Tag Archives: University of the Arts

Warbler Migration

Deirdre Murphy and Scott White

Deirdre Murphy and Scott White, Warbler Migration

Wife-husband collaborators and UPenn School of Design faculty Deirdre Murphy
and Scott White recently completed a 5 by 25 foot sculpture that was installed last month in the burgeoning Silicon Valley city of Dublin, CA.

The project, which took nearly two years to complete, combines Murphy’s fine arts expertise and climate science research with White’s unique knowledge of digital modeling and 1930’s car design. Murphy and White will be discussing the groundbreaking project at UArts’ Design Philadelphia event this October, detailing their unusual design and build process—an integration of traditional and digital fabrication techniques.

Warbler Migration was inspired by a shy species that resides in the Dublin ecosystem, and one which Murphy developed a particular fondness for in the course of her research. She has been researching the effects of global warming on bird migration for several years, using the visual data that scientists share with her to conceptualize and execute her paintings. The couple sees the opportunity to create environmentally-aware public art as an especially fulfilling one because of the potential to touch so many lives.

“Climate change has created new flight patterns; birds are staying in their summer homes longer, depleting the food supply they rely on to fuel their autumn journey,” says Murphy. “As educators, it’s important for us to share this knowledge. Embedding information about climate change in our art is a softer way to reach a broader audience.”

It was White’s task to take Murphy’s mesmerizing depictions of flocking birds and activate them into 3D space, which he did by digitally designing, then hand cutting and assembling more than 500 aluminum plates into a handcrafted hyperbolic curve.

Murphy’s and White’s presentation will take place Monday, October 9 at 6.30 at 211 South Broad Street, Terra Hall, room 511/513. Process art from Warbler Migration will be on display, along with the Industrial Design NOW exhibition prior to the presentation, from 5:00-6:30. The event is free and open to the public.

Deirdre Murphy and Scott White

Deirdre Murphy is an adjunct professor of fine arts at the University of Pennsylvania. Her work has been shown nationally and internationally, at institutions including the Philadelphia International Airport, New Bedford Museum, Tacoma Art Museum, University of Pennsylvania and Pennsylvania Academy of Fine Art. She is the recipient of numerous awards and grants, including a Pennsylvania Council for the Arts Fellowship and a Leeway Foundation award, and is represented by the Gross McCleaf Gallery in Philadelphia; her work can be viewed at www.deirdremurphyart.com.

Scott White is a senior lecturer in animation at the University of Pennsylvania. His sculpture, animation, and designs have been shown nationally and internationally at venues including Design Philadelphia, Philly Works, Woodmere Art Museum, Gross McCleaf Gallery, and the Abington Art Center. Scott has been a visiting artist at institutions such as Philadelphia University, Moore College, and Wilmington University, Simeone Foundation Automotive Museum and is the owner and operator of Preservation Coachworks LLC.

Thank you to Christina Cook, Media Relations, Deirdre Murphy Art for the content of this post.

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Transformations, Main Line Art CenterTransformations At Main Line Art Center

 2016 Meyer Family Award for Contemporary Art Recipients: Matthew Courtney (Philadelphia), Sun Young Kang (Bryn Mawr), Zahra Nazari (New York)

Curated by: Amie Potsic, Executive Director of Main Line Art Center through April 17, 2016

Artist Workshops:

Throwing Forms, Building Sculpture | Matthew Courtney | Tues., April 5, 1-6 pm
Persian Reverse Glass Painting | Zahra Nazari | Sun., April 10, 1-4 pm
Book-Making: 1 Sheet of Paper, 5 Ways | Sun Young Kang | Sat. & Sun., April 16-17, 9:30 am- 12:30 pm

Main Line Art Center in Haverford is proud to announce Matthew Courtney (Philadelphia), Sun Young Kang (Bryn Mawr; 2015 Finalist), and Zahra Nazari (New York) as the 2016 recipients of the Meyer Family Award for Contemporary Art.  Selected by Members of Main Line Art Center’s Board of Artistic Advisors and Executive Director through a highly competitive application process, Courtney, Kang, and Nazari will be featured in Transformations, the 12th Annual Betsy Meyer Memorial Exhibition, on view at Main Line Art Center through April 17.

Masters of their primary mediums and inspired by cultural specificity, each artist expands their artistic practice to embrace installation with works that fully engage the audience in constructed objects, the spaces they inhabit, and the concepts they conjure. Through painting, ceramic sculpture, and paper arts, the artists transform, not only their own materials, but the galleries themselves into unexpected environments that dance between the evident and the ethereal.

Now in its twelfth year, Main Line Art Center is proud to present an annual exhibition in memory of Teaching Artist Betsy Meyer featuring the work of forward-thinking artists who are pushing boundaries within their artistic practice. As an artist, Betsy exemplified what is most exciting about engaging with the artwork of living artists: watching them experiment with their media and tackling complicated and tough subjects. As a teacher, she encouraged her students to follow her example and expand their practice into new frontiers. And finally, as a member of the board and exhibition committee, she assured that the Art Center was there for the artistic community of Philadelphia.

The Meyer Family Award for Contemporary Art, presented by Main Line Art Center in conjunction with the Betsy Meyer Memorial Exhibition, consists of an award of $1000 and a solo exhibition to each selected artist. This award and associated exhibition program is an effort to support the talented contemporary artists in the region, to honor deserving artists in the field, and to encourage excellence and experimentation in artistic practice, presentation, and community involvement.

Approximately three artists are awarded annually. The 2015 recipients of the Meyer Family Award for Contemporary Art were Seunghwui Koo (New York), Tasha Lewis (New York), and Kate Stewart (Philadelphia), whose work was featured in Tweak of Nature, presented at Main Line Art Center in Spring 2015. 2016 Recipient Sun Young Kang, was a finalist for the award in 2015. The 2016 finalists are as follows: Jennifer Crupi (New Jersey), Christina Day (Philadelphia), Tim Eads (Philadelphia), Michael Froio (New Jersey), Oki Fukunaga (New Jersey), Erica Loustau (Pennsylvania), and Adrienne Moumin (Maryland).

The Main Line Art Center gallery is open Monday through Thursday from 10:00 am to 8:00 pm, and Friday through Sunday from 10 am to 4 pm.  Each of the artists will also facilitate a workshop on their process during the course of Transformations. For more information about these programs, including registration, visit www.mainlinert.org or call 610.525.0272.

Transformations, Matthew Courtney

Matthew Courtney is a ceramic sculptor living and working in Philadelphia. He received his B.S. from the Philadelphia College of Art and his MFA at Kent State University. He teaches at The University of Pennsylvania, The University of the Arts, and Tyler School of Art. He has received an Ohio Arts Council Artist Fellowship and a Jerome Foundation Fellowship and was awarded a Challenge Exhibition at Fleisher Art Memorial in 2000.  Recent exhibitions include, “On the Precipice” Cerulean Gallery, Philadelphia PA 2014, “Artists Musings: An Installation”’ CCC Gallery, Plymouth NH 2014, and “2015 Reflections from the West,” Lanzhou City University, Lanzhou, China.  In 2015, he was selected by the Dunhuang Creative Center, DCC, to spend two months of the summer of 2015 to work as an artist in residence at Lanzhou City University Lanzhou China, “producing work inspired by the rich history and contemporary life of Gansu Province.”

Transformations, Sun Young Kang

Sun Young Kang is a book and installation artist, originally from South Korea, living in Bryn Mawr, PA.  From small intimate books to room size installations, she uses paper with its duality of strength and delicacy to create physical and conceptual space. Kang received her MFA in Book Arts/Printmaking from the University of the Arts in 2007, and was a fellow of the Center for the Emerging Visual Artists in Philadelphia from 2013 to 2015.  A participant in the 2013 Sofia International Paper Art Biennale and the Pittsburgh Biennial in 2008, Kang’s work has been included in numerous solo and group exhibitions nationally and internationally at venues including the Susquehanna Art Museum, Queens Museum, Whatcom Museum, Pittsburgh Center for the Arts, and the Ganser Gallery at Millersville University. Her work is also included in the PA State Museum Permanent collection, Museum of Modern Art Franklin Furnace Artist book collection, and in numerous libraries’ special collections.

Transformations, Zahra Nazari

Zahra Nazari is a painting and installation artist, originally from Iran, living in New York, NY.  Nazari received her BFA from the School of Art & Architecture in Tabriz, Iran, and her MFA in Painting/Drawing at State University of New York in New Paltz, NY. She is currently a recipient of The AIM Fellowship from the Bronx Museum, NY and received a Visiting Artist Fellowship from the Cooper Union School of Art in New York, NY and a Ruth Katzman Scholarship from the Art League Residency at Vyt, Sparkill, NY. She has exhibited worldwide at: Aljira, A Center for Contemporary Art, Newark, NJ ; China Millennium Monument, Beijing, China; Masur Museum of Art, Monroe, LA ; Samuel Dorsky Museum of Art, New Paltz, NY; Saba Institution, Tehran, Iran; The Painting Center, New York, NY; Woman Made Gallery & Zhou B Art Center in Chicago, IL.  Forthcoming exhibitions will be presented by the Spartanburg Art Museum, Spartanburg, SC; Bronx Museum, Bronx, NY; Five Points Gallery, Torrington, CT; Penn College in Williamsport, PA; and Von Faunberg Art Gallery, Düsseldorf, Germany.

Amie Potsic, curator of Transformations, began her tenure as Executive Director of Main Line Art Center in July of 2012.  Prior to that, she served as Director of Gallery 339 and Director of the Career Development Program at the Center for Emerging Visual Artists (CFEVA) in Philadelphia where she curated exhibitions and planned professional development programming for emerging and professional artists. Potsic has curated over 70 exhibitions at venues including The Philadelphia Museum of Art, Pittsburgh Center for the Arts and Moore College of Art & Design. Potsic is also an established photographic artist who has exhibited her work nationally and internationally.  In addition, she is currently Chair of the Art In City Hall Artistic Advisory Board to the City of Philadelphia’s Office of Arts, Culture & the Creative Economy.

Main Line Art Center is our community’s home to discover, create, and experience visual art.  A frequent recipient ofBest of Awards for its beautiful galleries and high-quality art instruction, the Art Center’s visual art classes, Accessible Art Programs for artists with disabilities, and contemporary and innovative exhibitions stimulate creativity, conversation, and joy. The mission of Main Line Art Center is to inspire and engage people of all ages, abilities, and economic means in visual art through education, exhibitions, and experiences.  Last year we inspired 16,000 people at Main Line Art Center and touched the lives of over 80,000 through programs in the community.

Main Line Art Center is located at 746 Panmure Road in Haverford, behind the Wilkie Lexus dealership just off of Lancaster Avenue. The Main Line Art Center is easily accessible from public transportation and offers abundant free parking. For more information about Transformations, please visit www.mainlineart.org or call 610.525.0272.

Thank you to Amie Potsic for the content of this post.

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Home, Markeim Art CenterWayne Klaw, Disconnected (2016), archival injket, Home, Markeim Arts Center


by Laura Storck

This exhibit is truly a diverse collection of images based on the idea of “home” from the myriad viewpoints of 35 local photographers. To be honest, I looked forward to seeing others’ interpretations of this topic with incredible anticipation and intrigue.

Home, Markeim Art CenterRichard Montemurro, Cozy Corner (2016), pigmented archival inkjet print

“There are many items throughout our home that are photographable and from time to time have been photographed. Most of them have been taken for granted as household decorations or ignored until I decide to photograph some of them. Such is the case with these figurines, tucked away on a shelf in a dark corner of our living room, behind a table lamp. Often seen and taken for granted – until now.” – Richard Montemurro

Home, Markeim Art CenterMelissa Hellwig, Mabel (2015), digital photograph

Mabel by Melissa Hellwig: “Home is where the heart is and my heart is my beautiful daughter, Mabel. I took this photo during her monthly photo shoot when she turned 6 months old. She loves having her picture taken!”

What is home? According to the prospectus: “Home” will be a show of images that presents compelling photographs on any of the aspects or themes of “home”.  Images submitted should be those that the photographer connects to an idea of “home” – this is inclusive of any definition or personal connection and could be home sweet home, home run, home town, home stretch, homey, home free, home base, etc.

Home, Markeim Art CenterEllie Wright, Twenty Gammons Road (2012), laser print

“Twenty Gammons Road passed into memory February, 2012. Its passing was attended by its most recent resident as witness to the 94 years of shelter it provided beginning in 1918. Twenty Gammons Road is survived by the memories of life lived within its walls.” – Ellie Wright

Home, Markeim Art CenterChristine Foster, Joey’s House (2013). archival giclee print, shot on film with a Holga

Home, Markeim Art CenterPat E. Fitzgerald, Homemade Apple Pie (2015), chromogenic print

“Ever since I ate a piece of Carolyn’s homemade apple pie, I have not been able to eat one that is bought at a store, served in a restaurant, or homemade by anyone else. As you can see from the photo, the consistency of the crust enhances its taste, but what makes Carolyn’s apple pie so perfect is that every apple slice is deliciously soft–there isn’t one hard apple slice in the entire pie!” – Pat E. Fitzgerald

Home, Markeim Art CenterSandra C. Davis, Home Invasion-Stealing Fruit (2015), archival pigment print

“The Home Invasion series are images which will be published in book telling the story of old toys that have been put away in a box and left forgotten in the basement. They come to life and make their way out of the basement and into the home to begin making mischief while the humans sleep. Did you ever wonder how that piece of fruit ended up in the middle of the floor? Or what happened to that other sock? How did that book get knocked from the shelf? Perhaps they are in your home and are answer to those unsolved mysteries.” – Sandra C. Davis

Home, Markeim Art CenterErik James Montgomery, Home (1998), chromogenic print

“My friend and I participated in a community outreach at a housing project in Newark where residents received free food and clothing.  While there I noticed an elderly woman looking at us from a distance through her window. I was intrigued so I grabbed my camera and took the first photo. As I walked closer to the subject I saw all of the broken and boarded up windows in her building. Amazingly, she secured her windows with store grates! I’ve seen a lot of peculiar things over my life but having store grates inside someone’s apartment was incredulous.

I approached the senior and asked if I could take her picture. She obliged and then told me that she has lived there for over 40 years and has seen her community decline because of crime and drugs. I asked her why she doesn’t simply move away from there because it’s so dangerous. She replied, “Baby, I can’t leave, this is my home.” Her weighty words taught me that compassion plus commitment is the foundation of any community.” – Erik James Montgomery

When I was invited by curator Norm Hinsey to participate in the group photography show themed HOME at the Markeim Arts Center, I wasn’t quite sure I wanted to participate. To me, the word home evokes ideas of a warm, fuzzy, safe, and nurturing place — also a place of which I have never felt connected. After much pondering, Billy Joel’s ballad “You’re My Home” came to mind. Yes, that’s it. This song resonates with me. Home for me is not a physical place, but a feeling. Relationships. Comfort. Self-acceptance. Authenticity. Love. “Look within yourself”, my inner voice whispered, “and you’ll find your meaning.”

Home, Markeim Art CenterLaura Storck, Revelation as a Wife and Mother (You’re so cramped here.), 2011, silver gelatin print

After much recollection and pondering, I realized that because of my nomadic spirit and constant cravings, the concept of home isn’t a place, it’s a sensibility. It’s the notion of feeling secure within myself.

My image “Revelation of a Wife and Mother (You’re so cramped here.)” was a decisive moment for me. Several years ago, I had just started a Holga camera and darkroom class at the University of the Arts and was playing around with the new detachable flash that had arrived in the mail. While watching a Serbian film with English subtitles made in the late 1960’s, I randomly snapped a photo while firing off the flash to figure out how it worked. It wasn’t until printing the enlarged 120mm film image in the darkroom did I hold a clear vision of what I had captured — not just a black and white image of my messy living room, but a snapshot which perfectly conveyed how I truly felt on that cool October afternoon in 2011.

Home, Markeim Art CenterAnne M. Ferara, Grandma’s China (2016), chromogenic print

“This image evokes memories of home and family gatherings.” – Anne M. Ferara

Home, Markeim Art CenterOla Wilk, Suzy (Walkersville, Maryland), 2014, chromagenic print

“Suzy, a proud teenage horse trainer and show competitor, at the entrance to a trailer on her horse farm in rural Maryland.” – Ola Wilk

Home, Markeim Art CenterSteve Tornone, Home-cooked Meal (2015), silver halide print

Home, Markeim Art CenterLionel Goodman, Home Sweet Home (2015), archival pigmented inkjet

“This photograph of a Roma (gypsy) was taken summer 2014 on the busy Paris left-bank boulevard, Rue Vaugirard. It is noteworthy that the photograph depicts a common Parisian street scene well before the Syrian migration. These (illegal) homes on the street frequently include tents, babies and even pets. Except for the Champs Elysees right-bank quarter they are generally tolerated by the police. These Roma encampments in Paris reflect a long standing internal European migration problem.” – Lionel Goodman

I draw much contentment and energy from the beautiful relationships I’ve formed over the years. Most of all, I’m learning to feel completely whole by allowing myself to pursue my deepest interests and passions without abandon — my art — thus evolving to self-actualization (finally) without judgment but with encouragement, patience, and pride. This is home to me — being comfortable in my own skin. I haven’t made it home yet but the journey is an interesting, poignant, and exciting adventure.

Home, Markeim Art CenterCollection of Norm Hinsey, Marvin’s Photo Album, Polaroid SX-70

Participating artists in HOME include: Anne Ferara, Ava Hartline, Blaise Tobia, Christine Foster, Dave Magyar, Ellie Wright, Erik James Montgomery, Geoff McClain, Gloria Whitney, Heather Siple, Hope Ardizzone, Joan Wheeler, Joel Blum, Joseph Gilchrist, Kate McGovern, Kevin Provost, Laura Storck, Lionel Goodman, Melissa Hellwig, Ola WIlk, Pat Fitzgerald, Peter Burt, Richard Montemurro, Ruth Haines, S Gili Post, Sandra Davis, Scott Johnson, Sky McClain, Steve Tornone, Susan Spitz, Valerie Williams, Vera Hinsey, Vera Resnik, Wayne Klaw, and Whit McGinley.

Curator Norm Hinsey is a photographer, as well as director of CREON Gallery in New York City. He has curated several shows at the Markeim, including  MYSTERIOUS, ALL NATURAL, INSPIRED, EYE OF THE BEHOLDER, and PORTRAIT. CREON has recently shown a retrospective of photographs by Krzysztof Zarebski; and hosted EXPOSED, an exhibition that included work by Ellen Carey and Amanda Means exploring new and unique photographic processes.

HOME will be on exhibit at the Markeim Art Center, 104 Walnut Street
(Lincoln Ave & Walnut St) Haddonfield, NJ 08033
through March 5, 2016856-429-8585 info@markeimartscenter.org

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/


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Billy Joel – You’re My Home (Live 1981)


Inside the Bloody Beehive with Artist Judith Schaechter

Video by John Thornton Films

“The first time I ever heard of artist Judith Schaechter was sometime back in the early 1980’s when we were both in a group show at Philadelphia’s Art Alliance. She had  this small unassuming painting that I have never forgotten. Judith stopped painting and went on to excel in another medium, stained glass, and on October 17th, 2015 I went back to the Philadelphia Art Alliance to see a dazzling display of her work. Later, I spent an afternoon at Judith’s home and studio. I believe that this funny, brilliant woman is one of the world’s greatest living artists.” – John Thornton

“It seems my work is centered on the idea of transforming the wretched into the beautiful in theme as well as design. For me, this means taking what is typically negative — say, unspeakable grief, unbearable sentimentality, or nerve-wracking ambivalence, and representing it in such a way that it is inviting and safe to contemplate and captivating to observe (to avoid ending with preposition). I am at one with those who believe art is a way of feeling one’s feelings in a deeper, more poignant way.” – Judith Schaechter excerpt artist statement

Judith Schaechter’s work is gut-wrenchingly beautiful. “Beauty” says the artist, “is considered the most horrible crime you can commit in the modern art world. People are suspicious of anything that makes them feel as though they may lose control. Beauty forces you to confront your helplessness as well as your dark side. My work is not intended to make comfortable people unhappy, although it may make unhappy people comfortable.” – University of the Arts faculty

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A Moment

moment3 Arnold Newman, New York City, 1979, platinum print

Michael Somoroff: A Moment.

Master Photographers, Sol Mednick Gallery of Photography, UArts

Michael Somoroff: A Moment, Sol Mednick Gallery of Photography Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

Written and photographed  by Laura Storck

As a photography student at The University of the Arts, I make every effort to take advantage of the wonderful rotating exhibits on display Sol Mednick Gallery of Photography on the 15th floor. I was especially motivated to see the current exhibit by ‘Michael Somoroff: A Moment. Master Photographers‘ which includes several gorgeous platinum prints of well-known luminaries such as Elliott Erwitt, Mary Ellen Mark, Frances McLaughlin-Gill, Ben Somoroff, Ben Stern, and Arnold Newman.

moment2Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

According to The University of the Arts May 2015 news release of this exhibit:

Between 1977 and 1983, Michael Somoroff, then a young New York photographer, had the privilege of photographing photographers who played a dominant role in shaping the medium during the climax of analog image making, including Robert Doisneau, Elliott Erwitt, Ralph Gibson, Jacques Henri Lartigue, Duane Michals and Helmut Newton, among others. He was first introduced to many of these icons through his father, Ben Somoroff, who studied under Alexey Brodovitch at the School of Industrial Arts in Philadelphia, now The University of the Arts, and had become a well-known and respected still life photographer working in both Philadelphia and New York. These portraits were originally created as a kind of visual journal, a tribute to the modern masters of the medium by a young photographer. Intensely personal, the images were never intended for publication and were put aside for many years. Thirty-five years later, this body of work is finally being shown and published.

moment4Ben Somoroff, New York City, 1977, platinum print

Michael Somoroff studied art and photography at the New School for Social Research in New York, opening his own studio in the mid-seventies, eventually moving for a time to Europe. In Europe, he contributed to such publications as Life, Vogue, Harper’s Bazaar, Stern, Time, and Der Spiegel. His work is represented in collections including the Museum of Modern Art, New York; Museum of Fine Arts, Houston; Smithsonian Institution, Washington, D.C.; and Museo Correr, Venice; it has been exhibited at the International Center of Photography, New York; Los Angeles County Museum of Art; San Francisco Museum of Modern Art; and Museum of Contemporary Art in Chicago. In 2006, Somoroff created a large-scale outdoor installation, “Illumination I” for the Rothko Chapel in Houston, as the first artist invited to do so since Barnett Newman. Somoroff’s homage to legendary photographer August Sander, “Absence of Subject,” was presented during the 2011 Venice Biennale, the only private exhibit in the artistic history of the city to be placed on Piazza San Marco. Since 2011, “Absence of Subject” has traveled continuously throughout Europe and soon in South America. In 2012, “A Moment. Master Photographers: Portraits” by Michael Somoroff was awarded Best Photo Books of the Year prize chosen by American Photo.

moment9Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

Upon viewing the beautiful platinum printed image of each master photographer, I felt inspiration, connection, and catharsis. The platinum print process is prized for its rich, long tonal range that includes lush blacks as well as delicate gray mid-tones and for its ability to show fine detail. Somoroff rendered his subject’s essence with the utmost expertise and transcendence. To pay personal homage to the images of these icons felt akin to a spiritual journey in a sacred space.

moment8Mary Ellen Mark, New York City, 2011, platinum print, Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Artsmoment5Ben Stern, New York City, 1979, platinum print Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

I felt especially moved when seeing Mary Ellen Mark’s portrait, and particularly saddened by her recent passing. I remember first learning about her work when visiting the Philadelphia Museum of Art in September 2012 for her exhibition Prom: Photographs by Mary Ellen Mark. This exhibit occurred in conjunction with her husband’s work, cinematographer Martin Bell’s film Prom (2010), and I was very fortunate to witness a roundtable discussion among Mary Ellen Mark, Martin Bell, and the curator of photographs of the PMA, Peter Barberie. Mary Ellen Mark’s photography has been a major influence on my desire to capture documentary and street images, which has therefore inspired and helped me to feel more empathy, compassion, and responsiveness toward the human condition.

moment6Elliott Erwitt, Easthampton, NY, 1979, platinum print, Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

This experience forces me to ponder where my photographic path may lead…Will my portrait ever adorn a gallery wall? All I can offer with certainty is that I appreciate every little struggle and triumph along life’s serpentine journey; I cherish and find value in the many relationships I have formed; and I strive to keep going with continued optimism. Peach and love to all.

moment7Frances McLaughlin-Gill, New York City, 1978, platinum print, Michael Somoroff: A MomentSol Mednick Gallery of PhotographyThe University of the Arts

Now in it’s 37th year, the Sol Mednick Gallery of Photography offers a year-round regular schedule of exhibitions of contemporary photography. The only endowed gallery in Philadelphia dedicated solely to the exhibition of photography, the Mednick Gallery earned the Photo Review Award for service to photography. Associate Professor and former director of the Photography program Harris Fogel, who founded Gallery 1401 in 1999, has been director/curator of both galleries since 1997. Gallery hours are Monday through Friday, 10:00am – 5:00pm., Saturday and Sunday by appointment. The exhibit is on display through July 31st.

The University of the Arts, The Sol Mednick Gallery of Photography, Terra Hall, 15th Floor 211 South Broad Street, Philadelphia, PA 19102 (215) 717-6300

Event page – http://www.uarts.edu/about/sol-mednick-gallery

website – www.uarts.edu

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Written and photographed  by Laura Storck except where noted


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