Tag Archives: Art Installation

Artists Against Hunger

Sandi Neiman Lovitz, Artists Against Hunger

Sandi Neiman Lovitz, Incognito, 18 x 18″, photo courtesy of the artist, Artists Against Hunger at Da Vinci Art Alliance

ARTISTS Against Hunger Exhibition May 2-5, 2013, at the Da Vinci Art Alliance, 704 Catharine Street in South Philadelphia featured art from artists from all over the city, juried by Moe Brooker, Artist and Chairman of the Mayor’s Commission of the Arts. Many different styles and media were represented. All the work is fine art and for sale. Proceeds benefit The Food Trust. Let art nourish your soul to fed our children. The Food Trust works to improve access to healthy, affordable food and to educate children and families about nutrition. For more information, www.thefoodtrust.org – press release.

Susan DiPronio and Linda Dubin Garfield organized this excellent juried art show and fund-raising benefit at Da Vinci Art Alliance in South Philadelphia. DoN met with Susan DiPronio at the gallery to talk about the impetus behind the art show.

June Blumberg, Artists Against Hunger

June Blumberg, Doggie and Friends, mixed media, $400.00, Artists Against Hunger at Da Vinci Art Alliance

“There were sixty-four entries and thitry-six were chosen by Moe Brooker. He’s very famous. He donated a painting for us to sell and 100% goes to The Food Trust.”

DoN wondered what is The Food Trust?

The Food Trust of Philadelphia donates to other food programs like The Night Market, the Farmer’s Market, the child nutrition programs in North Philly. They did the Corner Store program in North and South Philly and disadvantaged areas where they go in and try to get corner stores to sell healthy food.

So, we’re hoping that the money from this project, we also did this last year, we’re just trying build it more. We’re hoping it will go to child nutrition programs.”

When local artists Linda Dubin Garfield and Susan DiPronio read that in parts of Philadelphia over 50% of the children go to bed hungry, they knew they had to do something. They decided to create change the only way they could- through art. They chose The Food Trust which helps bring nourishment and education to the neighborhoods in question. They created ARTISTS Against Hunger Project and planned several events such as the Pre- Fringe birthday party for Linda in May, 2012 which raised over $700 in lieu of gifts. Next, they created a “Yummy Rainbow” mural banner as part of Robert Farid Karimi’s Cooking Show: The Diabetes of Democracy at  the Asian Arts Initiative with pre-schoolers from a Head Start class in South Philadelphia also in May, 2012. They participated in the 2012 Fringe Festival doing mixed media memoir workshops focusing on What Nurtures Us and Food Deserts in September, 2012. – smart business consulting  press release.

Louise Herring, Artists Against Hunger

Louise Herring, Haybales Red, oil/mixed media, $250.00, Artists Against Hunger at Da Vinci Art Alliance

“Linda and I have a long history of collaborating together. We do writing workshops, we’ve been doing that for about seven years now. We were recipients of a Leeway Grant a few years ago and we do writing workshops with Endow A Home, Covenant House, etc. We decided to do something a little bit more, um, it’s disturbing to us when you’re in a homeless shelter or whatever, you see that, I worked twenty-five years in North Philadelphia and Camden, and it’s disturbing to see how many children don’t eat apparently anything. Did you see the painting in the back?”

Susan DiPronio pointed out a painting done from a photograph which was in a local newspaper in 2009 of a young child. The mat under the glass has a layer of Cheerios.

“The artist saw it and was totally moved by it. It’s a painting of a little girl who is diagnosed with ‘failure to thrive’, she was subsisting on Cheerios and hot dogs. And that’s pretty much the basis, the gist, of what we’re getting at. It’s something that you see children running down the street and you see them with a crumpled dollar in their hand to a convenience store. And they buy a cookie and a soda and you don’t really realize that’s their dinner.

And it’s not that their parents aren’t working, maybe their parents are working two jobs and each job doesn’t even pay enough to feed a family. People complain about wait-persons in restaurants not being so good, well, the wait-person is probably working two jobs. People can work two jobs right now and still qualify for Food Stamps. That’s sad.”

Deanne Mills, Artists Against Hunger

Deanne Mills, Calm the Passion, oil,  Artists Against Hunger at Da Vinci Art Alliance

In writing DoNArTNeWs, DoN is aware of the difficult issues artists are tackling: hunger, homelessness, diseases. Artist’s like Kathryn Pannepacker teaching the homeless how to weave, Art Ability at Bryn Mawr Rehab creates big time art opportunities, Attic Graffix teaches at-risk youth production skills, Moss Rehab’s annual art show, The William Way Gay Community Center Annual Community Art Show all provide opportunities for art to make social impact.

“I think that when people are in a safe space, they’re living their lives day-to-day, and working and going home, they’re kind of in a sense of denial. As we get to more and more when people are home they’re so into their cell phone or the computer, and I think it getting worse. People are denying what they’re seeing. They think,’Yeah, we know about the homeless. But, they’re getting taken care of. Oh yeah, but these people make too much money’.

They don’t realize that a big part of the problem is the working poor. The people who are working every day and this is happening. And these children go to school and they can’t absorb or learn anything. And so it creates a cycle that will never end.”

Ellen Abraham, Artists Against Hunger

Ellen Abraham, Meet the Artist, graphite and acrylic on canvas, $375.00, Artists Against Hunger at Da Vinci Art Alliance

So, why are artists taking on this challenge? Talk about a disadvantaged group, they don’t call us starving artists for nothing.

“I know! We are starving artists. I’ve been unemployed, too. And we are starving artists, that’s true but I think for me, and for other people, as an artist, you realize that one of the reasons why you create art is because it’s a way that helps you. Because you understand yourself. You realize the curing powers of art and how important it’s been to you in your life. That passion. And you realize it’s something you need – to give back” – Susan DiPronio

Susan DiPronio, Artists Against Hunger

Susan DiPronio, Claudia and Her Mother, gelatin-silver photograph, $650.00, Artists Against Hunger at Da Vinci Art Alliance

The exhibit was organized by smART business consulting which offers business solutions for artists to reach their goals and their audience through individual consulting and coaching, small support groups and seminars as well as providing venues to exhibit art to the public both virtually online (web design and social media) and in reality (exhibitions in galleries and other public venues.)

For more information, contact www.smARTbusinessconsulting.org or smARTbusinessconsulting@verizon.net

The art show was just three days but some wonderful artworks are still for sale, contact smARTbusinessconsulting@verizon.net The current exhibit is a solo art show by Linda Dubin Garfield through May 26th, 2013. Read about her one-person show, Hear My Color, at DoNArTNeWs.com

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Written and photographed by DoN Brewer except where noted.

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The Endless One

The Endless One, Hilary White, Paradign Gallery

The Endless One, Hilary WhiteParadigm Gallery 

Hello DoN,
I was actually DJing an art event at the James Oliver Gallery one evening when we met briefly and you handed me your card. I like to hold onto things of that nature so I looked into what you do and it’s great! I appreciate the time and effort you put towards keeping people updated on art events in Philadelphia on your website.
I am having an art opening at Paradigm Gallery on May 24th. The title of the show is “The Endless One”. I do large scale mixed media pieces as well as screen printing. I have attached my show card for the event. The front image is also titled “The Endless One” it’s medium is hand cut wood, acrylic sheet, oil paint, acrylic paint, acrylic rod, vinyl. It’s dimensions are 77″ x 78″ x 15″ .
My website is www.hilarywhiteart.com

The Endless One, Hilary White, Paradign Gallery

The Endless OneHilary WhiteParadigm Gallery 

Read DoN‘s review on www.donartnews.com

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LTextile at Philadelphia Art Alliance

LTextile, Textiles Lithuania, Philadelphia Art Alliance

 

LTextile, Textiles Lithuania, Philadelphia Art Alliance

LTextile, Textiles Lithuania, Philadelphia Art Alliance

FRIDAY, MAY 17, 2013 // 6:00PM TO 9:00PM, Opening Reception: Sabrina Gschwandtner: Sunshine and Shadow, “LTextile” and Emily Spivack: Sentimental Value

FREE: Please join us for the opening reception to our Summer Exhibitions:

“LTextile”: Contemporary Textiles from Lithuania

“LTextile” brings together the work of artists and designers from Lithuania in a survey of contemporary textiles, co-organized by PAA Curator Sarah Archer and Egle Ganda Bagdoniene, Vice-Rector at the Academy of Arts in Vilnius.

Two different beers will be available from Švyturys, the oldest operating brewery in Lithuania.

More Here – Philadelphia Art Alliance website.

Read more about LTextile on DoNArTNeWs.

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Life’s a Drag

Life's a Drag, Drag Performance and the Taboos of Femininity, Kate Brazina

Life’s a Drag, Drag Performance and the Taboos of Femininity, Kate Brazina

Performance by Icon Ebony Fierce, Porcelain and Ann Artist, photography by Michael Valtin, video by Kate Brazina at Moore College of Art and Design Senior Exhibition 2013.

“The evolution of drag has it’s first recorded roots in the Thirteenth Century Theater and now is widespread on various platforms such as film, television, underground theater and nightclubs.” – Kate Brazina

Life’s a Drag stands out among great art installations at the Moore College of Art Senior Show because of the manipulation of context, situation, audience, history and future of public art installations. In a Warhol-ized world, art curators seek that cultural awareness nerve that will signal something is different, strange or unknown that can be discovered. The presence of three high profile Philadelphia drag queens along side the graduating class of 2013 of America’s only women’s art school was disorienting and fabulous.

Life's a Drag, Drag Performance and the Taboos of Femininity, Kate Brazina, Porcelain

Life’s a Drag, Drag Performance and the Taboos of FemininityPorcelain

Through facebook messaging DoN asked Kate Brazina some questions: Moore College of Art is a unique institution for women. Did your investigation into drag culture have anything to do with the school’s signification of women as separate? Is your work impacted by the male gaze?

“My interest in drag culture mostly came about because I work in nightlife with a lot of queens. But, my interest in feminism and femininity definitely came from my time at Moore.”

“Moving forward through the next 800 years drag has become a progressive form of entertainment and integral part of the gay community catering to people of all walks of life.” – Kate Brazina artist statement.

Life's a Drag, Drag Performance and the Taboos of Femininity, Kate Brazina, Ann Artist

Life’s a Drag, Drag Performance and the Taboos of FemininityKate Brazina, Ann Artist, Moore College of Art Senior Exhibition.

“My work has a lot to do with the male gaze and playing with comfort zones.”

Gaze is a psychoanalytical term brought into popular usage by Jacques Lacan to describe the anxious state that comes with the awareness that one can be viewed. The psychological effect, Lacan argues, is that the subject loses a degree of autonomy upon realizing that he or she is a visible object. This concept is bound with his theory of the mirror stage, in which a child encountering a mirror realizes that he or she has an external appearance. Lacan suggests that this gaze effect can similarly be produced by any conceivable object such as a chair or a television screen. This is not to say that the object behaves optically as a mirror; instead it means that the awareness of any object can induce an awareness of also being an object. – Wikipedia

Life's a Drag, Drag Performance and the Taboos of Femininity, Kate Brazina

Life’s a Drag, Drag Performance and the Taboos of FemininityKate Brazina at Moore College of Art Senior Exhibition

Kate Brazina has tapped the zeitgeist of the gender-fuck cross-dresser as a meme for rebellion in the larger context of society in a powerful and appealing presentation including the prerequisite chairs, TVs and drag queens, the metaphorical psychological mirror.

DoN remembers watching Milton Berle on a black and white TV in the 50s prance and sissy it up in a funny sexualized way. This week America’s Next Drag Superstar, Jinkx Monsoon, was crowned on RuPaul’s Drag Race Season 5, a cable TV reality competition show exposing many of drag’s secrets to a curious audience. RuPaul said in a recent interview that the biggest audience for her product line is teenaged girls. Impersonating women in an all girl’s school takes, as Rupaul would say, charisma, uniqueness, nerve and talent. Condragulations Kate Brazina.

ps. DoN‘s drag name is Gayla Dolly.

Read more at www.DoNArTNeWs.com about  Emerging Artists & Designers: Senior Show 2013Moore College of Art and Design 

Written and photographed by DoN Brewer except where noted.

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Gail S. Kotel

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

Gail S. Kotel and DoN were in an art show together in May 2010 at the Riverfront Renaissance Art Center in Millville, NJ. The theme of the show was artwork made with re-cycled window frames. There are so many good reasons to up-cycle found frames from an ecological, sociological and anthropological standpoint but the artist also finds a psychological element to explore.

“My newest direction breaks through the glass and now incorporates broken mirrors as well taking the face apart while holding it together, moving into the figure, creating yet another dimension of tension, moving in front, behind and out from the window.” – Gail S. Kotel artist statement.

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

The frames are the basis with the portraits divided into panes with elements of the faces fractured by the surface. Some panels lean out of the frame, others remain in place, the paint either translucent from the sunlight streaming in from 20th Street or from the gallery lighting shining out, creates a morphological transformation, too. It isn’t difficult to extrapolate the emotional compartmentalization of the subjects, Gail S. Kotel is also a physical therapist using pilates to help people manage pain.

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. KotelFound FacesGiant Steps Picture Framing

The hard wood and chains only add to the psychological force behind her work, some of the pieces in the window are heads made of mismatched boxes with an anthropomorphic face or the window panes are exploding out so far they need restraint with plastic. The view from the street is instantly intriguing, the faces aren’t scary, they send a serene vibe with an under-current of the urgency and confusion of modern life.

“But the single pane of glass was not as compelling as multiple panels (like grids for a mural), and thus my love affair with windows was born!!!  And as time went on, 4 became 6 and even 16 panes.  The complexity of fitting the subject into the panes was of great interest to me.  The whole tension of who was looking at whom – viewer or sitter- creates a complex struggle with voyeurism which has become the nature of the work.” Gail S. Kotel artist statement

 

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Gail S. Kotel, Found Faces, Giant Steps Picture Framing

Giant Steps Picture Framing is such a great artist’s advocate, the space is prime, right off of Rittenhouse Square at 20th and Locust Streets. They have been in business over twenty years offering assistance to art collectors and artists offering high traffic visibility, a friendly staff and sales opportunities not just through the gallery but pop-up shops, too. And they don’t care if you use your own frames to make art, they just want you to make art.

Gail S. KotelFound Faces at Giant Steps Picture Framing runs through May 9th.

Written and photographed by DoN Brewer except where noted.

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