Category Archives: Works on Paper

Shop for CHOP

SHOP for CHOP

SHOP FOR CHOP to Benefit the Friends of CHOP

Twenty Three Independent Retailers Will Donate 20 Percent of Weekend Proceeds to CHOP, Children’s Hospital of Philadelphia

PHILADELPHIA—The Children’s Hospital of Philadelphia announces a regional program to benefit the Friends of CHOP: Shop for CHOP. Shop for CHOP will occur on February 21–23 at 23 independent retailers throughout the greater Philadelphia region who will donate 20 percent of proceeds to the Friends of CHOP.

The first-time event is organized as a pro-bono project of Gloss PR. The Friends of CHOP is a new dynamic group of supporters who believe in the mission of The Children’s Hospital of Philadelphia and are committed to advancing its research, teaching and clinical priorities through vibrant fundraising efforts. Composed of grateful families and those interested in activities that will further CHOP’s success, the Friends of CHOP are public ambassadors for the Hospital who will promote CHOP as the charity of choice in the Philadelphia region. 2014 is the inaugural year for the group and includes three programs: Nest’s Tweetheart Social Family Valentine’s Party, which was held on February 14; Shop for CHOP; and Cheers for CHOP, an already sold-out dinner dance at the Valley Forge Casino Resort on Shop for CHOP Participants Include:

Arcadia Boutique 819 N. 2nd St, Philadelphia

Barbara Ellick Designs 705 Montgomery Avenue, Narberth

Bluestone Fine Art Gallery 142 North 2nd Street, Philadelphia

Down 2 Earth Kids 418 Germantown Pike, Lafayette Hill

Duross & langel 117 S 13th Street, Philadelphia

Ella’s Grove 876 West Lancaster Avenue, Bryn Mawr

Fig Street by appointment

First Impressions 470 Germantown Pike, Lafayette Hill

Gary Mann Jewelers 4349 Main Street, Manayunk

Home Grown 393 Lancaster Avenue, Haverford

Jeff Kellmer Co. 510 West Lancaster Avenue, Haverford

Joan Shepp 1625 Chestnut Street, Philadelphia

Julie’s Bottega 156 Montgomery Avenue, Bala Cynwyd

Knit Wit 1729 Chestnut Street, Philadelphia

Mina Danielle 355 Righters Mill Road, Gladwyne

My Kids Korner 711 Montgomery Avenue, Narberth

Nest Boutique 1301 Locust Street, Philadelphia

Salon Rosa M 948 Montgomery Avenue, Narberth

Sheridan Square 360 Montgomery Avenue, Merion

Shoe Bar 535 Germantown Pike, Lafayette Hill

TownHome 1616 Walnut Street, Philadelphia

World Wide Stereo 38 Greenfield Avenue, Ardmore

World Wide Stereo 754 Route 309, Montgomeryville

In its inaugural year, the Friends of CHOP is raising money to benefit the Center for Fetal Diagnosis and Treatment at The Children’s Hospital of Philadelphia, an internationally recognized leader in fetal therapy. The Center offers highly specialized care to mothers carrying fetuses with known birth defects that require surgery and treatment before or after birth. The Center’s team has cared for more than 14,300 expectant parents from all 50 states and more than50 countries.A portion of the proceeds will also support construction of the Buerger Center for Advanced Pediatric Care, which will be the most state-of-the-art outpatient facility in the nation when it opens in 2015. This colorful and elegant addition to the skyline of West Philadelphia will enable smoother, more efficient and less stressful visits to the doctor and will increase CHOP’s capacity to address children’s most complex health needs.

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Mia Rosenthal

Mia Rosenthal: a little bit every day

Mia Rosenthal, Gallery Joe

Mia Rosenthal, Life on Earth [detail], 2013, ink on paper, 38 x 55 inches (irregular)

Gallery Joe, 302 Arch Street, Philadelphia, PA, 19106, February 7 – March 22, 2014. Opening Reception: Friday, February 7, 6:00-8:00pm

Philadelphia, PA – It is with great pleasure that Gallery Joe announces a little bit every day, Mia Rosenthal‘s second solo show of drawings. The show opens February 7 and runs through March 22, 2014. The opening reception will take place on First Friday, February 7 from 6 – 8 pm.

In a little bit every day Mia Rosenthal observes her own personal process of making art, from daily encounters with her computer gathering information for her work, to personal reflections on how life itself miraculously unfolds “a little bit every day.”

The centerpiece of the show is a large drawing titled Life on Earth, a spiraled work of 1,000 creatures, beginning with a single-celled organism 3.8 billion years ago, and moving through time to early ocean life, plants, mammals, dinosaurs, primates, and the domestication of plants and animals through genetically modified organisms and synthetically created life forms. Her source material comes from Wikipedia and other Internet sources where she conducts research and finds imagery.

Of this new body of work artist Todd Keyser writes,

“Rosenthal sets out to re-engage the spectator with an ‘open inquiry’ by presenting the spectator with her own practice, which incorporates both its avant-garde roots and traditional handcraft. Mia Rosenthal’s Life on Earth is an affirmation of life itself, while also simultaneously emitting the symbol for entropy, reminding us that all things are subject to change. As a result, Rosenthal’s exhibition offers the spectator multiple points of view ranging from the subject matter, to the construction of these drawings, and what they might mean in the larger context of aesthetic consideration.”

Mia Rosenthal‘s recent exhibitions include Drawn to Nature at the Glyndor Gallery, Wave Hill, Bronx, NY, Here and Now: Prints, Drawings and Photographs by 10 Philadelphia Artists at the Philadelphia Museum of Art, and 5 to Watch at the Avery Galleries, Bryn Mawr, PA.

Mia Rosenthal, Gallery Joe

Mia Rosenthal, iPhone (Ruth), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼;  iPhone (Hope), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼

Mia Rosenthal was awarded her MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia and her BFA from Parsons School of Design in New York. Her drawings are included in the collections of the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, as well as numerous private collections. Mia Rosenthal lives and works in Philadelphia.

Mia Rosenthala little bit every day opens on February 7 and runs through March 22, 2014. The artist will be present at a reception on First Friday, February 7 from 6 – 8 pm. Regular gallery hours are Wednesday through Saturday 12 – 5:30, other days by appointment.  For additional information contact, 215.592.7752, mail@galleryjoe.com or www.galleryjoe.com

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Plastic Club

Sam Park, Plastic Club New Members

Sam Park, August Moon Hwatu Card, oil, $2200.00, Plastic Club New Members 2014

Hwa-tu is the Korean version of the Japanese playing card game Hanafuda (花札?) are playing cards of Japanese origin that are used to play a number of games. The name literally translates as “flower cards.”[1][2] The name also refers to games played with those cards. There are twelve suits, representing months. Each is designated a flower, and each suit has four cards. Typically, each suit will have two normal cards and two special cards. The point values could be considered unnecessary and arbitrary, as the most popular games only concern themselves with certain combinations of taken cards.” – wikipedia

Sam Park‘s painting is large, the limited palette and geometric composition richly layered with oil paint and symbolism. The artist uses the symbolism of the card game to reflect on the idea of being a new player in an established group. Sam created this painting for the Plastic Club New Members 2014 show, he explained to me a few weeks ago how he was looking forward to adding the final symbol after developing the surface of the painting. The cosmological composition is more than geometry, it speaks about light and the combination of clues toward realization. Park is also a realist painter, his self portrait in oils in the Tea Room is sensual and sensitive.

Elke H. Muller, Plastic Club New Members

Elke H. Muller, Bicycle, photograph, $85.00, Plastic Club New Members 2014

To become a member of the Plastic Club the artist has to be known by several members and present three artworks to be reviewed by the membership committee. At the Plastic Club the art of photography is held in high regard with a contemporary esthetic towards image making. Bicycle by Elke H. Muller is a complex composition with information rich shapes and planes. The vivid cyan blue print is artisanal and thought provoking, the composition is a deceptively simple descriptive urban landscape. This photo was made with tungsten film in daylight, hence the blue color.

Lauren Reed, Plastic Club New Members 2014

Lauren Reed, Colors of the Sky, watercolor & ink, $60.00, Plastic Club New Members 2014

Colors of the Sky seems influenced by photography with the repeated patterns but the mix of watercolor and ink uses the natural fractals of the media to create a cosmic landscape. Like watching the night sky fade through the trees, the paintings have an animated relationship as they each speak about precious moments of nature.

Janice Balson, Plastic Club New Members 2014

Janice Balson, Rising Tide, oil, $485.00,  Plastic Club New Members 2014

Janice Balson, Plastic Club New Members 2014

Janice Balson, River Walk, oil, $485.00, Plastic Club New Members 2014

Janice Balson’sRiver Walk is a meditative and atmospheric landscape that looks a lot like Forbidden Drive along the Wissahickon River to me. The sense of solitude in nature and the solid painting style creates a grounded perspective with a subtle depth of field and informative liquid-y paint strokes. The hues of color offer so much data towards the narrative of the scene, there is a sense of temperature, the sun on your face, creating a familiar sensation of being outdoors in Winter, walking the path.

Plastic Club New Members 2014

Roberta Gross, Vessels of Light, pastel, $1000.00, Glenn Benge, March on 6th Street, July 4, 2012, digital pigment print, $250.00, Louise Vinueza, Sun Sets, oil, $450.00,  Plastic Club New Members 2014 through January 24th, 2014 at 247 South Camac Street, Philadelphia, PA 19107

The Plastic Club New Members 2014 includes twenty-two new member artists with 71 works of art spread throughout the galleries of the Plastic Club. New member committer chair Michael Guinn has introduced the Philadelphia arts community to wonderful artistic talents and terrific personalities, the more the merrier.

I personally am so grateful for the acceptance, camaraderie and inspiration the Plastic Club provides to me and the arts community. The outstanding art shows, informative salons, artist’s workshops, eclectic movie nights, delightful dinners, parties, barbeques and cocktail parties all make for an inclusive and supportive yet expressive environment for an aspiring artist.

Thank you so much to Cythia Arkin, Susan Stromquist, Bob Jackson, Alan Klawans, Mike Guinn, the board of the  Plastic Club and the many enthusiastic volunteers for keeping the organization strong, resilient and relevant to the contemporary art scene. There may be an artistic renaissance happening in Philadelphia now, but the Plastic Club is the third oldest art club in the USA (established in 1897) and has been exhibiting contemporary art by Philadelphia regional artists all along.

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Coupling at Off the Wall Gallery

Alice Gonglewski, Coupling at Off the Wall Gallery

Alice Gonglewski, Union #2-4, popsicle sticks and acrylic paint, $40.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling is the theme of the 9th Annual Juried Art Show at Off the Wall Gallery and artists took the concept into elusive yet eloquent mind spaces. Alice Gonglewski‘s Union series uses popsicle sticks to create a visual expression of family and home to it’s simplest symbols. The round and straight lines of the sticks, the black and white paint and the open and closed shapes evokes memories of home. I can almost hear the Mister Softee song, an ear worm that stirs memories of prosperity and poverty. The bare sticks represent food, comfort, safety and caring with minimal information and maximal content of narrative.

Laura Storck, Coupling at Off the Wall Gallery

Laura Storck, Elvis Pelvis, cyanotype from digital negative, $200.00, Coupling at Off the Wall Gallery at Dirty Franks

The combination of different photography techniques makes Elvis Pelvis pop on a wall with fifty other cool artworks. Laura used an x-ray as the negative for the cyanotype print. Mildly photosensitive solution is applied to a as paper and allowed to dry in a dark place. When the paper is exposed to light the negative, in this case the x-ray, controls the amount of chemical reaction. By mixing technologies the piece couples a view of the interior of a body while exposing the lines of the exterior. The deep blue is rich with tone and texture, the lines are descriptive and articulated, almost holographic. The painterly strokes of the photo-sensitive solution add a sense of immediacy and urgency.

Laura Storck’s photography can currently be viewed as part of Philly Photo Day, in their gallery at North 3rd Street and on a billboard in West Philly. Her exploration into silver emulsion photography is included in a group show called Silver Emulsion Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Erica Harney, Coupling at Off the Wall Gallery

Erica Harney, Rabbit/Credit Card, oil and mixed media on panel, $80.00, Coupling at Off the Wall Gallery at Dirty Franks

Erica Harney has been working on an art project which dove tailed perfectly with the theme of Coupling. By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible. The paintings are refreshingly entertaining, the randomness of the combinations are like real life with problems, delights, challenges and comforts. There are four paintings in the show each coupling dual identities into one composition but Erica Harney has painted dozens of paintings using these restraints yet each painting stands on it’s own merits.

Karen Frank, Coupling at Off the Wall Gallery

Karen Frank, Mutual Admiration, acrylic on board, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling includes various media but the paintings are strong. It really feels like the paintings are active and intense paired with photography and mixed media. Karen Frank‘s seahorses, Mutual Admiration, combines the exotic and familiar with evocative marks and color ways. The piece is dreamy and child-like but the other-worldly context of life under water and the unintelligible form of communication between the beings feels empathic.

Jenn Warpoles paintings mix color, texture and surface to create evocations of emotion, experience and liveness. Abstracted yet anthropomorphic shapes create a visual dialog that speaks of love, despair, attraction and rejection. The small panels are powerful paintings with the atmospheric tones represented in washes of emotional color, a sensitive hand and restrained color palette design an emotional experience.

Jenn Warpole, Coupling at Off the Wall

Jenn Warpole, Untitled #2, oil on panel, $265.00, Coupling at Off the Wall Gallery at Dirty Franks

Hashtags and Archetypes by John Baccile is absolutely contemporary, elevating the computer screen shot from a moment of too much information into a rich and eloquent story. The visual language with overlays and multiple conversations feels so modern – post, post, post modern. Would the couple in the picture ever imagine a future with automatic photograph face recognition, predictive social media penetration and internet fame? John Baccile used a lowly material, the facebook page, and manipulated the elements with a sophisticated info-graphic capturing the past, present and future of portraiture.

John Baccile, Coupling at Off the Wall Gallery

John Baccile, Hashtags and Archetypes, digitally altered screen grab, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

The photograph John Baccile used is one hundred years old, the algorithms in facebook look for identity matches in the faces creating an overlay of information and possible matches, it really gives off a Minority Report vibe and how we willingly allow investigation of our history.

Bill Myers photograph documents a modern sensibility towards photography and image making. The composition, color and forms takes the concept of Coupling to an intense contemporary level. The balance of the two figures, each with an emotional openness, evokes an emotional response, an autonomous reflex, from the energetic image layering character studies with line, tone and light. I can think of several artist to compare Bill Myers to but he truly is his own authentic self with a defined vision.

Bill Myers, Coupling at Off the Wall Gallery

Bill Myers, Standing Strong, digital photography, $50.00, Coupling at Off the Wall Gallery at Dirty Franks

Robert Yong Lee, Coupling at Off the Wall Gallery

Robert Yong Lee, Untitled (Ann Arbor, 2009), silver gelatin print, $150.00, Coupling at Off the Wall Gallery at Dirty Franks

Bob Lee‘s black and white photograph examines the idea of Coupling in a composition filled with memes, matches and metaphors. The seated figure before the painting has a jacket draped over his arm like the figure in the painting, while the seated man is looking down, the painted man is looking into the distance. The standing man on the left is reading while the statue of the standing woman is straining to listen. The two tableaus are divided by architectural elements that themselves represent similar yet opposite forces. This is the kind of art you can really spend time with finding deep and elusive narratives.

Coupling will be on the wall at Off the Wall Gallery through December 27th, there is a holiday party at Dirty Franks, 13th and Pine Streets, tonight, December 20th. I have two photographs in the show, too, I wrote about them in My Photo Day on DoNArTNeWs. The whole experience of the Coupling show was wonderfully creative; I was inspired to make new work and I was part of the creative team behind the show. The art I’ve described in this post is just a sampling of the excellence in the show and the diversity of talent in the Philadelphia contemporary art scene.

The experience of watching people actually look at the art show and really spend time looking at the work is the most satisfying feeling of all. I know I keep talking about Social Practice but Off the Wall Gallery at Dirty Franks has truly integrated itself into the fabric of the community by being inclusive and relevant through art and communications that is fun, high art in a dive bar, yet the result is intellectually satisfying in a really authentic feeling of community.

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Written by DoN Brewer. Thank you to Togo Travalia for the photographs in this post and for the excellent advertising and promotion of the show and individual artists through print and social media. I know of no other gallery who promotes each artist with such care. I really appreciate the effort and the love.

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Silver Emulsion

Silver Emulsion, Red Hook Coffee and Tea

Silver Emulsion, Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Please come see some fabulous silver gelatin darkroom printing by a talented group of Fleisher Art Memorial students this Friday Night (6:00- 9:00PM) at Red Hook Coffee and Tea! This is our 3rd Annual Show of photography by my “Art of the Fine Print” students. Each student is showing 2-3 framed prints, hand-crafted in the old-fashioned chemical darkroom! All work for SALE. I will have two prints of my own on display too. Come for some frivolity and pre-Holiday delight. Beer and Wine. Red Hook Coffee and Tea is on 4th Street, just north of Catharine! See you all there this Friday night!!!

Rick Wright

Paula Brumbelow, Amanda Abramson, Katie Marcucci, Rachel Glidden, Alicia Fastman, Dave Jannetta, Laura Storck, Rick Wright, Gene Renzi, Jane Volin, Amy Bach, Ben Buhl and Neil Marcello.

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