Monthly Archives: September 2016

Color

Color notation 3, Diane LachmanColor notation 3, painting by Diane Lachman

Color Collaborations, Muse Gallery, Kathryn Lee, Diane Lachman, Deann Mills

Muse Gallery, 52 N 2nd St in Old City Philadelphia, invites you to their October exhibition Color Collaborations. Three colorist: Kathryn Lee, Diane Lachman and Deann Mills will exhibit paper collages, watercolors and oils from October 5- 30, 2017

The public is invited to First Friday on October 7, 5- 9 PM. There will be an Artists’ Reception on Sunday, October 16, 2- 4 pm which is free and open to the public, Muse gallery is participating in Philadelphia Open Studio Tour (POST) on Saturday October 22 and Sunday October 23 from noon to 6 pm, Meet the Artists on Saturday, October 22 from 2-5 pm.

Gallery hours are Wednesday through Sunday, 12- 5 pm and by appointment.

Kathryn Lee “My recent paper collages echo the bas reliefs that I loved when I lived in Italy with their interplay of light and shadow. About the same time, I discovered Johannes Itten’s theories on color. I found that there was an order to color just like music. It was intensely freeing to play with color with confidence, both using and not using the rules. These two concepts transformed my approach to art.”

Diane Lachman “Color mood, relationships and memory are my subjects. It takes time and experience to see the subtle variations, but after studying and teaching this subject, I make these distinctions naturally, like breathing. In my recent paintings, geometric forms create tension with the transparent fluidity of the watercolor.”

Deann Mills “Color is a different language, a way of seeing and being surprised.  For me, painting is about the relationships and accidents that happen with color, and the joy of always experimenting and discovering something new. For more information,

contact http://www.musegalleryphiladelphia.com/

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Sung

Oranit Solomonov at Mikveh Israel

Sung on Canvas, Oranit Solomonov at Mikveh Israel

Join us for a weekend exploring the artwork of Ms. Oranit Solomonov. Ms. Solomonov’s paintings will be on display at Mikveh Israel Synagogue September 17th and 18th.

Congregation Mikveh Israel, known as the “Synagogue of the American Revolution,” is the oldest formal congregation in Philadelphia, Pennsylvania and the oldest continuous synagogue in the United States. – Mikveh Israel Synagogue

Oranit Solomonov at Mikveh Israel

Ms. Oranit Solomonov is a self-taught artist from Tel Aviv, Israel. Ms. Solomonov’s work is colorful and vibrant expressing a variety of her interests including animals and air planes as well as expressing her strong Jewish identity. Ms. Solomonov is an uncertified co-pilot and loves to fly.

Oranit Solomonov at Mikveh IsraelOranit SolomonovRabbit, linoleum cut print, $200.00

Oranit Solomonov at Mikveh IsraelOranit SolomonovPolar Bearlinoleum cut print, $200.00 (click for large image)

Ms. Solomonov’s work has been featured regionally as she is an active exhibitor, nationally at the Outsider Art Fairs in St. Louis Missouri (2012) and New York City (2013) and held in a private collection internationally (Argentina, 2013). Oranit Solomonov receives employment support from IDEATE, a division of Resources for Human Development. Her newest adventure is that of a business woman. The Solomonovs would like to invite you to attend this event in support of Oranit’s newest venture.

What is Outsider Art?

Although the roots of Outsider Art can be traced back thousands of years, it is most useful to look back to its most recent precursor, art brut (Raw Art) to hear the most vital articulations of its true spirit. In his 1947 manifesto, French artist and curator Jean Dubuffet coined the term art brut as follows: “We understand by this term works produced by persons unscathed by artistic culture, where mimicry plays little or no part (contrary to the activities of intellectuals). These artists derive everything…from their own depths, and not from the conventions of classical or fashionable art.” – Outsider Art Fair

Oranit Solomonov at Mikveh IsraelOranit SolomonovPeacock, dry point, $550.

Oranit Solomonov at Mikveh IsraelOranit Solomonov

Oranit Solomonov at Mikveh IsraelOranit SolomonovChimpanzee, drypoint print with colored pencil, $450.

Oranit Solomonov at Mikveh IsraelOranit SolomonovSad Tiger, mixed media, $350.00

 Oranit Solomonov‘s collection of work will be featured alongside a concert celebrating Sephardic heritage. All inquiries about the event can be directed to Mikveh Israel Synagogue at (215) 922-5446 or info@mikvehisrael.org. Mikveh Israel is located at 44 4th North Street in Center City, Philadelphia.

Oranit Solomonov‘s work will be on sale during the Sunday viewing as well as a raffle for a work of fine art.

Oranit Solomonov at Mikveh IsraelMs. Oranit Solomonov

Thank you to Kaelynne Koval, IDEATE, for the content of this post.

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PROPELLING

Dread Scott, Rowan Art GalleryNewspeak: Ignorance is Strength, from the Newspeak installation, Dread Scott

PROPELLING HISTORY FORWARD

Revolutionary artist Dread Scott examines racial and cultural disparity in contemporary society

GLASSBORO, NJ – Renowned for making “revolutionary art to propel history forward,” acclaimed American artist Dread Scott, in his first New Jersey one person exhibition, opens the Rowan University Art Gallery at High Street’s new season with A Sharp Divide, an exhibition that tackle the racial and cultural disparities within our criminal justice system. The exhibit is on display from September 6 – November 5, 2016.

An artist’s presentation and panel discussion with Dread Scott, presented by the Office of Social Justice, Inclusion, and Conflict Resolution, is scheduled for September 15 from 5:30 – 7:00 pm in Eynon Ballroom, located in the Student Center on the university’s Glassboro campus. A reception to welcome the exhibition follows from 7:00 to 8:30 pm at the High Street gallery, 301 West High Street in Glassboro. Shuttle service between the Student Center and the gallery will be provided to students and the public following the panel discussion.

The exhibit serves as a survey of Dread Scott’s public engagement, performance-based, and multi media based works, completed from 1987 – 2014. In examining racial disparities, the work explores the complexities of the criminal justice system such as the criminalization of youth, profiling and discrimination, stop and frisk tactics, and other civil rights issues. The selected pieces include video, photography, recordings, and audience interactions.

“This is a world of profound polarization, exploitation, and suffering and billions are excluded from intellectual development and full participation in society,” Dread Scott explains. “It does not have to be this way and my art is part of forging a radically different world.”

He notes that his work “illuminates the misery that this society creates for so many people and it often encourages the viewer to envision how the world could be.”

Dread Scott works in a range of media including performance, photography, screen printing, video, installation and painting. His works can be hard-edged and poignant. His art has been exhibited at the MoMA PS1; the Contemporary Art Museum in Houston; The Walker Art Center in Minneapolis; the Pori Art Museum in Finland; and in the Whitney Museum’s inaugural exhibition at their new building. The Brooklyn Academy of Music presented his performance Dread Scott: Decision as part of their 30th Anniversary Next Wave Festival, and the Museum of Contemporary African Diasporan Arts presented Dread Scott: Welcome to America. Recent work has been presented in several showings in New York and his sculptures have been installed at Logan Square in Philadelphia.

He first received national attention in 1989 when his art became the center of controversy over its use of the American flag. He was denounced by the President and the United States Senate, which soon after passed legislation to “protect the flag.” His opposition to this law resulted in a Supreme Court case and a landmark First Amendment decision.

Dread Scott is the recipient of a Creative Capital Foundation grant; a Pollock Krasner Foundation grant; fellowships from the New York Foundation for the Arts; and was a resident at Art Omi International Artists Residency and the Workspace Residency at the Lower Manhattan Cultural Council. Additionally, his work has been integrated into academic curricula, discussed in art history classes, and featured in Henry M. Sayre’s “foundations” text, A World of Art (7th Edition).

dread2Headshot Dread Scott

The gallery is located at 301 High Street. Free public parking is available on High Street and neighboring streets. Municipal parking areas are available off Lake Street (behind Little Beefs Deli) and near the Barnes and Noble shopping complex between New Street and Rowan Blvd.
Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Friday, 10 am to 5 pm; Thursday – Saturday, 10 to 7 pm. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries has been made possible in part by funds from the New Jersey State Council on the Arts.

Thank you to Mary Salvante, Rowan University Art Gallery at High Street, for the content of this post.

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