Tag Archives: mixed media art

LandLab

Kept Out, Stacy Levy, LandLab, CFEVA, Schuylkill Center for Environmental Education, DoNArTNeWs

New Visual Art Program to Improve Environment and Educate Public

PHILADELPHIA — The Center for Emerging Visual Artists (CFEVA) and The Schuylkill Center for Environmental Education (SCEE) announced today the launch of an innovative artist residency program designed to address local environmental issues.  LandLab, a joint project of SCEE and CFEVA is funded in part by a grant from the John S. and James L. Knight Foundation.

The program will bring the artists’ creativity and curiosity to bear on solving environmental problems and promoting environmental stewardship.  Artists will collaborate with environmental scientists to create real solutions to local environmental problems, such as rainwater runoff or habitat loss.  Each art project will also engage the public in meaningful way, either actively involving them in the scientific and creative process or with a strong educational component in the final project.

“The ultimate goal of LandLab is to engage more people in the effort to protect the environment and to foster new ideas,” said Jenny Laden, Director of Environmental Art at the Schuylkill Center.  “By bringing different perspectives to a problem, we gain new ways of looking at it—and new solutions.  Environmental art can also help engage the public with an issue in a very personal and meaningful way.”

Four artists will be granted six-month paid residencies to explore the Schuylkill Center’s property, conduct research, and develop and create installations which intervene with the land and demonstrate ecological solutions.  Residencies will run from April through October of 2014.  The final artworks will be on view to the public at the Schuylkill Center free of charge, and all four projects will be presented at the 2015 Science Festival.

CFEVA will help manage the recruitment and selection of artists and provide expanded exhibition opportunities.

“I’m thrilled to work with CFEVA” said Laden.  “Their stature in the art community and their resources will significantly expand the reach and impact of the project.”

LandLab is one of 48 winners of the prestigious Knight Arts Challenge Philadelphia.

“At its core, great art inspires us, to be better people and to build stronger communities,” said Dennis Scholl, VP for arts at Knight Foundation.  “We hope that by using the arts as a lens to look at our greatest challenges, like the Schuylkill Center is doing, we can draw more people into designing creative solutions.”

About The Schuylkill Center for Environmental Education

The Schuylkill Center for Environmental Education (SCEE) was founded in 1965 as the nation’s first urban environmental education organization.  Its 365-acre sanctuary serves as a living laboratory to foster appreciation, deepen understanding, and encourage stewardship of the environment.  SCEE reaches over 15,000 Philadelphia-area residents each year with an array of educational programs, including standards-based programs for schoolchildren, continuing education for teachers, and a full calendar of events for the public.  The environmental art department sparks awareness of the natural environment with exhibitions of the highest quality that attract, educate and inspire the public.

About the Center for Emerging Visual Artists

The Center for Emerging Visual Artists™, formerly Creative Artists Network, was founded in 1983 by Felicity R. “Bebe” Benoliel to encourage the career development of emerging visual artists. Since then, the organization has worked steadily harder to provide the support essential to talented individuals building careers in the visual arts. The Center dedicates itself to making art careers viable for those who choose them, helping emerging artists reach their audiences, and promoting interest and understanding of emerging visual art among citizens of the community.

About the Knight Foundation

Knight Foundation supports transformational ideas that promote quality journalism, advance media innovation, engage communities and foster the arts.  The foundation believes that democracy thrives when people and communities are informed and engaged.  For more, visit KnightFoundation.org.

Contacts

Schuylkill Center, Jenny Laden, Director of Environmental Art, 215-482-7300 x 113, jenny@schuylkillcenter.org

Center for Emerging Visual Artists, Ann Peltz, Director, Studio Tours & Exhibitions, 215.546.7775 ext. 13, Ann@cfeva.org.

For more information: http://www.schuylkillcenter.org/departments/art/LandLab-Program.html

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Dialogic

Artists explore the internal contradictions, hidden meaning, and implicit ideologies of language Glassboro NJ: Rowan University Art Gallery presents Dialogic a multi-media group exhibition of work by artists that explore the internal contradictions, hidden meaning and implicit ideologies of language as a critical component of their practice from September 3 through October 8 – 8 pm followed by a spoken word event at 8:30 pm. Both events are free and open to the public.

Curated by Gallery Director, Mary Salvante, the exhibition includes work by Jenny Holzer, Glenn Ligon, Jaume Plensa, Lesley Dill, John Giorno, Keith Brand, Erik den Breejen, DataSpaceTime, Bang Geul Han, Barbara Hashimoto, Meg Hitchcock, Dawn Kramlich, Melanie McLain, Ben Pranger, Buy Shaver, Chris Vecchio and Sue White. How language is perceived, communicated, and translated is informed by the visual qualities and symbolic power of the texts, words, and poetic phrasings incorporated into the video, sound-scapes, interactive tech-works, sculpture, paintings and works on paper included in this exhibition.

Works by Jenny Holzer, Glenn Ligon, Buy Shaver, and Dawn Kramlich reproduce text as aphorisms, precepts, and dictums to influence the thoughts and actions of the viewer.  John Giorno’s ground breaking Dial-A-Poem project, Keith Brand’s exterior soundscape, Melanie McLain’s performative video, DataSpaceTime’s  QR code mural, Bang Geul Han’s motion activated video and Chris Vecchios public art action and interactive works focus on the physical and aural complexities of language.  The sculpture, paintings, works on paper, and installations by Lesley Dill, Jaume Plensa, Barbara Hashimoto, Meg Hitchcock, Erik den Breejen, Ben Pranger and Sue White deconstruct  and recontextualize language through reimagining systems of communication found in advertisements, books, braille, poetry, Morse code and scripture.

Admission to the gallery is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm (with extended hours on Wednesdays to 7 pm); and Saturday, 12 to 5 pm. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery. Rowan University Art Gallery is located on the lower level of Westby Hall on the university campus, Route 322 in Glassboro, NJ. A public reception will be held on Thursday, September 12, 5:30.

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The Galleries at the Chamber

Maggie Mills, The Galleries at the Chamber

Maggie Mills, New House, oil on linen, 44″ x 52″, Center for Emerging Visual ArtistsThe Galleries at the Chamber, Arts and Business Council of Greater Philadelphia

Lori Dillard Rech, President and Chief Executive Officer of Center for Emerging Visual Artists addressed the assembled guests for the innaugeral art show at the Arts and Business Council of Philadelphia’s offices on the Avenue of the Arts. The Galleries at the Chamber is showcasing contemporary Philadelphia artists in the lobby, board rooms, meeting rooms and offices on the 7th floor of the grand Bellevue-Stratford Hotel, designed in the French Renaissance style by G.W. & W.D. Hewitt.

“I am with the Center for Emerging Visual Artists and we’re really thrilled to be invited to present this show. I want to thank the Karin Copeland and Miriam DeChant who really had the vision for being able to enhance these spaces, enliven these spaces in a way that’s so enriching. We’re very appreciative.”

Tremain Smith, Arts and Business Council

Tremain Smith, Mercy, oil, wax and collage on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis, Director, Regional Community Arts Program has been with CFEVA for about twelve years and she really began the program of starting to look at trying to customize exhibitions for businesses. We go into lobbies, hospitals, office spaces, all kinds of different non-profits use us and many businesses. We would hope that many of you would consider having an exhibition in your space. We would be more than happy to come out to talk to you about what that means. The way we curate the shows is we bring in a group of artists and we allow you to look at the works and help you find something appealing to you. And hopefully will be appealing to to your clients and what’s appropriate for you and your clients.

For many years we’ve been providing programs just like this, a wide variety of exhibitions in spaces throughout the Philadelphia area. And one of the most important things for us, in terms of our mission, is that this also gives us the opportunity to showcase the amazing artistic talent of this region. And we can give you that opportunity to do that as well. Thank you to the Arts and Business Council for this incredible opportunity to bring artists into these spaces so that the wider business community can look at it and appreciate it. And think about it for themselves.” – Lori Dillard Rech

Gregory Brellochs, The Galleries at the Chamber

Gregory Brellochs, The Hallow, Soma, Sign ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Gregory Brellochs, The Galleries at the Chamber

Gregory BrellochsThe Hallow, ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis introduced the artists in attendance but first pointed out that all of the artwork is for sale. The represented artists include photographer James B. Abbott, Gregory Brellochs, Kirsten Fischler, Tish Ingersoll, Eric Kennedy, Shalya Marsh, Maggie Mills, Tremain Smith and Michael Yoder.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“The Arts & Business Council of Greater Philadelphia (ABC) strengthens our creative sector, including arts, culture and for-profit creative businesses, by engaging the business, legal & technology communities, providing capacity-building services, and serving as a thought leader and a convener. ABC, with the support of the Greater Philadelphia Chamber of Commerce, is uniquely positioned to actively connect the creative sector with the business, legal and technology communities.” – The Arts & Business Council of Greater Philadelphia mission statement.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic (click the picture) Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

DoN asked Miriam DeChant what the Philadelphia arts community should know about the Philadelphia Arts and Business Council and Philadelphia Volunteer Lawyers for the Arts?

“What I think I want them to know the most is we are available for them. And we prefer to be a vaccine instead of a bandage. So, I would like them to ask questions, even if they’re not sure of what the question is because if you’re a little wiser about getting things in writing, being more careful about paying their taxes, working within copyright laws. But, in the future, we want to help people determine whether this is a legal problem or not, before it gets to the point where something actually goes wrong.

I’ve been here for five years and in the last ten years our case load had indicated that with the internet people are more aware that there might be a problem. And if they take risks they’re likely to get caught. So, there’s actually a bit of a chilling effect because people are hesitant to appropriate because they’re afraid to use other people’s work in a way their personal rights might not let them allow them to use in a ‘fair use’ way because it’s such a gray area.”

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“It would be useful to talk to a lawyer about these gray areas. It’s important to talk to a lawyer and ask, ‘How big of a risk is this?’ “Is it worth getting permission or is this enough of a commentary that it’s fair use?

Appropriation is an art form of it’s own, absolutely. There’s a very large case in the Appeals Court of the 2nd Circuit involving prints about photography and approbation in a very interesting way so we’re waiting to see if that goes up to the Supreme Court or not. There’s been progress but it’s a very gray area.

If an artist has a question, they need to submit to me, to us, the work that they’re worried about that’s their’s and whatever it is that they think they are using or gaining inspiration from is legal to share. And then we can talk to them about the therapy. They can call us, there’s an application on-line, We primarily help artists in a pro-bono way for artists who have a low income or modest income, collectors and non-profits, so it’s a bit of paperwork but we’ll work with you on it.

And everyone in the office is really passionate about art.” – Miriam K. DeChant, Esq.

Michael Yoder, The Galleries at the Chamber

Michael YoderCenter for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Written and photographed by DoN Brewer except where noted.

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People, Places & Things

Reta Sweeney, Twenty-Two GalleryReta Sweeney, People, Places & Things, Twenty-Two Gallery

New work by Philadelphia artist Reta Sweeney July 12th through August 4th, 2013. Artist reception Friday, July 12th, 6 – 9:00pm.

“I began painting at a very young age, not knowing what I was doing of course, and minored in art in my college preparatory high school. I have continued to search for that really good painting I feel is inside me somewhere. So, in that quest I have studied at Fleisher Art Memorial, The Pennsylvania Academy of the Fine Arts, The  Woodmere Art Museum, Bucks County Community College, Rowan University and have taken numerous workshops with well-known artists. I hold a Bachelor of Arts Degree in Studio Art.

I paint still life and plein air alla prima. But, interest in people has brought me to both my nursing career and to my love of the figure in art.  In this group of paintings I have enjoyed capturing people in their daily lives…in whatever they happen to be doing.

And the quest and the passion continues…” Reta Sweeney

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Vestige: An Industrial Perspective

Jessica Barber, Twenty-Two Gallery

Jessica Barber, Vestige: An Industrial PerspectiveTwenty-Two GalleryDancer, mono-print, $1000.00

“My style is highly intuitive, drawing inspiration from a variety of subject matter. Most often, I gravitate toward capturing the essence of the human form in a loose, expressive manner, using color and texture as my primary focus. Combining monotype printmaking with painting and pastels is my favorite vehicle for creating these images . I utilize monotypes, lithographs or other prints as a textural base, then create subsequent layers in other media until I’ve achieved the desired result. My goal is not to render my subject exactly as it appears, but rather to interpret the spirit of the form and my internal perceptions related to it.” – Jessica Barber

Jessica Barber, Twenty-Two Gallery

Jessica BarberVestige: An Industrial PerspectiveTwenty-Two Gallery

Jessica Barber‘sVestige: An Industrial Perspective at Twenty-Two Gallery in Center City West includes a marvelous variety of mono-prints, lithographs and mixed media paintings all based on the wasting industrial infrastructure of Chester PA. Photographer Jeff Stroud and DoN visited the artist on a sultry Sunday afternoon to view her new work and learn more about the process of printmaking and her inspirations.

“All of the large pieces were printed at BYO Print in Kensington on Cecil B. Moore Avenue. The smaller prints were all done at The Plastic Club with the exception of my one etching which was done in Miami. Fulwood Press in Miami, actually I have piece in a show down in Miami. I was involved in a group show through Projects Gallery up here but they also have a branch there. So when I participated in that show a couple years ago I thought, ‘You know? I have family down in Miami. Why don’t I go join the piece that I sent down there and go for the closing reception.

It was really nice, very, very nice. My family from down there came to the closing reception with me. Right across the street from it was this print shop and I was like a kid in a candy store. Because they have this huge vertical press that comes down and you can set the exact pressure. So, I definitely put it on my list for the next time I go down there, if I have the time I’ll do a couple etchings there. I usually don’t have the time to do etchings while I’m up here.”

Jessica Barber, Twenty-Two Gallery

Jessica BarberVestige: An Industrial PerspectiveTwenty-Two Gallery

Why don’t you have the time here?

“The etching process you have to do a lot of experimenting with acid bath, knowing how long to keep the plates in the acid. And just that process in itself, as far as preparing the plate is rather lengthy.”

Etchings are different than lithographs?

“Yes. When I’m up here I stick to the more immediate processes for me which would be the monotypes, the prints and the lithographs on polyester plates. Because I can work around my two and one half jobs, I can go in at night and I can pull a bunch of prints in marathon sessions at The Plastic Club.”

Jessica Barber, Twenty-Two Gallery

Jessica BarberVestige: An Industrial PerspectiveTwenty-Two Gallery. Over Her Head, mono-print, $300.00

Why is your show called Vestige?

Vestige refers to things that just have gone beyond their useful purpose or there is an absence now because whatever they were there for is gone. A lot of the imagery I use would fit into that because the objects are there and they fit into peoples everyday environment. However the industriousness that went along with those objects and what they were used for is there no longer. It’s the vestige of the industrial past.

And some of the figures are inspired by that whole adaptation between that type of environment and the humans that are there that have to live with it. And they have to deal with that environment. I go to Chester a lot, that’s an area that if the right people would take care of it there could be a revitalization of that area. Just like what’s happening in Fishtown or when I went to Miami.

One of my pieces is inspired by Miami in the Wynwood Arts District, which is an area full of old warehouses that has become an area full of art galleries and coffee shops. But you can still see the vestiges of the industrial life from before.”

Jessica Barber, Twenty-Two Gallery

Jessica Barber, Gateway, mono-print, $850.00, Vestige: An Industrial PerspectiveTwenty-Two Gallery through July 7th, 2013.

“In this exhibit, Jessica Barber’s mixed media and fine art prints concentrate on symbols of our industrial past: what is left of structures no longer in use, now relics of an often forgotten period of prosperity.  She explores this reality through portraits of these structures, along with images depicting the perspectives of humans co-existing and adapting as their environments further disintegrate into decay or transition into renewed vitality.  Among pipelines and condemned homes, scrap yards, and rapidly revitalizing neighborhood corridors, she examines traces of the past, and hints of the evolution yet to come.” – Twenty-Two Gallery website.

Jessica Barber has an art gallery in Chester called Art on Avenue of the States which is part of the arts and cultural revitalization of the city. They are partnering with PPL Park and with Harrah’s Casino so that people who go to the waterfront in Chester and then get right on the highway and go straight home will discover the bridge the artists are building between the community and the gambling entertainment complex. Buy art – it will revitalize your life. You can’t lose.

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Written and photographed by DoN Brewer except where noted.

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