Category Archives: Public Art

Art events, installations and creations by Philadelphia area artists in public spaces

Aloft

A View Aloft, John Dowell

Rittenhouse Square, A View Aloft, John Dowell at Griesing Law

Rittenhouse Square – A View Aloft is an art exhibition at Griesing Law, LLC.  This exhibition is the 12th art show at Griesing Law since 2010. The firm is dedicated to supporting the arts in Philadelphia with a rolling schedule of artist showcases all open to the public. The show focuses on images of Rittenhouse Square from very different perspectives than we experience while simply walking or driving by the park and can be viewed high atop one of Philadelphia’s most impressive skyscrapers.

Griesing Law, LLC is all women and they represent many local artists with specialties in all mediums. All proceeds from the sale of art goes directly back to the artists.

This exhibition, Rittenhouse Square – A View Aloft by photographer John Dowell captures more than just a social epicenter of Philadelphia.  Looking through the trees, at the empty early morning benches, groups of people hanging out, and at the reflections in the windows shows a different perspective. John Dowell captures the splendors in the park in moments that make Rittenhouse Square feel like an interior space with four walls of architecture and trees.

http://johndowell.com

A View Aloft, John Dowell

John Dowell

An artist and master-printer for more than four decades. John Dowell’s fine art, prints and photographs have been featured at over 50 exhibitions including at the Metropolitan Museum of Art and Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Boston Museum of Art, and the Bibliotheque Nationale in Paris, France. Dowell is a Philadelphia native and Professor Emeritus of Printmaking at the Tyler School of Art at Temple University.

Rittenhouse Square – A View Aloft runs now through August 31st, Monday Through Friday 9:00AM – 5:00PM, 1717 Arch Street, Suite 3630. Anyone can attend for free by appointment by contacting Greising Law http://www.griesinglaw.com

Thank you to Sheryl Raskin, Founder, Out There Creative Media

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History

Delaware Art Museum MuralUnveiling of Student Mural Project at the Delaware Art Museum

In honor of Black History Month, the Delaware Art Museum will unveil an Aaron Douglas-inspired mural created by local high school students. The February 4th unveiling ceremony is open to the press and public and will include a short presentation from 6:00 p.m. to 6:30 p.m. During the presentation, the students who created the mural and the arts educator and artist who ran the program, Chad Cortez Everett, will speak about the art making process. Light refreshments will be served.

The mural is part of the Museum’s Mural Arts Interpretation Project, a student-art initiative created last fall with the goal of exposing underserved students–those who have not taken part in an art class or had access to art education since middle school–to meaningful art education while raising public awareness of cultural diversity. The project includes eight high school students from William Penn and Dickinson high schools and was led by Everett.

The students’ mural is a large-scale painting inspired by Study for a Mural by Aaron Douglas (1899-1979), an African American illustrator and muralist and important Harlem Renaissance artist.Study for a Mural (c.1963)–currently on view in the Museum’s modern American Art gallery–was a mural design for the home of Dr. W.W. and Mrs. Grace Goens, a prominent African American family in Wilmington, Delaware. Douglas painted two murals for the Goens family and this study presents his design for the second mural for their Hockessin home in 1964.

Delaware Art Museum Mural

Over the course of 10 weeks, Everett and the students met to discuss how they can preserve the spirit of Douglas’ work while transforming it to reflect themselves and today’s society. After learning about Douglas and the Harlem Renaissance from Delaware Art Museum Curator of American Art Heather Campbell Coyle, the students spent a week discussing what their thoughts were about the world they live in and how that might be different than the world during Douglas’ time. The students decided to incorporate text from their discussions into the design and learned how to transfer an image to large canvas panels.

The words the students discussed and chose were born out of the original themes of the piece: African American history, cultural significance, and societal progress. As the students planned the mural design, they came up with images and symbols that serve as important markers of their own personal histories. After a discussion about monochromatic color (as Douglas typically painted) the students chose to use local color and edit as they went, preserving a homage to Douglas’ color scheme in the bottom right corner of the piece. The three-panel piece, which will be named duringThursday’s presentation, will be on display on the Museum’s lower level during the month of February.

The Delaware Art Museum is open late every Thursday evening from 4:00 p.m. – 8:00 p.m. with free general admission. Special events and programs for all ages are offered on select nights throughout the year. For a full schedule of events and programs, visit delart.org.

Delaware Art Museum Mural

Sponsors

This program was made possible by an anonymous donor and a grant from the Delaware Division of the Arts, a state agency dedicated to nurturing and supporting the arts in Delaware, in partnership with the National Endowment for the Arts.

About the Delaware Art Museum

Founded in 1912, the Delaware Art Museum is best known for its large collection of works by Wilmington native Howard Pyle and fellow American illustrators, a major collection of British Pre-Raphaelite art, and urban landscapes by John Sloan and his circle. Visitors can also enjoy the outdoor Copeland Sculpture Garden and a number of special exhibitions throughout the year.

The Delaware Art Museum is located at 2301 Kentmere Parkway, Wilmington, DE 19806. Open Wednesday: 10:00 a.m. – 4:00 p.m., Thursday: 10:00 a.m. – 8:00 p.m., and FridaySunday: 10:00 a.m. – 4:00 p.m. Monday and Tuesday: Closed. Admission fees are charged as follows: Adults (19-59) $12, Seniors (60+) $10, Students (with valid ID) $6, Youth (7-18) $6, and Children (6 and under) free. Admission fees are waived Thursdays after 4:00 p.m. and Sundays thanks to support from generous individuals. For more information, call 302-571-9590 or 866-232-3714 (toll free), or visit the website at delart.org.

Top to bottom: Photography by Museum staff. | Study for a Mural in the Home of Dr. W.W. and Mrs. Grace Goens in Hockessin, Delaware, c.1963. Aaron Douglas (1899-1979). Oil on canvas board, 15 15/16 x 20 inches. Acquired through the partial gift of Alberta Price Fitzgerald, and Wilson, Deborah, and Lauren Copeland in honor of Walter and Grace Price Goens; Acquisition Fund; a generous contribution from the City of Wilmington; contributions from The Judith Rothschild Foundation; Donald J. Puglisi; Rodman Ward, Jr.; Peggy H. Woolard; H. F. and Marguerite Lenfest; Paula J. Malone; Lynn Herrick Sharp; Robert and Mike Abel; P. Coleman Townsend; Danielle Rice and Jeffrey Berger; and other contributors, 2008. © Artist’s Estate.

Thank you to the Delaware Art Museum for the content of this post.

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#PIFA2016

KIMMEL CENTER ANNOUNCES DETAILS OF

PHILADELPHIA INTERNATIONAL FESTIVAL OF THE ARTS

APRIL 8 – 23, 2016

World-Class Festival Showcases Groundbreaking Work from

 International Artists and Local Partners for a Curated Exploration of the

Performing and Visual Arts

The Kimmel Center for the Performing Arts announces the return of the Philadelphia International Festival of the Arts (PIFA), taking place across the venues of the Kimmel Center’s campus, as well as select locations throughout the city, from April 8 through April 23, 2016. A 15-day celebration of art and community, PIFA showcases innovation and a breadth of local and international performances and installations, all curated by The Kimmel Center for the Performing Arts. With more than 60 events across genres and art forms, PIFA is bookended by the Article 13 – a grand-scale fire and sand installation that tells the story of immigrants around the world – which serves as the grand opening of the Festival and culminates with the celebrated PIFA Street Fair.

 In this third installment of PIFA, the curatorial vision illustrates the concept “We Are What We Make.” The Festival will explore how our humanity is shaped, changed, inspired, and challenged by the world we create, all displayed through a variety of performing and visual arts. A massive installation by Mimi Lien – recipient of a 2015 MacArthur Genius Award – will consume the lobby of The Kimmel Center, bringing this vision to life and will be on display throughout the Festival.

 “We are thrilled to once again produce PIFA, the perfect manifestation of The Kimmel Center’s mission to introduce broad and diverse audiences to world-class, ground-breaking programming,” said Kimmel Center President and CEO, Anne Ewers. “To see our local arts organizations coming together in collaboration with one another, as well as with the renowned international artists joining us from around the world, is sure to be an extraordinary experience for the hundreds of thousands touched by PIFA.”

In addition to the featured international artists, local partners have joined forces with The Kimmel Center to present new works during this year’s Festival, further solidifying Philadelphia’s position as a pioneering force in the performing arts landscape. Local partners include The Barnes Foundation, The Clay Studio, The Center for Art in Wood, Philadelphia Chamber Music Society, Curtis Institute of Music, Jazz Bridge, Mural Arts Program, and PHILADANCO (The Philadelphia Dance Company). More local partners will be announced at a later date.

“‘We Are What We Make’ is the unifying thread and audiences will see it represented in countless ways through the art they’ll experience this year,” said Kimmel Center Artistic Director Jay Wahl. “The works were meant to challenge not only the artists but those who appreciate art to look deeper and get something unique from this experience, which will last long after the Festival is over.”

Tickets

Multi-event ticket packages are available now and include the PIFA Sampler Pass (three shows), PIFA Immersion Pass (five shows), or the PIFA All-Access Pass; all come with a wide range of added benefits including access to exclusive events. Single tickets for PIFA events will go on sale to the public beginning December 7, 2015. Tickets can be purchased by visiting kimmelcenter.org or calling 215-893-1999.

Full event details can be found below and a calendar of events is available at www.kimmelcenter.org/PIFA.

Thank you to Laura Krebs Miller for the content of this post.

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Here

Joseph Opshinsky Here & ThereFrameWorks Studio & Gallery presents: Joseph Opshinsky Here & There

October 10 – November 28, 2015. Opening Reception: Saturday, October 10, 2015: 5-8 P.M.

On display beginning October 10th, FrameWorks Studio & Gallery proudly presents Here & There, a solo exhibition featuring twelve new cut-paper collages by Joseph Opshinsky. From the artist who created last spring’s popular Philadelphia A to Z series, Here & There showcases large-scale collages inspired by two Pennsylvania cities significant in the artist’s life – Scranton and Philadelphia.

The exhibition runs October 10 to November 28 with an artist’s opening reception on Saturday, October 10, 2015, from 5-8 p.m. The exhibition and opening reception at FrameWorks Studio & Gallery are FREE and open to the public. Through Here & ThereJoseph Opshinsky invites the viewer to explore the two locales through the eyes of one who has called both cities, “home”. Though connected to each city, Opshinsky’s depictions juxtapose the observations of a native resident, intimately tied to the region’s heritage, to that of a transplanted inhabitant – observing and creating history anew.

In Here & ThereJoseph Opshinsky demonstrates an evolution of his unique medium, cut paper collage, elevating his craft with the increased intricacy and delicacy. The vibrant color palette further enhances the divergent perspectives. In the Scranton works, Opshinsky’s palette – a stark contrast from the traditionally muted colors of post-industrial representations – challenges the viewer to discover the unexpected beauty in forgotten or overlooked settings. In contrast, the bold assemblage of cut paper revealing Philadelphia’s most iconic landscapes offers the historic landmarks a renewed vibrancy, created by fresh perspective.

Joseph Opshinsky’s award-winning work has been selected for regional exhibitions at galleries, including the State Museum of Pennsylvania, Savery Gallery, Roberson Museum, and GoggleWorks Center for the Arts, since 2004. Most recently, Opshinsky’s small scale cut-paper collage series, Philadelphia A-Z, was featured in a joint exhibition with Philadelphia-artist, Mark Price at FrameWorks Studio & Gallery. In addition, Opshinsky has completed seven public murals for the City of Scranton. Opshinsky is a fine arts graduate of The University of the Arts and Keystone College.

FrameWorks Studio & Gallery, serving the Philadelphia community since 2008, is located at 2103 Walnut Street in Philadelphia. FrameWorks Studio & Gallery is open Monday-Thursday 11 a.m.-7 p.m., Friday and Saturday 11 a.m.-6 p.m. and Sunday by appointment. For more information on Here & There, call 215.567.6800 or visit www.JosephOpshinsky.com

Thank you to Kylie P. Grant, UArts BFA ’03 (Painting & Drawing), Owner,FrameWorks Studio & Gallery for the content of this post.

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Orphan Rug

Armenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

Armenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

August 7th, a beautiful sunny Summer Day, there was a big party at 4930 Parkside Avenue. Rows of chairs were lined up on the carpeted sidewalk in front of Zakian Carpet Cleaning. The Philly press, politicians, artists, neighbors and friends all gathered for an unveiling of an important artwork. The story of the Armenian Orphan Rug is difficult to explain without tears coming to my eyes since it was woven by hundreds of orphaned children; the Armenian Orphan Rug Mural memorializes the genocide of over one million Armenians a century ago.

Zakian Carpet Cleaning owner Bob Zakian hired Kathryn Pannepacker to create a mural for a large expanse of wall on the front of the historic factory. Kathryn is well known for her carpet themed murals throughout Philly and understands how to make large scale projects happen. Philadelphia mural artists Kathryn Pannepacker and Angela Crafton along with apprentice Lizzy Mamourian interpreted the carpet in a bold, eye catching, design complementing the architecture and telling the tragic tale of Armenian annihilation with confidence and sensitivity. Lizzy had never worked on such a big project and as a representative of the Zakian family, her input to the completion of the mural can not be understated.

“Not many businesses have been around since 1923 much less still run by the same family. Each day when Bob Zakian arrives at his rug cleaning plant and showroom on Parkside Avenue, across from the Mann Music Center, he is reminded how his grandfather and then his father took extreme care in cleaning their customers’ valuable Oriental rugs.” – About Zakian Carpet Cleaning

Armenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

“The rug is made to characterize the Garden of Eden, contains 4 million knots and took 18 months to complete.  The rug measures 11.5 feet by 19 feet and is in excellent condition. It was removed with President Coolidge’s personal possessions when he left office in 1929 but was returned to the White House as a gift from his family in 1982. The rug has only been displayed twice since then, and is a reminder of the close relationship between the people of Armenia and the United States.” – The White House

At the mural unveiling I overheard comments from Armenians whose families were affected by the genocide. Families reconnected with cousins of cousins, and friends of friends. The mural is a metaphor for the awful separation of families, children were sent to orphanages all over Europe, and a hundred years later Armenians are still reconnecting with relatives.

Armenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

The Armenian Orphan Rug, also known as the Ghazir Orphans’ Rug, is an Armenian styled carpet woven by orphans of the Armenian Genocide in Ghazir, Lebanon. The carpet took eighteen months to make and was eventually shipped to the United States where it was given to President Calvin Coolidge as a gift in 1925. It was returned by the Coolidge family to the White House in 1982. Its most recent public display was in November 2014 at the White House Visitors’ Center as part of the exhibition “Thank you to the United States: Three Gifts to Presidents in Gratitude for American Generosity Abroad”. – Wikipedia

Armenian Orphan Rug Mural by Kathryn Pannepacker

“Third generation Philadelphia business owner Bob Zakian’s rug cleaning business has been a cornerstone of the Parkside neighborhood of the city for more than 92 years. Zakian’s grandparents opened Zakian Rug Cleaning in 1923 shortly after emigrating from Armenia and surviving the Armenian Genocide of 1915.

In honor of the100th anniversary of the genocide, Bob Zakian knew he wanted to pay tribute to his family’s heritage as well as give back to Parkside, the neighborhood his business has always called home.” – Kathryn Pannepacker

Armenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn PannepackerArmenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

Bob Zakian, Representative Vanessa Lowery Brown, Lizzy Mamourian, Kathryn Pannepacker, State Senator Vincent Hughes, and Angela Crafton at the unveiling of Armenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker.

Read Mural honors Armenian heritage, Parkside neighborhood, by The Philadelphia Tribune staff writer Bobbie Booker.

“In honor of the 100th anniversary of the genocide, Zakian knew he wanted to share his history in the neighborhood his business has always called home.” – Bobbi Brooker

Armenian Orphan Rug Mural by Kathryn PannepackerArmenian Orphan Rug Mural at Zakian Carpet Cleaning by Kathryn Pannepacker

When you drive down Parkside Avenue and you catch a glimpse of the colorful mural take some time to stop and take a closer look. The design incorporates fanciful animals, natural and supernatural, like characters from a child’s favorite book. One of my earliest memories is my Grandma reading to me. Armenian Orphan Rug Mural at Zakian Carpet Cleaning kindly explains the unfathomable gap of maternal and familial love that was experienced by generations of Armenians.

Written and photographed by DoN Brewer except where noted.

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