“Dreamscapes in an accumulation of imaginary landscapes from fractured emotions and passion for color. The combination leads the viewer to embrace something within themselves and connect with the pieces. My hope is that those who see my art will walk away feeling something that perhaps they didn’t realize was a part of them & acknowledge it.
I create to find joy within myself and hopefully extend that to others through colors and impressions of paint. I want to stimulate the viewer emotionally as well as through physical interaction through the texture in the art. When a piece resonates with a viewer, I know my job is done.” – Tammy Kushnir
Since 2003, Twenty-Two Gallery has been showing local emerging and established artists’ work. The gallery represents 24 artists that work in many mediums including oil, pastel, watercolor, photography, sculpture, various printing processes as well as mixed media. This bright space with great light, nestled in Philadelphia’s premier neighborhood Rittenhouse Square, has art openings monthly on the “Second Friday” of each month. These openings include an artist’s reception from 6PM to 9 PM.
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Sylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)
Civil Disobedience: Celebrating Queer Resilience
presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia
East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm
DVAA(Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.
In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.
“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.
PARTICIPATING ARTISTS: To be determined/announced by the juror
ABOUT THE JUROR: Warren Mulleris sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.
ABOUT DVAA: MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs. VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.
From Bondage to Freedom, by Jerry Pinkney, appeared in the National Park Service Underground Railroad Handbook and is part of “Freedom’s Journal: The Art of Jerry Pinkney” at the Woodmere Art Museum, February 16-May 12, 2019. Photo courtesy Jerry Pinkney
MAJOR PHILADELPHIA ART EXHIBITSFOR 2019 Philly Museums Celebrate A Year Of Creative Diversity
PHILADELPHIA, December 17, 2018 – Philadelphia’s celebrated history of dynamic artistic expression shines in a fascinating breadth of art exhibitions in 2019. The lineup features a diverse range of artists and media exploring personal stories and issues of the day.
Major museum shows include the Philadelphia Museum of Art’s multimedia impressionist works in The Impressionist’s Eye. The Barnes Foundation hosts a body of work by contemporary video artist Bill Viola, and the Brandywine River Museum looks at the varied work by N.C. Wyeth in New Perspectives.
Smaller yet just-as-mighty exhibits represent provocative, beautiful work by artists from minority communities. These include a year-long, three-part artistic examination of the legacy of slavery with Colored People Time: Mundane Futures, Quotidian Pasts and Banal Presents at the Institute of Contemporary Art; a retrospective of artist David Lebe, known for his homoerotic photographs, in Long Light: Photographs by David Lebeat the Philadelphia Museum of Art;and an exhibit from contemporary artists Sonya Clark and Jacolby Satterwhite that challenges traditional assumptionsat The Fabric Workshop and Museum.
Here’s a look at what art fans can look forward to in the year ahead:
Philadelphia Museum of Art, 2600 Benjamin Franklin Parkway, (215) 763-8100, philamuseum.org
Re-opening of the Galleries of Chinese Art – In tandem with architect Frank Gehry’soverall plan for the museum, therenovation and reinstallation of the Chinese art collection debuts early in 2019. The collection spans 4,000 years and consists of more than 7,000 pieces, including 500 paintings dating from the 12th to the 20th century, plus costumes, textiles, furniture, jades, lacquer wares, cloisonné and contemporary works. February 3, 2019
The Impressionist’s Eye – The museum’s collection of work in a rich variety of media by esteemed impressionist painters shows the artists’ versatility. Paintings, watercolors, drawings and sculptures by Manet, Degas, Monet, Pissarro, Sisley, Renoir, Morisot, Cassatt, Seurat, Cézanne, Van Gogh, Toulouse-Lautrec and Rodin comprise the exhibit of approximately 70 works. April 16-August 18, 2019
Yoshitoshi: Spirit and Spectacle – Honoring Japanese master printmaker Tsukioka Yoshitoshi (1839-1892), this exhibit showcases highlights from more than 1,200 prints. Yoshitoshi’s work reflects cultural traditions and the upheavals of the modern world that followed Japan’s opening to the West after 200 years of isolation. The exhibit includes selections from the artist’s final project and his best-known series, One Hundred Aspects of the Moon, 1885-1992. April 16-August 18, 2019
Ruth and Raymond G. Perelman Building at the Philadelphia Museum of Art, 2525 Pennsylvania Avenue, (215) 763-8100,philamuseum.org
Long Light: Photographs by David Lebe– David Lebe’s first retrospective features powerful work from his 1994 documentation of his and his partner’s daily struggles with AIDS, images from late-1960s anti-war marches and The Great March on Washington in 1987 for lesbian and gay rights. Born in Manhattan in 1948, the Philadelphia College of Art (now the University of the Arts)-trained photographer is known for the homoerotic themes in his work that present and examine gay life. February 9-May 5, 2019
Souls Grown Deep – Works by luminaries Thornton Dial, Lonnie Holley, Ronald Lockett, Hawkins Bolden and Bessie Harvey are part of this exhibit featuring 24 acquisitions from Atlanta’s Souls Grown Deep Foundation. With a focus on art-making with found objects and everyday materials, the artists’works range in size from modest wall pieces to sculptures more than 12 feet wide. Displaying alongside them: 15 exquisitely made quilts by women from Gee’s Bend, Alabama. June 8-September 2, 2019
Collage and Assemblage from the Collection – Complementing Souls Grown Deep are select examples from the museum’s collection of early- to mid-20th-century Modernist and contemporary art. June 8-September 2, 2019
Colored People Time: Mundane Futures, Quotidian Pasts and Banal Presents – A three-part exhibit examines the everyday ways that slavery and colonialism continue to leave marks on American culture. The exhibit’s consecutive shows include Mundane Futures (February 1-March 31), featuring work by contemporary artists Martine Syms, Kevin Jerome Everson, Aria Dean and Dave McKenzie. The second, Quotidian Pasts (April 26-August 11), examines the complexities of collecting and displaying African objects, with artifacts from the Penn Museum displayed alongside new work by Matthew Angelo Harrison. The final installment, Banal Presents (September 13-December 22), features new and recent work by Sable Elyse Smith, Cameron Rowland and Carolyn Lazard. February 1-December 22, 2019
Cecilia Vicuña: About to Happen – The first major solo exhibition of this Chilean-born poet, artist, filmmaker and human rights activist boldly tackles social and political issues. Vicuña’s work flows from concept and craft, text and textile to address economic and environmental disparities and the reclamation of her ancestral traditions. February 1-March 31, 2019
Introducing Tony Conrad: A Retrospective – This exhibit presents the first large-scale survey of an avant-garde artist whose 1960s groundbreaking work in film and Minimalist music challenged barriers between mediums. A sensory experience that invokes the spirit of Conrad’s participatory and performative approach, this exhibit is a showcase for his far-flung interests in sculpture, painting, film, video and installation. February 1-August 11, 2019
Pat Steir Silent Secret Waterfalls: The Barnes Series – In the first installation of paintings on view in the Annenberg Court, the Barnes Foundation presents 11 seven-foot-tall oil paintings by American artist Pat Steir. The works reference the artist’s lauded Abstract-dripped Waterfall series that she began creating in the 1980s. January 12-November 17, 2019
From Today, Painting Is Dead: Early Photography in France and Britain – Exploring the fertile period in the early history of photography when the medium’s pioneers adapted and transformed this rich and complex medium, the Barnes’s second survey of photography presents nearly 250 early photographs—most of which have never before been exhibited—created by British and French photographers between the 1840s and 1880s. February 24-May 12, 2019
I Do Not Know What It Is I Am Like: The Art of Bill Viola – Thisexhibition brings together a selection of major works reflecting on the history of painting by renowned video artist Bill Viola, including screen-based works and large scale installations. June 30-September 15, 2019
30 Americans – This exhibit showcases painting, sculpture and photos by influential African-American artists of the past three decades. October 27, 2019-January 12, 2020
Sonya Clark (exhibit name TBA) – The Virginia-based textile and performance artist presents work that weaves together her interests in symbols, history, race and identity. Clark’s previous performance art includes Unraveling and Unraveled, in which she meticulously unraveled the threads of a Confederate flag. March 29-August 4, 2019
Jacolby Satterwhite (exhibit name TBA) – A multidisciplinary artist embraces the role of provocateur with performance, music and animation. As a queer African-American man, Satterwhite addresses issues that impact his personal experience and explores issues of nostalgia, family and music.September 13, 2019-January 19, 2020
Zanele Muholi & The Women’s Mobile Museum – Acclaimed photographer Zanele Muholi and the Philadelphia Photo Arts Center worked with 10 women in a yearlong paid apprenticeship to create this photographic exhibition that addresses questions such as “Whose portraits are shown in museums?” and “Who is art for?” December 22, 2018-March 31, 2019
Invisible City: Philadelphia and the Vernacular Avant-Garde – Appearing at four venues—PAFA, the University of Arts, the Philadelphia Art Alliance and Gershman Hall—this exhibition explores Philadelphia from 1956 to 1976, when the city was a hotbed of Pop Art, architectural and urban-planning innovation and post-war art school expansion. On display: photographs, paintings, films, posters by Ree Morton, Jody Pinto and Hannah Wilkie, along with achievements by architect Denise Scott Brown. March 18-June 28, 2019
From the Schuylkill to the Hudson: Landscapes of the Early American Republic – A scenic tour of the local landscape as captured by Philadelphia painters from the Early American Republic to the Centennial Exhibition of 1876, this exhibit shows how Philadelphia-area artists influenced the Hudson River School. This is the first major exhibit to look at Philadelphia’s role in the development of American landscape painting. June 29-December 29, 2019
Freedom’s Journal: The Art of Jerry Pinkney – This exhibition of works by Germantown-born illustrator (and Caldecott winner) Jerry Pickney reflects his focus on issues surrounding African-Americans and includes his powerful illustrations for historian Charles L. Blockson’s article, “Escape from Slavery: The Underground Railroad,” which appeared in National Geographic, and watercolors for The Old African, a book Pinkney considers one of his most important accomplishments. February 16-May 12, 2019
Our Town: A Retrospective of Edith Neff – This Philadelphia artist and leading realist painter used Philadelphia, her friends, neighbors and students (she taught at PAFA until her death) as subjects in work. Although the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Art have acquired some Neff pieces, Our Town is the first large-scale exhibition of her work in more than two decades. April 13-October 27, 2019
Patterned Paintings by Claes Gabriel and Andrew Chalfen – Two artists present work marked by an ornate expression of design, layering and color play. While Gabriel’s works incorporate Haitian culture with color, folklore and fantasy, Chalfen’s reference cartography, fractal blooms and other complex patterns. March 1-April 28, 2019
Paintings by Isaiah Zagar – Though more well-known for his mosaics, Zagar is also a painter with an extensive portfolio that informs his work in 3-D. May 3-July 7, 2019
Stained Glass Works by Justin Tyner – Tyner’s work mixes salvaged and repurposed glass to manipulate light in his distinctive psychedelic style. July 12-September 8, 2019
Collaborative Works by Martha Clippinger – In this exhibit comprising tapetes (rugs), ceramics, repurposed wood and hand-woven textiles, Clippinger explores artistic collaboration’s potential to break down conceptual barriers between craft and fine art. The tapetes are the centerpiece of the exhibition and were made in collaboration with weavers from Oaxaca, Mexico. September 13-November 10, 2019
Hidden Lives, Illuminated – Twenty commissioned, animated short films by artists living or working in prisons look inside the daily life of America’s correctional system. Each film is projected onto Eastern State’s facade and is accompanied by a customized soundtrack. Discussions about criminal justice issues accompany the films. August 17-September 14, 2019
Bones, Books & Bell Jars – Photographer and physician Andrea Baldeck went behind the scenes and explored the museum’s collection, then selected items and combined them for her still life photographs. As presented in this exhibition, her imagescapture the fascinating beauty of some of the Mütter’s medical objects. Through May 2019
Spit Spreads Death: The Influenza Pandemic of 1918-19 in Philadelphia – The Mütter opens its most ambitious exhibition to date in a multi-disciplinary recounting of a global pandemic that took thousands of local lives in two years. History, art, science and contemporary issues offer a unique view into the terrifying time. Included in the exhibition is a work by the artist group Blast Theory and digital interactives that allow visitors to explore data from more than 20,000 death certificates from Philadelphia neighborhoods. October 17, 2019-August 5, 2024
O.TW. — On the Water: The Schuylkill River – Work by contemporary artists James Lancel McElhinney, Patrick Connors, Tom Judd, Deirdre Murphy, Stacy Levy, Jacob Rivkin and Joseph Sweeney address the Schuylkill as a nexus of American art, science, literature and commerce. Historic images are also included in the exhibition. Through September 2019
American Beauty: Selections From the Richard M. Scaife Bequest – The Brandywine River Museum of Art and The Westmoreland Museum of American Art present 50 paintings from the bequest of their late, longtime trustee, Richard M. Scaife. Featured are 19th– and 20th-century American masterworks by Martin Johnson Heade, John Frederick Kensett, Albert Bierstadt, George Inness, William Merritt Chase and Guy Pene du Bois. March 9-May 27, 2019
N.C. Wyeth: New Perspectives – This exhibit takes a comprehensive look into the oeuvre of this master 20th-century illustrator. Though better known for his work illustrating classics such as Treasure Island and The Boy’s King Arthur, Wyeth had artistic output that went well beyond, with landscapes, portraits, murals, and still lifes. The exhibit will include about 70 paintings and drawings that reveal a fuller picture of this American icon. June 22-September 15, 2019
The Art of Seating: 200 Years of American Design – More than 40 chairs chosen for their significance tell the story of American aesthetics from the early 19th century to the present. Designers include John Henry Belter, George Hunzinger, Herter Brothers, Stickley Brothers, Frank Lloyd Wright, Charles and Ray Eames, Eero Saarinen, Isamu Noguchi and Frank Gehry, among others. February 9-May 5, 2019
Nakashima Looks: Studio Furniture from the Permanent Collection – Artist Mira Nakashima, daughter of acclaimed woodworker George Nakashima, guest curates an exhibit that showcases some of the stunning work in the museum’s collection by both father and daughter. March 2-June 9, 2019
The Color of the Moon: Lunar Painting in American Art – More than 50 works of art depict the moon and reveal its prominence in American landscape painting in this unusually themed exhibit. Highlights include work by Thomas Cole, the father of the Hudson River School, and illustrations by Norman Rockwell. June 1-September 8, 2019
VISIT PHILADELPHIA® is our name and our mission. As the region’s official tourism marketing agency, we build Greater Philadelphia’s image, drive visitation and boost the economy.
On Greater Philadelphia’s official visitor website and blog,visitphilly.com and uwishunu.com, visitors can explore things to do, upcoming events, themed itineraries and hotel packages. Compelling photography and videos, interactive maps and detailed visitor information make the sites effective trip-planning tools. Along with Visit Philly social media channels, the online platforms communicate directly with consumers. Travelers can also call and stop into the Independence Visitor Center for additional information and tickets.
HOURS: Thursdays and Fridays 11:00 AM – 4:00 PM, Sundays 12:00 PM – 4:00 PM and by appointment (Closed on Thanksgiving).
Admission is free.
Click the pics for large images.
Philadelphia, PA – Old City Jewish Art Center, located at 119 N. 3rd Street, Philadelphia, and Amie Potsic Art Advisory, LLCpresent Color in the Moment, a solo exhibition by painter and Philadelphia native, Zelda Edelson. At eighty-nine years old, Edelson presents her first solo show in the city, which highlights her new paintings. Curated by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, LLC, the show begins on November 2 and runs through November 30. The opening reception will be on First Friday, November 2 from 5:00 – 9:00 PM with the artist in attendance at 5:00 PM to discuss her work with guests and patrons. Gallery hours are Thursdays and Fridays from 11:00 AM – 4:00 PM, Sundays from 12:00 PM – 4:00 PM, and by appointment. Admission is free and all are welcome.
Color in the Moment features Zelda Edelson, a prolific abstract painter who has created her own technique to enable her to paint from a walker used for balance. Creating something positive from challenging circumstances, her paintings are colorful and evocative. Edelson begins each painting with a gesture of the arm to create the first mark with her palette knife. The paint begins to flow and Edelson becomes invigorated, losing herself in the process. She paints on the areas of the canvas she can reach first. Then turning the painting, she accesses the previously unreachable portions to complete it. When each painting is finished, Edelson enjoys the process of bringing her diverse background to bear as she writes insightful titles for each work. Sharing her love of painting through gesture, color, and form, Edelson’s work reveals a voice that is both seasoned and spontaneous.
Edelson explains, “My paintings are full of color, feeling, and movement. They are lyrical like a song, strong like a knot, and intricate like a spider’s web.” Her work is in the tradition of Abstract Expressionism as were her strongest influences: artists Paul Klee, Jackson Pollock, and Willem de Kooning.
Zelda Edelson, Interrupted, acrylic on canvas, 40” x 30”, 2018
Zelda Toll Edelson was born in Philadelphia on October 18, 1929. Edelson traces her interest in art and painting to an experimental art class she took while at Girls High taught by distinguished artist and teacher Jack Bookbinder. This first introduction to modern art had a profound effect on her, which she would act on many years later. As a young woman, Edelson was a bit of a radical, frequently going to far away parts of town to see a foreign movie or check out a bookstore. When she completed high school, she went to the University of Chicago, where she graduated with a major in English Literature. After marrying Marshall Edelson, she eventually moved to Connecticut. There she began her twenty-year career as Editor and Head of Publications for Yale University’s Peabody Museum of Natural History. In her role as editor, Edelson used her artistic sensibility to create skillfully produced photographs and illustrations to complement the natural history articles of the Yale faculty.
When she retired in 1995, Edelson decided to focus on painting. She also moved back to Philadelphia, to her roots, where she still has many family members. Zelda has exhibited her work at the Woodbridge Town Center and the Creative Arts Center in Connecticut as well as at Gallery Q2, The Jewel of India, Art for the Cash Poor, and Main Line Art Center in the Philadelphia area. She received an Honorable Mention award in the 70th Annual Members’ Exhibition at Main Line Art Center in October of 2007. At eighty-nine years old, Edelson now lives in Haverford, PA, where she continues to be a prolific painter.
Zelda Edelson, Romance In A Winter Light, acrylic on canvas, 24” x 18”, 2012
Curator of the exhibition,Amie Potsic, MFA is the CEO & Principal Curator of Amie Potsic Art Advisory LLC, Chair of the Art In City Hall Artistic Advisory Board of the City of Philadelphia, as well as an established photographer and installation artist. Potsic has extensive experience curating exhibitions for museums, galleries, art organizations, and public spaces and offers Legacy Planning for artists and collectors. Legacy Planning involves the opportunity to shape an artist or collector’s legacy, during their lifetime, to create meaning and purpose through a life’s work. By documenting, exhibiting, and publishing their artwork as well as placing works with institutions and collections, she helps strengthen their artistic impact while relieving their loved ones of the difficult task of organizing an archive, studio, or collection. Potsic presents this legacy exhibition to honor Edelson and her work.
Potsic received her MFA in Photography from the San Francisco Art Institute and BA’s in Photojournalism and English Literature from Indiana University. She has held faculty appointments at the University of California at Berkeley, Ohlone College, and the San Francisco Art Institute and been a guest lecturer at the International Center of Photography, the University of the Arts, Tyler School of Art, and the Delaware Contemporary. Professional appointments have included Director of Gallery 339, Curator and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA), and most recently Executive Director and Chief Curator of Main Line Art Center. Curatorial projects have included exhibitions for the Philadelphia International Festival of the Arts, the Office of Arts and Culture of the City of Philadelphia, Philagrafika, Moore College of Art & Design, Main Line Art Center, Maryland Art Place, Pittsburgh Center for the Arts, and the Philadelphia Museum of Art.
Founded in 2006, the Old City Jewish Art Center (OCJAC) was envisioned as a platform to build Jewish community through the arts. Growing steadily since then, the OCJAC gallery has become an exhibition space for serious artists, holds monthly First Friday art receptions with a Jewish twist and provides social and Jewish holiday programs throughout the year. OCJAC is now a landmark gallery in the Philadelphia art scene and is the only gallery dedicated to Jewish artistic expression and cultural exchange in Philadelphia. Using the arts as a springboard, the Old City Jewish Art Center advances and promotes the universal messages of Judaism and spiritually to the broadest possible audience.
Color in the Momentwill be on view November 2 – 30, 2018. The opening reception will be on First Friday, November 2 from 5:00 – 9:00 PM. Gallery hours are Thursdays and Fridays from 11:00am – 4:00pm, Sundays from 12:00 PM – 4:00 PM, and by appointment. Admission is free and all are welcome.
Donald E. Camp, Woman Who Writes/ Lorene Carey, Casein and raw earth pigment on archival rag paper. Photographic Casein Monoprint 22” x 30”, 2006, Ó Donald E. Camp 2006
Philadelphia, PA – Amie Potsic Art Advisory presents Decorous, an exhibition featuring Donald E. Camp,Aubrie Costello, and Tom Judd at Space and Company, located at 2200 Walnut Street, Philadelphia, PA. Curated and presented by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, in partnership with Michael Garden Group, the show is on view now through September 15. The opening reception will be on Thursday, August 16th from 6:00 – 8:00 PM. The closing reception and Advisory Launch Celebration will be on Saturday, September 15 from 6:30 PM – 9:00 PM. Both events are free and open to the public. Hours are Monday through Friday 9:00 AM – 5:00 PM and by appointment.
Decorous, featuring Donald E. Camp, Aubrie Costello, and Tom Judd, elevates and honors the words, individuals, and histories in our collective unconscious. The artists’ work melds social justice, politics, human rights, and personal narratives to yield a provocative and layered dialogue. They give voice to those struggling to be heard, including African-American men, women, and those seeking a better life for their families. With a distinctly American view on race, activism, and the frontier spirit, these artists invite us to confront and engage in conversation by elevating the every-man/woman to opulence, reverence, and relevance.
Presented at Space and Company, the artwork resonates with the ornate décor of the historic building. The molding, accents, and chandeliers interact with the rough-around-the-edges aesthetic of the artwork to shed light on the fine line of between high and low culture as well as the line-in-the-sand drawn by class and racial differences. Depicting those often marginalized as revered portraits and voicing their words in silk slogans alongside suited businessmen in free-fall conjures the possibility that roles can be reversed and identity can be reformed.
Tom Judd, Memories, 30” x 23”, Lithograph, printed by Ron Wyffels, 2018
Donald E. Camp is an NEA, Pew, and Guggenheim recipient whose work addressing the humanity of all people, including African-American men, has been influential on the national discourse related to race and human rights. Tom Judd is a Pollock-Krasner awardee whose internationally exhibited paintings, collages, and documentaries have provided a vital American vision from coast to coast for decades. During this exhibition, Judd also has new public art on view at the University of the Arts. Aubrie Costello is a sought after silk-graffiti artist whose work speaks of truth and female power by creating interventions in galleries, public spaces, performances, and street art dialogues. Together, their work embodies the growth, collaboration, and calls for social justice of our times.
Decorous is the launch exhibition presented by Amie Potsic Art Advisory, LLC. The show celebrates the contributions of accomplished artists in Philadelphia while highlighting the curatorial expertise of the company’s founder. Potsic began the Advisory in January of 2018 in order to fill a void of support for artists, collectors, and institutions while helping them to create lasting artistic legacies. Seeing a need among artists and collectors to plan for the future and create meaning from their life’s work, she now offers Legacy Planning as well as independent curatorial services and art advising. The closing reception for Decorous on September 15th will also serve as the launch celebration for the Advisory and will feature artist talks, entertainment, light fare, and libations.
Also this September, Potsic will be curating Natural Wonder, a large-scale photography and video exhibition presented through Inliquid at Park Towne Place. The exhibition will feature Jenny Lynn, Caroline Elizabeth Savage, Keith Sharp, Laura Krasnow, and Leo Hylan. Park Towne Place, located at 2200 Benjamin Franklin Pkwy in Philadelphia, will offer an opening reception for the exhibition on Thursday, September 20th at 6:00 PM. Potsic and the artists in the exhibition will be presenting artists talks at the event.
On Wednesday, September 26th from 1:00 – 1:30 PM, Potsic will be interviewed on Art Watch Radio by host Lele Galer. Potsic will discuss her Advisory and how she supports artists and collectors and provides legacy planning to solidify artistic legacies. The show can be heard live on WCHE 1520 AM Radio and can be live streamed from their website at http://wche1520.com/project/art-watch/ .
Amie Potsic is the CEO and Principal Curator of Amie Potsic Art Advisory providing visionary and advisory support to artists, collectors, businesses, and institutions with expertise in Legacy Planning. She is also Chair of the Art In City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia as well as an established photographer and installation artist. She has held faculty appointments at U.C. Berkeley and the San Francisco Art Institute and has been a guest lecturer at The International Center of Photography and The Delaware Contemporary. She also served as Director of Gallery 339, Director & Curator of the CDP at The Center for Emerging Visual Artists (CFEVA), Executive Director and Chief Curator of Main Line Art Center, and curated exhibitions for Philagrafika 2010 and The Philadelphia Museum of Art.