines of mono-filament seeking a sublime level of illusion and metaphor.

Happily Ever After, Main Line Art CenterGlynnis Reed

Imagining what would happen if the sexual awakening of puberty were averted, Jenny Drumgoole’s videos present her alter-ego named Soxx who turns traditional women’s behavior on its head by throwing parties for sanitation workers, eating pudding for hire, and running for Mayor of Philadelphia.  As if applying punctuation to the same city, Aubrie Costello’s silk graffiti speaks to women’s physical and emotional struggles, the power of language, and unrelenting natural elements.

The artists in Happily Ever After resist and embrace the traditional trappings of women’s beauty and identity while rewriting urban legend, redefining women’s work, and re-forging paths to power. In doing so, they not only actualize the female gaze, they stare you straight in the eye.

In conjunction with the exhibition, Main Line Art Center is proud to present the lecture “Happily Ever After and the Female Gaze: Philadelphia Women Artist Trailblazers – Then and Now” led by Cindy Veloric, MA, research assistant at the Philadelphia Museum of Art,  Artistic Advisor at Main Line Art Center, and independent art historian.  Veloric will explain an extended series of circumstances particular to Philadelphia that enabled a number of “firsts” for trailblazing women artists. In the context of Main Line Art Center’s exhibition Happily Ever After, Veloric will also lead a panel discussion with women artists in the show (Aubrie Costello, Jenny Drumgoole, Jes Gamble, and Emily Smith) looking at the female gaze and politics of influence in the their work today.

Main Line Art Center is the community’s home to discover, create, and experience visual art. The mission of Main Line Art Center is to inspire and engage people of all ages, abilities, and economic means in visual art through education, exhibitions, and experiences. Committed to increasing the visibility and accessibility of art, the Art Center presents innovative exhibitions and events in the community, including Panorama: Image-Based Art in the 21st Century, a Greater Philadelphia-wide celebration of the photographic image and digital media. Main Line Art Center’s educational offerings for all ages, abilities, and economic means span from traditional to contemporary, and are all held to the highest level of excellence. In 2015, Main Line Art Center received the Commitment to Cultural Access Award from Art-Reach for the Center’s Accessible Art Programs for children and adults with disabilities. Additionally, the Art Center grants over $10,000 in need-based scholarships annually. Last year, Main Line Art Center engaged 21,000 people through classes, exhibitions, and Summer Art Camp, and touched the lives of over 78,000 through Exhibitions in the Community and festivals across the Philadelphia area. Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking.

As the oldest design festival of its kind in the country, DesignPhiladelphia highlights the work of thousands of local designers, architects, and creative professionals to demonstrate Philadelphia’s reemergence as a 21st century city shaped by thoughtful design, collaborative business practices, and community engagement. Over the course of ten days each October, places such as universities, cultural institutions, civic associations, city agencies, retailers, manufacturers, and startups across the city participate in over 100 engaging events including panel discussions, fashion shows, participatory workshops, studio tours, book signings, professional development classes, design exhibitions, and imaginative celebrations.

For more information about Happily Ever After, please visit www.mainlineart.org or call 610.525.0272 X 116.

Thank you to Amie Potsic for the content of this post.

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Warbler Migration

Deirdre Murphy and Scott White

Deirdre Murphy and Scott White, Warbler Migration

Wife-husband collaborators and UPenn School of Design faculty Deirdre Murphy
and Scott White recently completed a 5 by 25 foot sculpture that was installed last month in the burgeoning Silicon Valley city of Dublin, CA.

The project, which took nearly two years to complete, combines Murphy’s fine arts expertise and climate science research with White’s unique knowledge of digital modeling and 1930’s car design. Murphy and White will be discussing the groundbreaking project at UArts’ Design Philadelphia event this October, detailing their unusual design and build process—an integration of traditional and digital fabrication techniques.

Warbler Migration was inspired by a shy species that resides in the Dublin ecosystem, and one which Murphy developed a particular fondness for in the course of her research. She has been researching the effects of global warming on bird migration for several years, using the visual data that scientists share with her to conceptualize and execute her paintings. The couple sees the opportunity to create environmentally-aware public art as an especially fulfilling one because of the potential to touch so many lives.

“Climate change has created new flight patterns; birds are staying in their summer homes longer, depleting the food supply they rely on to fuel their autumn journey,” says Murphy. “As educators, it’s important for us to share this knowledge. Embedding information about climate change in our art is a softer way to reach a broader audience.”

It was White’s task to take Murphy’s mesmerizing depictions of flocking birds and activate them into 3D space, which he did by digitally designing, then hand cutting and assembling more than 500 aluminum plates into a handcrafted hyperbolic curve.

Murphy’s and White’s presentation will take place Monday, October 9 at 6.30 at 211 South Broad Street, Terra Hall, room 511/513. Process art from Warbler Migration will be on display, along with the Industrial Design NOW exhibition prior to the presentation, from 5:00-6:30. The event is free and open to the public.

Deirdre Murphy and Scott White

Deirdre Murphy is an adjunct professor of fine arts at the University of Pennsylvania. Her work has been shown nationally and internationally, at institutions including the Philadelphia International Airport, New Bedford Museum, Tacoma Art Museum, University of Pennsylvania and Pennsylvania Academy of Fine Art. She is the recipient of numerous awards and grants, including a Pennsylvania Council for the Arts Fellowship and a Leeway Foundation award, and is represented by the Gross McCleaf Gallery in Philadelphia; her work can be viewed at www.deirdremurphyart.com.

Scott White is a senior lecturer in animation at the University of Pennsylvania. His sculpture, animation, and designs have been shown nationally and internationally at venues including Design Philadelphia, Philly Works, Woodmere Art Museum, Gross McCleaf Gallery, and the Abington Art Center. Scott has been a visiting artist at institutions such as Philadelphia University, Moore College, and Wilmington University, Simeone Foundation Automotive Museum and is the owner and operator of Preservation Coachworks LLC.

Thank you to Christina Cook, Media Relations, Deirdre Murphy Art for the content of this post.

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251

Peter C. Jones, Photographer, KMR ArtsCheckered Lilies, Peter C. Jones

251 DEKALB CELEBRATES THE OPENING OF ITS NEWEST ART EXHIBIT IN ITS ON-SITE GALLERY, fine art photographer Peter C. Jones curated by KMR Arts

WHO: Candlebrook Properties, KMR Arts, Photographer Peter C. Jones, guests and residents, 251 Dekalb luxury rental community.

Peter C. Jones, Photographer, KMR ArtsThe Pink Cosmo, Peter C. Jones

WHAT251 Dekalb, King of Prussia’s new luxury rental community, boasts an on-site art gallery as part of its innovative and robust lifestyle amenity profile. On June 28th from 5:00 – 7:00pm, the gallery will host an art exhibit opening reception featuring a new installation by fine art photographer Peter C. Jones. Curated by KMR Arts.

Peter C. Jones, Photographer, KMR ArtsEmpress Nasturtiums, Peter C. Jones

The exhibit, “Still Lives” explores the visual category of the still life and is the result of over a decade of exploration of the still world. Jones’ latest exhibit features images that depict glowing interiors, reflective surface, saturated color and gauzy layers that encourage the viewer to be present, to look, and to feel. The open-to-the-public event invites guests to view the new installation, enjoy wine, light bites and live music, while experiencing a taste of the elevated style of living 251 Dekalb offers.

WHENWednesday, June 28, 2017, 5:00PM – 7:00PM

Peter C. Jones, Photographer, KMR ArtsOpen Window, Peter C. Jones 

Peter C. Jones, Photographer, KMR ArtsSnipe’s Vessel, Peter C. Jones

WHERE: 251 W Dekalb Pike, King of Prussia, PA 19406, Building 1

Peter C. Jones, Photographer, KMR ArtsRainy Day Nasturtiums, Peter C. Jones

“Peter C. Jones is a fine art photographer, documentary film director and producer, and author. Born and raised in New York City, he graduated from the Rhode Island School of Design where he studied privately with Harry Callahan. Jones’s artful life is reflected in his numerous and varying artistic roles and interests. Peter C. Jones is President of the Josef and Yaye Breitenbach Foundation, a former member of the Board of Fellows at The Center For Creative Photography. Jones is also a former consultant to The Philadelphia Museum of Art, Aperture and the Estate of Paul Strand.” – Peter C. Jones

Peter C. Jones, Photographer, KMR ArtsAfter A Long Lunch With Dominique, Peter C. Jones

Thank you to Deepika Subbiah, Cashman & Associates, for the content of this post.

deepika@cashmanandassociates.com

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Progression

Paula Cahill, Progressions

“Progression” New Works by Paula Cahill

Crane Arts Building, through May 26th

In “Progression” we see Paula Cahill return to her “Calligraphy Series” with a playful eye on twenty-first century color, movement, and metaphor. Compositions, often created with one continuous line, meander, change color, move forward, backward, and sometimes off the page. Cahill describes her paintings as a metaphor for progress, a process integral to civilization. The painting experience is immersive for this artist and she wishes her viewers their own moments of immersion and contemplation as they move through the composition.

“Line and calligraphy have served as a record of that which is seen and heard for thousands of years. Opportunities to observe and record movement, edges, or sound with line surround me. By visually following the movements and edges of form and creating a written record, I form the catalysts for my paintings.  Compositions are often created with a single, continuous line that meanders, changes color, moves backward, forward, or connects back to the beginning.  Advancing through the painting process is a contemplative, immersive process and I wish the viewer their own momentary immersion as they progress through the composition. I see the paintings as a metaphor for progression, a process integral to individual lives and civilization as a whole. Every day, I ask myself what it means to use line as a form of artistic expression in the twenty-first century.” Paula Cahill Artist Statement

Hours: Wednesday through Saturday, Noon to 6:00 or by contacting

paulacahill2010@gmail.com for a private appointment.

Second Thursday Reception: May 11th, 6:00 – 9:00pm

Crane Arts Building, 1400 N. American Street, Philadelphia, PA 19122-3803

paulacahill.com

Crane Arts Building Mission:

  • Creating a unique community that encourages and supports artistic production by both emerging and established artists.
  • Assisting the development and growth of Philadelphia’s creative resources, assets, and potential.
  • Creating a unique location for certain creativity-based businesses to thrive alongside the vibrant, Crane Arts community.
  • Providing unique space for the visual and performing arts to showcase events on a local, regional, and national scale.

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