Tag Archives: Philadelphia Fine Art

RiTUAL Reading Room

RiTUAL Reading Room, 110 Church Gallery

My Winter Coat, Barbara Henry, NJ and A Summer Morning’s Ritual, Pia De Girolamo

RiTUAL, Reading Room110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm) Saturday Noon – 4:00 pm, other times by appointment. 

ARTIST RECEPTION: 
Saturday, December 14, 2013, 
3:00 – 6:00 pm

110 Church Gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL Reading Room, 110 Church Gallery

RiTUAL, Reading Room110 Church Gallery

RiTUAL Reading Room is a meme based in Social Practice. To get the idea out into the Philadelphia art scene and have participation, the message had to be simple, easy to explain and memorably fun. By adding terms and conditions the curators established a concept that artists could share with each other, all you had to do was follow simple instructions. Making books in the Age of Digital Reproduction is a challenge to artists desiring to express themselves on paper. RiTUALS let’s the artist write whatever kind of book they like and then share the wall space with other artists, their work pixelated into the matrix of the meme, each book like a nerve connecting to the central nervous system of the art show. It really makes you think.

The design is simple and elegant with each book, loaded with information, waits to be unpacked by a viewer. Action is required to view the books displayed artfully in clear bags, concise tagging and information design creates a clever design experience. At the First Friday opening people ‘reading’ the books in random order mostly said, ‘Cool!’ There’s no better word.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL as a social practice experience is intellectually satisfying from the ad campaign with the sample instruction books to the on-line campaign to the virtual display, the idea is to express a concept within constraints. The books nearest the door are hung from display pins so the wind won’t blow them over, object-like books such as the tea-bag book are on pedestals and tables and the rest are displayed on slim racks with taut string keeping them in place.

The origami-like fold of the paper creates a four page book, with 8 sides and the opposite side of the paper can be a poster. There are books of prints, poems, recipes, photos, patterns, drawings, paintings, embroidery and sculpture. And there are stories told in eight pages that will make you laugh or cry. The tactility of handing the books and sharing the discoveries with others opened up communications so that people interacted instead of the anonymity of the library.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL creates an environment saturated with information, ideas and design. The cable knit sweater book by Kate Flake is an expression of the information technology of sewing  communicated as memetic code. A meme of cozy comfort is translated into the book in a language different from words; a thread of thought creates a story in an un-named tongue that is easily understood and re-interpretted into words.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Pia DeGirolamo’s books are delightfully informative and rich with style and taste. And by taste I mean food. Tomato Sauce Ritual teaches how to be resourceful and make yourself some decent Italian food; you live in Philly you should know how to make sauce. The illustrations, text and paper all add to the narrative in ways that are visually tasty.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Thank you to Stella and Margaret from 110 Church Gallery for taking up this idea that involves depending on a lot of artists to create something new and making the exhibition a reality. The show has hundreds of books, there is an on-line catalog with pages about the artists and their books. RiTUAL is a lot of information that required deep thought and attention to detail to make happen.

110 Church Gallery consistently presents art that is thought provoking and unique, with RiTUAL the curators have communicated with the arts community in a way that they responded to with exciting and beautiful concepts of their own. Creating a spirit of community is the essence of the art show and if you spend time reading the books in the gallery you will learn about the people of our community and their rituals.

RiTUAL online catalog

Written and photographed by DoN Brewer except where noted.

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RiTUAL

RiTUAL, Reading Room, 110 Church GalleryRiTUAL, Reading Room, 110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, 

HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm)
Saturday Noon – 4:00 pm, other times by appointment.

ARTIST RECEPTION: 
Saturday, December 14, 2013
3 – 6 pm

EXHIBITION: 
Friday, December 6, 2013 through
 Saturday, January 25, 2014

FIRST FRIDAYS
: Friday, December 6, 2013
, Friday, January 3, 2014 
5:00 – 8:00 pm

110 CHURCH gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place.

Pricing: $20, $75, $250 or free.

RiTUAL On-line catalog

CODE, DoN Brewer, RiTUALCODE, one sheet book, DoN BrewerRiTUAL, Reading Room110 Church Gallery

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Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

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Written and photographed by DoN Brewer except where noted.

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Edward Woltemate, Jr.

Ed Woltemate, Jr., Coalition IngenuEd Woltemate, Jr.Autodidactic Ingenuism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens

“Reality is that which, when you stop believing in it, doesn’t go away.”
Philip K. Dick 

Edward Woltemate, Jr. creates art that takes you to another world.  His brilliant art has bright colors and out-of-this-world design.  Despite being born a deaf mute, his art captures you in his fantasies and takes you on an adventure into the unknown. Born and raised in the Philadelphia area, he enjoyed spending summers at his grandparents’ home at the Jersey shore, along with his two sisters (one is also a deaf mute) and his brother.

Eddie has a keen sense of humor which has carried him through the darker places in his life and can be seen in the serendipity of his art. Eddie went to two primary schools, American School for the Deaf in Hartford, Connecticut, and The Pennsylvania School for the Deaf in Philadelphia. He has had a lifelong interest in the extraterrestrial and his characters and spacescapes are detailed as never before imagined.

Eddie has traveled extensively with his wife, Elaine, taking photographs and blending his inspiration and vision into his art. Although he works on his drawings every day, he finds time for three grandchildren and hobbies such as photography and gardening.  He loves to shop and go to museums and is always thinking about what his next drawing will be.” – Ed Woltemate, Jr. website

Ed Woltemate, Jr., Coalition IngenuEd Woltemate, Jr., Moonspidergee, mixed media and colored pencil on paper, $500.00  Autodidactic Ingenuism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens

Ed Woltemate, Jr. is a very organized man with a logical mind. Most of his work is accompanied by a kind of ‘legend’ on the back that describes the climate, topography, atmosphere and many other intricate details and characters of his imaginary worlds.

Ed Woltemate, Jr. has traveled extensively with his wife, Elaine, taking many photographs and blending his observation and impressions into his art. Although he draws every day, he also finds time for his three grandchildren and enjoys several hobbies including gardening, shopping, museum touring and photography.” –Ed Woltemate, Jr. artist statement at Philadelphia’s Magic Gardens

Ed Woltemate, Jr., Coalition IngenuEd Woltemate, Jr., Marrs, mixed media and colored pencil on paper, $800.00, Autodidactic Ingenuism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens

Ed Woltemate, Jr. creates worlds of wonder using simple materials like pencils and paper that transport the viewer to distant planets inhabited by intelligent beings who have advanced societies. The artist peoples these worlds with beings who are creative, beautiful and friendly and on the back of the finished work he provides a ‘legend’ that describes in great detail where the planet is conjunction to where we are on Earth. He even names each planet and their inhabitants. With the recent cosmological news that there are more than eight billion ‘Goldy Locks’ planets in the Milky Way alone, Woltemate won’t be running out of planets to describe any time soon.

Ed and I have been in several art shows together including Art Ability at Bryn Mawr Rehab, the Philadelphia Foundation and the Delaware Art Museum, I’ve been a long time fan. Science Fiction and alternate realities are an element of my own art with my ‘light being’ photography series but Ed is able to visualize the other-wordly without having to say a word. Whereas I have to explain to people what my art is about.

Each of his drawings is like watching a great Sci-Fi movie that allows the viewer to suspend belief and experience life on another planet for a while. It’s been said that art viewers spend about five seconds looking at art in a museum. But Ed Woltemate, Jr. art requires the viewer to take an astral trip of light years where a second expands into centuries, centuries into eons and eons into a kind of after-life and when you get back all your friends might be gone. Quantum physics works like that and he taps into that energetic time/space continuum vibe like Steven Hawking.

Ed Woltemate, Jr., Coalition IngenuEd Woltemate, Jr., Cogacy, mixed media and colored pencil on paper, $400.00, Autodidactic Ingenuism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens

I had the opportunity to interview his lovely wife, manager and translator, Elaine Woltemate, at the opening of Autodidactic Ingenism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens:

How long have you been working with Coalition Ingenu?

“Gee whiz, we’ve been with Coalition Ingenu for about two and a half years. I have been more or less managing Ed’s art for a while and Robert Bullock has been a great help. But I’ve taken different routes also with Ed’s art and I plan to continue to do that. We’re trying to get into different places than we’ve been before, we’ve been successful in the last couple of years with Bryn Mawr Rehab Art Ability, Moss Rehab, the disabled artists venues. Bryn Mawr Rehab’s Art Ability has three of his pieces this year, the opening is November 2nd. Then on November 9th we’re at Main Line Art Center, we sold a nice piece there about two or three months ago.”

Amie Potsic is a friend of mine.

“She’s very young to have the position she holds, don’t you think? Everybody looked young there! Through a friend of ours we were introduced to an organization called Build a Bridge, it’s a volunteer organization that gets funds for the homeless and different people throughout the city that need assistance, Build a Bridge is having a gala and we offered to donate a piece of art.

My friend told me a little about what was going on, I thought Eddie’s art would fit in with that. They said that if he could create a drawing that depicts ‘Hopeful City‘ they would like to use that. So he made a beautiful drawing, something totally different than what he’s used to of Rittenhouse Square. It’s going to be auctioned off at Build a Bridge, it’s purely because we have been so fortunate in the last few years that it was time to give back, So Edward is going to be involved in that and we’re excited about it!

It doesn’t mean any money for us but I think it will be great exposure and it’s something different for him. As I said, we have been very fortunate, maybe not dollar-wise but just in the people we’ve met, you know? And the venues that we’ve been in, we’ve been very fortunate lately, so, like I said, it’s time to give back.”

But how can people buy your work besides this show?

“We have a website http://www.edwardwoltematejr.com/index.html. We’re on facebook but I’m not very technical. Robert sees me as a good manager of Eddie’s art, I’m going to have to get more technologically savvy. I’m soliciting my son already, he’s at University of Pennsylvania and teaches computer science. So I’m giving him lunch and getting lessons.

Do you sell prints?

“No, we don’t. And do you know why? I really feel like we’ve come to a point where we have to do something different, not just sell the originals all the time, maybe that’s another step we should take because originals only last for so long (in stock).

How would you describe Ed’s work?

“Unique is kind of an over-used phrase but his art doesn’t fit any category. It doesn’t fit outsider, it doesn’t fit visionary – it’s kind of his own vision of different planets, different galaxies. It’s very different than any other art out there. Maybe that’s why we have sold to gallery owners and collectors that have more of an appreciation than the general public. As far as describing his work – it’s in his own category. It’s Edward Woltemate, jr.” – Elaine Woltemate

Read more about Autodidactic Ingenuism, the Coalition Ingenu Collective of Self-Taught Artists at Philadelphia’s Magic Gardens on DoNArTNeWs Philadelphia Art News Blog

Written and photographed by DoN Brewer except where noted.

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Sun Young Kang + Anne Canfield

Sun Young Kang + Anne Canfield, University City Arts League

Sun Young Kang + Anne CanfieldUniversity City Arts League, Artist’s reception October 25th, 6:00 – 8:00pm.

“Nearly every facet of life that we understand is dependent on our visual perception of the world, predisposing us to only see the “present.” But it is not difficult to perceive that our world is composed of two antithetical ideas: presence and absence, life and death. These ideas can be understood in the Buddhist philosophy of “Emptiness”—every existence, every single moment that has ever existed, can only conceived as between the past and the future. The abstract nature of this concept is often difficult to grasp, but my work is an attempt to secularize this fundamental idea.” – Sun Young Kang artist statement excerpt

Anne Canfield, University City Arts League

Anne Canfield, University City Arts League (click for larger image)

“I draw and paint on a tiny scale and am inspired in particular by Early Netherlandish and Indian Miniature paintings. I use a variety of media as point of departure, ranging from personal photography to elements of film. Loosely narrative, my pieces reveal quiet, solitary moments when a sense of time or place is trapped and brought to stand still. The viewer of my work perceives something strange and unsettling but also sweet and familiar. In this way these paintings and drawings pay homage to classic tales of lore.” – Anne Canfield artist statement

ARTIST’S RECEPTION THIS FRIDAY: October 25th, 6:00 – 8:00 pm,
Show will close this Sunday, Oct 27th. Gallery is open Monday to Friday, 10:00am – 7:00pm,  Saturday & Sunday by appointment. University City Arts League, 4226 Spruce Street, Philadelphia, Pennsylvania 19104, 215) 382-7811, lpg@ucartsleague.orghttp://www.ucartsleague.org/

“The University City Arts League( UCAL) is a nonprofit organization dedicated to education and cultural enrichment in the arts. UCAL serves people of all ages in our diverse community.”

Images courtesy of the artist.

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