PUBLIC OPENING RECEPTION: Friday, March 2, 2018; 6:00 – 9:00 PM
SOUTH STREET, PHILADELPHIA – Philadelphia’s Magic Gardens’ exhibition, Blood, Sweat, and Tears, highlights the provocative works of self-taught artist Russell Craig. His artistic style and stirring imagery were developed during his seven-year incarceration. Featured in this exhibition are Craig’s large-scale portraits, which are made from prison paperwork, court documents, and discarded materials.
Russell Craig‘s work offers an opportunity to talk about the justice system in the United States by chronicling his life and honoring the people that share his story. Through confrontation and contemplation, Craig’s pieces create a platform to help unify all who have struggled through trauma and advocate for positive change within ourselves and our communities. Craig’s work has been shown in numerous solo and group exhibitions. He has also worked with Mural Arts
Philadelphia through their Restorative Justice program, and is a “Right of Return” fellow – a program that invests in formerly incarcerated artists to create original works of art that can further propel criminal justice reform efforts.
He is a mentor for those who are currently incarcerated and works with communities who are
often affected by the criminal justice system. Philadelphia’s Magic Gardens is excited to host this show and other exhibitions that use art to address current social concerns and spark conversations that help ignite change within our city. Through these unique curated experiences, PMG aspires to promote meaningful engagement with visitors and community
stakeholders and to project its values of inclusion and community out to Philadelphia.
Philadelphia’s Magic Gardens and Russell Craig welcome you to a night of art and conversation during the opening reception on Friday, March 2, 2018, from 6:00 – 9:00 PM.
PHILADELPHIA’S MAGIC GARDENS
Philadelphia’s Magic Gardens (PMG) is a nonprofit visionary art environment and community arts center located in Isaiah Zagar’s largest public artwork. Spanning half a block on Philadelphia’s famous South Street, the museum includes an immersive outdoor art installation and indoor galleries.
Zagar created the space using nontraditional materials such as folk art statues, found objects, bicycle wheels, colorful glass bottles, hand-made tiles, and thousands of glittering mirrors. The site is enveloped in visual anecdotes and personal narratives that refer to Zagar’s life, family, and community, as well as references from the wider world such as influential art history figures and other visionary artists and environments.
PMG is a unique Philadelphia destination that inspires creativity and community engagement by providing educational opportunities and diverse public programming to thousands of visitors each year. For more information, visit www.phillymagicgardens.org.
Thank you to Allison Boyle, Events & Marketing Manager, for the content of this post. Philadelphia’s Magic Gardens, 1020 South Street, Philadelphia PA 19147,
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Michener Art Museum to Present Innovative Sculpture Exhibition
Virtually Rudy: New Dimensions in Sculpture opens on February 17, 2018
DOYLESTOWN, PA–Beginning February 17, 2018, the James A. Michener Art Museum will present Virtually Rudy: New Dimensions in Sculpture, an innovative sculpture exhibition that joins 20th century art with 21st century technology. Nine sculptures by artist Charles Rudy (1904-1986) will be on display alongside three-dimensional representations made possible through a partnership with the Google Cultural Institute.
Through Google Cardboard viewers, visitors will be able to explore the sculptures in virtual-reality mode. The exhibition will be on view through April 8, 2018.
“This is a first-of-a-kind show–not only for the Michener, but for many art museums in the United States,” said Adrienne Neszmelyi-Romano, director of interpretation and innovation, who co-curated the exhibition with assistant curator Louise Feder. “We are very proud that our museum, which has long been committed to showcasing the work of important regional artists, is also at the forefront of technology, and is taking a leading role in understanding how technology can enhance the visitor experience.”
The James A. Michener Art Museum was the first institution on the East Coast to partner with the Google Cultural Institute 3D Operations team to digitize objects from its permanent collection, making 26 objects–including 15 of Rudy’s sculptures–accessible in 3D in 2015 to a global audience. Virtually Rudy pairs the tangible with the intangible, presenting scan and sculpture side by side for the first time. A graduate of the Pennsylvania Academy of the Fine Arts, Charles Rudy achieved national status as a sculptor for his work on public buildings across the country as well as for his prize-winning sculptures. His most notable commissions include the Noah on the Bronx post office in New York and the Sun Seaman’s Memorial in Delaware. In 1936, Rudy and his wife purchased a 70-acre farm in Ottsville, Pennsylvania, where he located his studio. His sculptures of farm animals, several of which are featured in this exhibition, are said to have been inspired by his time spent on his farm. A 1942 Guggenheim fellow, Rudy taught as the head of Cooper Union’s sculpture department for ten years. He also held teaching positions at the Philadelphia Academy of Fine Art, Michigan State College, and Philadelphia Museum School of Art.
Through a partnership with the Perkiomen Schoolin Pennsburg, PA, 3D-printed reproductions of Rudy’s sculptures will be available for visitors to handle, and live demonstrations of the 3D printing process will take place during visiting hours. The 3D printer and the models will be provided by the school’s Entrepreneur Institute, the students of its additive manufacturing class, and the Perk Tech Hub. Throughout the exhibition, museum visitors can register to win 3D-printed models of the sculptures through periodic drawings.
For more information and to purchase tickets in advance, visit MichenerArtMuseum.org.
Thank you to the James A. Michener Art Museum for the content of this post.
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Exhibitions, Performances and Special Program Highlight Philly’s Month of Activities
Founded in 1976, The African American Museum in Philadelphia (above) is the first institution built by a major U.S. city to preserve, interpret and exhibit the heritage and culture of African-Americans.
Black History Month celebrates its 42nd anniversary this year, and Philadelphia honors the occasion with special events, exhibitions, film screenings and family activities. Philadelphia’s Black History Month features the nation’s longest running African American Children’s Book Fair; Black Pulp!, a new exhibition at The African American Museum in Philadelphia, and Henry “Box” Brown: The Musical, starringDice Raw. Here are highlights of Philly’s Black History Month:
Museum Happenings:
The African American Museum in Philadelphia (AAMP) hosts the regional debut of Black Pulp!, curated by William Villalongo and Mark Thomas Gibson. This visual overview offers up printed works by artists, graphic designers, writer and publishers—including comic books—to examine perspectives on Black identity from 1912 to 2016.February 2 – April 29. 701 Arch Street, (215) 574-0380, aampmuseum.org
The Art Sanctuary exhibition Philadelphia Renaissance, curated by Noah Smalls, is an intergenerational showcase of area artists. The month-long display is in keeping with the gallery’s mission to “use power of Black art to transform individuals, create and build community and foster cultural understanding.” February.628 S. 16th Street,(215) 232-4485, artsanctuary.org
African-American history is American history, and the National Constitution Centercelebrates Black History Month with programming that includes Breaking Barriers, a show about the lives of Bessie Coleman, Jackie Robinson, Thurgood Marshall and other pioneering African-Americans. The center has planned also a workshop to taks a closer look at the Emancipation Proclamation and self-guided tours highlighting African-American history. February 2018.525 Arch Street, (215) 409-6600, constitutioncenter.org
Penn Museum’s 29th annual Celebration of African Cultures features storytellers, artists, puppetry, art making, modern African dance, traditional African music and an African market. The setting for this activity: the African Gallery, with its rich collection of textiles, sculpture and masks, with statuary and tomb materials from 5,000 years of Egyptian culture in the Egyptian Galleries. February 24.3260 South Street, (215) 898-4000, penn.museum
Last year, City Hall unveiled a new statue of Civil Rights hero Ocatvius V. Catto. This year, the Philadelphia History Museum exhibit Taking a Stand for Equity: Octavius V. Catto continues to celebrate the life and many achievements of the brave 19th-century Philadelphian. Through March 31. 15 S. 7th Street, (215) 685-4830, philadelphiahistory.org
Niama Safia Sandy makes her Philadelphia curatorial debut at Rush Arts Philadelphiawith the multi-artist, multidisciplinary exhibition Giving Up The Ghost: Artifacts/A Study of Power and Solidarity Against White Violence in Modernity. The diverse artists and pieces in the show offer varying messages of individual and cultural truths—American aversion to recognizing Black women’s labor; commentary on the treatment of Muslim Americans, for example—in an effort to clear the air and move the nation forward. January 27-February 24. 4954 Old York Road, rushphilanthropic.org
Music & Dance:
Henry Box Brown: The Musical stars The Roots’ own hip hop legend Karl “Dice Raw” Jenkins in the title role of a Virginia slave who escaped to freedom in Philadelphia by mailing himself in a wooden crate. This true theatrical treat is directed by Phill Brown and also stars Minister Jamie Knight and Gina Zo. February 1-17. Community College, Bonnell Auditorium, 1700 Spring Garden Street, henryboxbrownmusical.com
Visitors can enjoy free, live, no reservations-required world music as presented by Temple University students during Drumming Traditions of Brazil, West Africa, and India.February 6. Temple Performing Arts Center, 1837 N. Broad Street, (215) 204-9860, templeperformingartscenter.org
In the 1930s, over 2,300 first-person accounts by former slaves—The Slave Narratives—helped create the Federal Writers’ Project (FWP). This Manayunk performance of six of these documents—also entitled The Slave Narratives—brings their experiences to life onstage. Venice Island Performing Arts & Recreation Center. February 9.7 Lock Street, (215) 685-3583, veniceisland.org
Vocalist Beverly Owens and pianist Diane Goldsmith join in a “Sundays on Stage” concert of The Art of Sarah Vaughan, atribute to one of the first singers to fully incorporate bop phrasing in her singing. Vaughan’s influence is still evident in contemporary jazz, Soul and R&B. February 11. Free Library of Philadelphia, Parkway Central Branch, 1901 Vine Street, (215) 686-5322, freelibrary.org
Children and Young Adults:
The 26thAnnual African American Children’s Book Fair is one of the oldest and largest single-day events for African-American children’s books in the country. The free, open-to-the-public fair features nationally known, bestselling authors, illustrators and author-illustrators, many who have won some of the most prestigious American Library Association awards, including the Coretta Scott King Award. Guests can expect an afternoon filled with workshops, giveaways and affordable books for purchase. February 3. Community College of Philadelphia, 17th & Spring Garden Streets, theafricanamericanchildrensbookproject.org
As the first stop for many visitors to Independence National Historical Park, the Independence Visitor Center is more than an information center: It’s a gathering spot. During Black History Month, historical figures appear to tell their stories. 6th & Market Streets, (800) 537-7676, nps.gov/inde; phlvisitorcenter.com
A historical re-enactor portrays Ned Hector, free Black patriot who refused to surrender his horses, wagons and armaments in the Battle of the Brandywine. February 10.
Storytellers from summer’s Once Upon a Nation program return for WinterStorytelling, with true tales of barrier-breaking African-Americans. February 16, 17, 19.
Harriet Tubman, American hero and icon, makes this one-time appearance to tell of her life and bravery in leading hundreds of people to freedom. February 24.
The Lucien E. Blackwell West Philadelphia Regional Library Children’s Department will offer family-friendly events covering African-American heritage. 125 S. 52nd Street,(215) 685-7422, freelibrary.org
Based on the book by Christopher Paul Curtis, The Watsons Go to Birminghamis the film adaptation of the story of an African-American family’s road trip from Flint, Michigan to Birmingham, Alabama in 1963—and the tragic events that take place. For children ages 12 and under and their families. February 24.
The Art of Jean-Michel Basquiat: Share Your Creativity invites visitors to enjoy a reading of Radiant Child: The Story of Young Artist Jean-Michel Basquiat by Javaka Steptoe and Life Doesn’t Frighten Me by Maya Angelou, illustrated by Jean-Michel Basquiat. Inspired participants can add their creations to the Young Artists’ Wall. For ages 12 and under. February 28.
Movies, Stories, Talks &Tours:
Murray Dubin and Daniel Biddle, co-authors of Tasting Freedom: Octavius Catto and the Battle for Equality in Civil War America, present and sign copies of their book chronicling the life of this charismatic Black leader—a “free” man whose freedom was in name only. February 6. Free Library of Philadelphia,Philadelphia City Institute Branch,1905 Locust Street, (215) 685-6621, freelibrary.org
Lauded by the New York Times for his “ferocious moral vision and astute intellect,” educator and philosopher Dr. Cornel West returns to Philadelphia on the 25th anniversary of the National Book Award-winning Race Matters. February 10. Sold out; simulcast tickets are available for purchase. Free Library of Philadelphia, Parkway Central Branch, 1901 Vine Street, (215) 686-5404, freelibrary.org
The Blackwell Regional Library will screen Paul Robeson, a documentary about the internationally acclaimed singer, actor and Civil Rights activist. Despite his talent, his political views lead to blacklisting; while unemployed, he moved to the West Philadelphia home of his sister Marian, who tended him until his death in 1976. February 17.125 S. 52ndStreet, (215) 685-7433, freelibrary.org
As part of Black History Month and Philly Theatre Week, 202-year-old Mother Bethel AME screens Black Theatre: The Making of a Movement, Woodie King Jr.’s documentary highlighting accomplishments of Black men and women in theater, the importance of the Black Arts Movement and the funding crisis of Black theaters. February 18.419 S. 6th Street, theatrephiladelphia.org
Praised by Michael Eric Dyson as “the boldest young feminist writing today,” Brittney Cooper will join in conversation with Melanye Price, associate professor of Africana Studies at Rutgers University, to discuss Cooper’s new book, Eloquent Rage: A Black Feminist Discovers Her Superpower. February 22. Free. Free Library of Philadelphia, Parkway Central Branch, 1901 Vine Street, (215) 686-5404, freelibrary.org
Now in its 22nd year, the Schomburg Symposium is an annual Taller Puertorriqueñoconference dedicated to Afro-Latino history and culture. This year’s symposium theme: Does Violence Have Color? February 24.2600 N. 5th Street, (215) 426-3311, tallerpr.org
The William Way LGBT Community Center’s second annual Philly Black Trans History: A Multigenerational Panel Discussionwill feature some of the city’s most influential trans pioneers. February 28.1315 Spruce Street, (215) 732-2220, waygay.org
VISIT PHILADELPHIA® is our name and our mission. As the region’s official tourism marketing agency, we build Greater Philadelphia’s image, drive visitation and boost the economy.
Greater Philadelphia’s official visitor website and blog, visitphilly.com and uwishunu.com make up the most-visited website network out of the 10 biggest U.S. cities. Visitors can explore things to do, upcoming events, themed itineraries and hotel packages. Compelling photography and videos, interactive maps and detailed visitor information make the sites effective trip-planning tools. Along with Visit Philly social media channels, the online platforms communicate directly with consumers. Travelers can also call and stop into the Independence Visitor Center for additional information and tickets.
Saint Francis of Assisi Receiving the Stigmata, 1430‑1432. Jan van Eyck, Netherlandish (active Bruges). Oil on vellum on panel, 5 x 5 3/4 inches. Philadelphia Museum of Art, John G. Johnson Collection, 1917.
A Guided Tour of Philadelphia in the Year 1430
by DoN Brewer
Party like it’s 1430! Art is a time capsule, and a lens on society, join me on a tour of Philadelphia to experience life like a Burgundian. Philly was a forest but in the year 1430, at the apex of the Late Middle Ages in Europe. In a country called Burgundy that once existed between France and Spain, a region that was a magnet for artists, there was ground-breaking innovation in technology in the arts.
Just like young artists do today, moving to cities, attending great art schools like The University of the Arts, Pennsylvania Academy of the Fine Arts, seeking to achieve their creative and career goals, artists in 1430 would have become apprentices and joined guilds; the arts in Burgundy were already well established in the royal courts, King Philip the Good inherited a well oiled arts department including sculpture and painting studios. Jan van Eyck was the duke’s personal friend and confidant, the story of his diplomatic trips to court the Queens of Europe, like a swipe right/left app, to consolidate power and find romance with art is really a trip.
Let us take a look around Philadelphia to find the influences of Burgundian life from the year 1430. In the three paintings I analyzed for A Guided Tour of Philadelphia in the Year 1430, there are architectural elements that resemble buildings we inhabit like Philadelphia City Hall with it’s French Gothic courtyard, grand steeples, turrets and towers of churches along Christian Street, and The Philadelphia Episcopal Cathedral with glorious stained glass and vaulted ornate ceiling.
Weaving was the major economic force in the cities of Burgundy, trade of wool into textile the fabric of society, which we take for granted now with fast fashion. Weaving is still present in the arts today in Philadelphia, especially social practice artists like Kathryn Pannepacker, Lisa Kelley and Leslie Sudock.
Leslie Sudock is the instructor at Ready to Hand SOARI Philadelphia and she is a master weaver. Through her arts practice she connects Philadelphian empathy, sanctuary, and wealth of knowledge to the community.
“I have introduced SAORI weaving to public school children in the Philadelphia recreation system, to homeless and physically-challenged neighbors in churches, shelters and health facilities, and to the general community through my participation in Arts Street Textiles: handmade with the homeless. My own excitement at discovering SAORI continues undiminished, and I love enabling others to experience the peace, pleasure and freedom to be found in weaving SAORI-way.” – Leslie Sudock
Kathryn Pannepacker and Lisa Kelley thread the needle of the opioid crisis in Kensington with weaving and textile design classes. As a mural artist, she has used weaving as the central idea and main communicative device to connect concepts of reality to the wider community. Just as master weavers of Burgundy portrayed the economic status of the royal houses to the world, Kathryn Pannepacker and Lisa Kelly, by using weaving and textile, exposes the empathic thread of the economy that is now shredded and how through the economics of creating art stimulates healing in the community.
Kensington Storefront is a new Porch Light community space at 2774 Kensington Avenue, Philadelphia. It’s a place to make art and connect to health resources in your community.
We believe that hands-on art-making provides a pathway for individual and community healing. This new Porch Light space at 2774 Kensington Avenue, Philadelphia, is a place for creating art and connecting to resources to live a better, healthier life.
Porch Light is an initiative of Mural Arts and Philadelphia’s Department of Behavioral Health in partnership with NKCDC, Impact Services Corporationand Prevention Point Philadelphia—along with many other community members and organizations.
There are many Philadelphia artists comparable to the traditions of arts and painting that we see in the transformative era of the Late Middle Ages. The artist and teacher Katya Held, an accomplished portrait artist who studied with the master Nelson Shanks at Studio Incamminati recently sent me a link to miniature paintings by artist Ludmila Bognycheva. Miniatures were the main source of communications through illustrated manuscripts and devotional objects and alter pieces in 1430. Being able to communicate an abundance of information distinctly with minimal data is an art that transcends technology from weaving to painting to writing; a correlation can be made between the the technological breakthrough of oil painting on economic growth with the growth of the internet, the world wide web.
Fashion and fine textiles are a part of everyday life now, but some artisans make fibre, jewelry, and design speak in a modern language. In Burgundian times status was announced with wardrobe, today high fashion is available at the consumer level. To differentiate from the masses one must choose wisely to stand out in the crowd. Philadelphia fashion designer Diane Litten creates multi-useful fashions that are transformable, jewelry made with coils and magnets, and stretch wacky hats with fibrous dreads.
In our art tour stop at the Jan van Eyck painting, I mentioned the portrait of Queen Isabella of Portugal‘s style and beauty, fashion and physique, and the spatial illusion in the composition. It was really important that the picture accurately portrayed the Queen, Jan van Eyck lived in Portugal for months to make the portrait; a prototype dating app. It’s not hard to imagine the luxuriousness of the lifestyle in Spain, like Burgundy there were fabulous textiles, furs, lace, the best of everything.
Fine foods Jan van Eyck would have eaten on his grand diplomatic trip are available in Philly, the royal houses were great consumers of meat, imagine the feasts in the high castles by visiting a Brazilian steak house. Roasted meats served on swords, carved at the table connects over space and time through the recipes from the the wedding feast of Philip the Good to Queen Isabella of Portugal, at the change of the decade 1430 in a land called Burgundy.
“Piffaro delights audiences with highly polished recreations of the rustic music of the peasantry and the elegant sounds of the official wind bands of the late Medieval and Renaissance periods. Its ever-expanding instrumentarium includes shawms, dulcians, sackbuts, recorders, krumhorns, bagpipes, lutes, guitars, harps, and a variety of percussion — all careful reconstructions of instruments from the period.”
Souls Shot, Portraits of Victims of Gun Violence, Presbyterian Church of Chestnut Hill
“On November 3, 2017 I went to the Presbyterian Church in Chestnut Hill to see a show of portraits of victims of gun violence. Artist Laura Madelaine had invited me to a show that she co-curated with Rebecca Thornburgh. Artists were paired up with family members of shooting victims to commemorate the lives of their loved ones.” – John Thornton
“There is a parable told by Jesus about a man who kept accumulating possessions. At some point, he had so much stuff, he had to build barns to contain it all. Apparently once the barns were built and the stuff stored, he said to his soul, “Soul, you have ample goods laid up for many years; take your ease, eat, drink and be merry.” “Fool!” booms God’s voice disrupting this man’s satisfaction with the future he had secured. “This night your soul is required of you; and the things you have prepared, whose will they be?” It was God’s way of saying, “You can’t take it with you.” – Presbyterian Church of Chestnut Hill, Stewardship
