Tag Archives: Old City Arts District

Mia Rosenthal

Mia Rosenthal: a little bit every day

Mia Rosenthal, Gallery Joe

Mia Rosenthal, Life on Earth [detail], 2013, ink on paper, 38 x 55 inches (irregular)

Gallery Joe, 302 Arch Street, Philadelphia, PA, 19106, February 7 – March 22, 2014. Opening Reception: Friday, February 7, 6:00-8:00pm

Philadelphia, PA – It is with great pleasure that Gallery Joe announces a little bit every day, Mia Rosenthal‘s second solo show of drawings. The show opens February 7 and runs through March 22, 2014. The opening reception will take place on First Friday, February 7 from 6 – 8 pm.

In a little bit every day Mia Rosenthal observes her own personal process of making art, from daily encounters with her computer gathering information for her work, to personal reflections on how life itself miraculously unfolds “a little bit every day.”

The centerpiece of the show is a large drawing titled Life on Earth, a spiraled work of 1,000 creatures, beginning with a single-celled organism 3.8 billion years ago, and moving through time to early ocean life, plants, mammals, dinosaurs, primates, and the domestication of plants and animals through genetically modified organisms and synthetically created life forms. Her source material comes from Wikipedia and other Internet sources where she conducts research and finds imagery.

Of this new body of work artist Todd Keyser writes,

“Rosenthal sets out to re-engage the spectator with an ‘open inquiry’ by presenting the spectator with her own practice, which incorporates both its avant-garde roots and traditional handcraft. Mia Rosenthal’s Life on Earth is an affirmation of life itself, while also simultaneously emitting the symbol for entropy, reminding us that all things are subject to change. As a result, Rosenthal’s exhibition offers the spectator multiple points of view ranging from the subject matter, to the construction of these drawings, and what they might mean in the larger context of aesthetic consideration.”

Mia Rosenthal‘s recent exhibitions include Drawn to Nature at the Glyndor Gallery, Wave Hill, Bronx, NY, Here and Now: Prints, Drawings and Photographs by 10 Philadelphia Artists at the Philadelphia Museum of Art, and 5 to Watch at the Avery Galleries, Bryn Mawr, PA.

Mia Rosenthal, Gallery Joe

Mia Rosenthal, iPhone (Ruth), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼;  iPhone (Hope), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼

Mia Rosenthal was awarded her MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia and her BFA from Parsons School of Design in New York. Her drawings are included in the collections of the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, as well as numerous private collections. Mia Rosenthal lives and works in Philadelphia.

Mia Rosenthala little bit every day opens on February 7 and runs through March 22, 2014. The artist will be present at a reception on First Friday, February 7 from 6 – 8 pm. Regular gallery hours are Wednesday through Saturday 12 – 5:30, other days by appointment.  For additional information contact, 215.592.7752, mail@galleryjoe.com or www.galleryjoe.com

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Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

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Written and photographed by DoN Brewer except where noted.

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Artists’ House Gallery

Artists' House Gallery, Old City Arts District, Philadelphia

Dear Friends of Artists’ House Gallery,

In October, a new gallery, owned and directed by Tony Morinelli, will open at 57 N. Second Street, Philadelphia, the former premises of Artists’ House Gallery.

We are pleased that the new owner has decided to dedicate his gallery to the same mission that Artists’ House Gallery has followed for the last twenty-two years. That mission is:

“To feature the work of outstanding emerging and experienced artists, frequently from the Philadelphia area. Artists’ House offers collectors and art lovers the opportunity to purchase excellent works of art at affordable prices.”

We wish Tony Morinelli much success in his new gallery which, by special arrangement with us, will also be named “Artists’ House Gallery”. We hope that you will visit this new gallery on First Fridays, other receptions and many times to enjoy each new exhibit. We greatly appreciate the support, interest and friendship from our many friends over the past twenty-two years.

“Tony’s initial First Friday will be on October 4th, and I will be there on First Friday to assist Tony in opening his new gallery.”

You can contact the gallery at a new address: info@artistshouse.com and visit the site at www.artistshouse.com

Thank you. Sincerely,

Lorraine Riesenbach

About Artists’ House Gallery New Director

Tony Morinelli devotes his life to the various arts: music, theater, literature, painting and the art of the table. Tony holds a Ph.D. from Bryn Mawr College and has studied at the Ecole des Beaux Art, Paris, Florence Academy and at PAFA. His career has been in teaching where for the last thirty years he has variously taught Romance Languages, Art History, Philosophy, Film and Theater at The Shipley School in Bryn Mawr. As director of the Artists’ House Gallery Tony pledges himself to continue in the gallery’s tradition of offering the finest quality work at reasonable prices. Tony also looks forward to introducing new visions to Philadelphia and invites talented local artists to propose their work to the gallery.

DoNArTNeWs congratulates Tony Morinelli, Artists’ House Gallery and all of the associated artists whose artwork will continue to enliven Gallery Row in Philadelphia’s Old City Arts District.

Image from Artists’ House Gallery website

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Structures: Urban and Coastal Philadelphia/Maine

Erin McGee Ferrell, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery142 N 2nd Street, Old City, Philadelphia, PA 19106

856.979.7588 | pam@bluestone-gallery.com |  www.bluestone-gallery.com

Philadelphia, PA –  Bluestone Fine Art Gallery is pleased to present, Structures: Urban and Coastal Philadelphia/Maine by  Erin McGee Ferrell. On view at Bluestone Fine Art Gallery in Old City Philadelphia, the exhibition runs October 4th through the 26th. The Opening Reception is on First Friday, October 4th from 5 – 8pm. The Artist Reception is on Saturday, October 5th from 2-4pm and an Artist Talk is on Sunday, October 6th from 1-2pm.

Bluestone Fine Art Gallery is a vibrant member of the Old City visual arts community. Bluestone exhibits artists whose works are original, exceptional, and appropriately priced. Fine Art is exhibited amongst unique furnishing. Art enthusiasts and collectors can find the perfect, one of a kind, work of art for their home or office. Owner Pam Regan has a knack for helping clients acquire unique works by talented artists that will impress and stand the test of time.

Erin McGee Ferrell Bio 2013

After two decades of creating large oil paintings in the public, Erin McGee Ferrell decided to bring her Painting En Plein Air to the world audience via social networking. To date she has created 12 videos capturing painting on the streets of Philadelphia and South Jersey. Not only does she stand with a 4 x 5 foot hand stretched canvas in a tourist populated Philadelphia location, but also she wears ball gowns while doing this. Her painting process has evolved into performance art connecting Philadelphia tourists to the icons within the city. People around the world can watch her paint the City Hall Occupy Philly movement or the Philadelphia Art Museum from the base of the steps. She loves combining her classically rendered oil paintings with new technology and large audiences available through the web.

Erin McGee Ferrell Artist Statement 2013

My paintings are not created behind closed doors. They are created on the streets of Philadelphia and in the woods of New England. I invite you to watch me work as I stand my easel on the Ben Franklin Bridge, the Art Museum steps, and on the sidewalks of the Italian Market. Come explore the coast of Maine and the woods of New Hampshire with my easel and me. The adventure and process of creating the art is as exciting as the product. Look for me in the crowded markets, the tourists’ destinations, and famous landmarks. While my adrenaline pumps, large colorful oils on canvas are created in these people and scenery rich places. I take time-lapse photos of my canvases while I paint. Then I create videos, which are posted on Social Networks linking the subject of my art to the place it was created, and the way I depicted it. This brings my process as an artist to a world audience; virtually traveling to the Philadelphia/ Portland area and experiencing what it is like to be with my painting on the streets.

Sharing my painting process with the public is a gift, not so much for the outcome, but for the vulnerability of the process. You bore witness to my endeavor. Together we shared in the very public awareness of a private interpretation. I created a moment of pause and wonder in the business of the mundane.

Receptions are Open to the Public. For additional information please contact:

Pam Regan Bluestone Fine Art Gallery 856.979.7588 pam@bluestone-gallery.com www.bluestone-gallery.com

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Endangered

Endangered, Sarah Kaizar, 3rd Street Gallery

Endangered, Sarah Kaizar, 3rd Street Gallery

This collection of drawings represents 66 of 72 clam and mussel species currently listed as endangered. Despite the tenacity of these creatures, long term changes in the health of our waterways have caused massive declines in colony populations. – Sarah Kaizar artist statement

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

“I do these drawings on the train as a self discipline pleasure. It’s a solid hour, so, I get two hours a day to put into this work.”

What do the other passengers think?

“Most of them are sleeping.

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

What is your source material?

“I work from photographs to ensure accuracy and I do contact the photographers to get their permission to use them. Which, well, they’re endangered species, so they have done a lot of leg work to photograph them. Because they’re so rare and this is a mutual respect. Like, you have to. “

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

How long have you been working on the project?

“Since May of last year. I really, honestly, was just trying to make myself active everyday. I found this endangered species list. I don’t normally draw animals, I’m a painter. But this was a block of time I had and I wanted to be active and make myself do something.

So, I’m trying to work through the list. The project kind of emerged by accident because they really started to feel affective when you see them all together. It feels like a family. But I have an interest in Nature, things like foundations to conserve wildlife.”

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery

When you draw on the train, do you draw attention?

“In the beginning I sat in the quiet car so the people wouldn’t talk to me. (Giggles) But I don’t mind people watching, it’s just when people start to have a conversation with me I feel like I need to stop. I feel really rude if I’m like. ‘This is what I really want to be doing right now, please, don’t talk.’ But, people are generally respective, they ask a few questions. You know. It’s really not too bad.

It feels important. When you work with these environmental organizations who do these specific species campaigns and view the scope of the whole problem. It is overwhelming, like, these clams aren’t cool if you only see three of them. When you see all of them they actually start to feel like it swallows you up.”

Endangered, Sarah Kaizar, 3rd Street Gallery

EndangeredSarah Kaizar3rd Street Gallery through June 30th.

Sarah Kaizar lives in Richboro, Bucks County and works in Philadelphia as a web producer for WHYY. She holds a BFA from Tyler School of Art (2007), an Associates Degree in Marketing, and a Certificate in Web Design & Multimedia from Bucks County Community College (2009 & 2010). Sarah has been a full member of the 3rd Street Gallery in Old City, Philadelphia since February 2012.

Also, Natural Wonders, paintings by Yeoun Lee at 3rd Street Gallery

Written and photographed by DoN Brewer except where noted.

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