Category Archives: Performance

PROPELLING

Dread Scott, Rowan Art GalleryNewspeak: Ignorance is Strength, from the Newspeak installation, Dread Scott

PROPELLING HISTORY FORWARD

Revolutionary artist Dread Scott examines racial and cultural disparity in contemporary society

GLASSBORO, NJ – Renowned for making “revolutionary art to propel history forward,” acclaimed American artist Dread Scott, in his first New Jersey one person exhibition, opens the Rowan University Art Gallery at High Street’s new season with A Sharp Divide, an exhibition that tackle the racial and cultural disparities within our criminal justice system. The exhibit is on display from September 6 – November 5, 2016.

An artist’s presentation and panel discussion with Dread Scott, presented by the Office of Social Justice, Inclusion, and Conflict Resolution, is scheduled for September 15 from 5:30 – 7:00 pm in Eynon Ballroom, located in the Student Center on the university’s Glassboro campus. A reception to welcome the exhibition follows from 7:00 to 8:30 pm at the High Street gallery, 301 West High Street in Glassboro. Shuttle service between the Student Center and the gallery will be provided to students and the public following the panel discussion.

The exhibit serves as a survey of Dread Scott’s public engagement, performance-based, and multi media based works, completed from 1987 – 2014. In examining racial disparities, the work explores the complexities of the criminal justice system such as the criminalization of youth, profiling and discrimination, stop and frisk tactics, and other civil rights issues. The selected pieces include video, photography, recordings, and audience interactions.

“This is a world of profound polarization, exploitation, and suffering and billions are excluded from intellectual development and full participation in society,” Dread Scott explains. “It does not have to be this way and my art is part of forging a radically different world.”

He notes that his work “illuminates the misery that this society creates for so many people and it often encourages the viewer to envision how the world could be.”

Dread Scott works in a range of media including performance, photography, screen printing, video, installation and painting. His works can be hard-edged and poignant. His art has been exhibited at the MoMA PS1; the Contemporary Art Museum in Houston; The Walker Art Center in Minneapolis; the Pori Art Museum in Finland; and in the Whitney Museum’s inaugural exhibition at their new building. The Brooklyn Academy of Music presented his performance Dread Scott: Decision as part of their 30th Anniversary Next Wave Festival, and the Museum of Contemporary African Diasporan Arts presented Dread Scott: Welcome to America. Recent work has been presented in several showings in New York and his sculptures have been installed at Logan Square in Philadelphia.

He first received national attention in 1989 when his art became the center of controversy over its use of the American flag. He was denounced by the President and the United States Senate, which soon after passed legislation to “protect the flag.” His opposition to this law resulted in a Supreme Court case and a landmark First Amendment decision.

Dread Scott is the recipient of a Creative Capital Foundation grant; a Pollock Krasner Foundation grant; fellowships from the New York Foundation for the Arts; and was a resident at Art Omi International Artists Residency and the Workspace Residency at the Lower Manhattan Cultural Council. Additionally, his work has been integrated into academic curricula, discussed in art history classes, and featured in Henry M. Sayre’s “foundations” text, A World of Art (7th Edition).

dread2Headshot Dread Scott

The gallery is located at 301 High Street. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.
Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm; Thursday – Saturday, 10 to 7 pm. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries has been made possible in part by funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante, Rowan University Art Gallery at High Street, for the content of this post.

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Jazz

Live Philly Jazz – Through the Photographic LensEmannuel Ohemeng, Esperanza Spalding at the Keswick Theatre, photography

Philadelphia City Hall Exhibits Celebrate Jazz and Photography

Live Philly JazzThrough the Photographic Lens February 29 – May 6, 2016

Juror: Stephen Perloff

Art Gallery at City Hall, Room 116. Second Floor, NE corner display cases

The Clef Club at 50 through May 6, 2016

Curators: Don Gardner and Lovett Hines from The Clef Club of Jazz and Performing Arts

Jazz returns to City Hall this spring with two photography exhibits: Live Philly Jazz – Through the Photographic Lens, a juried exhibited located in the Art Gallery at City Hall; and The Clef Club at 50, which is located on the second floor near the Office of the Mayor. The exhibits will coincide with Philadelphia Jazz Appreciation Month in April. A joint reception will take place on March 28, from 4:00 – 6:00 pm.

Live Philly Jazz was juried by Stephen Perloff, editor of The Photo Review, a nationally recognized journal of photography that began in 1976. A call for photography was sent out in the fall, asking artists to submit work that captures the spirit of jazz during live performances, or subtle behind-the-scenes creative moments. The aim was to acquire original works of art that show a mastery of the photographic medium, depicting the rhythms, sounds, energy, and intricacies of jazz music.

Mr. Perloff selected 32 photographs: “At the heart of jazz is performance, which is reflected in a majority of the images in this exhibition that capture a wide range of performers from some of the jazz greats to street musicians.”

Juror’s Statement

Jazz may be the most quintessential American art form. From its birth in New Orleans it has spread like kudzu throughout the United States and around the world. And it has influenced all other succeeding forms of music from the blues to rock and roll and beyond. At the heart of jazz is performance, which is reflected in a majority of the images in this exhibition that capture a wide range of performers from some of the jazz greats to street musicians. There are many fine images among these. But I’m also heartened to see images that go beyond performance, from details such as Peter Applebaum’s Mr. Hornblower, whose lined fingers with glistening rings hold a battered horn that reflects years of playing; to Gerald Cyrus’s Freddie on Fire, which bursts with the pure energy of intense music making; to the composites of Regina Schlitz’s Jamaaladeen Tacuma Upright Abstract and Melissa Teasley’s Jazz-N-Around City Hall Sax Throwback; and even to Lynn Goldstein’s Beat Out of Box, a mostly abstract picture that captures the gestural quality and the balance between structure and improvisation of jazz. Philadelphia has its own rich jazz history and also a wonderful group of photographers who have managed to portray jazz’s soul. – Stephen PerloffThe Photo Review, Editor

Participating photographers:

  • Peter Appelbaum
  • Steven Berry
  • Rachel Bliss
  • Matt Cohen
  • Blinky Comix
  • Elliott Curson
  • Gerald Cyrus
  • Dean Anthony
  • David Dzubinski
  • Meredith Edlow
  • Peter Fitzpatrick
  • Annarita Gentile
  • Melissa Gilstrap
  • Lynne Goldstein
  • Alan Jackman
  • Leandre Jackson
  • Alonzo Jennings
  • Rob Lybeck
  • Jeff Lynch
  • Bill May
  • James McWilliams
  • Brian Mengini
  • D. Jacob Miller
  • Sarah Nathan
  • Emmanuel Ohemeng
  • Luzselenia Salas
  • David Simpson
  • Sound Evidence
  • Melissa Teasley
  • Bruce Turner

Live Philly Jazz – Through the Photographic LensRob Lybeck, Pat Martino, photograph

For 50 years, The Philadelphia Clef Club of Jazz and Performing Arts has been an enduring cultural hub for Philadelphia’s jazz community. Art In City Hall, with the help of Don Gardner and Lovett Hines, the club’s respective Executive Director and Artistic Director, is presenting this extraordinary triumph through a display of photographs and memorabilia from the club’s collection. The Clef Club at 50 features images of past jazz legends that have graced Philadelphia’s jazz scene and some of the people who helped make it all happen. Many of the photographs on display were taken by South Philly’s John T. “Bunky” deVechhis, who passed away last year after decades of capturing Philly’s jazz scene.

Brief History:

The Clef Club began in 1966 as the social club for Union Local 274 of the American Federation of Musicians – Philadelphia’s black musicians’ union created in the mid 30s by Frank Fairfax. At the time of its incorporation, over seven hundred musicians were members of the club; including: Nina Simone, John Coltrane, Shirley Scott, Philly Joe Jones, the Heath Brothers, Butch Ballard, and Dizzy Gillespie among others. Other luminaries such as Duke Ellington, Count Basie, Art Blakely, Sara Vaughn, Max Roach and Clifford Brown would be frequent performers.

In 1971, Local 274 disbanded, but The Clef Club endured. In 1978 it expanded its mission to include jazz performance, jazz instruction, and the preservation of Philadelphia’s rich jazz history. It changed its name to The Philadelphia Clef Club of Jazz and Performing Arts. In the 1980s, the William Penn Foundation – led by its Executive Director, Dr. Bernard Watson – allocated $2.8 million to construct a new facility at 738 South Broad Street, as part of the development of cultural organizations on the Avenue of the Arts. The state added an additional $1 million. Ground was broken in 1994 and the club opened its doors the following year.

Today, The Philadelphia Clef Club of Jazz and Performing Arts houses a performance hall that can seat over 200 patrons, and contains two levels of classrooms and practice studios for its educational programs. It boasts some of today’s finest jazz musicians as former students, and continues to present world-class performances in its mission to celebrate and preserve the legacy of jazz.

The Photo Review

The Photo Review is a critical journal of national scope and international readership. Publishing since 1976, The Photo Review covers photography events throughout the country and serves as a central resource for the Mid-Atlantic region. Editor Stephen Perloff, a respected writer, educator and photographer, has been interviewed for the New York Times, the Wall Street Journal, the Philadelphia Inquirer, the Bucks County Courier Times, and Art Matters. He has received two critic’s fellowships from the Pennsylvania Council on the Arts. For more information on The Photo Review, please visit: http://www.photoreview.org/

The Philadelphia Clef Club of Jazz and Performing Arts

Jazz is a true, original American art form and The Philadelphia Clef Club of Jazz and Performing Arts, in Philadelphia, is the first facility ever constructed specifically as a jazz institution – a testament to our national’s history. Located on the Avenue of the Arts at 738 South Broad St, the building houses a 240 seat performance hall, in addition to multiple classrooms and practice studios, making it ideally suited to fulfill its mission of celebrating and preserving the legacy of jazz. For more information, please visit:

http://clefclubofjazz.org/

Art in City Hall

Art in City Hall brings the people’s art to the people’s building, establishing a presence for the visual arts in one of the city’s most important civic spaces, and provides space for the local cultural community to display their work. City Hall showcases juried exhibits of professional artists, local artists, arts and cultural institutions, community organizations and schools that utilize the arts in their programming. Encompassing a variety of mediums, techniques, and subjects, the program is committed to presenting a diversity of ideas and artistic explorations. For additional information on Art in City Hall,

Creative Philadelphia — City of Philadelphia’s Office of Arts, Culture and the Creative Economy

The mission of the Creative Philadelphia — City of Philadelphia’s Office of Arts, Culture and the Creative Economy is to support and promote arts, culture and the creative industries; and to develop partnerships and coordinate efforts that weave arts, culture and creativity into the economic and social fabric of the City. For more information on the OACCE, visit: http://www.creativephl.org.

Thank you to Tu Huynh, City Hall Exhibitions Manager, Office of Arts, Culture and the Creative Economy for the content of this post. Thank you to Rob Lybeck for sharing his photograph.

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Wonder

NGCB – EPHEMERAL from Michael McDermott on Vimeo.

Don’t you wonder sometimes?

I’m really honored to be working with Nora Gibson Contemporary Ballet again this season. Our new work EPHEMERAL is our grandest to date. Seven dancers, lighting design by Dutch artist Katinka Marac and an evocative score of environmental elements and sonic stillness.

michael3

EPHEMERAL
Christ Church Neighborhood House Theater, Philadelphia
February 19 – 21, 2016. Tickets can be purchased online also running concurrently will be a dance-film festival that Nora has curated.

David Bowie Night

michael2

Last month planet Earth lost one of its a greatest visionary artists of the last century: David Bowie. David’s music and style had a huge influence on me. As I tweeted the morning of his death: “He taught the world it was ok to be different, it was ok to experiment, it was ok to change.”

In two weeks I’ll be part of an all-star night of Philadelphia musicians playing Bowie’s music. I’ll be playing keyboards with some (very talented) friends. I don’t want to spoil the surprise but we’ll be playing two songs from my favorite Bowie album as well as his last epic artistic statement.

DAVID BOWIE TRIBUTE NIGHT
Thursday, February 11at 8 PM
The Fire
412 W Girard Ave, Philadelphia, Pennsylvania 19123
$8 / 21+

Liberation Through Hearing During the Intermediate State

michael mcdermott, Don't you wonder sometimes?

March 19, 2016 at 7:00 p.m. – March 20, 2016 at 7:00 a.m.

the fidget space 1714 N Mascher Street Philadelphia
$10 – $20 sliding scale

This is going to be a 12-hour long concert of sleep music! Bring a sleeping bag, pillow and blanket, enjoy some dream tea and snuggle in for 12-hours of dream drones and tape loop lullabies. I’ll be performing ambient music all night with visuals from Alex Bond focusing on themes of Bardo, reincarnation, Dream Yoga and sleep (un)consciousness.

To get a taste of the kind of music you’ll hear, please check out my 2014 sleep music album, Quiescent. It’s an eight-hour mix of music for the four sleep cycles.

Thank you to Michael McDermott for the content of this post.

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#PIFA2016

KIMMEL CENTER ANNOUNCES DETAILS OF

PHILADELPHIA INTERNATIONAL FESTIVAL OF THE ARTS

APRIL 8 – 23, 2016

World-Class Festival Showcases Groundbreaking Work from

 International Artists and Local Partners for a Curated Exploration of the

Performing and Visual Arts

The Kimmel Center for the Performing Arts announces the return of the Philadelphia International Festival of the Arts (PIFA), taking place across the venues of the Kimmel Center’s campus, as well as select locations throughout the city, from April 8 through April 23, 2016. A 15-day celebration of art and community, PIFA showcases innovation and a breadth of local and international performances and installations, all curated by The Kimmel Center for the Performing Arts. With more than 60 events across genres and art forms, PIFA is bookended by the Article 13 – a grand-scale fire and sand installation that tells the story of immigrants around the world – which serves as the grand opening of the Festival and culminates with the celebrated PIFA Street Fair.

 In this third installment of PIFA, the curatorial vision illustrates the concept “We Are What We Make.” The Festival will explore how our humanity is shaped, changed, inspired, and challenged by the world we create, all displayed through a variety of performing and visual arts. A massive installation by Mimi Lien – recipient of a 2015 MacArthur Genius Award – will consume the lobby of The Kimmel Center, bringing this vision to life and will be on display throughout the Festival.

 “We are thrilled to once again produce PIFA, the perfect manifestation of The Kimmel Center’s mission to introduce broad and diverse audiences to world-class, ground-breaking programming,” said Kimmel Center President and CEO, Anne Ewers. “To see our local arts organizations coming together in collaboration with one another, as well as with the renowned international artists joining us from around the world, is sure to be an extraordinary experience for the hundreds of thousands touched by PIFA.”

In addition to the featured international artists, local partners have joined forces with The Kimmel Center to present new works during this year’s Festival, further solidifying Philadelphia’s position as a pioneering force in the performing arts landscape. Local partners include The Barnes Foundation, The Clay Studio, The Center for Art in Wood, Philadelphia Chamber Music Society, Curtis Institute of Music, Jazz Bridge, Mural Arts Program, and PHILADANCO (The Philadelphia Dance Company). More local partners will be announced at a later date.

“‘We Are What We Make’ is the unifying thread and audiences will see it represented in countless ways through the art they’ll experience this year,” said Kimmel Center Artistic Director Jay Wahl. “The works were meant to challenge not only the artists but those who appreciate art to look deeper and get something unique from this experience, which will last long after the Festival is over.”

Tickets

Multi-event ticket packages are available now and include the PIFA Sampler Pass (three shows), PIFA Immersion Pass (five shows), or the PIFA All-Access Pass; all come with a wide range of added benefits including access to exclusive events. Single tickets for PIFA events will go on sale to the public beginning December 7, 2015. Tickets can be purchased by visiting kimmelcenter.org or calling 215-893-1999.

Full event details can be found below and a calendar of events is available at www.kimmelcenter.org/PIFA.

Thank you to Laura Krebs Miller for the content of this post.

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Mapping

Klip Collective, Red Bull Art of CanDILWORTH PARK TO TRANSFORM INTO MULTI-MEDIA ART EXHIBITION through OCTOBER 8

Groundbreaking Projection Mapping Installation On City Hall’s West Façade,

Dilworth Park To Kick Off Red Bull Art of Can

Red Bull Art of Can, the nationwide creative competition that showcases artwork inspired by the iconic Red Bull can, will take over Dilworth Park through October 8 with sculptures, paintings, animations, stop-motion video clips, and interactive installations.

The multi-media art exhibition, which is free and open daily, will be highlighted Friday and Saturday night by an interactive projection mapping installation by local Philadelphia visual art studio Klip Collective. The state-of-the-art visual installation will use the west façade of Philadelphia’s iconic City Hall as its canvas and will highlight the historic architecture of the 1800s municipal building. Giving the art of projection mapping an upgrade, this installation gives the power to the people as fans can engage with a control board to create custom audio-visual compositions that are projected onto City Hall.

Red Bull Art of Can features the works of 30 competition finalists from around the country. Their art works were selected by a panel of judges from the art community, with winners announced on opening night (October 2).

Saturday, Oct 3 @ 7pm-10pm: Premier presentation of Klip Collective’s interactive projection mapping installation at Dilworth Park, 1 South 15th St, Philadelphia, PA 19102. Attendance is free!

Last night’s performance was cancelled due to bad weather. Tonight is THE NIGHT!

@redbull #artofcan

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