Category Archives: The Plastic Club

Three Perspectives

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives: Frank RauschRobert ReinhardtEd Snyder at The Plastic Club through October 27th, 2013. Closing reception Sunday, October 20th, 2:00 – 5:00pm.

Three accomplished photographers have taken over the historic galleries of The Plastic Club filling each room with a broad range of photographic art. Each photographer is known for their documentary work regarding cemeteries, in fact the trio have a show in the Free Library of Philadelphia on the Parkway focused on the historic cemeteries of Philadelphia: Mount Mariah Cemetery, Laurel Hill Cemetery and Woodlands Cemetery titled Sacred to the Memory.

Although the Three Perspectives show does include cemetery photographs, each artist is displaying a wide range of subjects from landscapes and still life to abstract and documentary images. The exhibit is beautifully displayed and offers each artist’s work a space of it’s own, hung gallery style as opposed to the salon-style exhibits of juried art shows for which The Plastic Club is recognized. Displayed throughout the Main Hall, the Tea Room, the Bob Jackson Gallery and the Sheikman Studio/Gallery the range and distinct styles is inspiring and often astonishing.

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic ClubEd Snyder

“Using film, digital, and toy cameras, I create something out of nothing. The large part of my work, which utilizes cemetery statuary as subject, merges art and photography with society’s desire to come to terms with death and dying. It is an attempt to reacquaint us with Victorian mourning arts. My latest work is a bit lighter –images created with toy cameras. The creative processes of photography have always helped me deal with the world, with personal issues, and even to judge myself. In retrospect, psychiatry would’ve been cheaper. However, I believe that spending time in cemeteries has helped me to prepare myself for the loss of loved ones. Seeing others find meaning in the work is an unexpected gift.” Ed Snyder artist’s statement

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic Club,  Robert Reinhardt

Three Perspectives, Robert Reinhardt

Three Perspectives at The Plastic Club,  Robert Reinhardt

“The reason we exhibited together is because besides our obvious overlap with cemetery photography we share many of the same aesthetic concerns for the images within our photographs. The interesting part is how we mine it from our own creative expression. I felt that all three of us visually completes the sentence the other starts. Frank may be more painterly, Ed has solid documentation strength, and I hover over texture/surface/composition. I am honored to be the in same space as the other two.” – Robert Reinhardt

Three Perspectives, Robert Reinhardt

Three Perspectives at The Plastic Club,  Robert Reinhardt, photograph provided by the artist.

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic Club, Frank Rausch, Robert ReinhardtEd Snyder

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic Club, Frank RauschEd Snyder

” Thanks to all who helped promote the ‘Three Perspectives’ Show. The support we received from family and friends on our opening reception was very humbling . Thanks to my friends Ed and Bob for putting up with my computer illiteracy this last couple of months. The best is yet to come , both the library show “Sacred To The Memory -Historic Cemeteries Of Philadelphia” and “Three Perspectives” at The Plastic Club are still going strong. Ed, Bob and I invite all to attend our second reception at The Plastic Club on October 20, 2013 from 2:00 – 5:00pm. Help us finish off our BEER and WINE ,see some great photography and better yet do some early holiday shopping and pick up some beautiful photos as gifts.” – Frank Rausch

Three Perspectives.Frank Rausch

Frank Rausch was born and raised in Connecticut. His love of nature and the outdoors was nurtured by his rural upbringing and from the many fishing and hunting excursions he took with his father and a neighborhood best friend.

His passion for photography blossomed later in life when he decided to capture some of the inspiring images through the lens of a camera. His use of color, composition, and light come from years of being a flower shop owner and designer. His photographic diversity is reflected in his choice of subjects- from landscape to abstract images where he captures different moods, textures and geometric designs. Being able to share with you through his photographic art those special moments in time is a privilege he hopes to continue for a long long time. – Frank Rausch bio

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic Club, Frank Rausch, Robert ReinhardtEd Snyder

Three Perspectives, Frank Rausch, Robert Reinhardt, Ed Snyder

Three Perspectives at The Plastic ClubEd Snyder

Three Perspectives at The Plastic Club is an opportunity to view photographic art by three of Philadelphia’s most dedicated and accomplished photographers. As well as their photography, the trio participates in Social Practice art activities such as restoring cemeteries. Ed has been leading the restoration efforts at Mount Mariah in Philadelphia, Robert travels to Edinburgh, Scotland to work on cemetery restoration and Frank was the former grounds foreman at Laurel Hill Cemetery and still resides in the grand entrance building.

Thank you to Frank RauschRobert Reinhardt, and Ed Snyder for providing images for this blog post.

The Plastic Club is located on the Avenue of the Artists at 247 South Camac Street, Philadelphia, PA, 19107.

Frank Rausch:

Robert Reinhardt:

Ed Snyder:

The Plastic Club‘s home is a historic double townhouse located on one of Philadelphia’s “little streets” in the heart of the city. Built in 1824, it houses the club’s spacious studio, gallery spaces, offices and dining facilities. The club purchased the property in 1909, and expanded it to include the house next door in 1910. In the past ten years the building has undergone many rennovations so that it now functions like a 21st century building, but still retains its 19th century charm. – The Plastic Club website

Written and photographed by DoN Brewer except where noted.

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Code

Code, DoN Brewer, The Plastic Club

Code, QR codes, text, inkjet print, DoN Brewer, at The Plastic Club, Members Medals Show 2013, May 5th – May 23rd, reception 5/5/13, 2 – 5:00pm, 247 South Camac Street, Philadelphia.

*Hey DoN, this is Susan, I’m over at The Plastic Club and I’m calling to let you know you won The Zeigler Prize. She (Sharon Ewing, Director of Gross McCleaf Gallery) really thought your work was innovative and works on multiple levels. Meaning it’s attractive in itself and also leads to these other worlds of video and media.” – voice message from Susan Stromquist, Exhibitions Chair, 5/1/13

Thank You. Thank You. Thank You.

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Bob Jackson Gallery

Harriet D. Kilne, Bob Jackson Gallery, The Plastic Club

Harriet D. Kline, Leann’s Bottle Tree, watercolor on yupo. $200.00. Bob Jackson Gallery, The Plastic Club

The line-up of artist’s is chosen by lottery from the art club’s membership. April’s show includes Elisabeth Hughes, Harriet D. Kline, Carter Leidy, Richard C. Meyer and Catherine (Kit) Mitchell.

Harriet D. Kline‘s watercolor shines with color, the yupo paper resisting the pigment enough so as the water evaporates the residue leaves the illusion of liquidity. Leann’s Bottle Tree is one of six paintings in the group show. And as a backdrop to the club’s recent Rabbit party proved an apropos art backdrop to the music.

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) MitchellThe Plastic Club

“Painting, sculpture, music, dance – each is its own language, with its own non-verbal media, symbols and structures for expression of ideas and evocation of feeling. As such I am reluctant to comment further on my visual work or translate it into the world of words, but I do hope that it will pique fresh vision, interest, and pleasure.” – Catherine (Kit) Mitchell artist statement

Catharine (Kit) Mitchell, The Plastic Club

Catherine (Kit) Mitchell, Wire Face, wire, found objects, The Plastic Club Bob Jackson Gallery

Carter Leidy, Catherine (Kit) Mitchell, The Plastic Club

Carter Leidy,Tidal Flow, Tremont, Maine, oil, $305.00, Catherine (Kit) Mitchell, Red Hot Donut, mixed Media, $350.00, The Plastic Club, Bob Jackson Gallery

The intimate space on the lower/garden level of the club is a wonderfully reclaimed space that houses a print shop and a great kitchen from which the gallery’s namesake create delectable treats for special occasions like openings. The current Bob Jackson Gallery show is concurrent with the excellent Sketchbooks, Preliminary Drawings and Other Ephemera, through April 25th. Carter Leidy even includes some sketches hung with his finished gallery-ready paintings creating a great interactive vibe between the main exhibit and the small group show.

The Plastic Club 247 South Camac Street, Philadelphia

Written and photographed by DoN Brewer except where noted.

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small Worlds at The Plastic Club

Small Worlds, The Plastic Club

Small WorldsThe Plastic Club

Over one hundred and seventy small works of art no bigger than 16 inches in any direction. Opening Reception, Sunday, March 3rd, 2013, 2:00 – 5:00pm at The Plastic Club. 247 South Camac Street, Philadelphia PA 19107.

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The Moving Model Workshop

The Moving Model Workshop at The Plastic Club

Bob Jackson is a fine artist able to elevate simple materials like old graph paper and ballpoint pens to an elegant language of signs, symbols, movement and line. The artist sketches quick drawings each less than an inch high as the model moves slowly through a series of athletic poses. The pages quickly fill up with hundreds of tiny croquis. In the historic studio artists draw intensely as the model, Stephanie, makes beautiful shapes in space.

Check the new DoNArTNeWs for more images of Bob Jackson‘s drawings from the Moving Model Workshop and a description of how this video was produced. This video plays in full screen mode for a larger than life look at the drawings.

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