Tag Archives: Dance

Unwilling

Unwilling: Exercises in Melancholy

EXPLORE MELANCHOLIA AT HAVERFORD’S CANTOR FITZGERALD GALLERY

HAVERFORD, Pa.- What if we saw sadness not as a giving up or giving in, but a getting out? What if, instead of being seen as a passive pain, feeling deep sorrow was understood to be an act of resistance? What if, given the current political and cultural moment in which so many feel ignored, maligned, or repudiated by the systems and people in power, mourning was not just an understandable reception, but a useful action against those systems? A new exhibit in Haverford College’s Cantor Fitzgerald Gallery, opening March 23, showcases the work of five artists from across different media to grapple with such questions of power, agency, and melancholy.

Unwilling: Exercises in Melancholy, curated by Vanessa Kwan and Kimberly Phillips, proposes a re-consideration of melancholia as defined through our contemporary condition. Resisting its historical definition as an affliction that creates disorder or inactivity, this exhibition reimagines passive sadness as a powerful refusal, a conscious (or unconscious) “standing aside,” a willful production of generative failures and resistant potencies. Each of the five contributing artists begins with the idea that outside the boundaries of “contentment” resides a potent flourishing. Unwilling is a resistance and a proposition: it responds to the profound cultural reckoning we are witnessing in this moment in time, as the boundaries and exclusions of state-defined citizenship become increasingly fraught.

The exhibition crosses disciplinary boundaries. Dance artist Justine A. Chambers explores choreographies of resistance, growing out of a studious and embodied interpretation of all the minor gestures on the way to hands raised in surrender. Sculpture- and performance-based artist Mike Bourscheid mines absurdities in relation to our cultural preoccupations with masculinist productivity, while social practice artist Ginger Brooks Takahashi works to create new networks of value in the production of food, drink, and community. (Her piece in the exhibit is a collaboratively created-and consumed-beer.) The “weeping” willow is at the center of media artist Noa Giniger‘s multi-faceted take on reversals of sadness and the refusal to succeed, and poet and critic Billy-Ray Belcourt positions mourning as a defining aspect of an active and resistant subject and proposes that the future must address this subject head on.

Unwilling: Exercises in Melancholy will be on view March 23 through April 27 at Haverford College’s Cantor Fitzgerald Gallery. To celebrate the exhibit’s opening, there will be several events during its first week. On March 22, ahead of the official opening, a roundtable with four of the featured artists and the two curators will be held from 4:30 to -6:30 p.m. in the College’s new Visual Culture, Arts, and Media (VCAM) building, room 201. On March 23, Justine A. Chambers will perform an all-day, campus-wide, site-specific commission, ten thousand times and one hundred more. And later that day, at 4:30 p.m., there will be a talk with the curators followed by a reception at 5:30 p.m., featuring Ginger Brooks Takahashi’s Wyrt Blod Gruyt, a custom-made beer commissioned specifically for the exhibit and brewed in collaboration with Meredith Rebar Williams and Home Brewed Events. For further event details: exhibits.haverford.edu/unwilling.

Unwilling: Exercises in Melancholy is made possible with support from the John B. Hurford ’60 Center for the Arts and Humanities. The exhibition is organized in conjunction with the Hurford Center’s 2017-18 faculty seminar “The Arts of Melancholy,” which is led by John B. Whitehead Professor of Humanities and Professor of Music Richard Freedman.

Overseen by the John B. Hurford ’60 Center for the Arts and Humanities and located in Whitehead Campus Center, the Cantor Fitzgerald Gallery is open Monday through Friday 11 a.m. to 5 p.m., Saturdays and Sundays 12 p.m. to 5 p.m., and Wednesdays until 8 p.m. For more information, contact Matthew Seamus Callinan, associate director of the Cantor Fitzgerald Gallery and campus exhibitions, at (610) 896-1287 or mcallina@haverford.edu, or visit the exhibitions program website: www.haverford.edu/exhibits.

Haverford College is located at 370 Lancaster Avenue, Haverford, Pa., 19041

Thank you to Rebecca Raber for the content of this post.

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Morphing

Morphing, Group Motion, Diane Litten

Morphing in Design and Motion, Group Motion Community Performance Project, Diane Litten Fiber Artist

Diane Litten is playfully exploring unconventional fashion: no patterns, no sewing, just fabrics. All shapes, sizes, misshapes, holes, intentional and not, textures and colors. These fabrics were formerly used to create spaces and dress windows, and she is excited to be bringing them back to life, ‘dancing’.  While working with them, a jingle organically came about that she will be singing in the background from time to time. She calls the line and the jingle ‘No Sew Fabulous‘.”  – Diane Litten

Diane Litten is able to successfully bring together chaotic beauty with structured form, creating pieces that make a statement…  Her ability to create whimsy while helping the wearer make a definitive statement is nothing short of genius.” – Philadelphia Art Alliance 2011

Morphing, Group Motion, Diane Litten

GROUP MOTION Performance Project… is an extension of the Group Motion Friday night workshop that has been running in Philly for over forty years, guiding participants into a space of authenticity, communication and play, and into personal and collective journeys. PP has been ongoing for thirteen years, and is offered twice each year to engage and celebrate a focused experience of dance/movement and music as a form of ritual and community. With a different theme for each Performance Project, we engage in a process of collaborative creation and play to investigate themes based on PERSONAL stories, ENVIRONMENTAL concerns, BODY IMAGE, or DREAMS, and aim to create a sacred space where landscapes and archetypal images can emerge.

  • Idea & Direction/Choreography: Brigitta Herrmann in collaboration with Fiber Artist, Diane Litten
  • Dancers: Laura Bertin, Grace Kamfonas, Megan King, Kristin Narcowich, Nina Sherak, and Sofia Trovato.
  • Keyboard: Carla Mariani
  • PhotosDiane Litten
  • Tech Support: Matt Sharpfs

Community Education Center, Meetinghouse Theater, 3500 Lancaster Avenue, Philadelphia, PA 19104 (Parking in the Rear – enter lot from Filbert Street)                                                               March 22nd at 3:00pm. Admission: $15.00/$10.00 Students/Dancers/Seniors – buy tickets here.

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