Category Archives: Photography Philadelphia

Philadelphia photographers and photographs.

Sacred to the Memory, Historic Cemeteries of Philadelphia

Sacred to the Memory

Photographic Exhibition opens at Philadelphia Public Library: Sacred to the Memory – The Historic Cemeteries of Philadelphia

Sept. 9 – Nov. 1, 2013, Free Library of Philadelphia, Parkway Central Library, 1901 Vine Street, Philadelphia, PA 19103-1189

OPENING RECEPTION: Monday, September 16, 2013, from 6 – 9 pm

Sacred to the Memory catches three Philadelphia cemeteries at a moment in time – 2013, more than a hundred and fifty years after they were established. Frank Rausch, Robert Reinhardt, and Ed Snyder are photographers who share a passion for documenting these historic and beautiful sites – Laurel Hill, Woodlands, and Mount Moriah cemeteries. Each site has its own personality and architectural features, each photographer his own unique style. Together they provide a complete visual diary of their visits and adventures in these Victorian sculpture gardens.

The artists will host an Opening Reception in the Library’s exhibit hall, first floor of the Philadelphia Central Library, off main lobby, on September 16, 2013, 6:00 – 8:00pm. On display will be over sixty images as well as artifacts from each of the three historic cemeteries. Representatives from Laurel Hill, Woodlands, and Mount Moriah cemeteries will be in attendance.

Companion book to the exhibition available from Blurb.com.

A limited edition poster is available, with a percentage of proceeds donated to the non-profit Friends of Mount Moriah Cemetery, Inc. The poster can be purchased by contacting Ed Snyder. Autographed copies of the poster and book will be offered for sale during the Opening Reception.

Rediscover Philadelphia’s historic past, with our citizens and ancestors memorialized in the art and architecture of the nineteenth century.

Full story: http://thecemeterytraveler.blogspot.com/2013/08/exhibition-opens-sacred-to-memory.html

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Sacred to the Memory

Sacred to the Memory,  Frank Rausch, Robert Reinhardt, and Ed Snyder

Photographic Exhibition opens at Philadelphia Public Library: “Sacred to the Memory – The Historic Cemeteries of Philadelphia”

September 9th – November 1st, 2013, Free Library of Philadelphia, Parkway Central Library, 1901 Vine Street, Philadelphia, PA 19103-1189

OPENING RECEPTION: Monday, September 16, 2013, from 6 – 9:00 pm

Sacred to the Memory catches three Philadelphia cemeteries at a moment in time – 2013, more than a hundred and fifty years after they were established. Frank Rausch, Robert Reinhardt, and Ed Snyder are photographers who share a passion for documenting these historic and beautiful sites – Laurel Hill, Woodlands and Mount Mariah cemeteries. Each site has its own personality and architectural features, each photographer his own unique style. Together they provide a complete visual diary of their visits and adventures in these Victorian sculpture gardens.

The artists will host an Opening Reception in the Free Library of Philadelphia‘s exhibit hall (first floor of the Philadelphia Central Library, off main lobby) on September 16, 2013 (6 – 8 pm). On display will be over sixty images as well as artifacts from each of the three historic cemeteries. Representatives from Laurel Hill, Woodlands, and Mount Moriah cemeteries will be in attendance.

Companion book to the exhibition is available from Blurb.com.

A limited edition poster is available, with a percentage of proceeds donated to the non-profit Friends of Mount Moriah Cemetery, Inc. The poster can be purchased by contacting Ed Snyder (above), Autographed copies of the poster and book will be offered for sale during the Opening Reception.

Rediscover Philadelphia’s historic past, with our citizens and ancestors memorialized in the art and architecture of the nineteenth century.

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light being (Kurt)

light being (Kurt), Absolutely Abstract 2013, Philadelphia Sketch Clublight being (Kurt), digital photograph, archival inkjet print on glossy paper, 11 x 14″, 16 x 20″ framed, $300.00, DoN Brewer, Absolutely Abstract 2013, Philadelphia Sketch Club



When the sole juror for Absolutely Abstract 2013 at the Philadelphia Sketch Club, appreciates your work enough to select it to be in an art show the sense of accomplishment is extraordinarily gratifying. The digital photograph of an acid green wall combines several contemporary styles like color field, minimalism, performance, street art and computer art and even though it is a representative image the bold color takes over the narrative. The light becomes the environmental paint, the reflections on the surface interact softly with the hard grid of the cinder block. To know that someone else gets it, another artist, understands the underlying concept, and recognizes the inspiration reinforces my determination to continue the exploration of the abstract landscape theme.

How can a photograph be abstract? Because photography doesn’t really represent reality, it is a simulacra of a moment in time and therefore can be whatever the artist wants. An inkjet print is so different from darkroom photography, it’s more like painting with dots of ink than the chemical reactions of film development in the lab.

Thank you Philadelphia Sketch Club for the opportunity to be part of this exciting exhibit of contemporary abstract art by regional and international artists.

An Artists’ Reception will be held on Sunday, August 11, from 2 to 4 PM.  Gallery hours are Wednesdays, Fridays, Saturdays and Sundays from 1 to 5 PM.  Admission is free.

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My Every Day

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny Deprez, My Every Day, Philadelphia Sketch Club

“In July I am exhibiting in the Stewart Room, at The Philadelphia Sketch Club. My work explores time and place through photography and painting. I am interested in image making that reveals my experience in the everyday, and extends the process of making to the everyday. I will be showing for the first time a body of work that consists of a gridded arrangement of 12 x 12” photo-based paintings of my daily travels around Philadelphia. I will also debut an ongoing photo-journalistic project of my wife’s family farm (The Hayford Farm, of Pittston, Maine).” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

Kenny Deprez‘ solo art show, My Every Day, in the Stewart Room of The Philadelphia Sketch Club is cool hybrid photography, blatantly manipulated, enlivening the historic game room gallery with a modern sensibility. Kenny and DoN chatted at the opening reception held in concert with PHOTOgraphy 2013, the juried photography show, about the logistics of putting on a big solo show.

“Some of the work here goes as far back as 2008, that is where this whole series started. The painting on my photographs. Before that I was primarily a sculptor, video artist slash performance artist. And then this work, photography, sort of presented a way to continue somehow video-graphy or perform in my work. Like, I’m still in charge of the camera and the viewpoint.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

So you think of photography as performance?

“In some ways it’s performance based but it allows me to just make the work everyday. First, it allows me to move my work to the studio or to a gallery space where it becomes more isolated. Here I can work on the ideas every day. The photographs I take, where I’m taking the photographs and then going into painting and painting them, it becomes more of the hand being at work.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

The collection of photographs arranged formally on the gallery wall reads cinematically like a story board. Each photograph contains a separate narrative of time and place but together the images read like a graphic novel.

“I guess I was thinking, sort of, about the microcosm of this space that I’ve gone to a lot over the last eight years, I keep returning to that space and watch how it changes. It’s the Hayford Family Farm, my wife’s family farm, and some of the shots are really formal and some are more playful, some of them show the changes of a site that’s been re-visited over and over again. Some are just happenstance like the cat who runs into the photo. The arrangement reflects the microcosm aspect of it. It’s like a circle, like the whole world can exist there.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

What inspires you to paint on the photographs?

“I guess I’ve never really felt comfortable as a photographer. So this was a way to continue to engage with the photo and figure out the next level. Traditionally I’m a sculptor, so this is a way to think of them as an object, a way to put my hands on it.

The show is called My Every Day and that has a lot to do with the things I see every day of my life. It’s personal in that way but I hope that somehow it’s not just about me. It’s more about like that art doesn’t have to be totally removed from our every day experience.” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club throughout July, Gallery hours: Wednesday, Friday, Saturday, Sunday: 1 PM to 5 PM.

Written and photographed by DoN Brewer except where noted.

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Sky Holes

Sky Holes, DoN Brewer, PHOTOgraphy 2013

Sky Holes, DoN Brewer, PHOTOgraphy 2013 at The Philadelphia Sketch Club

DoN‘s digital photograph, Sky Holes, is included in the juried photography exhibition held annually at The Philadelphia Sketch Club. The abstract landscape image of sunlight shining through trees onto an urban surface has a vibrating tension of shape and color. The black door on the left is very dark n the shady part and reads as black but the sunlit parts match the tones of the shadow part of the white door on the right.

The title Sky Holes refers to the shapes and special tones painters use to create the illusion of sun shining through gaps in trees. The colors of the holes are different that the color of the sky because the light refracts through the leaves changing the hue that the eye detects. In Sky Holes the shadows take on a 3D effect and the light is softened and refocused through the gaps in the trees. The door handle and glimpse of sidewalk grounds the image in reality while the amorphous pseudopodia of the sky holes flip to abstract shapes.

Sky Holes has been exhibited in Art Ability International Juried Art Exhibition at Bryn Mawr Rehab Center, Creative Powers: Selections from Art Ability at Delaware Art Museum, Photographic Society of Philadelphia group show, Shannondell at Valley Forge and now PHOTOgraphy 2013 at The Philadelphia Sketch Club.

Public Reception:
Sunday July 7th from 2 – 4 PM
Gallery Hours: Wednesday, Friday, Saturday and Sunday; 1 – 5 PM

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Written and photographed by DoN Brewer.

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Buy Sky Holes, archival digital inkjet print on glossy photo paper, double matted and framed in black metal at The Philadelphia Sketch Club or through Art Ability. Or you may purchase Sky Holes through PayPal on DoNArTNeWs (plus shipping). DoN will pay the appropriate commissions to those organizations from this transaction, their support and confidence in DoN‘s art is immeasurable.

Sky Holes, framed 11 x 14″ archival inkjet print of glossy photo paper, double matted and framed in 16 x 20″ black metal, $175.00 plus shipping if required. DoN will deliver within a  reasonable distance.


Sky Holes unframed 11 x 14″ archival inkjet prints on glossy photo paper are available through DoNArTNeWs PayPal, $45.00 plus $15.00 shipping.

For custom orders contact DoN Brewer Multimedia.