Tag Archives: Multimedia Art

Anahata

John Singletary, Detail of Providence, 3′ x 30′ Photography Based OLED Installation/Pigment Print

John Singletary – Anahata

The Delaware Contemporary

200 S Madison Street, Wilmington, DE 19801

Opening Reception: Friday, May 3rd, 5:00 – 9:00 PM

Museum Hours:Monday closed, Tues. 12 – 5pm, Weds. 12 – 7pm, Thurs. & Fri. 10 – 5pm Sun. 12 – 5pm

Philadelphia native, John Singletary, is a fine art photographer and multimedia artist. His educational training includes both Drexel University and a BFA in Photography from The University of the Arts, Philadelphia, PA. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and The James Oliver Gallery. As well, his work is represented in the permanent collections of the Philadelphia Museum of Art, The Center for Fine Art Photography and The Haverford College Archives.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art OLED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired composition. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg.

Installation View, Clarise, 8′ x 8′ Photography Based OLED Installation

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary, Clarise, 8′ x 8′ OLED Installation/Pigment Print

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to move forward seamlessly into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and through his exacting print work, the fantasticality in Anahata becomes very real.

The Delaware Contemporary

Phone: 302-656-6466 (main)

Thank you to John Singletary for the content of this post.

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Anahata

John Singletary - Anahata, James Oliver Galleryclick for large images

John Singletary – Anahata, James Oliver Gallery

James Oliver Gallery, 723 Chestnut Street, 4th Floor, Philadelphia, PA 19106

215-923-1242 (office)

267-918-7432 (mobile)

jamesolivergallery@gmail.com

May 6th – June 9th, 2017

Opening Reception: Saturday, May 6th, 6:00 -10:00 PM

Gallery Hours: Wednesday – Friday 5:00pm – 8:00pm, Saturday 12:00pm – 8:00pm

John Singletary - Anahata, James Oliver GalleryDetail of “Providence, 30′ x 5′, Photography Based OLED Installation.

Philadelphia native, John Singletary, is a fine art photographer and multi-media artist.  His educational training includes both Drexel University and The University of the Arts. He has exhibited at The Pennsylvania State Museum of Art, LG Tripp Gallery and Gallery 1401. As well, his work is represented in the permanent collections at the Philadelphia Museum of Art, The Center for Fine Art Photography and The Free Library of Philadelphia.

Anahata is a photographic exhibition that uses its mode of presentation to transcend the limitations of the medium in a multi-disciplinary installation experience. Photographs are animated through multiple state-of-the-art organic LED panels used as electronic canvases. The technology is synchronized to create joined, large format displays, some forming 8′ x 8′ luminous squares or a 30′ Greco-Roman frieze-inspired compositions. Images materialize out of walls and recede back into darkness, as would apparitions in this oddly familiar living space. These and other works are set to original music composed by John Singletary and Matt Hollenberg. In addition, the show will feature a live performance by dancers Amber Malmstadt and Megan Hannon.

John Singletary - Anahata, James Oliver GalleryDetail of “Providence“, 30’x5′ Photography Based OLED Installation.

While the ambition in Singletary’s presentation is of distinct merit, it’s not mere technology doing the real work. The photographic quality in his highly ornamented images demonstrates a conscious and masterful use of the medium. Influenced by a production approach found in theater and cinema, Singletary and his crew built a black box studio in a Victorian house in Germantown, PA as a set for the photography in Anahata. This long term collaborative project enlisted dancers, theater performers, costume designers, make-up artists, choreographers and set technicians. And, in this black box studio, the dream-like imagery, extracted from mythology, symbolism and mysticism directs the narrative in Anahata as it explores human relationships and their connection to the divine.

John Singletary - Anahata, James Oliver Gallery“The Dance of Hades”, 5’x3′ Photography Based OLED Installation.

In John Singletary’s inventive world of Anahata, the artist commands an ancient cry from demons and gods in spear-decorated headdresses and cocoon-like webs that conquer and connect us. From there, he uses an advanced understanding of technology to take us seamlessly forward into a hyper-lit future. With his sensitivity in making this unique grand scale production personal and his exacting print work, the fantasticality in Anahata becomes very real.

John Singletary - Anahata, James Oliver Gallery“Clarise”, 8’x8′ Photography Based OLED Installation.

Thank you to John Singletary for the content of this post.

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Imaginary Reality

Tim Portlock, Imaginary RealityTim Portlock, Gold, Inkjet Print, 54″ x 72”, © Tim Portlock 2012

Main Line Art Center Unveils Award for 10th Annual
Betsy Meyer Memorial Exhibition 


Imaginary Reality Features Nic Coviello, Tim Portlock & Jennie Thwing
Curated by: Amie Potsic, Executive Director of Main Line Art Center

April 1 – 30, 2014. Artist Talk and Gallery Tour: Friday, April 4, 5:30-6:30 pm. Opening Reception: Friday, April 4, 6:30-8:30 pm

Associated Programs: 

  • iPainting on the Go Workshop with Nic Coviello: Thurs., April 17, 6-8:30 pm. 
  • Technology in Art: Visionary Influence Lecture with Tim Portlock: Mon., April 21, 6-7:30 pm. 
  • Still Animation Workshop with Jennie Thwing: Thurs., April 24, 6-8:30 pm

Featuring Nic Coviello, Tim Portlock, and Jennie Thwing,  Imaginary Realityrunning April 1 to 30, is the 10th annual Betsy Meyer Memorial Exhibition at Main Line Art Center. Curated by Amie Potsic, Executive Director of Main Line Art Center, Imaginary Reality explores the expansion of artistic dialogue yielded by combining traditional mediums and digital arts, and coincides with the introduction of the Center’s new digital media program.  In honor of the 10th anniversary, the Center is proud to announce the expansion of the exhibition program to include the Meyer Family Award for Contemporary Art.

Trained in the classic artistic mediums, each artist adopted digital technology as a means of deepening their investigations of invented landscapes, imaginary narratives, and personal identity.  In essence, they have created unique visual languages that combine painting, printmaking, digital photography, stop animation video, 3D gaming technology, performance, and installation. Contextualizing digital imagery in service of storytelling and discovery, their work exists in between and among mediums to create new and unexpected realities that challenge our definitions of self, place, and human experience.

For the past decade, Main Line Art Center has presented an exhibition each spring in memory of Teaching Artist Betsy Meyer featuring the work of forward-thinking artists who are pushing boundaries within their artistic practice.  As an artist, Betsy exemplified what is most exciting about engaging with the artwork of living artists:  watching them experiment with their media and tackling complicated and tough subjects.  As a teacher, she encouraged her students to follow her example and expand their practice into new frontiers.  And finally, as a member of the board and exhibition committee, she assured that the Art Center was there for the artistic community of Philadelphia.

Nic Coviello, Imaginary RealityNic Coviello, Pole Walker, Acrylic and Digital Media on Panel, 24″ x 18″, © Nic Coviello 2012

Imaginary Reality marks an expansion of the program to include the Meyer Family Award for Contemporary Art, which consists of a solo exhibition and award of $1000 to each selected artist.  The growth of this program is an effort to support the talented contemporary artists in the Mid-Atlantic region, to honor deserving artists in the field, and to encourage excellence and experimentation in artistic practice, presentation, and community involvement.  The application period begins April 1 and runs through September 22, 2014. The Main Line Art Center is thankful to Betsy Meyer’s family for their generous and unyielding support of the Art Center and Betsy’s artistic legacy and looks forward to granting this new award to artists annually.

The Main Line Art Center will host an artist talk and gallery tour on Friday, April 4 from 5:30 to 6:30 pm, followed by a public reception from 6:30 to 8:30 pm featuring samplings from the center’s wine sponsor, Barefoot Wine & Bubbly.  The artist talk, reception and gallery visits are free and open to the public. The gallery is open Monday through Thursday from 10 am to 8 pm, and Friday through Sunday from 10 am to 4 pm.  Additional programs for Imaginary Reality include an iPainting on the Go Workshop with Nic Coviello on Thursday, April 17 from 6 to 8:30 pm; Technology in Art: Visionary Influence, a free lecture with Tim Portlock on Monday, April 21 from 6 to 7:30 pm; and a Still Animation Workshop with Jenny Thwing on Thursday, April 24, from 6 to 8:30 pm.  For more information about these programs, including registration, visit www.mainlinert.org or call 610.525.0272.

Colored with life experiences and the joy of studio practices, Nic Coviello’s goal is to provide the viewer with an alternate narrative on a commonplace subject.  Parklands, botanical forms, and animals provide the context for his work.  Coviello fuses traditional methods of drawing, painting, and printmaking with photographic and digital imaging techniques to get at an “elusive” real and a “concrete” imagined nature.  Appropriating photographic data and explorations in computer graphics complement his field drawing, painting, and collected fragments of nature.  Coviello creates background landscapes with painterly techniques and portrays the foreground figures with high-contrast black and white photographic elements.  Born in Connecticut, Coviello came to Philadelphia to study at the Pennsylvania Academy of the Fine Arts where he earned coordinated BFA and MFA degrees from the University of Pennsylvania.  He now lives and works in Philadelphia and has exhibited widely at venues including the Philadelphia International Airport, The Painting Center in New York, and the Korean University of the Arts in Seoul, Korea.  Coviello taught Digital Design as a Lecturer at the University of Pennsylvania’s School of Design and was an Artist Member and Board Member of the Nexus Foundation for the Arts from 2004 until 2009.

Tim Portlock’s lifelong interest in the dialogue between place and the formation of identity is the fuel behind his creative endeavors.  Educated primarily as a traditional visual artist, Portlock has worked in the past as a community-based muralist as well as a studio painter.  His current body of work includes large format print images created using 3D gaming technology to simulate real world and imagined spaces based on the Las Vegas strip and surrounding desert. Recent work also includes large, outdoor video projections onto buildings that create temporary public art.   Portlock received a BFA in Painting from the Kansas City Art Institute, an MFA in Art and Design from the University of Chicago, and an MFA in Electronic Visualization from the University of Illinois.  Portlock is currently an Associate Professor in the Film and Media Department at Hunter College (CUNY- New York City), and previously worked at the University of Paris-Sorbonne.  A 2011 recipient of a Pew Fellowship, Portlock has exhibited widely throughout the US and internationally including Ars Electronica in Austria, ISEA in Japan, and the Tate Modern as a member of the Artist Collective Vox Populi.

Jennie Thwing, Imaginary RealityJennie Thwing, My Black Hole:  Cold, Archival Pigment Print, 36” x 48”, © Jennie Thwing 2013

Jennie Thwing is a New York-based artist and film maker.  Using video, installation, and animation she creates imaginary narratives that reference her history, ideology, social context, family mythologies, and dreams.  Her subject matter ranges from miniature animated dioramas to historical reenactments.  All of her work involves the anthropomorphism of nature, refuse, and human environments.  Currently an Assistant Professor of Visual Communication at SUNY Farmingdale College as well as an Associate Professor of Art at Rowan University, Thwing received her BFA in Graphic Design at Tyler School of Art in Philadelphia, and went on to receive her MFA in Imaging and Digital Arts at University of Maryland. Her work has been widely exhibited in the US and abroad at venues including the Museum of Contemporary Art in Seattle, the Institute for Contemporary Art in Philadelphia, the Fondazion Mudima per l’Arte Contemporarnea in Milan, The Independent Museum of Contemporary Art (IMCA) in Cyprus and the New York Studio Gallery.  Thwing was also recently chosen as a Center for Emerging Visual Artists Fellow and a 2014 Queens Arts Fund Grant recipient.

Amie Potsic, curator of the exhibition, began her tenure as Executive Director of Main Line Art Center in July of 2012.  Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work nationally and internationally.  In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

Main Line Art Center is a welcoming and inclusive creative home where everyone is encouraged to create, experience, and discover the value of art.  Committed to making art more accessible, the Art Center has over 75 years of experience presenting art programs for individuals of all ages and abilities, including a unique series of Accessible Art programs for children and adults with developmental and physical disabilities, at-risk youth, and low income families now celebrating their 50th anniversary.  Throughout the year, Main Line Art Center presents innovative, contemporary art exhibitions in their award-winning gallery, as well as exhibitions that celebrate community.  Last year over 16,000 people chose Main Line Art Center as their home for creativity.

Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Art Center is easily accessible from public transportation and offers abundant free parking. For more information about Imaginary Reality or the Meyer Family Award for Contemporary Art, please visit www.mainlineart.org or call 610.525.0272.

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Code

Code, DoN Brewer, The Plastic Club

Code, QR codes, text, inkjet print, DoN Brewer, at The Plastic Club, Members Medals Show 2013, May 5th – May 23rd, reception 5/5/13, 2 – 5:00pm, 247 South Camac Street, Philadelphia.

*Hey DoN, this is Susan, I’m over at The Plastic Club and I’m calling to let you know you won The Zeigler Prize. She (Sharon Ewing, Director of Gross McCleaf Gallery) really thought your work was innovative and works on multiple levels. Meaning it’s attractive in itself and also leads to these other worlds of video and media.” – voice message from Susan Stromquist, Exhibitions Chair, 5/1/13

Thank You. Thank You. Thank You.

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