Tag Archives: Philadelphia photography

PHOTO

The Photo Review Benefit AuctionAUCTION TO BENEFIT THE PHOTO REVIEW, Vintage and Contemporary Work by an International Who’s Who of Photography Up for Bid

LANGHORNE, PA–The Photo Review, a critical journal of photography, will hold its Annual Benefit Auction on Saturday, October 11, 2014, at 7 p.m. at Hamilton Hall, University of the Arts at Broad and Pine Streets in Philadelphia, Pennsylvania.

The event will feature an international slate of photographers as well as a host of Philadelphia artists. Beginning and experienced collectors alike will have the opportunity to bid on work by such historic masters as Charles Aubry, Édouard Baldus, Antonio Beato, Charles Bierstadt, Karl Blossfeldt, Samuel Bourne, Brassaï, Anne Brigman, Edward S. Curtis, Madame D’Ora, Baron De Meyer, Frank Eugene, Frederick Evans, Arnold Genthe, Mario Giacomelli, Elias Goldensky, F. Jay Haynes, William Henry Jackson, Inge Morath, Wm. Notman & Son, Ruth Orkin,Edward Steichen, Josef Sudek, Isaiah West Taber, Wilhelm von Gloeden, and Stanislaw Walery.

Among the contemporary photo stars whose work will go on the block are Mariette Pathy Allen, Bill Bernstein, Gay Block, Andrew Borowiec, Douglas Busch, Barbara Crane, Jeff Curto, Bruce Davidson, John Dugdale, Chris Earnshaw, James Fee, Harold Feinstein, Fran Forman, Joy Goldkind, Lois Greenfield, Robert Hirsch, Michael Kenna, David Lebe, Helen Marcus, Joe Mills, Sebastião Salgado, Lynn Saville, Aline Smithson, Harvey Stein, George Tice, Hiroshi Watanabe, and Dimitris Yeros.

Featured local luminaries include Justyna Badach, Andrea M. Baldeck, John J. Carlano, Paul Cava, Paula Chamlee, Gerald Cyrus, Sandra C. Davis, Edmund Eckstein, Susan Fenton, Larry Fink, David Graham, Catherine Jansen, Bruce Katsiff, Andrea Modica, Stuart Rome, Laurence Salzmann, Thomas John Shillea, Michael A. Smith, Christine Welch, William Earle Williams, and Stanley Wulc.

In addition, a broad range of 19th-century and vernacular photographs is up for bid, including one of H. A. Atwell‘s famous circus photographs. According to The Photo Review editor Stephen Perloff, prices will range from $50 to $7,000. A silent auction, concurrent with the live auction, will feature photography equipment and supplies, museum memberships, theater tickets, books, certificates for photo classes, restaurant meals, etc. Lodima Archival Materials has provided matting for Photo Review auction items.

The Photo Review will present Project Basho with The 2014 Photo Review Award for Services to the Field of Photography, at a reception from 6 to 7 p.m. on October 11, immediately preceding the auction.

A preview will be held at the University of the Arts on Friday, October 10, from 11 a.m. to 5:00 p.m., and on Saturday, October 11 from 11 a.m. to 6 p.m., just prior to the auction. Proceeds from the auction, a popular event since 1981, fund such activities as an annual juried competition for emerging photographers. The auction will also feature an open bar and live jazz by the Julian Hartwell Trio. Admission is $20 general, $15 students and includes the fully illustrated catalog. The catalog is also available through The Photo Review, 215-891-0214. Buyers may preview the live and silent auction online and place bids at http://www.photoreview.org/auction.htm.

The Photo Review

“Founded in 1976, The Photo Review is a critical journal of photography that covers events around the world and serves as a central resource for the Mid-Atlantic region. The quarterly journal contains reviews, portfolios, interviews, book reviews, and news, while the companion newsletter, issued eight times a year, contains the most complete exhibition listings from New York to Washington, DC, and northern Virginia, and now also California, and exhibition opportunities and news from around the world. Subscriptions are $45 a year.”

PHOTO AUCTION TO BENEFIT THE PHOTO REVIEW

  • What:  Annual Benefit Auction In support of The Photo Review
  • When:  Saturday, October 11, 2014 at 7 p.m. Auction admission with purchase of catalogue ($20).
  • Where: Hamilton Hall, University of the ArtsBroad and Pine Streets, Philadelphia
  • Featuring: 240 photographs by an international slate of photographers
  • Price range:  $50 to $7,000
  • Preview:  Friday, October 10, from 11 a.m. to 5:00 p.m. Saturday, October 11, from 11 a.m. to 6 p.m. (prior to auction)
  • Catalog:  Fully illustrated catalog available for $12.
  • On-line:  Preview or bid at www.photoreview.org.
  • Proceeds:  Support activities of The Photo Reviewincluding the annual juried competition for emerging photographers.
  • Contact: Stephen Perloff:  215-891-0214, info@photoreview.org, www.photoreview.org.

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#PSoP152

Photographic Society of PhiladelphiaThe Photographic Society of Philadelphia will be presenting their annual members exhibition at The Plastic Club in October 2014.

Opening Reception: Sunday October 5, 2014, 1:00 to 5:00pm

Additional Receptions:

  • Sunday October 12, 2014 1:00 to 5:00pm
  • Sunday October 19, 2014 1:00 to 5:00pm
  • Tuesday October 21, 2014 6:00 to 9:00pm

“The Photographic Society of Philadelphia* is the oldest active photography society in the country. We have been looking at the world through the camera lens since 1860!

Photography has dramatically evolved since 1860.  Back then the techniques of photography were limited to a few. Photographers developed their own processes, grounded their own lenses, made their own cameras and tripods.  “Instant” could be many minutes, images were captured on glass plates and slowly teased into visibility, and the lightest camera still weighed many pounds.  But such was the “cutting-edge technology” of the time.” Photographic Society of Philadelphia

Photographic Society of Philadelphia at The Plastic Club

“Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.

The name ” Plastic Club,” suggested by Blanche Dillaye, referred to any work of art unfinished, or in a “plastic” state. The term also refers to the changing and tactile sense of painting and sculpture.” – The Plastic Club

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Devastated

Vincent D. Feldman at PSoPVincent D. Feldman, Dignity for the Devastated, Photographic Society of Philadelphia at The Plastic Club, 247 South Camac Street, Philadelphia, Tuesday, September 16th at 7:00pm, Guests are welcome.

Vincent D. Feldman author of City Abandoned: Charting the Loss of Civic Institutions in Philadelphia speaks about his photography at the monthly membership meeting of the Photographic Society of Philadelphia at The Plastic Club.

Vincent D. Feldman, a lifelong resident of Philadelphia, has been photographing architecture and the urban landscape for three decades. In the early 1990s his photography came to concentrate on the conflicts and questions that often surround historic buildings in Philadelphia. Feldman’s photography helps uncover the stories attached to buildings, thus revealing the nature of the societies in which these structures were built—and then neglected.

Feldman received a Pew Fellowship in the Arts in 2001. His work is held in the Philadelphia Museum of Art and in museums and private collections internationally. He is a Master Lecturer in photography at the University of the Arts.” – Vincent D. Feldman website

“The Photographic Society of Philadelphia is the oldest active photography society in the country. We have been looking at the world through the camera lens since 1860!”

Since 1897, The Plastic Club has been devoted to the promotion and preservation of the visual (plastic) arts in Philadelphia. The busy gallery schedule offers several annual exhibitions for members and non-members, as well as invited artists in solo and group exhibitions. Members include well-known Philadelphia artists.”

The Photographic Society of Philadelphia will be presenting their annual members exhibition at The Plastic Club in October 2014. 

Opening Reception: Sunday October 5, 2014 1 to 5pm

Additional Receptions:

  • Sunday October 12, 2014 1:00 to 5:00pm
  • Sunday October 19, 2014 1:00 to 5:00pm
  • Tuesday October 21, 2014 6:00 to 9:00pm

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New Sight

New Sight, THREENINETEENOpening Friday SEPTEMBER 5th through OCTOBER 18 2014, 6:00 – 9:00pm

NEW SIGHT, A JURIED ART EXHIBITION to be held at THREENINETEEN, the street level gallery space at 319 N. 11th Street, in the expanding Callowhill neighborhood of Philadelphia.

Juried and Curated by internationally known visual artists SARAH MCENEANEY and ZOE STRAUSS. The show aims to shed light on the role of the arts in changing communities especially in urban environments, and supports the transformation of the Reading Viaduct/Rail Park. Sarah and Zoe selected a dynamic group of works which without directly referencing the Viaduct Rail Park, collectively speak to decay, re-birth and the materiality of the post industrial world and the personal neighborhoods that we live and work in. Each piece expresses a sense of space and place through varying means such as construction of found objects, watercolor depictions of trash or sculptures honoring what was once discarded. The show carries a message that beauty exists under our feet in places we have passed by many times, and have looked at before but have never really seen. And the show also emphasizes the truth that artists have an essential role in our cities – being most often the ones to see this beauty in the worn and broken first, and to translate that message to the world through their work and the cultivation of their environments.

Most of the artists represented in the show were new to the jurors; reinforcing the fact that the art community in Philadelphia is vital and continually growing. NINE ARTISTS were chosen,  including: Katie Dillon Low, EJ Herczyk, Michael Kuetemeyer, Joseph Opshinsky, Gerri Spilka, Sabina, Tichindeleanu, Dot Vile, Joan Wadleigh Curran, and Daniel Petraitis.

A portion of proceeds from sales of the work will go to benefit ‘Friends of the Rail Park’.

ABOUT FRIENDS OF THE RAIL PARK: THE RAIL PARK

Friends of the Rail Park is a 501(c)(3) nonprofit organization founded to cultivate visions and advocate for a continuous three-mile linear park and recreation path in Philadelphia, connecting many neighborhoods and cultural institutions to Fairmount Park along the historic elevated Reading Viaduct and City Branch rail cut of the former Philadelphia and Reading Railroad.

ABOUT 319 N. 11TH STREET

THREENINETEEN This new street level creative space will open it’s doors to the public with the premier of the NEW SIGHT exhibition. Located in the same building as VOX Populi and others, the gallery, nurtured by Savery Design, sits directly across from Phase I of the Reading Viaduct in the middle of the Callowhill neighborhood.

ContactTHREENINETEEN info@319North11thstreet.com (267) 687- 7769

GALLERY HOURS Wednesday – Sunday 11:00am to 6:00pm

www.319north11thstreet.com

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Synthesis

Synthesis, Photographs by John Singletary

Synthesis – Photographs by John Singletary included in group show at the LG Tripp GallerySynthesis #2, Pigment Print from 4 x 5 Negative, 54″ x 40″

LG Tripp Gallery, 47 North 2nd Street, Philadelphia, PA 19106, 215.923.3110

RSVP 2014 Exhibition through August 16th, 2014. Gallery Hours: Wednesday 12:00-5:00 PM, Thursday-Saturday 11:00-6:00 PM, Tuesday by appointment only. The Gallery is open to the public free of charge.

Philadelphia based photographer John Singletary will be showing work as part of the R.S.V.P. 2014 group exhibition at the LG Tripp Gallery.

Synthesis, Photographs by John Singletary

Synthesis – Photographs by John Singletary included in group show at the LG Tripp GallerySynthesis #8, Pigment Print from 4×5 Negative, 44″x40″

“Synthesis” is a series of large scale pigment prints created by combining darkroom chemistry with more exotic elements in solutions and using a 4×5 view camera to photograph the often unpredictable reactions that unfold. The resultant images are gestural, calligraphic forms whose textures and fractal-like patterns are reminiscent of the endlessly repeating structures in nature that exist on multiple scale levels from the sub-atomic to the universal; a reflection of the complex architecture of our universe.”

John Singletary is a Philadelphia based photographer who trained formally at Drexel University and the Community College of Philadelphia and has exhibited work in the Pennsylvania State Museum, The Center for Fine Art Photography, The Photo Review, University of the Arts Gallery 1401, The Seeds Gallery, The Perkins Center for the Arts and other venues.

Synthesis, Photographs by John Singletary

Synthesis – Photographs by John Singletary included in group show at the LG Tripp GallerySynthesis #17, Pigment Print from 4 x 5 Negative, 55.5″ x 40″

RSVP4, LG Tripp Gallery

RSVP4, LG Tripp Gallery

Each summer LG Tripp Gallery is pleased to mount its summer invitational, RSVP. The selected artists share technical maturity and a commitment to abstraction. Working in diverse media with individualized processes and styles, and coming from different levels of exhibition experience, art education and artistic career, their pursuits take many forms. Their works hang throughout the gallery in a focused but lively conversation.

RSVP 2014 showcases thirteen artists from Philadelphia and the surrounding regions. Twelve are exhibiting at LGTripp for the first time. On exhibit are paintings by Lynn Denton, William DiBello, Karen Freedman, Albert Fung, and Tim Ruffin; installations by Raphael Fenton-Spaid (solo 2011) and Laura Sallade; sculpture by Lori Evensen; prints by William Phelps Montgomery and Kenneth Schiano; photographs by Lori Evensen, Stuart Lehrman, John Singletary, and Andrew Tomasulo.

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