Tag Archives: Philadelphia photography

Tu B’Shevat

Amie Potsic, Old City Jewish Art CenterAmie Potsic, “Enchanted Forest Installation view #1”, Archival Pigment Print on Silk, Dimensions variable, 2015, © Amie Potsic 2015

Artists present environmental art celebrating trees and drawing attention to Climate Change

Celebration of Trees, An exhibition in celebration of the Jewish New Year for Trees, Tu B’Shevat

 

AMIE POTSIC  |  LINDA DUBIN GARFIELD

HOWARD BRUNNER  |  LESLIE K. BRILL  |  BARBARA ROSIN

 January 31 – February 25, 2018

–  EVENTS  –

OPENING RECEPTION:
Tu B’Shevat, Wednesday, January 31, 6:00 – 8:00 PM

FIRST FRIDAYFriday, February 2, 5:00 – 9:00 PM, First Friday event followed by Shabbat Dinner

ARTIST TALK AND RECEPTION: Sunday, February 11, 2:00 – 4:00 PM

CLOSING RECEPTION: Sunday, February 25, 2:00 – 4:00 PM

LOCATION: Old City Jewish Art Center119 N. 3rd Street, Philadelphia, PA  19106

http://www.ocjac.org  |  rabbizash@ocjac.org  |  215.627.2792

Admission is free and by appointment

Philadelphia, PA – Old City Jewish Art Center (OCJAC), located at 119 N. 3rd Street, Philadelphia, PA presents Celebration of Trees, a group exhibition featuring Amie Potsic, Linda Dubin Garfield, Howard Brunner, Leslie K. Brill, and Barbara Rosin.  The exhibition will include a site-specific photographic installation and series of complementary photographs by Potsic as well as prints, paintings, and mixed media works by all the featured artists. The show begins on January 31st and runs through February 5th.  The opening reception will be on Wednesday, January 31st from 6:00 – 8:00 PM in celebration of Tu B’Shevat, the Jewish holiday that commemorates the New Year for Trees. There will be a reception on First Friday from 5:00 – 9:00 PM followed by a Shabbat Dinner.  Artist Talks will take place on Sunday, February 11th from 2:00 – 4:00 PM. The closing reception will be on Sunday, February 25th from 2:00 – 4:00 PM.  Gallery hours are by appointment.

Amie Potsic’s work references the sensory experience of being within the forest while encouraging us to appreciate and preserve its future. Her incarnate environmental explorations entice the viewer to connect with their own perception of nature in a manner that is simultaneously intimate and enchanting.  “Facing massive deforestation due to industry and global warming itself, the ill-fated future of our forests is undeniable unless we intervene.  To focus attention on climate change, support improved environmental policies, and encourage an appreciation for forests and their fragility, my work emphasizes the cyclical beauty of the seasons and the delicacy of nature,” says Potsic.

Celebration of Trees is presented in honor of Tu B’Shevat, the Jewish New Year for Trees, at a time when forests are increasingly important in the fight against Climate Change.  We observe this holiday “by eating fruit, particularly from the kinds that are singled out by the Torah in its praise of the bounty of the Holy Land:  grapes, figs, pomegranates, olives, and dates.  On this day, we remember that ‘Man is a tree of the field’ and reflect on the lessons we can derive from our botanical analogue,” explains Rabbi Zalman of Old City Jewish Art Center.  In organizing this exhibition to commemorate Tu B’Shevat, OCJAC and SmART Business Consulting chose these artists because their work encourages the appreciation of trees.

Amie Potsic, Old City Jewish Art Center

Amie Potsic, “Enchanted Forest #1”, Archival Pigment Print, 12” x 24”, 2015, © Amie Potsic 2015

Amie Potsic is a photographer and environmental artist based in the Philadelphia area whose work addresses cultural, personal, and natural phenomena through the lens of social responsibility.  With 18 solo exhibitions and over 100 group exhibitions, Potsic has exhibited her work internationally at the Art Park in Rhodes, Greece; The Royal College of London, England; Museo de Arte Moderno de Bogotá, Colombia; Medfoundart di Cagliari, Italy; the Museum of New Art in Detroit; The Woodmere Art Museum, The National Constitution Center Museum, The Painted Bride, The Gershman Y, James Oliver Gallery in Philadelphia; Mission 17 in San Francisco; and 626 Gallery in Los Angeles.  Her work has been published in or awarded by publications including The San Francisco ChronicleArt MattersThe PhotoReview, andThe Philadelphia Inquirer.  Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University.  She has held faculty appointments at the University of California at BerkeleyOhlone College, and the San Francisco Art Institute and has been a guest lecturer at The University of the Arts, The Delaware Contemporary, and The International Center of Photography.  Potsic is the CEO and Principal Curator of Amie Potsic Art Advisory, LLC as well as Chair of the Artistic Advisory Board of the Art In City Hall program of the Office of Arts and Culture of the City of Philadelphia.

Founded in 2006, the Old City Jewish Art Center was envisioned as a platform to build Jewish community through the arts.  Building steadily since then, the OCJAC gallery has become an exhibition space for serious artists, holds monthly First Friday art receptions with a Jewish twist and provides social and Jewish holiday programs throughout the year. OCJAC is now a landmark gallery in the Philadelphia art scene and is the only gallery dedicated to Jewish artistic expression and cultural exchange in Philadelphia.  Using the arts as a springboard, the Old City Jewish Art Center advances and promotes the universal messages of Judaism and spiritually to the broadest possible audience.

Amie Potsic, Old City Jewish Art CenterAmie Potsic, “Enchanted Forest #5”, Archival Pigment Print, 24” x 48”, 2015, © Amie Potsic 2015

Celebration of Trees will be on view January 31st through February 5th.  The opening reception will be on Wednesday, January 31st from 6:00 – 8:00 PM in celebration of Tu B’Shevat, the Jewish holiday that commemorates the New Year for Trees. There will be a reception on First Friday from 5:00  – 9:00 PM followed by a Shabbat Dinner.  Artist Talks will take place on Sunday, February 11th from 2:00 – 4:00 PM. The closing reception will be on Sunday, February, 25th from 2:00 – 4:00 PM.  Gallery hours are by appointment.

For more information, please contact Amie Potsic at apotsic@yahoo.com or 610-731-6312 or Old City Jewish Art Center at rabbizash@ocjac.org or 215-627-2792.

Thank you to Amie Potsic for the content of this post.

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MUSE @40

MUSE @40. Muse GalleryMUSE @40

Muse Gallery in Old City invites you to MUSE @40, our 40th Anniversary Group Exhibition. The exhibition opens on November 29 and runs through December 31, 2017. Gallery hours are Wednesday through Sunday 12 to 5 pm.

Muse Gallery will present small works in oil, acrylic, watercolor, print, photography, mixed media and sculpture.  Our talented members, past and present, are donating these select works to create a unique opportunity to purchase 8” x 8” artwork for $40 each.  Art lovers can support the gallery and fund new initiatives by adding to their collections.

Please join us for:

  • First Friday            December 1 from 5 – 8 pm
  • Artist Reception    December 10 from 1 – 5 pm.

At the December 10th reception, current and past members welcome the public to celebrate the gallery’s longevity and it’s value to Philadelphia’s vibrant artistic community.

In 1977, 60% of students in American art schools were women.  Only 2% of these trained artists showed their work in galleries.  That year Muse Gallery opened its doors as Philadelphia’s only professional women’s art gallery, and it was also the first women’s co-operative gallery.  It was organized by Judith Stein, Patricia Meilman and a core group of nine professional artists.  There are now 21 artist members. 

Muse Gallery has always provided support to its members.  Women artists would have freedom to create without the pressure to sell.  Although Muse Gallery continues to have a strong feminist point of view, it now accepts men as equal members.

The Muse Gallery continues to value the same ideals as it did at its inception.  Its members have an opportunity to exhibit in an open and supportive environment.  We encourage dialogue through monthly meetings, critiques, as well as group and individual shows.  It is also a place where people form lasting friendships and make important connections with other artists. Muse offered women the opportunity to shine and still does after 40 years.

Muse Gallery52 North Second Street, Old City, Philadelphia 19106, 215-627-5310

Thank you to Charlene Lutz for the content of this post.

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Souls

Souls Shot, Portraits of Victims of Gun Violence, Presbyterian Church of Chestnut Hill

“On November 3, 2017 I went to the Presbyterian Church in Chestnut Hill to see a show of portraits of victims of gun violence. Artist Laura Madelaine had invited me to a show that she co-curated with Rebecca Thornburgh. Artists were paired up with family members of shooting victims to commemorate the lives of their loved ones.” – John Thornton

“There is a parable told by Jesus about a man who kept accumulating possessions. At some point, he had so much stuff, he had to build barns to contain it all.  Apparently once the barns were built and the stuff stored, he said to his soul, “Soul, you have ample goods laid up for many years; take your ease, eat, drink and be merry.”  “Fool!” booms God’s voice disrupting this man’s satisfaction with the future he had secured. “This night your soul is required of you; and the things you have prepared, whose will they be?” It was God’s way of saying, “You can’t take it with you.” – Presbyterian Church of Chestnut Hill, Stewardship

Presbyterian Church in Chestnut Hill8855 Germantown Avenue, Philadelphia, PA 19118

Through November 30th, Gallery Hours 10:00am – 4:00pm, Monday – Friday

Thank you to John Thornton Video for the content of this post.

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FUTUREPROOF

Futureproof, HAVERFORD'S CANTOR FITZGERALD GALLERY

FUTUREPROOF at Haverford’s Cantor Fitzgerald Gallery Explores Our Present by Interrogating How We Imagine THE FUTURE

Artists, writers, inventors, moviemakers, militaries, and think tanks have long tried to predict coming technologies or foresee catastrophic events — not merely for entertainment’s sake, but to prepare for possible outcomes, quell anxieties, or gird against tragedy. Shell Oil even has a “Scenarios” team, founded in 1965 and still working today, whose job is to explore “possible versions of the future by identifying drivers, uncertainties, enablers and constraints, and unearthing potential issues and their implications.” A new exhibit at Haverford College‘s Cantor Fitzgerald Gallery, Futureproof, gathers work from contemporary artists on this theme with real-world images and archives from governmental and corporate scenario planners to explore how we have imagined and continue to imagine different futures.

In engineering, industrial design, and architecture, “futureproofing” typically refers to creating something in a way that minimizes or slows down technological obsolescence. Futureproofing methods are often reflective of people’s anxieties, aspirations, and assumptions about the present, sometimes acting as self-fulfilling prophecies. In this sense, they recall another form of proof—proof as mathematical argument, defined by a series of accepted axioms and truths. The artists in Futureproof engage with the many malleable interpretations of futureproofing, drawing from both the legacy of military and corporate scenario planning and the use of semi-fictionalized artifacts or archives as “proof,” or evidence, of alternate timelines or futures yet to come.

So, a 1991 in-house film on climate change produced by the Shell Corporation will be shown alongside a multi-faceted installation by Ilona Gaynor (“Everything Ends in Chaos”), featuring 2D and 3D objects with video in a piece that deconstructs corporate risk assessment. The Guantanamo Bay Museum of Art and History, which foresees that the detention facilities in Cuba have been closed and replaced with a museum that reflects on Guantanamo Bay’s social and political significance, will be represented, as will images and archival documents from Cybersyn Project, the real-life cybernetics economy-management operation of Salvador Allende’s Chilean government.

In a time when each day seems to bring a new cascade of political uncertainties, when every “now” is assumed to be “more than ever” and every crisis feels more unmanageable than the last, Futureproof encourages viewers to interrogate the fraught systems of the present moment and imagine how they might be otherwise.

Futureproof is curated by Ingrid Burrington and features the work of Morehshin AllahyariSalome Asega, Gui Bonsiepe and the Cybersyn Project, the United States Department of Energy, Ilona GaynorAyodamola Tanimowo Okunseinde, Shell Corporation, and The Guantánamo Bay Museum of Art and HistoryFutureproof is supported by the John B. Hurford ’60 Center for the Arts and Humanities.

Futureproof will be on view Oct. 27 through Dec. 17, at Haverford College’s Cantor Fitzgerald Gallery. On Friday, Oct. 27, to celebrate the show’s opening, there will be a talk by curator Ingrid Burrington at 4:30 p.m. followed by a reception at 5:30 p.m. An associated screening of Peter Galison and Robb Moss’s film Containment will take place Nov. 29, at 7 p.m., in the Visual Culture, Arts, and Media building’s screening room. For details and additional related events: exhibits.haverford.edu/futureproof.

Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday through Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 p.m. to 5 p.m., and Wednesdays until 8 p.m. For more information, contact Matthew Seamus Callinan, associate director of the Cantor Fitzgerald Gallery and campus exhibitions, at (610) 896-1287 or mcallina@haverford.edu, or visit the exhibitions program website: www.haverford.edu/exhibits.

Haverford College is located at 370 Lancaster Avenue, Haverford, Pa., 19041

Thank you to Rebecca Raber for the content of this post.

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Photographic

PSoP Salon

Photography by Members, 2017 Photographic Salon

The Photographic Society of Philadelphia is holding it’s annual salon at The Plastic Club, 247 South Camac Street, The Avenue of the Artists, Philadelphia, PA, 19107 through October 26th, 2017. The galleries of the historic artist club are filled with the work of 33 Philadelphia photographers. Tuesday evening, October 17th, is the monthly members meeting which features lectures and presentations by visiting photographers and members work. The Plastic Club has a cool AV system which allows us to really enjoy our fellow photographers presentations.

Sunday October 22 is a final artist reception from 2:00 – 4:00pm.

PSoP Salonlight being (Bowie), digital photograph, DoN Brewer

Three of my photographs are on display, I created a new piece for this show that is special to me. Returning to a theme I explored over ten years ago, I printed a shot from 2006, titled light being (Bowie). The abstract landscape photograph is 30″ x 20″, printed by Photo Lounge on lustre photo paper, is a continuation of my search for ethereal light effects in the urban environment. Incorporating photography into my art life is important to me because of the plastic nature of the practice; line, shape, color are the illustrative elements of developing a good picture.

Please visit The Photographic Society of Philadelphia salon at The Plastic Club, the collection of work is unique, directional, provocative and inspiring.

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