Tag Archives: William Way LGBT Community Center

Picket

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

ART GALLERY AT WILLIAM WAY LGBT CENTER DEBUTS

“PICKET FENCES” BY TEXTUAL ARTIST GERARD SILVA

Solo Exhibition  Features 26 Works on Paper through April 28, 2017

Picket Fences,” a solo exhibition by textual artist Gerard Silva, made its debut at the Art Gallery at the William Way Center on March 10 and runs through April 28, 2017.

Each of the exhibition’s 26 works on paper has been hand-printed by Silva and culled from a larger group in his “Picket Fences” series, serving a symbol of the way we choose what parts of ourselves to present to a society that makes judgements of approval or disapproval, of acceptance or rejection. While Silva strives for perfection, the hand-printing process produces slight variations that he can’t help but leave for the viewer to pass their judgements on.

“These screen prints relate to our daily lives in which we strive for acceptance; we are selective and we seek some kind of perfection in ourselves and in others,” Silva explains. “And it is this search for perfection in the many roles we all play that leads to insecurities that we have a difficult time admitting to or sharing with someone: insecurities that I’m acknowledging here.  But ultimately, I am who I am.  We are who we are.”

This project originated from the artist’s own frustrations and discouragement while working in his studio, often resulting in insecurities and self-doubt that spilled over into the many other roles in his life: a son, a friend, a gay man, a minority, a citizen, an outcast, a non-white, a non-black, a punk, a skeptic, a sinner, a foreigner, an American.

When pondering how he measures up, Silva’s collective work asks, “Is there a perfect state of being out there? Is the grass greener on the other side? Where is my white picket fence?”

Silva is a Philadelphia-based artist who has studied in New York, London and Arizona. His work has been shown in the Meyerson Gallery at the University of Pennsylvania, at the Kingston Gallery in Boston, at the San Diego Art Institute and at the Museo de Arte Contemporáneo de Puerto Rico. He was also included twice in the Arizona Biennial.

The William Way Center is open Monday through Friday from 11:00am -10:00pm and on Saturdays and Sundays from 12:00pm – 5:00pm.  Admission to the main floor gallery is free.

The William Way LGBT Center is located at: 1315 Spruce Street, Philadelphia, PA 19107

215-732-2220

PICKET FENCES” is showing the following 15” x 22” works on paper:

PERFECT

WHITE

LATINO

PRETTY

PHONY

LUCKY

ESTABLISHED

PREEMINENT

COMMERCIAL

IMPORTANT

RICH

PROMISCUOUS

OLD

EMERGING

POOR

SERIOUS

WILD

BLACK

YOUNG

MAN

FABULOUS

QUEER

FUCKED-UP

BUTCH

CONNECTED

ANGRY

Thank you to Jolyn for the content of this post.

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Attic Graffix

Fabian DeJesus, Attic Graffix

Attic Graffix, Bluestone Fine Art Gallery. Fabian DeJesus

First Friday in Old City is a Philadelphia art tradition that has taken on a life of it’s own, check out the Old City facebook page. The arts district attraction is vibrant and exciting, if a bit exhausting, with street art vendors, musicians, even a magician, mixed with the art openings 2nd Street is like an ersatz art festival. Many of the galleries are having their own artists set up tables on the street to control the activity at their storefront, setting up a feedback loop taking advantage of the street art to draw people into the actual galleries.

Bluestone Fine Art Gallery hosted an exhibit of art created by Attic Graffix, the design arm of The Attic Youth Center, had a table of super-kawaii Tee-shirts, bags and pillows with pop designs out on the street. Inside the gallery, the space is totally activated with vibrant graphics created by the young artists paired with artwork created by established fine artists.

Attic Fraffix, Bluestone Fine Art Gallery

Attic GraffixBluestone Fine Art Gallery

DoN met the art director of Attic Graffix, Beth Pulcinella, of The Attic Youth Center.

Beth Pulcinella said, “We’re sort of thinking of it as how to build sustainable youth reach out project that young people can have really regular income. I mean the way with the high school job market is, I mean the job market in general, but high school youth…a lot of the kids at the Attic are helping their families with rent and bills and stuff. So, they’re really having a hard time. I think, a lot of us are like, ‘How can we be creative with whatever funds we can get or our own creativity.”

Fabian DeJesus, Attic Graphix

Fabian DeJesusAttic GraffixBluestone Fine Art Gallery

“How can we create things where young people can have, like, jobs that they enjoy. With dignity, to support their dreams and their future artistic aspirations.

The Attic Youth Center serves folks 14 to 23 but Attic Graffix tends to be a project for older youth. Those who are out of high school. My youngest is 19 and my oldest is 22. And there’s six of us, we’ve been meeting now for over a year, twice a week, it happens more in the afternoon and the evening, because we don’t have the space in the morning. But, we have a print shop we can pull out of closets and last year with all the money they made they got to figure out what new equipment they wanted.

So, we have a really fancy light table, it’s a pretty state-of-the-art silk screen shop. We can do custom orders for your team or organization. Tee-shirts, we can print them for you.”

DoN bought a deep orange skinny T with a Fabian DeJesus design of a tiger head on a kitten’s body with an op art zig zag background. The prolific young designer’s bold, Dadaist designs draw on pop culture and pop art simultaneously and effortlessly. And make the perfect statement to draw attention to the efforts of Attic Graffix.

 Attic Graphix, Bluestone Fine Art Gallery

Attic GraffixBluestone Fine Art Gallery

“We’re working on getting a store on-line. We have yet to make that happen, but we’re out at a lot of the art festivals. It’s The Attic Youth Center‘s 20th year. And it’s an amazing place, it provides a ton of programs, there’s counseling, there’s life skills, all sorts of programming from dance to cooking to video. You know, it’s a lot of stuff, in terms of housing support, we don’t have housing but connecting youths. We do testing, we have a peer support prevention project, sex education stuff, there’s a lot of stuff happening there.” said Beth Pulcinella.

DoN wondered how they connected with Bluestone Fine Art Gallery?

“Well, Rex, he’s an interior designer and artist in Philly, wanted to organize a fundraiser and a show. The initial idea was youth would submit an unfinished idea then it would get paired with a local professional artist. But, I was like, we have a lot of other great stuff. Is there a way that some of our other work could be part of the show? There are these triptychs that are collaborations, a youth piece that an artist received and then created a new work. And then the youth can have a piece in the show and the artist can have a piece in the show.”

MASHUP, Jackson & Hipple, Bluestone Fine Art Gallery

MASHUP, Jackson & Hipple, 40″ x 32″, $150.00, Bluestone Fine Art Gallery

Attic Graffix, Bluestone Fine Art Gallery

Attic GraffixBluestone Fine Art Gallery

The long-term goal of Attic Graffix is to create a sustainable and profitable business that reflects and supports The Attic Youth Center’s mission of assisting LGBTQ youth in developing valuable workforce development and leadership skills.  Currently, Attic Graffix is using two specific marketing strategies:

  1. Distributing and selling Attic Graffix merchandise at community events such as Pride, Outfest, art fairs, and youth events.
  2. Accepting print orders from nonprofit organizations, schools, community groups, and individuals. Attic Graffix will work with your organization to print silk screen merchandise that meets your specific needs.  Recent customers include Youth Art & Self-Empowerment Project and William Way Community Center.

Attic Graffix strongly values sustainable practices and innovative and compassionate business models. For more information, or to place an order, please email graffix@atticyouthcenter.org. – The Attic Youth Center website.

Read more about Bluestone Fine Art Gallery at www.DoNArTNeWs.com

Written and photographed by DoN Brewer except where noted.

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Which Side Are You On?

Shawn Towey, Which Side Are You On?, fiber, 2012, William Way LGBT Community Center 8th Annual Juried Art Show

Shawn Towey, William Way LGBT Community Center

Shawn Towey, Which Side Are You On?fiber, 2012William Way LGBT Community Center 8th Annual Juried Art Show

Shawn Towey, Which Side Are You On?, fiber, 2012, William Way LGBT Community Center 8th Annual Juried Art Show

Shawn Towey, Which Side Are You On?fiber, 2012William Way LGBT Community Center 8th Annual Juried Art Show

Shawn Towey, Which Side Are You On?, fiber, 2012, William Way LGBT Community Center 8th Annual Juried Art Show

Shawn Towey, Which Side Are You On?fiber, $600.00, 2012William Way LGBT Community Center 8th Annual Juried Art Show

Inspired by the song of Florence Reece 1900 – 1986.

The William Way LGBT Community Center 8th Annual Juried Art Show drew 80 entries from artists winnowed to a show of twenty-five outstanding works of art by Philadelphia artists. The three top award winners will have a group show in 2014. The art show is in the lobby of the historic gay community center in Philly’s famous Gayborhood.

Shawn Towey‘s fiber wall hanging is rife with information and infinite inter-changing patterns. Each of the diamonds flips to reveal a different image. The collage effect drives a strong argument with it’s flipping photos but the beads attaching the tips are bead letters saying the words, “Which Side Are You On?“. Spelling out the ultimate question of the day. The story never ends.

“Which Side Are You On?” is a song written by Florence Reece in 1931. Reece was the wife of Sam Reece, a union organizer for the United Mine Workers in Harlan County, Kentucky. In 1931, the miners of that region were locked in a bitter and violent struggle with the mine owners called the Harlan County War. In an attempt to intimidate the Reece family, Sheriff J. H. Blair and his men (hired by the mining company) illegally entered their family home in search of Sam Reece. Sam had been warned in advance and escaped, but Florence and their children were terrorized in his place. That night, after the men had gone, Florence wrote the lyrics to “Which Side Are You On?” on a calendar that hung in the kitchen of her home. She took the melody from a traditional Baptist hymn, “Lay the Lily Low”, or the traditional ballad “Jack Munro“.[1] Florence recorded the song, which can be heard on the CD Coal Mining Women.'” – Wikipedia

Come all of you good workers
Good news to you I’ll tell
Of how that good old union
Has come in here to dwell

Chorus
Which side are you on?
Which side are you on?
Which side are you on?
Which side are you on? – Florence Reece

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