Tag Archives: Philadelphia Artist

Mia Rosenthal

Mia Rosenthal: a little bit every day

Mia Rosenthal, Gallery Joe

Mia Rosenthal, Life on Earth [detail], 2013, ink on paper, 38 x 55 inches (irregular)

Gallery Joe, 302 Arch Street, Philadelphia, PA, 19106, February 7 – March 22, 2014. Opening Reception: Friday, February 7, 6:00-8:00pm

Philadelphia, PA – It is with great pleasure that Gallery Joe announces a little bit every day, Mia Rosenthal‘s second solo show of drawings. The show opens February 7 and runs through March 22, 2014. The opening reception will take place on First Friday, February 7 from 6 – 8 pm.

In a little bit every day Mia Rosenthal observes her own personal process of making art, from daily encounters with her computer gathering information for her work, to personal reflections on how life itself miraculously unfolds “a little bit every day.”

The centerpiece of the show is a large drawing titled Life on Earth, a spiraled work of 1,000 creatures, beginning with a single-celled organism 3.8 billion years ago, and moving through time to early ocean life, plants, mammals, dinosaurs, primates, and the domestication of plants and animals through genetically modified organisms and synthetically created life forms. Her source material comes from Wikipedia and other Internet sources where she conducts research and finds imagery.

Of this new body of work artist Todd Keyser writes,

“Rosenthal sets out to re-engage the spectator with an ‘open inquiry’ by presenting the spectator with her own practice, which incorporates both its avant-garde roots and traditional handcraft. Mia Rosenthal’s Life on Earth is an affirmation of life itself, while also simultaneously emitting the symbol for entropy, reminding us that all things are subject to change. As a result, Rosenthal’s exhibition offers the spectator multiple points of view ranging from the subject matter, to the construction of these drawings, and what they might mean in the larger context of aesthetic consideration.”

Mia Rosenthal‘s recent exhibitions include Drawn to Nature at the Glyndor Gallery, Wave Hill, Bronx, NY, Here and Now: Prints, Drawings and Photographs by 10 Philadelphia Artists at the Philadelphia Museum of Art, and 5 to Watch at the Avery Galleries, Bryn Mawr, PA.

Mia Rosenthal, Gallery Joe

Mia Rosenthal, iPhone (Ruth), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼;  iPhone (Hope), 2013, ink, pencil and gouache on paper, 4 ½ x 2 ¼

Mia Rosenthal was awarded her MFA from the Pennsylvania Academy of the Fine Arts in Philadelphia and her BFA from Parsons School of Design in New York. Her drawings are included in the collections of the Philadelphia Museum of Art and the Pennsylvania Academy of the Fine Arts, as well as numerous private collections. Mia Rosenthal lives and works in Philadelphia.

Mia Rosenthala little bit every day opens on February 7 and runs through March 22, 2014. The artist will be present at a reception on First Friday, February 7 from 6 – 8 pm. Regular gallery hours are Wednesday through Saturday 12 – 5:30, other days by appointment.  For additional information contact, 215.592.7752, mail@galleryjoe.com or www.galleryjoe.com

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Karmic Choices

Karmic Choices: How Making the Right Decisions Can Create Enduring Joy – by Djuna Wojton

“Open up to more satisfaction in your life, from career and relationships to your own self-expression. With Karmic Choices: How Making the Right Decisions Can Create Enduring Joy, you’ll release the blocks that keep you immobilized and create an exciting and productive life you’ll love. By connecting with your soul awareness through exercises, questionnaires, and the three-step karmic pattern formula, this book will help you:

  • Heal old issues and go beyond self-imposed limitations?
  • Design new strategies and goals for a fulfilling future
  • Get support from friends, family, and professionals
  • Develop your intuition and access soul wisdom
  • Take actions that positively impact the world

By sharing her new perspective on the laws of karma and attraction, Djuna Wojton helps you to fully manifest the life you desire. Discover how you can incorporate a variety of helpful modalities, including yoga sutras, meditation, energy work, and more. When you follow the three steps—clarify, clear, and create—you’ll be more satisfied with your life than you ever imagined possible.” – Amazon.com

“Reiki (霊気?/ˈrk/) is a spiritual practice[1] developed in 1922 by Japanese Buddhist Mikao Usui, which has since been adapted by various teachers of varying traditions. It uses a technique commonly called palm healing or hands-on-healingas a form of alternative medicine and is sometimes classified as oriental medicine by some professional medical bodies.[2] Through the use of this technique, practitioners believe that they are transferring universal energy (i.e., reiki) in the form of qi (Japanese: ki) through the palms, which they believe allows for self-healing and a state of equilibrium.[3]

There are two main branches of Reiki, commonly referred to as Traditional Japanese Reiki and Western Reiki. Though differences can be wide and varied between both branches and traditions, the primary difference is that the Westernised forms use systematised hand-placements rather than relying on an intuitive sense of hand-positions (see below), which is commonly used by Japanese Reiki branches. Both branches commonly have a three-tiered hierarchy of degrees, usually referred to as the First, Second, and Master/Teacher level, all of which are associated with different skills and techniques.” – wikipedia

Djuna Wojton is a Philadelphia based author, artist, dancer, reiki master and radio personality offering advice, workshops and mindful healing sessions. Congratulations Djuna for publishing your second self-help book.

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My Photo Day

DoN Brewer, Dollar Store, Philly Photo Day

DoN Brewer, Dollar Store, digital photograph, Philly Photo Day, October 18th, 2013

Philly Photo Day is a Social Practice photography public art project that is easy and fun to do as a participant and beneficial to the image Philadelphia displays to the world. The goal is to capture a visual portrait of Philadelphia with a social media campaign encouraging public participation through photography. Social practice as an art form creates a unique meandering narrative that utilizes the energy and ideas from the public at large to make ideas grow big. Endless combinations of stories based on the random nature of the photographs are possible.

The Philadelphia Photo Arts Center is the conduit and curator of the event – simply take a photo in Philly on October 18th and upload it to their website, for free, by the following Monday. Every entry is printed in a vast display of hundreds of images of Philadelphia taken by photographers on that one calendar day creating an exciting interactive social experience.  Philly Photo Day Gallery at 120 North 3rd Street, Philadelphia through December 28th, 2013.

October 18th, 2013 was a sunny day, perfect for a walk to the river with Katy the Art Dog. We walk past the Dollar Store almost everyday on the way to the dog park, I can see it in my head, but that day the shipping carts were all lined up after a delivery and I spotted this pattern about consumerism. My plan was to take lots of pictures all day, and the heightened excitement of looking for pattern recognition that is very Philadelphian felt strong and sensitive.

Katy and I walked through Fitler Square towards the Schuykill River, at the Southern tip of the park is a restaurant called Gavins, the ‘Ladies Only‘ sign has a vibrating meme about social norms and women’s history. The last lunch I had with mentor Francis Tucker was at Gavin’s, he paid for our soup and Argentine pastries while we talked about art. Places in Philadelphia are layered with memories that render emotional responses in nuanced and evocative images. When confronted with legacy the message is the massage.

DoN Brewer, Philly Photo Day

DoN Brewer, Ladies Entrance, digital photo, October 18th, 2013

DoN Brewer, Philly Photo Day

DoN Brewerr, Pug Guard Dog, digital photo, October 18, 2013

The light effect on my Pug Guard Dog with the big ball is naturally weird and the experience was a bit noisy. That dog would not stop barking. But, I was on a photo safari and I braved the barking – Katy by my side – and captured a little story of the Pug defending the iron gate to his territory.

DoN Brewer, Philly Photo Day

DoN Brewer, Light from Yonder Window, digital photograph, 10/18/2013. $175.00

One of my things, work that I’m known for, is a series of photographs called ‘light beings‘. I look for reflections of sunlight onto urban surfaces from windows. This picture captures the source of the reflection, glass windows. Light reflects off the windows onto Philly’s famous stucco walls. I didn’t enter this one in Philly Photo Day but I did enter it into a show at Off the Wall Gallery at Dirty Franks with the title Coupling. Even though I was part of the jury panel I entered anyway, I like being part of the annual juried art shows there, and took my chances. When my five entries came up for review I left the room and the other four jurors voted in two of my photographs. Both of my entries were from my Philly Photo Day shoot. Including the one below, Holding Hands, digital photograph, 11″ x 14″, 16″ x 20″ framed, $175 at Off the Wall Gallery at Dirty Franks.

Proceeds of the sale of my framed photograph, Light from Yonder Window, in the Coupling show at Dirty Franks go towards the Sunshine Arts Foundation. The Coupling show is amazing with a display of contemporary art created expressly for a theme by truly fine artists, it’s such an authentic honor to be part of this extraordinary group show. Being on the jury panel is an interesting story, too. I’ll write a post about the experience soon.

The Social Practice aspect of group art shows is very energetic and Off the Wall Gallery at Dirty Franks has a wonderful symbiosis with their local artist’s community. I also included Light from Yonder Window in my 11″ x 17″ folded one-sheet book, light beings, for RiTUAL Reading Room at 110 Church Gallery, $75.00.

DoN Brewer, Philly Photo Day

DoN Brewer, Holding Hands, digital photograph, Philly Photo Day 2013 and Coupling, 9th Annual Juried Art Show at Off the Wall Gallery at Dirty Franks

On October 18th, 2013, Philly Photo Day, I visited a dear friend at Pennsylvania Hospital, the oldest hospital in America, a warren of hallways and odd turns, swinging doors and curved paths that expresses the history and change of medical care architecturally. My friend was out of the Intensive Care Unit but her condition was very frail. I sat with her while Wheel of Fortune played silently on the TV and we just held hands.

Helen was a good friend to me. She was the lady who had all the neighbors house keys or was there to accept packages. She knew all the news about the neighbors and shared stories of mayhem, mischief and mystery as well as tidings of joy. This image captures our love and I will be forever grateful for those last moments together. My friends, it was really hard to watch the fading of a life, the terrible turn of events, but now I have experienced the realness, the liveness of the moments we are living in a way that will influence me forever.

I decided to use Holding Hands as my sole entry into the exhibit Philly Photo Day 2013 show because of the composition of the blanket folds and skin wrinkles and the empathetic narrative image of a day in the life of two old friends. Holding Hands was chosen by the jury at Philly Photo Day 2013 to be displayed on one of forty billboards throughout the city. The billboard with Holding Hands is located on Washington Avenue near 9th Street, near the Italian Market. When I saw the billboard my heart raced, I felt such happiness and joy, it was like a wonderful gift from Helen. Although she would have wanted her fingernails manicured, the image of generational shift and change is imbued in the lines of the picture, making up the connections of two friends in a pattern that touches the spirit and heart.

DoN Brewer, Philly Photo Day

DoN Brewer, Holding Hands billboard at 9th Street and Washington Avenue, Philly Photo Day 2013

Philadelphia Photo Arts Center is also generously including Holding Hands in a group show of 175 images selected from the Philly Photo Day exhibit at the Philadelphia Airport for six months in 2014. Purchases of the print from Philadelphia Photo Arts Center are being donated to them as my thanks for their service to the Philadelphia arts community. Being part of the group show is a thrill in itself, no kidding, but the organization provides exceptional education about photography to the community that is truly beneficial to everybody.

I have made wonderful connections and friendships by being in this annual show. To have a photograph that I took in an intimate moment of a special personal relationship to be expressed in public in such a big way makes my heart burst with joy. Philly Photo Day made me look at the world a little closer for a day, the effort to examine my surroundings for beauty resulted in recognition of my creative vision of art and I feel gratitude for the embrace of the Philadelphia arts community for my efforts.

Here’s the link to the Philly Photo Day Billboard map. The exhibit of all 15,000 plus photographs is on display at Philly Photo Day Gallery at 120 North 3rd Street, Philadelphia through December 28th, 2013.

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Written and photographed by DoN Brewer.

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Art in the Open 2014

Art in the Open, CFEVA

Art in the Open Application now due January 3rd, 2014

Professional artists working in all media are invited to participate in Art in the Open 2014. From Friday, May 16 through Sunday, May 18, 2014, artists will use Philadelphia’s Schuylkill River Banks as their studio space, creating new works of art ‘outside, on-site.’

Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city’s natural and urban landscapes. Using the Schuylkill River Banks Park as studio space, participating artists will have the opportunity to explore new or extend current working methods, develop process-oriented projects, and respond to a compelling intersection of urban and natural spaces in the public realm. Selected artists will have the opportunity to participate in complementary programming, public engagement events, and to exhibit artwork created during AiO in the gallery at The Center for Emerging Visual Artists. For more information about the event and to view a gallery of AiO 2012 artists visit http://www.artintheopenphila.org.

 AiO Statistics:
• 8-12,000 visitors per year (on the Schuylkill Banks)
• 30+ Organizational Partners 25 Related programs off and on-site

2014 Art in the Open Jurors 
 
Gerard Brown Tyler School of Art at Temple University’s Center for the Arts 
Harry Philbrick Pennsylvania Academy of the Fine Arts Museum,
 Christine Pfister Pentimenti Gallery, 
Theresa Rose, FringeArts
.

Final application deadline is January 3, 2014. Local, national and international artists are invited to apply.
 To apply visit  https://cfeva.slideroom.com/#/login/program/17400 or

CLICK HERE TO APPLY

For more information or questions, contact Genevieve Coutroubis at Genevieve@cfeva.org.

Juror Information

Gerard Brown writes about art and makes pictures about language. His work has been exhibited in group- and one-person shows nation-wide. As an   independent curator, he has organized exhibitions throughout the Philadelphia region and has been the recipient of a Pennsylvania Council on the Arts Grant in Visual Arts Criticism. He earned his BFA from Boston University and his MFA from the School of the Art Institute of Chicago. He is currently an Assistant Professor and the Chairperson of Foundations at the Tyler School of Art at Temple University’s Center for the Arts.

Christine Pfister studied at Christie’s Education at Christie’s in New York and since 1995 she has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia. She has given many lectures, and participated on panels, in the Philadelphia area. Lectures/panels include the University of Pennsylvania, the University of the Arts, the American Association of Museums, Pennsylvania Academy of the Fine Art, Moore College of Art & Design, Kutztown University, Kutztown, and more. She is active in a variety cultural organizations including CFEVA, ArtTable and the Maurice Rohrbach Fund.

Pentimenti Gallery exhibits contemporary art by emerging to mid-career artists. The gallery’s exhibitions were reviewed in major magazines and newspapers, such as Art in America, The Art Economist, Timeout New York, the Brooklyn Rail, USA Today, Philadelphia Style Magazine, Philadelphia Inquirer, and more. The gallery has exhibited nationally at various art fairs: Pulse NY, Volta NY, Texas Contemporary, Miami Project and CONTEXT Art Miami.

Harry Philbrick, Edna S. Tuttleman Director of the Pennsylvania Academy of the Fine Arts Museum, directs a museum known internationally for its collections of 19th- and 20th-century American art. The museum’s archives house important materials for the study of American art history, museums, and art training.  Mr. Philbrick is spearheading a revived engagement with contemporary art at PAFA, creating a substantial endowment to rekindle the Museum’s program of actively collecting contemporary art and curating an ambitious series of contemporary exhibitions.  Under his guidance the Museum will open a dedicated Works on Paper Gallery in September, 2013.

Mr. Philbrick has twenty-plus years of experience in museum management, exhibition curation, development, and educational programming and was the Director of The Aldrich Contemporary Art Museum from 1996 – 2010.  Mr. Philbrick furthered The Aldrich’s mission of exhibiting provocative and significant contemporary art and establishing education programs that serve as national models in museum education. Mr. Philbrick received his Master of Fine Arts from London University’s Goldsmiths’ College.  His own artwork has been exhibited in the United States and the United Kingdom.

Theresa Rose is currently the Visual Arts Program Director for FringeArts. From 2007-2012, Rose was Public Art Project Manager for the City of Philadelphia Office of Arts, Culture & the Creative Economy where she managed the Percent for Art program and lead the City’s first temporary public art commission, Soil Kitchen, by the artist team Futurefarmers. Independently, Rose is the founder and one of the organizers of Philly Stake, a micro-granting program for relevant & creative community engaging projects. She is also a Knight Foundation grantee for her upcoming participatory art and food series entitled Operation Food for Thought. Prior to her employment at FringeArts and city government; Rose worked on several projects as an independent curator and artist including exhibitions at Crane Arts, Seraphin Gallery and Little Berlin. She received her MFA from the Pennsylvania Academy of Fine Arts, where she co-chaired the Visiting Artist Lecture Series Program. 

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Dora Ficher

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

 “Every painting starts with a grid. The vertical and horizontal lines calm my active brain and provide a structure on which to work.

I often paint within the cells of the grid before tying everything together. Because I use encaustic, I work slowly and deliberately. Building up sticky, fragrant layers of wax forces me to be present. This meditative process is as important as the end result.

Autobiographical stories on paper are encased inside the waxy pigment. The layers of narrative and paint parallel the layers of energy from daily life. Abstract shapes, patterns, and vivid color recall cherished memories of my native Argentina.” – Dora Ficher artist statement

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Bluestone Fine Art Gallery is located at 142 N. 2nd St. Philadelphia, PA 19106 on Gallery Row with a lovely storefront and a gallery for group shows on the lower level. The current show in the main gallery is a one-person show of encaustics by artist Dora Ficher.

Encaustics is an ancient form of painting dating back from around 100 – 300 AD using bees wax and pigment to create layers of color that literally endures for centuries. Encaustic art has seen a resurgence in popularity since the 1990s with people using electric irons, hotplates and heated stylus on different surfaces including card, paper and even pottery. The iron makes producing a variety of artistic patterns easier. The medium is not limited to just simple designs; it can be used to create complex paintings, just as in other media such as oil and acrylic. – Wikipedia

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher and DoN chatted about her art during November’s First Friday art crawl in Old City. I asked her about using encaustics and where she works? I wondered if it was dangerous.

“It depends if you use if safely. I have my whole studio set up with a window fan and I have ventilation. You have to be safe with it. I use bees wax and pigment, I warm them up and I even use a torch to fuse it. My studio is at 915 Spring Garden Street.”

I know that place! There are so many great artists there, it must be inspiring?

“Oh, yeah!. We had a bunch of the artists come by today, they’re very supportive.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I asked Dora Ficher to explain her inspiration for the colorful artworks.

“My inspiration is mostly from growing up in Argentina. The colors, the people there. of Buenos Aires, are so inspiring. I love color, I get inspired by color, by houses, by doors…and when I travel I love looking at what goes on behind those doors. Some of my paintings have doors and there are things collaged into the background.”

Dora’s father was a musician and if you look closely you can see bits of his music scores embedded in the layers of wax. The poetry of the line, color and context is very invigorating and is a bold blast of brightness to lighten our shortened wintery days.

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

I told Dora that a bunch of Philadelphians, including Charles Cushing, are visiting Buenos Aires ostensibly to paint but were mostly partying every night at the Tango Malongas.

“Of course! When you’re there you don’t have dinner until 11:00 at night and go dancing at midnight, if you go at nine or ten o’clock there’s no one. It is a wonderful place. It’s a lot of fun and the city is very colorful. And I think that’s where I get all my color. I tried to do things that were a little lighter but I always go back and use the same colors.”

Dora Ficher, EncausticsDora Ficher, Encaustics, Bluestone Fine Art Gallery

Dora Ficher showed me her iPhone case with one of her designs on it, bright and colorful like her paintings.

“I have a company that licenses my work now, Dianoche Designs, and they are licensing my images and making them into pillows and other products. It’s fun! I do all the encaustics in my studio, at home I do a lot of watercolor and pen and ink. They’re small and that’s what they’re using, mostly. I can go more into detail with that.”

How did you meet Pam Regan of Bluestone Fine Art Gallery?

“I met Pam through Alyson Stanfield, author of I’d Rather Be in the Studio: The Artist’s No-Excuse Guide to Self-Promotion. She’s unbelievable, I just got back from Colorado for a conference with her. I taught for about thirty years, I taught art in an elementary school and about four or five years ago I decided to leave teaching and I started doing this full time.And I didn’t know where to start. I found the book, I went to a lot of her live workshops and on-line classes and I met Pam when Alyson came here to Philadelphia. She was here exactly two years ago. She’s unbelievable!”

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Written and photographed by DoN Brewer except where noted.

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