Tag Archives: Photography

Resist

RESIST, Off the Wall Gallery

RESIST

Off the Wall Gallery at Dirty Frank’s

12th Annual Community Juried Show

“I’m pleased to announce that Off the Wall Gallery and our jury have decided to donate a portion of the commission (not your proceeds!) of each sale to support two underfunded nonprofit organizations serving our immediate community:

WOMEN’S MEDICAL FUND (formerly the Greater Philadelphia Women’s Medical Fund)

http://www.womensmedicalfund.org

and

SUNDAY BREAKFAST RESCUE MISSION

http://www.sundaybreakfast.org

While not all of our art is politically motivated, once our show is up the call for social justice and voices against the current administration will be clear. What better way to back up our creative ideas and outspoken voices than the ensure we are expanding the safety net just a little and helping support more neighbors in need?!” – Togo Travalia

June 4th to August 4th, 2017

Opening Reception June 8th, 7:00 – 10:00pm

Off the Wall Gallery at Dirty Frank’s, 13th and Pine Streets, Philly

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Anahata

John Singletary - Anahata, James Oliver Galleryclick for large images

John Singletary – Anahata, James Oliver Gallery

James Oliver Gallery, 723 Chestnut Street, 4th Floor, Philadelphia, PA 19106

215-923-1242 (office)

267-918-7432 (mobile)

jamesolivergallery@gmail.com

May 6th – June 9th, 2017

Opening Reception: Saturday, May 6th, 6:00 -10:00 PM

Gallery Hours: Wednesday – Friday 5:00pm – 8:00pm, Saturday 12:00pm – 8:00pm

John Singletary - Anahata, James Oliver GalleryDetail of “Providence, 30′ x 5′, Photography Based OLED Installation.

Philadelphia native, John Singletary, is a fine art photographer and multi-media artist.  His educational training includes both Drexel University and The University of the Arts. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and Gallery 1401. As well, his work is represented in the permanent collections at the Philadelphia Museum of Art, The Center for Fine Art Photography and The Free Library of Philadelphia.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art organic LED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired compositions. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg. In addition, the show will feature a live performance by dancers Amber Malmstadt and Megan Hannon.

John Singletary - Anahata, James Oliver GalleryDetail of “Providence“, 30’x5′ Photography Based OLED Installation.

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary - Anahata, James Oliver Gallery“The Dance of Hades”, 5’x3′ Photography Based OLED Installation.

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to take us seamlessly forward into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and his exacting print work, the fantasticality in Anahata becomes very real.

John Singletary - Anahata, James Oliver Gallery“Clarise”, 8’x8′ Photography Based OLED Installation.

Thank you to John Singletary for the content of this post.

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afterimage

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

Robert McNellis : afterimage | photostructures at ARTSPACE 1241

April 8, 2017 to April 27, 2017

“The contemporary new work of Robert McNellis is a bold departure from his lit abstractions of the last year. Expanding from the previous structural solutions, he has turned to using surprising, anonymous images derived from photographs, or photographs derived from anonymous images, and combining these with precise, sleek structures. The elements that makes this possible are vague, almost anonymous, figuration and focused light. In the earlier abstract work, the image relied almost entirely on the structure. This new work is an attempt to bring image and structure onto a more equal footing. This required a movement towards limited figuration in the images, for abstraction rests almost entirely on structure. The brilliant resonances produced are sure to reward those who are able to spend time with the work.” – 1241 CARPENTER

Reception Saturday, April 8, 4 – 7 pm

1241 CARPENTER Studios / Ground Floor + @HBHQ  |  A creative community : artist studios : creative businesses : exhibition spaces.

1241 CARPENTER – Over fifty artists and craftspeople working in an awesome 19th Century factory building.

We’re in the Hawthorne neighborhood of Philadelphia. We’re often lumped in with Bella Vista to the east and South Philadelphia which officially begins south of Washington Avenue. Our building is always buzzing with our many creative businesses and art studios.

One exhibition venues is ARTSPACE 1241. It features our tenants and some guest artists each month.

Our close proximity to the Italian Market is terrific for us and our visitors. It’s an authentic taste of Philadelphia!”

Thank you to 1241 CARPENTER for the content of this post which DoN lifted in whole without permission from the press release and website.

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Food

How Food Moves: Edible LogisticsImage: Amber Art and Design, Corner Store Project

How Food Moves: Edible Logistics

Amber Art & Design / Ryan Griffis & Sarah Ross
Brian Holmes / Otabenga Jones & Associates / Cynthia Main
Claire PentecostPhilly Stake / Stephanie Rothenberg
Candice Smith with Freedom Arts / Kristen Neville Taylor

Daniel Tucker, Guest Curator, Graduate Program Director in Social and Studio Practices at Moore College of Art and Design
March 27 – May 27, 2017
Public Program and Reception: Thursday, March 30, 2017, 6:00 – 8:30pm
Our public program begins at 6:00 pm followed by the reception
Rowan University Art Gallery, 301 High Street West, First Floor, Glassboro, NJ 08028
Admission to the gallery and reception is free and open to the public.
The public program begins at 6:00 pm, led by guest curator Daniel Tucker in dialogue on art, geography, and agricultural planning with Professor Megan Bucknum Ferrigno from Rowan University’s School of Geography and Environment, and with exhibiting artists.

Artists explore the US food supply chain and its complex patterns of distribution in between the point of origin (the farm) and its point of consumption (the plate). The exhibition aims to highlight the work of contemporary artists grappling with the complexity of this movement through multi-media, research-based, and participatory practices that focus a lens on the social and industrial impacts of migrant workers, food justice movements, immigration, multiculturalism, and economic disparities. This project builds upon Tucker’s event series, Moving Units: Where Food & Economy Converge. A companion booklet, produced by Rowan University Art Gallery, serves to provide a general overview of US food supply chains. It includes descriptions of the artist contributions to the exhibition that relate to each step on the chain. Throughout this booklet you read about an approach to geographic education that values connecting with the world outside the classroom. The booklet was researched and written by Megan Bucknum Ferrigno, part-time faculty member of Rowan University’s Department of Geography, Planning and Sustainability. Additional contributions made by Dr. Chuck McGlynn, Dr. Jennifer Kitson and Makenzie Franco.

About the Artists and Projects

With Corner Store, Amber Art & Design – a team of Philadelphia-based artists that work on public art within marginalized communities that have little or no access to art – explores the contemporary sociological and psychological intersection between pan-ethnic Black and Asian communities in Philadelphia and how relationships are shaped based on which side of the counter we stand. (image top)

Illinois-based artists Ryan Griffis and Sarah Ross are represented by Between the Bottomlands and the World, a video (combining photographs, narrative writing, and moving images) exploring the rural Midwestern town of Beardstown, IL, a place of global exchange and international mobility, inscribed by post-NAFTA (North American Free Trade Agreement) realities.

Brian Holmes, an art and cultural critic with a Ph.D. in Romance Languages has a long-standing interest in neoliberal globalization and a taste for on-the-ground intervention. His online atlas, Living Rivers, is devoted to the Mississippi and Great Lakes watersheds and shows these fluid ecosystems as they are inhabited by a multitude of creatures and radically altered by human enterprise.

Otabenga Jones & Associates, a Houston-based educational art organization, documents a collaborative art project and public health program addressing the ongoing crisis of obesity and its related risks with “The People’s Plate.” Inspired by the Black Panther Free Breakfast for School Children Program, this art project includes a public mural in Houston and programs to kick off a year-long commitment to health education.

Cynthia Main, a multidisciplinary artist from Missouri focuses on relating to the land as part of an integral view of a more sustainable society. She shares her hand-made buckets and barrels created using traditional techniques to readdress storage as one of the current dilemmas of localizing production.

Chicago’s Claire Pentecost uses photography to show how industrial agriculture is only partly about supplying food and how it is structured to meet the problem of expense and excess capital accumulation when considering the cost of complex machinery, brand name chemical herbicides, pesticides, fungicides, fertilizers, and patented seeds.

How Food Moves: Edible Logistics

Philly Stake is a locally-sourced, recurring dinner that raises funds for creative and relevant community engaged projects that contributes to the well-being of Philadelphia’s neighborhoods through community arts, urban agriculture, social services, and activist work.

Stephanie Rothenberg’s Reversal of Fortune: The Garden of Virtual Kinship is a garden in the form of a global map that explores the question of what it means to be charitable through the click of a button and examines the cultural phenomena of online crowd-funded charity and how the flow of money impacts the project, positively and negatively.

How Food Moves: Edible LogisticsStephanie Rothenberg

Candice Smith runs Freedom Arts, an after school collaborative art program at Camden’s Freedom Prep Middle School, which is creating an installation responding to the idea that Camden is a “food desert” and examining the movement of food at their school and in their community.

Philadelphia-based Kristen Neville Taylor’s installation – a globe depicting routes of oranges and actual oranges outfitted with a QR code that links to music, articles, folk tales, and art – was inspired by a lyric from Leonard Cohen’s “Suzanne” (“and she feeds you tea and oranges that come all the way from China”) which she associated with the market place and the movement of food but also romance and exotic foreign cultures.

Admission to the gallery and reception is free and open to the public. 
Free parking is now available in the parking garage on Mick Drive directly across from the gallery. For visitor information go to our website: www.rowan.edu/artgallery.

Thank you to Mary Salvante, Rowan University Art Gallery for the content of this post.

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Metal

Of Metal and Light, Gravy Studio and GallerySage Lewis, sliver gelatin print

Photography Exhibit Of Metal and Light, Featuring Work By Lisa Elmaleh, Sage Lewis, and Lucretia Moroni On Display At Gravy Studio During March

PHILADELPHIA, PA — The Halide Project is pleased to announce its upcoming photography exhibition entitled Of Metal and Light, which will be on display at Gravy Studio & Gallery in Northern Liberties from March 3rd – 26th, 2017.

Of Metal & Light features work by three artists who explore the elementary nature of photography, both chemically and conceptually. Their work demonstrates how choice of material and process is an important—and too often overlooked—factor in image creation.

West Virginia-based artist Lisa Elmaleh will be exhibiting prints from her Everglades series, which celebrates an ecosystem that shaped her personal history as a native of South Florida. Her use of the historic wet plate collodion process, with its slow rendering of light, captures images that show the passage of time.

Vermont-based Sage Lewis painstakingly constructs architectural models and then crushes them, photographing the ruins from various vantage points in order to show divergent views of the same structure. Her evocative, high-contrast gelatin silver prints draw viewers into these constructed worlds and invite them to question just what it is they are seeing.

Lucretia Moroni (based in New York and Italy) approaches photography from a background in the decorative arts, a form that she has practiced for over thirty years. Experimenting with cyanotype and platinum palladium prints made on traditional gold and platinum leaf, her work reflects the interplay between art historical traditions and the more modern tradition of photography, firmly anchoring Lucretia in both realms.

The work will be on view during open gallery hours on Wednesdays through Sundays from noon to 6pm, or by appointment, throughout the duration of the show. The exhibition will open with a reception and artist talk on on First Friday (March 3rd, 6 – 9 PM, talks beginning at 7:30). In conjunction with the exhibit, The Halide Project will be hosting a variety of interactive events, including guided tours, a hands-on photography workshop, an informal group critique, and a trip to the Philadelphia Museum of Art’s study room. Most events are free and open to the public, though some incur a small materials fee. Registration is required for the events and can be made through The Halide Project’s website at www.thehalideproject.org.

Of Metal and Light was made possible by a grant from the Penn Treaty Special Services District. Additional funding was provided by Project Stream, a grant initiative of the Pennsylvania Council on the Arts that is regionally administered by the Greater Philadelphia Cultural Alliance. Additional support for Project Stream is provided by PECO.

Of Metal and Light, Gravy Studio and GalleryLucretia Moroni, Untitled, platinum/palladium print on gold leaf

About The Halide Project

The Halide Project was created in 2015 by Alexandra Orgera and Dale Rio in order to promote the continued practice and appreciation of traditional and alternative photographic processes. Run by a volunteer board of artists, The Halide Project produces two annual exhibitions: a small group invitational and a call-for-entry show, as well as affordable workshops, photographic study sessions, and other casual events throughout the year. Plans for future programming include artist residency opportunities and a dedicated darkroom workspace for community use.

About The Artists

Lisa Elmaleh’s work is an exploration of rural America. Using a portable darkroom in the back of her truck, Elmaleh photographs using the nineteenth century wet plate collodion process. Elmaleh is a West Virginia-based photographer and educator, teaching at the School of Visual Arts and the Penumbra Foundation in New York City. She has been awarded the Aaron Siskind Foundation IPF Grant, PDN’s 30, the Ruth and Harold Chenven Foundation Grant, the Tierney Fellowship, and The Everglades National Park Artist Residency. Her work has been exhibited nationally and internationally, most recently featuring her American Folk project as a solo show at the Appalachian Center, Berea College in Kentucky, and her Everglades project in a group show, Imaging Eden: Photographers Discover the Everglades at the Norton Museum. Elmaleh’s work is in the collection of the Norton Museum, the Ogden Museum, and other private collections.

Sage Lewis is interested in the connections between material process and concept and works through drawing, sculpture, prints, and photography to translate images into multiple outcomes. She recently completed a Project Space Residency at the Visual Studies Workshop in Rochester, New York and 10-month Artist-in-Residence Fellowship at Virginia Commonwealth University in Qatar. While in Qatar she set up a darkroom for students to learn analogue processes and received a faculty research grant to study and teach the process of carbon printing. Recent exhibitions were held at the Denison Museum in Granville, Ohio, the University of Michigan, Ann Arbor and Hamad bin Khalifa University Art Gallery in Doha, Qatar. Lewis holds an MFA in Painting & Drawing from The Ohio State University and a B.F.A. in Painting and Art History from Maine College of Art. She is currently based in Vermont.

Lucretia Moroni was born in Italy and attended the renowned Van der Kelen School in Brussels and continued her training in Interiors with the Renzo Mongiardino architecture firm in Milan. After working with Franco Zeffirelli, she moved to New York in the early 1980’s and has since worked on a large number of private and public projects, including painting 24 Murals at Bethesda Fountain, commissioned by Central Park Conservancy and New York Landmark. After studying photographic processes at International Center for Photography, she is currently experimenting in work that combines photography and the decorative arts.

Of Metal and Light, Gravy Studio and GalleryLisa Elmaleh, Slash Pines, gelatin silver print (from glass wet plate negative)

Details

What: Of Metal and Light, a photography exhibition highlighting the work of three artists using chemistry-based practices.

Where: Gravy Studio & Gallery, 910 N. 2nd Street, Philadelphia, PA 19123

When: March 3rd – March 26th

Regular viewing hours: Wednesday – Sunday, 12 – 6 PM

Opening Reception and Artist Talk: Friday, March 3rd, 6:00 – 9:00pm (talks begin at 7:30)

Related educational events (information available at www.thehalideproject.org):

Guided tours of the exhibit

Hands-on Traditional Photography Workshops

Visit to the Philadelphia Museum of Art Study Room

Informal Group Critique

Registration and more info: www.thehalideproject.org

Thank you to The Halide Project for the content of this post.

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