Tag Archives: mixed media art

Dreamscapes

Tammy Kushnir, Dreamscapes, Twenty-Two GalleryDefiant, acrylic on canvas by Tammy Kushnir

Tammy Kushnir, Dreamscapes, Twenty-Two Gallery

Dreamscapes in an accumulation of imaginary landscapes from fractured emotions and passion for color. The combination leads the viewer to embrace something within themselves and connect with the pieces. My hope is that those who see my art will walk away feeling something that perhaps they didn’t realize was a part of them & acknowledge it.
I create to find joy within myself and hopefully extend that to others through colors and impressions of paint. I want to stimulate the viewer emotionally as well as through physical interaction through the texture in the art. When a piece resonates with a viewer, I know my job is done.” – Tammy Kushnir
Opening Reception: Friday, March 8, 6:00 – 9:00pm
Exhibition runs through April 7th
Twenty-Two Gallery, 236 S. 22nd St., Philadelphia, PA 19103
215-772-1911
Wednesday thru Sunday; Noon to 6:00 PM
About Twenty-Two Gallery
Since 2003, Twenty-Two Gallery has been showing local emerging and established artists’ work. The gallery represents 24 artists that work in many mediums including oil, pastel, watercolor, photography, sculpture, various printing processes as well as mixed media.  This bright space with great light, nestled in Philadelphia’s premier neighborhood Rittenhouse Square, has art openings monthly on the “Second Friday” of each month.  These openings include an artist’s reception from 6PM to 9 PM.

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Plastic

Drawing Marathon, The Plastic Club

All Day Drawing Marathon at The Plastic Club

The annual Drawing Marathon is an art all day event; enjoy sketching, drawing, or painting at The Plastic Club on Sunday, March 10th, from 10:00am to 10:00pm.

247 South Camac Street, Philadelphia, PA 19107

(215) 545-9324

info@plasticclub.org

Admission to the event is $15 on a come-and-go basis; pay once, then you can leave and re-enter as you see fit. Photography is not permitted.

The Plastic Club will provide live models and setups for still life, as well as tables, chairs, and easels, simply bring your own art materials. Simultaneous sessions will give you your choice of artistic opportunities. Plans call for life drawing, portrait drawing and painting, long and short poses and croquis, still life setups, and experiments in “noir lighting” in the Plastic Club’s blacked-out basement.

Coffee, donuts, lunch and dinner will be available for a contribution.

Don’t miss this chance to sharpen your image-making skills and mingle with other artists at The Plastic Club.

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Moth

Black Moth Tattoo and GalleryRiot, Pen and ink on paper, David Jablow

Black Moth Tattoo Parlor and Gallery

Black Moth Tattoo and Gallery, 18 East Lancaster Avenue Ardmore, PA 19003

David Jablow  Further Adventures 

March 1st – March 31st

On first glance, my drawings are clearly narrative. What is often and easily missed is the very specific platform on which all of them are made. The drawings originate on vintage ‘doodle pad’ sheets from 20th century.

I collect and utilize these somewhat risqué novelty drawing pads. These mass-produced pads of paper feature incompletely drawn women (and occasionally men) with instructions to complete- or doodle in- the missing parts. And that’s what I do.  As a lifelong fan of the art and craft of illustration, representational drawing, comics, and cartooning, I use pen and ink to complete the incomplete images to make them my own.

The practice of ‘repurposing’ items from the past is quite popular. We’ve all seen the cable TV shows and passed by boutiques that take old antique doors and turn them into coffee tables, or crafters who take old military artifacts and turns them into lamps. Giving new life to objects left for dead is fun, quirky, and often times environmentally considerate.

What I’m doing with these old sheets of paper is ‘purposing’ them. I’m doing exactly what the printers had in mind when they originally produced and distributed them. I like the idea that I’m doing this decades after they were made, after they’ve been sitting in drawers until someone decided to post them for sale on eBay or Etsy. Perhaps ‘retro-purposed’ would be a more appropriate term for what I’m doing with these old doodle pads.

Regardless of they’re called or how they originate, I’ve found them to be ideal for my creative process.  When artist’s face a complete blank canvas or paper, they face that paradoxical problem of endless possibilities.  Too many options can often be constraining.

I sidestep this with the help of my muse. I simply access that part of the brain that we use when we play the game of charades. “What could she be doing.” my mind asks. Ideas then flow. I mentally sift through them and make loose sketches to narrow down the options. Which would make a drawing that I’d want to make?  What haven’t I done before? Maybe something funny, maybe macabre, or maybe I feel like challenging myself with some complex perspective angle. I get to draw it all..foliage, animals, technology, different eras of human history.  That’s half the fun. It’s always the same challenge and always new and different. –David Jablow

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/622854208172944/

Black Moth Tattoo and GalleryAttack #3, Mixed Media on Wood, Wendee Yudis

Works by Wendee Yudis

April 1st – 30th

Wendee Yudis is a serigraph mixed media artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990’s. The females in her work become icons that reoccur in new contexts and combinations to create a visual vocabulary. Many times they question the females’ role in society as well explore the various roles within ourselves. By juxtaposing various images, nuances are implied and tension is created to imply and explore new meanings. She primarily uses printmaking along with painting rather than printing in edition because it allows her more freedom to create spontaneously and to explore the subtleties of printmaking. Yudis typically print images or icons in combination with other images to create not only a dialogue between the images but also to create an illusion of being camouflaged by translucency, patterns, and layers to explore relationships seen and unseen.

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/628873590917632/

Black Moth Tattoo and Gallery

“A new fusion of custom body art and curated exhibitions brought to Montgomery County by local artist, Steve Martin. Expect more of the great ideas you have come to know me for. With 9 years professional experience I cover a range of disciplines in tattooing; from mandala and geometric designs, Japanese, neo-traditional, traditional Americana, custom lettering, as well as black and grey realism.

Celebrating 2 years in historic Ardmore, we’re turning heads with its premier tattoo parlor. I look forward to bringing to you, the art enthusiast and collector, a select presentation of custom tattoo designs as well as some of the finest works of art month after month. You can expect the professionalism, mindful customer service, attention to detail, and quality products in a clean and safe setting that you have known from me all these years.”

www.BlackMothTattooandGallery.com

18 East Lancaster Avenue
Ardmore, PA 19003
P. 610-642-1500

Thank you to Steve Martin for the content of this post.

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Die

 Ebony G. Patterson: if we must die

Ebony G. Patterson: if we must die

Ebony G. Patterson bears witness to the violence and social injustices

imposed upon the invisible and the voiceless

February 11 – April 20, 2019.

In dialog with the artist Wednesday, March 27 at 5:00 p.m

GLASSBORO, NJ – Known for her drawings, tapestries, videos, sculptures and installations that involve surfaces layered with flowers, glitter, lace and bead, Ebony G. Patterson’s works investigate forms of embellishment as they relate to youth culture within disenfranchised communities. That work is the focus of the newest exhibition at Rowan University Art GalleryEbony G. Patterson: If We Must Die. The exhibit is on display from February 11 – April 20, 2019.

In conjunction with the exhibit, a conversation with the artist will be held on Wednesday, March 27 at 5:00 p.m. in the gallery, led by visiting scholar Colette Gaiter, a professor in the Department of Art & Design and Department of Africana Studies at the University of Delaware. A reception will follow.

The two featured installations – Invisible Presence: Bling Memories and Of 72 – employ opulent, hand-embellished surfaces and brightly colored patterns that entice viewers to bear witness to the violence and social injustices imposed on the invisible and the voiceless. Patterson’s neo-Baroque works address masculinity, “bling,” visibility, and invisibility within the post-colonial context of her native Jamaica and within black youth culture globally. The references to Carnival in Patterson’s use of beads, plastic ornaments, and reflective materials echo her interest in mining international aesthetics in her practice.

 Ebony G. Patterson: if we must die

Born in Jamaica, Patterson received her BFA from Edna Manley College in Jamaica and an MFA from Sam Fox College of Design & Visual Arts in St. Louis. She has had recent solo exhibitions at The Perez Museum in Miami, The Studio Museum in Harlem, Atlanta Center for Contemporary Art, and Monique Meloche Gallery in Chicago. She was featured in biennials in Havana, Cuba; New Orleans; Jamaica; and Miami. She has exhibited in Brazil, Boston, and New York, in addition to group exhibitions at Seattle Art Museum, National Art Gallery of the Cayman Islands, and National Gallery of the Bahamas among others. Her work is included in a number of public collections, including The Studio Museum in Harlem and the Museum of Art and Design, New York; Nasher Museum of Art at Duke University, Durham, NC; Speed Art Museum, Louisville, KY; 21c Museum Hotels; and the National Gallery of Jamaica, Kingston.

The gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Thank you to Mary Salvante for the content of this post.

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Disobedience

Civil Disobedience: Celebrating Queer Resilience presented by DVAASylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)

Civil Disobedience: Celebrating Queer Resilience

presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia

East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm

DVAA (Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.

In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.

“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.

PARTICIPATING ARTISTS: To be determined/announced by the juror

ABOUT THE JUROR:
Warren Muller is sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.

ABOUT DVAA:
MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs.
VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.

Contact: Dawn Kramlich, dawn@davinciartalliance.org

Thank you to Dawn Kramlich for the content of this post

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