Tag Archives: drawings

In/Dwelling

In/Dwelling: Meditations on Built Environments as Cultural Narrative

The Galleries at Rowan presents

In/Dwelling: Meditations on Built Environments as Cultural Narrative
February 22 – April 14, 2016

Introducing our new location 301 High Street, Glassboro New Jersey

Artist’s talk and reception Thursday, February 25, 5 – 8 pm

Rowan University Art Gallery at High Street explores built environments, both external and internal, as emblems of a cultural past, present, and future with In/Dwelling: Meditations on Built Environments as Cultural Narrative. The exhibition is on display from February 22 to April 14, with an artist’s lecture and reception onFebruary 25 from 5:00 – 8:00 p.m.

We are compelled to imagine a time when architectural spaces and objects were new representations of manufacturing, design, and aesthetic tastes and trends. The urban / suburban motifs have time and again provided artists with the perfect vehicle in which to explore universal topics such as: the complexity of infrastructure, commerce, demographics, and identity as inspiration to create new work. In this exhibition the participating artists imbue architectural structures and domestic objects with interpretations of historical experiences, social customs, and emotional memories as a cultural narrative. Artists include Philadelphia based artists: Lewis Colburn, Ben Grasso, Kay Healy, Erin Murray, and Miriam Singer. Chicago based artist Ann Toebbe, and New York based artist Brian Tolle. A work by Louise Bourgeois is included courtesy of the gallery permanent collection.

The catalyst behind the framing of this exhibition concept was the print Femme Maison, 1984, by Louise Bourgeois from the gallery collection. Femme Maison, which means both “woman-house” and “house-wife,” is one of Louise Bourgeois’s most famous motifs. For the artist, who was raised in France, the home was closely connected to female identity. By combining residential architecture and the curvaceous female body, Bourgeois portrays a woman who is obscured and entrapped by the domestic realm that she simultaneously supports.

The selected artists for this exhibition approach domesticity, architecture, and everyday objects from singular and accumulative perspectives. Brian Tolle creates a cross-wiring of reality and fiction in his sculptures and installations and blurs the border between the contemporary and historical with recurring themes of architecture, site, and technology. Lewis Colburn, of Philadelphia, sees objects as unreliable tour guides. He investigates ways in which we re-interpret and re-tell the past through the filter of our current experience. Ben Grasso, of Brooklyn, NY, presents a re-imagining of what actually exists and recasts these things in new terms creating a re-alignment of logic that makes plastic the anxiety underlying objects in the world through his painting. Miriam Singer, looks perceptually at multiple locations in Philadelphia and expresses the fragmentation of a fictional city as a collage of noise, pattern, and density.

By recounting memories of unique, collective, or habitual memories these artists investigate identity and history through interior and exterior experiences. Kay Healy, a Philadelphia based artist, creates large-scale screen printed and stuffed fabric furniture based on other people’s descriptions of their childhood homes and investigates how we relate to objects and cope with the fact that there is no way to truly return home. Ann Toebbe, a Chicago based artist, creates meticulous paintings using reconstructed memory and multiple perspectives to depict domestic and architectural spaces in cut-out paper doll fashion. Erin Murray, of Philadelphia, relates to buildings and built forms as being understood to represent our physical body, our cultural history, our economic reality, and our long-formed habits.

Brian Tolle, from New York, offers a lecture on February 25. He has completed several public art installations in New York, including the Irish Hunger Memorial in New York City. He has exhibited around the world and his work is included in numerous museum collections. He holds a B.A. in Political Science from SUNY at Albany; a B.F.A. from Parsons the New School for Design, NY; and an M.F.A. from Yale University in New Haven, CT.

The lecture will be presented at Westby Hall Room 111 beginning at 5:00 p.m. A reception follows at 301 High Street in Glassboro at 6:00 p.m.

Shuttle vans will be provided for guests traveling from Westby Hall to High Street. Return service will not be provided, but High Street is only a 15-minute walk away. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.

In/Dwelling: Meditations on Built Environments as Cultural NarrativeImages: top, Brian Tolle, Outgrown, platinum silicon rubber, toys. Courtesy the artist and CRG gallery. Bottom: Ann Toebbe, Jim’s Apartment, paper, gouache and pencil on panel.

Thank you to Rowan University Art Gallery for the content of this post.

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWs on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

HS

High School Art 2016, PSCYuliya Lyakhovolska, Glen Foerd, 2015 Winner of The Philadelphia Sketch Club Annual Philadelphia District High School Art Show

The Philadelphia Sketch Club Hosts the 32nd Annual Philadelphia School District High School Student Art Exhibition

The Philadelphia Sketch Club‘s Annual Philadelphia School District High School Student Art Exhibition February 1 – 28, 2016 in the Sketch Club’s historic main gallery located on 235 South Camac Street, the Avenue of the Artists, Philadelphia, 19147.

Included in the show will be over 100 works created by exceptionally talented Philadelphia School District high school artists in any media. Works are submitted by art teachers in the Philadelphia school district.

“The Philadelphia Sketch Club is the only public venue outside the school district where the students have the opportunity to display their work,” notes Dorothy Roschen, Exhibition Chair.

The judges of the exhibition are artists and retired art teachers: Leslie Clemons Carr, Melvena Quillen, and John Fantine. A free public reception for the show will be held on Sunday, February 28th, from 2:00pm to 4:00pm at the Philadelphia Sketch Club. Awards will be presented at 3:00pm.

The Philadelphia Sketch Club is a volunteer driven organization, with local artists contributing time and resources toward its mission since 1860. Gallery hours are 1:00pm to 5:00pm Wednesdays, Fridays, Saturdays and Sundays. Admission is free for the general public.

Founded in 1860, the Philadelphia Sketch Club is America’s oldest artists’ club. The mission of the Club is to support and nurture working visual artists, the appreciation of the visual arts, visual arts education, and the historical value of the visual arts community.

ThePhiladelphia Sketch Club235 S. Camac Street, Philadelphia, PA 19107-5608
215-545-9298
sketchclub.org

Like The Philadelphia Sketch Club on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWs on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

 

Paper

Domenic DiStefano Memorial Works on Paper OpenBarbara DiLorenzo, Moments Before Opening, First Prize

2016 Annual Domenic DiStefano Memorial Works on Paper Open Juried Exhibition, Philadelphia Sketch Club, January 2 – 24

Reception: Sunday, January 10, 2016, 2:00 – 4:00PM where cash awards and Philadelphia Sketch Club Medal will be presented to the winners.

Barbara DiLorenzo is the author/illustrator of Renato and the Lion (Viking Children’s Books, 2017). She studied illustration at the Rhode Island School of Design and painting at the Art Students League of New York. In 2014 she received the Dorothy Markinko Scholarship Award from the Rutgers University Council on Children’s Literature. She is a signature member in the New England Watercolor Society as well as the Society of Illustrators. Currently she teaches at the Arts Council of Princeton, and is co-president of the Children’s Book Illustrators Group of New York. Barbara is represented by Rachel Orr of the Prospect Agency.”

“DOMENIC DISTEFANO is well-known for his bold and free style of transparent watercolor. An elected member of many prominent art groups, DiStefano has served on the Board of the American Watercolor Society (where he is a member of the prestigious Dolphin Fellowship), and as president of the Philadelphia Sketch Club.

His paintings have received numerous awards. He has served as a juror and given demonstrations and workshops for art groups in the United States and Canada. He is the author of the bookPainting Dynamic Watercolors. One of his paintings appeared in the White House Historical Association’s Calendar for the year 2000 – Rockport Art Association

Jurors:

Domenic DiStefano Memorial Works on Paper Open

Like The Philadelphia Sketch Club on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWs on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

 

India

Drawn from Courtly IndiaTwo Archers, c. 17101720, India (Rajasthan, Sawar), Brush and black ink, watercolor, and opaque watercolor on beige paper, mounted on paper, Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, purchased with the Stella Kramrisch Fund for Indian and Himalayan Art, 2013

Drawn from Courtly India: The Conley Harris and Howard Truelove Collection

The Philadelphia Museum of Art is presenting an exhibition of rare and masterful drawings created in the workshops of royal Indian courts over the course of four centuries. Drawn from Courtly India: The Conley Harris and Howard Truelove Collection features a wide range of sketches, preparatory studies, and compositional drawings that vividly depict mythological themes, verdant landscapes and architectural settings, portraits of prominent rulers, and scenes from the lives of Indian nobility. The Museum acquired these important works in 2013, many as a gift, and is presenting the collection in this exhibition for the first time.

india3Portrait of a Seated Ruler Dressed for Ritual Practice, c. 1740, India (Rajasthan, Kishangarh), Brush and black ink and watercolor over charcoal with corrections by the artist in white opaque watercolor on beige laid paper on decorative mount, The Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, 2013

While Indian paintings have long been sought after by museums and individual collectors, there has been only a limited interest in drawings. Yet drawings may be wonderful works of art in their own right, yielding a remarkable amount of information about workshop practices and artistic process. Conley Harris, a landscape painter, and the late Howard Truelove, an architectural designer, shared a passion for drawing. They began collecting Indian drawings after being inspired by their travels throughout that country. The collection they assembled over the course of more than a decade provides new insights into the artistic practices of the royal workshops that developed over generations, and offers fresh perspectives on Indian painting. Many of the works to which these collectors were drawn were created during the eighteenth century in the Hindu courts of western India and the Himalayan foothills, an area including the present-day states of Rajasthan, Himachal Pradesh and Jammu-Kashmir.

india2A Prince and Courtiers in a Garden, c. 17201730, India (Rajasthan, Jodhpur), Brush and brown ink, metallic gold and silver paints, and opaque watercolor over traces of charcoal on beige laid paper,The Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, 2013

Timothy Rub, the George D. Widener Director and CEO, stated: “The ongoing development of the Museum’s collection has always represented our partnership with great collectors who have been as passionate as we are about sharing with everyone the finest works of art. In this regard we are especially fortunate to have acquired the marvelous collection assembled by Conley Harris and Howard Truelove, and we are enormously grateful to the collectors. This collection adds a new and important dimension to our holdings of Indian art, which is one of the most important in the country. It also enables us to bring to a broader audience this fascinating and delightful aspect of South Asia’s artistic heritage.”

The first section of the exhibition features a group of finished drawings and explores the relationship between court artists and their royal patrons. A second focuses on the innovative workshop process, examining how artists developed and revised drawings through techniques such as white wash corrections, color notations, and pouncing. The drawings in this section highlight not only the artists’ adept handling of the medium, they will also testify to the collaboration of artists employed within a hierarchical workshop structure, demonstrating how skills were conveyed from master to apprentice. A third section, dedicated to the key moment when brush first meets paper, calls attention to the expressive power of the expert brushstroke. The fourth and final section of the exhibition invites visitors to respond to the works on display by creating their own drawings using workshop techniques.

india1Raj Singh of Sawar with a Standing Courtier, c. 17101720, India (Rajasthan, Sawar), Brush and black ink with white opaque watercolor on beige paper, The Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, 2013

The exhibition is organized by Ainsley M. Cameron, the Museum’s Ira Brind and Stacey Spector Assistant Curator of South Asian Art. She stated: “These works offer new ways of looking and thinking about Indian courtly drawing. People tend to approach the study of paintings or drawings from the perspective of the patron because so many of the artists’ names are unknown, but we are exploring the perspective of the artist, as maker—the gesture of an artist’s hand, the spontaneity of line, and the process through which ideas are born.”

Drawn from Courtly IndiaBattle Scene with Demons, c. 1740, Attributed to Manaku of Guler, India (Himachal Pradesh, Guler), Brush and black ink over charcoal with pen and red ink ruled line around perimeter on beige paper, The Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, purchased with the Stella Kramrisch Fund for Indian and Himalayan Art, 2013

Publication: Drawn from Courtly India: The Conley Harris and Howard Truelove Collection

ISBN: 9780876332696

This volume presents the first in-depth survey of the Conley Harris and Howard Truelove Collection of Indian drawings (160 pps., 185 color illustrations; $35) and is co-published by the Philadelphia Museum of Art and Yale University Press, supported by a grant from Conley Harris. Comprised largely of works from the royal courts of North India, the 65 drawings in this collection, recently acquired by the Museum, were created between the sixteenth and nineteenth centuries and have never before been published. The majority of these drawings were preparatory models for the colorful paintings created by Indian court artists that have been widely collected and studied throughout the world. The major essay is written by Ainsley M. Cameron and uses the collection to survey the genre and explore the overarching themes of Indian drawing. Darielle Mason, the Stella Kramrisch Curator of Indian and Himalayan Art, introduces us to the collectors. In total, this catalogue highlights the assured draftsmanship of Indian artists, recognizes these drawings as consummate works of art in their own right, and celebrates the art of drawing.

Drawn from Courtly IndiaA Nobleman and His Family in a Pavilion, c. 1790, India (Himachal Pradesh, Kangra), Brush and black and red inks, watercolor, and opaque watercolor with corrections by the artist in white opaque watercolor on beige paper, Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, purchased with the Stella Kramrisch Fund for Indian and Himalayan Art, 2013

Support

Support for this exhibition is provided by The Pew Charitable Trusts and The Robert Montgomery Scott Endowment for Exhibitions. The publication is also generously supported by Conley Harris.

About Conley Harris and Howard Truelove

Based in Boston, artist Conley Harris (born 1945) is a former faculty member of the department of art and art history at the University of New Hampshire. Harris is known for his lyrical landscapes of New England and the American West. Howard Truelove (1946–2012) was an architectural designer and vice president of design at the firm KlingStubbins in Cambridge, Massachusetts. His interior-design work ranged from public spaces in major office buildings to universities and museums. Harris often uses works in their collection as a source of inspiration, creating paintings that not only absorb motifs from South Asian and Persian miniature paintings, but also play with the idea of multiple layers, the palimpsest found in artists’ working sketches and so creatively reinterpreting the historical drawings for a new generation.

Drawn from Courtly IndiaMen Falling from Their Rearing Horses, c. 1790, India (Himachal Pradesh, Guler), Brush and black ink over charcoal on beige laid paper, Philadelphia Museum of Art, The Conley Harris and Howard Truelove Collection of Indian Drawings, purchased with the Stella Kramrisch Fund for Indian and Himalayan Art, 2013

Curator

Ainsley M. Cameron, The Ira Brind and Stacey Spector Assistant Curator of South Asian Art

Location

Special Exhibitions Gallery, first floor, Perelman Building

Exhibition hours

Tuesday through Sunday: 10:00 a.m.–5:00 p.m., Wednesdays and Fridays until 8:45 p.m.

Exhibition tour dates

Philadelphia Museum of Art, December 6, 2015–March 27, 2016

The Nelson-Atkins Museum of Art, November 2016–March 2017

Drawn from Courtly India

Social Media Facebook and Twitter: philamuseum; Tumblr: philamuseum; YouTube: PhilaArtMuseum; Instagram: @philamuseum

The Philadelphia Museum of Art is Philadelphia’s art museum. We are a landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors—through scholarly study and creative play—to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world—and themselves—anew through the beauty and expressive power of the arts.

Thank you to The Philadelphia Museum of Art for the content of this post.

Read the press release for Picture This: Contemporary Photography and India at DoNArTNeWs

Like Philadelphia Museum of Art of facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWs on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

RiTUAL

RiTUAL 2015, @HBHQ, Sarah Watkins Nathan

RiTUAL Reading Room 2015

“What are your rituals? RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place. In the winter months as the chill settles in and the days grow shorter come inside the RiTUAL Reading Room

December 5, 2015 — February 29, 2016

Exhibition Space: Heavy Bubble / @HBHQ, 1241 Carpenter Street 3rd Floor, Philadelphia, PA, 19147. On-line catalog RiTUAL Reading Room

RiTUAL 2015, @HBHQ, Sarah Watkins NathanSarah Watkins Nathan at RiTUAL Reading Room, photos by Judy Engle.

“@HBHQ will be transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Sip some, tea, coffee, or hot cider. Fall in love with a book, buy it, and take it home.” – HBHQ

Like heavy bubble : websites for artists on facebook

Like DoNArTNeWs Philadelphia Art News Blog on facebook

Follow the new DoNArTNeWs.com

Follow DoN on Twitter @DoNNieBeat58

DoNArTNeWs on Tumblr

DoN Brewer on Pinterest

@donniebeat on Instagram

Affiliate Marketing [disclosure page] Shop on-line and help support DoNArTNeWs

Donate via safe and secure PayPal in the sidebar.

 

A video posted by DoN Brewer (@donniebeat) on