Category Archives: Philadelphia Sketch Club

LFA

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club

The Large Format Art show at the Philadelphia Sketch Club may not have as many paintings as a regular group art show but there is certainly a whole lot more paint. The walls are covered with large works of art that have at least one length be a minimum of forty inches, the largest painting by RJ Haas is 60″ x 60″, the size limit that could fit up the stairs to the historic gallery. The juried exhibition offers the opportunity to show large artworks that often exceed size constraints for group shows.

“The Philadelphia Sketch Club “support[s] and nurture[s] working visual artists ” by providing studio space through our workshops program as well as by providing exhibition and networking opportunities; we support “ the appreciation of the visual arts ” by providing free public access to our exhibitions; we support “ visual arts education ” through our low cost, open enrollment workshop program; and lastly, we promote “ the historical value of the visual arts to the community ” by providing free public access to our historic collections and facility.”

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubThomas Del Porte, Poseurs, 48″ x 60″. oil on canvas.

Thomas Del Porte intends to tell a visual story within each stroke of paint.  His paintings are made with thousands of little jeweled, thorn like curls, each stroke acting as an individual painting.  He paints from direct observation in the attempt to capture a unique portion of the infinite qualities of light, line, color and spaces that nature provides. His goal is to communicate a visual quality that reveals something new within the movement and drama of the images he translates.” – Thomas Del Porte

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch ClubReagan Lake, Big Iris 2, 48″ x 30″, acrylic mixed media, Third Prize.

Exhibitions at the Philadelphia Sketch Club attracts artists from the region, the USA and the world. To exhibit your work in the gallery is resume worthy but to win a prize is a valued award with bragging rights. I especially liked the medallions with the club’s iconic logo, a wonderful keepsake and an elegant addition to the awards ceremony.

“The Archives of the Philadelphia Sketch Club contain information on individual artists and also on how they interacted in an organization that possesses a unique camaraderie. A key part of the archives is Seventy-Five Years of the Philadelphia Sketch Club, the club history of over 1,000 pages that was compiled in 1936 by Sidney Lomas. Another key part of the archives are the individual artists files that contain information and documents gathered over the years.” – Philadelphia Sketch Club

Large Format Art, Philadelphia Sketch ClubLarge Format Art, Philadelphia Sketch Club, Ruslan KhaisLast Sorcery of Autumn, Red and Yellow, oil/acrylic on canvas, 30″ x 50″, First Prize Winner.

Ruslan Khais studied at PAFA and Republican College of Fine Arts – Chişinău, his brilliant canvas, Last Sorcery of Autumn, Red and Yellow, stood out from the glorious fields of color, texture and composition of the surrounding artworks by being at once abstract yet naturalistic. When the artist was awarded his medallion and certificate he was absolutely thrilled saying to the assembled crowd, “I love Philadelphia!”

Large Format Art, Philadelphia Sketch Club through October 18th, 2014, 235 South Camac Street, The Avenue of the Artists, Philadelphia PA, 19107. Hours: Wednesday, Friday, Saturday and Sunday 1:00 – 5:00pm.

Also on view in the Stewart Room Gallery will be a joint exhibition by two of our members:

  • Janet Cooke : New and Old works
  • Bill Patterson : PSC Legacy Auction works and some of Bill Patterson’s art collections
  • Reception: Sunday Oct. 12, 2014, 2-4 PM at PSC

Written and photographed by DoN Brewer except where noted.

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Marshes, Meadows and Reflections

Sheldon Strober, Marshes, Meadows and Reflections

Sheldon Strober, Marshes, Meadows and Reflections, The Stewart Room Gallery, Acrylic Paintings and Digital Photos. October 1st – 30th, 2013. Opening reception Sunday October 6th, 2:00 – 4:00pm. Gallery hours Wednesday, Friday, Saturday and Sunday 1:00 – 5:00pm. New works by Sheldon Strober.

shelstro@verizon.net

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Large Format

Large Format, Philadelphia Sketch Club

Large Format, Philadelphia Sketch Club, Prospectus

Online Submissions deadline: Aug 30, 2013 Enter at: www.entrythingy.com/d=sketchclub.org

Jury Notification: Emailed notification sent on Sept 2, 2013

Hand Delivery of Accepted Works: September 6 – ­7, 2013, 1-­‐5pm at Philadelphia Sketch Club . Online entry fee: Active PSC members: $25 for one, $5 each added entries Non-Member: $40 for one work, $10 each added entries No limit on the number of entries per artist. Reception: Sunday September 15th, 2013, 2-4:00pm. Awards will be presented at 3:00 p.m.  The Philadelphia Sketch Club 235 Camac Street (between 12th & 13th and Locust & Spruce) Philadelphia, PA 19107

Exhibition Chairs: Chair: Faad Ghoraishi (faad@ghoraishi.com)

Co-Chair: Pearl Mintzer (Pearl@GiftWithPurchase.com)

Co-Chair: Sylvia Castellanos (sylviacastellanos@gmail.com)

Juror: David Guinn, Mural Artist

David Guinn has fourteen years of experience designing and painting large-scale public murals. Responsible for all facets of community mural creation. He participated in the 2006 International Mural Conference in Mexico City. Founder and Curator of the Freewall, The Artists’ Wall, Mural Project Space in Philadelphia, PA. Adjunct Faculty, Moore College of Art and Design. Guest Lecturer at The University of Pennsylvania, University of the Arts, Earlham College, Indiana, Johnson State College, Vermont, Philadelphia University. Instructor at Mural Training Program, Philadelphia Mural Arts Program, 2007. Resident Artist, Delphi Art Futures Program, Philadelphia Museum of Art, 2007.

Columbia University, New York, NY. Bachelor of Arts in Architecture, 1994.Pennsylvania Academy of Fine Arts, Studio for Advanced Studies, 1998. http://www.davidguinn.com

Prizes: The Juror will select works for exhibition & award prizes. Works Eligible:

• Any number of 2-dimensional works utilizing any medium, including digital art

• All submitted work must be offered for sale during the exhibition.

Minimum size is 40”, maximum is 60” on any one side including frame.

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My Every Day

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny Deprez, My Every Day, Philadelphia Sketch Club

“In July I am exhibiting in the Stewart Room, at The Philadelphia Sketch Club. My work explores time and place through photography and painting. I am interested in image making that reveals my experience in the everyday, and extends the process of making to the everyday. I will be showing for the first time a body of work that consists of a gridded arrangement of 12 x 12” photo-based paintings of my daily travels around Philadelphia. I will also debut an ongoing photo-journalistic project of my wife’s family farm (The Hayford Farm, of Pittston, Maine).” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

Kenny Deprez‘ solo art show, My Every Day, in the Stewart Room of The Philadelphia Sketch Club is cool hybrid photography, blatantly manipulated, enlivening the historic game room gallery with a modern sensibility. Kenny and DoN chatted at the opening reception held in concert with PHOTOgraphy 2013, the juried photography show, about the logistics of putting on a big solo show.

“Some of the work here goes as far back as 2008, that is where this whole series started. The painting on my photographs. Before that I was primarily a sculptor, video artist slash performance artist. And then this work, photography, sort of presented a way to continue somehow video-graphy or perform in my work. Like, I’m still in charge of the camera and the viewpoint.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

So you think of photography as performance?

“In some ways it’s performance based but it allows me to just make the work everyday. First, it allows me to move my work to the studio or to a gallery space where it becomes more isolated. Here I can work on the ideas every day. The photographs I take, where I’m taking the photographs and then going into painting and painting them, it becomes more of the hand being at work.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

The collection of photographs arranged formally on the gallery wall reads cinematically like a story board. Each photograph contains a separate narrative of time and place but together the images read like a graphic novel.

“I guess I was thinking, sort of, about the microcosm of this space that I’ve gone to a lot over the last eight years, I keep returning to that space and watch how it changes. It’s the Hayford Family Farm, my wife’s family farm, and some of the shots are really formal and some are more playful, some of them show the changes of a site that’s been re-visited over and over again. Some are just happenstance like the cat who runs into the photo. The arrangement reflects the microcosm aspect of it. It’s like a circle, like the whole world can exist there.”

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club

What inspires you to paint on the photographs?

“I guess I’ve never really felt comfortable as a photographer. So this was a way to continue to engage with the photo and figure out the next level. Traditionally I’m a sculptor, so this is a way to think of them as an object, a way to put my hands on it.

The show is called My Every Day and that has a lot to do with the things I see every day of my life. It’s personal in that way but I hope that somehow it’s not just about me. It’s more about like that art doesn’t have to be totally removed from our every day experience.” – Kenny Deprez

Kenny Duprez, My Every Day, Philadelphia Sketch Club

Kenny DeprezMy Every DayPhiladelphia Sketch Club throughout July, Gallery hours: Wednesday, Friday, Saturday, Sunday: 1 PM to 5 PM.

Written and photographed by DoN Brewer except where noted.

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Sky Holes

Sky Holes, DoN Brewer, PHOTOgraphy 2013

Sky Holes, DoN Brewer, PHOTOgraphy 2013 at The Philadelphia Sketch Club

DoN‘s digital photograph, Sky Holes, is included in the juried photography exhibition held annually at The Philadelphia Sketch Club. The abstract landscape image of sunlight shining through trees onto an urban surface has a vibrating tension of shape and color. The black door on the left is very dark n the shady part and reads as black but the sunlit parts match the tones of the shadow part of the white door on the right.

The title Sky Holes refers to the shapes and special tones painters use to create the illusion of sun shining through gaps in trees. The colors of the holes are different that the color of the sky because the light refracts through the leaves changing the hue that the eye detects. In Sky Holes the shadows take on a 3D effect and the light is softened and refocused through the gaps in the trees. The door handle and glimpse of sidewalk grounds the image in reality while the amorphous pseudopodia of the sky holes flip to abstract shapes.

Sky Holes has been exhibited in Art Ability International Juried Art Exhibition at Bryn Mawr Rehab Center, Creative Powers: Selections from Art Ability at Delaware Art Museum, Photographic Society of Philadelphia group show, Shannondell at Valley Forge and now PHOTOgraphy 2013 at The Philadelphia Sketch Club.

Public Reception:
Sunday July 7th from 2 – 4 PM
Gallery Hours: Wednesday, Friday, Saturday and Sunday; 1 – 5 PM

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Written and photographed by DoN Brewer.

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Buy Sky Holes, archival digital inkjet print on glossy photo paper, double matted and framed in black metal at The Philadelphia Sketch Club or through Art Ability. Or you may purchase Sky Holes through PayPal on DoNArTNeWs (plus shipping). DoN will pay the appropriate commissions to those organizations from this transaction, their support and confidence in DoN‘s art is immeasurable.

Sky Holes, framed 11 x 14″ archival inkjet print of glossy photo paper, double matted and framed in 16 x 20″ black metal, $175.00 plus shipping if required. DoN will deliver within a  reasonable distance.


Sky Holes unframed 11 x 14″ archival inkjet prints on glossy photo paper are available through DoNArTNeWs PayPal, $45.00 plus $15.00 shipping.

For custom orders contact DoN Brewer Multimedia.