Category Archives: Center for Emerging Visual Artists

The Galleries at the Chamber

Maggie Mills, The Galleries at the Chamber

Maggie Mills, New House, oil on linen, 44″ x 52″, Center for Emerging Visual ArtistsThe Galleries at the Chamber, Arts and Business Council of Greater Philadelphia

Lori Dillard Rech, President and Chief Executive Officer of Center for Emerging Visual Artists addressed the assembled guests for the innaugeral art show at the Arts and Business Council of Philadelphia’s offices on the Avenue of the Arts. The Galleries at the Chamber is showcasing contemporary Philadelphia artists in the lobby, board rooms, meeting rooms and offices on the 7th floor of the grand Bellevue-Stratford Hotel, designed in the French Renaissance style by G.W. & W.D. Hewitt.

“I am with the Center for Emerging Visual Artists and we’re really thrilled to be invited to present this show. I want to thank the Karin Copeland and Miriam DeChant who really had the vision for being able to enhance these spaces, enliven these spaces in a way that’s so enriching. We’re very appreciative.”

Tremain Smith, Arts and Business Council

Tremain Smith, Mercy, oil, wax and collage on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis, Director, Regional Community Arts Program has been with CFEVA for about twelve years and she really began the program of starting to look at trying to customize exhibitions for businesses. We go into lobbies, hospitals, office spaces, all kinds of different non-profits use us and many businesses. We would hope that many of you would consider having an exhibition in your space. We would be more than happy to come out to talk to you about what that means. The way we curate the shows is we bring in a group of artists and we allow you to look at the works and help you find something appealing to you. And hopefully will be appealing to to your clients and what’s appropriate for you and your clients.

For many years we’ve been providing programs just like this, a wide variety of exhibitions in spaces throughout the Philadelphia area. And one of the most important things for us, in terms of our mission, is that this also gives us the opportunity to showcase the amazing artistic talent of this region. And we can give you that opportunity to do that as well. Thank you to the Arts and Business Council for this incredible opportunity to bring artists into these spaces so that the wider business community can look at it and appreciate it. And think about it for themselves.” – Lori Dillard Rech

Gregory Brellochs, The Galleries at the Chamber

Gregory Brellochs, The Hallow, Soma, Sign ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Gregory Brellochs, The Galleries at the Chamber

Gregory BrellochsThe Hallow, ink and vanish on panel, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Genevieve Coutroubis introduced the artists in attendance but first pointed out that all of the artwork is for sale. The represented artists include photographer James B. Abbott, Gregory Brellochs, Kirsten Fischler, Tish Ingersoll, Eric Kennedy, Shalya Marsh, Maggie Mills, Tremain Smith and Michael Yoder.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“The Arts & Business Council of Greater Philadelphia (ABC) strengthens our creative sector, including arts, culture and for-profit creative businesses, by engaging the business, legal & technology communities, providing capacity-building services, and serving as a thought leader and a convener. ABC, with the support of the Greater Philadelphia Chamber of Commerce, is uniquely positioned to actively connect the creative sector with the business, legal and technology communities.” – The Arts & Business Council of Greater Philadelphia mission statement.

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic (click the picture) Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

DoN asked Miriam DeChant what the Philadelphia arts community should know about the Philadelphia Arts and Business Council and Philadelphia Volunteer Lawyers for the Arts?

“What I think I want them to know the most is we are available for them. And we prefer to be a vaccine instead of a bandage. So, I would like them to ask questions, even if they’re not sure of what the question is because if you’re a little wiser about getting things in writing, being more careful about paying their taxes, working within copyright laws. But, in the future, we want to help people determine whether this is a legal problem or not, before it gets to the point where something actually goes wrong.

I’ve been here for five years and in the last ten years our case load had indicated that with the internet people are more aware that there might be a problem. And if they take risks they’re likely to get caught. So, there’s actually a bit of a chilling effect because people are hesitant to appropriate because they’re afraid to use other people’s work in a way their personal rights might not let them allow them to use in a ‘fair use’ way because it’s such a gray area.”

Shalya Marsh, The Galleries at the Chamber

Shalya Marsh, ceramic, Center for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

“It would be useful to talk to a lawyer about these gray areas. It’s important to talk to a lawyer and ask, ‘How big of a risk is this?’ “Is it worth getting permission or is this enough of a commentary that it’s fair use?

Appropriation is an art form of it’s own, absolutely. There’s a very large case in the Appeals Court of the 2nd Circuit involving prints about photography and approbation in a very interesting way so we’re waiting to see if that goes up to the Supreme Court or not. There’s been progress but it’s a very gray area.

If an artist has a question, they need to submit to me, to us, the work that they’re worried about that’s their’s and whatever it is that they think they are using or gaining inspiration from is legal to share. And then we can talk to them about the therapy. They can call us, there’s an application on-line, We primarily help artists in a pro-bono way for artists who have a low income or modest income, collectors and non-profits, so it’s a bit of paperwork but we’ll work with you on it.

And everyone in the office is really passionate about art.” – Miriam K. DeChant, Esq.

Michael Yoder, The Galleries at the Chamber

Michael YoderCenter for Emerging Visual ArtistsThe Galleries at the ChamberArts and Business Council of Greater Philadelphia

Written and photographed by DoN Brewer except where noted.

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Cairo

Noah Addis, Cairo, 110 Church Gallery

Noah Addis, Future Cities: Cairo, 110 Church Gallery

In a week that has been filled with imagery from Cairo, Noah Addis‘ installation of large format prints at 110 Church Gallery in Old City is even more relevant and emotive. Today in Philadelphia the weather is extraordinarily hot outside, but, Cairo, Egypt is a meme for hot places on Earth. The photograph above is a large scale print and was shot with a four by five camera capturing an information rich image of the architectural landscape of the Egyptian city.

The solemn windowless structure, a grid of cement and brick, is housing for people. They don’t live without windows, however, they punch out some of the bricks to create openings transforming the blank wall offering a glimpse into the life of the people who live there.

Noah Addis, Cairo, 110 Church Gallery

Noah AddisFuture Cities: Cairo110 Church Gallery

Noah Addis sets up his four by five camera and waits for that magic light moment to capture on the large negatives, he’ll wait for hours to catch the image that creates the narrative the best. There aren’t many people in the photographs but the signs of life are everywhere. Seeing how other cultures live and comparing it to life here is so compelling and informative. The photographs are beautiful and impeccably printed but the signification of the shapes and their relevance to global culture is unforgettable.

Noah Addis, Cairo, 110 Church Gallery

Noah AddisFuture Cities: Cairo110 Church Gallery

The landscape above with the soccer field and community park has to be seen to believed. The town with cliff side villas is a community where trash is recycled. The debris pours down the mountainside like a mudslide of human consumption and consumerism. The soccer field walls hold back mounds of trash that cannot somehow be recycled, up-cycled, reused or restored by the inhabitants.

Future Cities

“According to United Nations estimates there are more than a billion squatters living today–one out of every six people on earth. This number is expected to double to two billion by 2030. And by the middle of the century there will be three billion squatters.” – Noah Addis artist statement

110 Church Gallery, through July 27, 2013

ARTIST TALK
Saturday, July 27 @ 1:30 pm

Saturdays
Noon – 4 pm

In an ongoing partnership with The Center for Emerging Visual Artists (CFEVA) we are pleased to present Future Cities, Cairo, an Alumni Solo Exhibition featuring work by Noah Addis curated by Stella Gassaway. The exhibition is on view through July 27, 2013 at 110 CHURCH gallery located at 110 Church Street in Old City Philadelphia.

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Written and photographed by DoN Brewer except where noted.

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Visual Artist Fellowship at CFEVA

Center for Emerging Visual Artists, New Visual Artist Fellowship

CFEVA is Proud to Announce Our New Visual Artist Fellowship

Please note this replaces the Career Development Program Fellowship – be sure to review the new guidelines.

Each application is reviewed carefully and all applicants are eligible for exhibition, sales, teaching and other opportunities through CFEVA. Applications are reviewed on a rolling basis, so all professional visual artists are encouraged to apply early.

The Visual Artist Fellowship is designed to help artists within 100 miles of Philadelphia reach new levels in their artistic and professional practice. Selected artists will receive a stipend and a full range of career support over the two-year Fellowship to ensure the successful realization of a career goal or specific project as defined in the application.

Artists will be asked to demonstrate a vision for the next level of their professional or artistic practice and a clear plan for CFEVA’s proposed role in reaching it. Artists will be selected based on the merit of their artwork, their proven track record in project completion, their vision for the next level in their career and the ability of CFEVA to help them achieve their goals.

We invite all artists to apply with their current needs and ideas regardless of their status of emerging, mid career or established.

Final application deadline is January 15, 2013.
For inquiries, please contact Genevieve Coutroubis at Genevieve@cfeva.org

Click here to apply.

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Kimberly Witham, The White Series

Kimberly Witham, The White Series at Center for Emerging Visual Artists, Philadelphia Open Studio Tours 2012

Kimberly Witham, The White Series at Center for Emerging Visual ArtistsPhiladelphia Open Studio Tours 2012 

New post on the new, improved DoNArTNeWs Philadelphia Art News Blog about Kimberly Witham‘s photography exhibit during Philadelphia Open Studio Tours 2012  titled The White Series. The photographers work is influenced by natural history dioramas, cabinets of curiosity and still life paintings. Read DoN‘s interview at DoNArTNeWs.

Written and Photographed by DoN Brewer

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Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Mandy O’Niell, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Mandy O’Niell, UntitledInterchange: Contemporary Photography & Video from Ireland @ CFEVA 

The Center for Emerging Visual Artists (CFEVA), in cooperation with Culture IrelandThe PhotoIreland Festival, and Broadstone Studios, presents an international exchange of exhibitions – Interchange: Contemporary Photography & Video from Ireland, and Adapt: Contemporary Photography & Video by CFEVA Fellows from the US. This exchange was created to enhance the artistic dialogue between Philadelphia and Dublin and to promote collaboration between local and international artists. The exhibition in Philadelphia, Interchange: Contemporary Photography and Video from Ireland, was curated by Angela Duignan and features works by Michelle Browne, Padraig Cunningham & Linda Shevlin, Angela Duignan, Michael Fortune, Niamh O’Connor, Mandy O’Neill, and David J. Pierce. It is an exhibition of contemporary artists from Ireland, which explores the narrative mode through the mediums of video, audio, and photography. The works exhibited encapsulate and reflect aspects of identity, heritage, story telling, ritual, and social change. They present a view of a contemporary Ireland – its culture and heritage – while drawing parallels to a wider global context.”

Mandy O’Niell, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Mandy O’NiellUntitledInterchange: Contemporary Photography & Video from Ireland @ CFEVA

Philadelphia artist Amy Stevens stayed in Roscommon with Angela Duignan and her two daughters while on an artist exchange to Ireland.  The fellow artists became fast friends and concocted a scheme to bring photography and video from Ireland to Philadelpha and vice versa.  Amy is going back to Ireland this summer with the CFEVA contingent featuring Noah Addis, Joelle Jensen, Allison Kaufman, Michael Mergen, Tim Portlock, Jeffrey Stockbridge, and Kimberly Witham curating the exhibit for The PhotoIreland Festival, a month long photography festival.  Angela Duignan told DoN, “It’s an exhange between Ireland and the States.  Amy came over for a three week artist residency and stayed with me while she was there and out of that friendship we’ve created an exchange show.  It’s taken two years for it to come together, find the spaces and all.”  Amy said, “Since I went through the CFEVA program I thought it would be a good fit.  It’s a nice exchange, it’s a good way to do it.”

In Angela Duignan‘s address to the audience gathered in the gallery she said, “First I’d like to thank Amy and CFEVA for taking this on and the huge generosity of bringing this show over from Ireland.  I’d particularly like to thank Amy Stevens for her incredible work hanging the show and organizing it.  Her show will be brought over to Ireland in July as a part of The PhotoIreland Festival

 “We’ll start off with Mic (Michael) Fortune’s work, he’s from Wexford, east coast of Ireland, he works in video, photography and audio.  This particular piece is three video pieces, for three years, each year, he photographed and videoed his mother who dressed up on Halloween.  And she goes next door to her mother’s house to try and play with her head.  There’s actually six years of video footage.  He’s also working on a documentary on folklore and heritage and his background is an educator and he’s presented at 120 shows in the last year all over the world in film festivals as well as gallery spaces.”

Niamh O’Connor, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Niamh O’Connor, Mary Ellen’s CottageInterchange: Contemporary Photography & Video from Ireland @ CFEVA

“In the video projection is Michelle Browne’s video piece…Linda Shevlin, shot in Belfast… and the third is David J. Pierce, shot in Dublin.”  The gallery was dark for the video and projections; the photographs are displayed in the anti-chamber and hall. In the corner of the darkened gallery is a strange chair, a semi-circular red chair with high sides and headphones.  Angie explained, “It’s a ten minute audio of my daughter telling her version of The Princess and the Pea story.  It is connected to the large print outside of the girl on a stack of mattresses.  The base of that piece is how memory changes as the story is told over time, the story is remembered and changed, on and on.”  Angie Duignan explained to DoN that she was in a shop with a stack of mattresses, she put her daughter up top and took some shots.  But decided to dress up her little girl and bring her back for a more refined photographic narrative.

Angela Duignan, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Angela Duignan, How Does That Story Go Again?, Lambda photographic print, laminated onto MDF, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

IIn the hall is a group of portraits of boxers, photographer Mandy O’Neill said, “My work is about particular groups of people or individuals through an instinctual desire to get closer to another part of the world.  The images I’m presenting in the show were taken between 2007 and 2009 in a boxing hall called Saint Xavier’s in the inner city of Dublin.  They’ve been exhibited nationally and internationally, most notably in the European Month of Photography in Berlin and Gallery of Photography in Dublin.  Around 2007 when the work began Ireland was in the grips of the so-called Celtic Tiger, everything seemed to be going really fast, excessive consumerism was the order of the day.  This is something I never felt part of; I felt a longing for something more authentic and simple.

The image of the lone figure of the boxer, there’s a romanticism attached to this that I think resonates around the world.  Norman Mailer stated, “Boxing is a metaphor for life…’, I saw the boxer as an embodiment of this idea and a pared down more authentic existence.  I also like the idea of being able to come back into our own bodies rather than buying all this stuff required to make us happy.  The particular club I chose to shoot at turned out to be a great place, the camaraderie, care and support for the young kids around the area was amazing and they would make you feel at home just by not making you feel you were in the way.  I was in their training area in a corner with my camera and lights while they were skipping and jumping around.  The smells and sound of the place became familiar to me and the bell rings every three minutes and is followed by a one-minute break.  The subjects were all filmed within this one-minute break in an attempt to capture this heightened physical excitement.  My assistant would run and grab somebody and then we had thirty seconds to grab the shot before they went back.  The title Exhale comes from this pair of struggle then respite and always trying to move slightly forward.  I saw it as a general metaphor for life.”

Niamh O’Connor, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Niamh O’Connor, Desert Island Rain, Termon Road, Taum Triangle Row, Marrion & Maggies, giclee photographic prints,  Interchange: Contemporary Photography & Video from IrelandCFEVA.

David J. Pierce, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

Mic Fortune, Instagram still from three screen video installation, Interchange: Contemporary Photography & Video from Ireland @ CFEVA

The Center for Emerging Visual Artists, 237 South 18th Street, The Barclay Building, Philadelphia through May 18, 2012.

Written and photographed by DoN Brewer.