Saturday, March 16 at 1:00. Lisa Sylvester and Andrea Krupp will be chatting about the work on display in Reverberations. If you haven’t had a chance to stop by, a visit is recommended. There is a real feeling of reverberation between the works in the gallery. It’s a visually striking pairing, as many have commented, and I agree – Tina and Mike did an excellent job curating this exhibit. It closes on March 24. – Andrea Krupp
The quote above is from an essay Andrea Krupp wrote for Reverberations, a jumping off point for the Artists’ Talk on Saturday perhaps.
And a Bonus! Right next door, the Cerulean Arts Collective opens a new round of solo exhibitions on the same day, from 2:00 – 5:00pm.
Andrea Krupp’s artist’s book Transmission from Elsewhere (pictured below) was selected for the Wayne Art Center Regional Spring Open, juried this year by Stuart Shils. The opening is on Sunday, March 31, 3:00 – 5:00 pm and runs through May 4th.
Da Vinci Art Alliance, 704 Catharine Street, Philadelphia, 19147. A Northland drawing by Andrea Krupp was selected for Works On Paper II at Da Vinci Art Alliance, juried by Rochelle Toner. The opening reception is Sunday, March 17th at 1pm, runs through April 7th.
Thank you to Andrea Krupp for the content of this post.
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The Tony, Peabody and Emmy Award winning, six time HBO Def Poet Black Ice (pictured) and many of Def Poetry Jam’s most recognized poets will reunite for an evening of spoken artistry on April 26. (Image courtesy of the artist)
Art of Poetry at Philadelphia Museum of Art
In April and May,Philadelphia Museum of Art is celebrating the art of poetry through artist collaborations including film, performances, talks, tours, and workshops.
Whitman, Alabama—Experience Walt Whitman‘s poem “Song of Myself,” brought to life through the voices of Alabama residents, to celebrate diversity and our connectedness to one another. This film by Jennifer Crandall is accompanied by photographs from the museum’s collection that suggest the complexity of American identity.This exhibition is offered in conjunction with Whitman at 200: Art and Democracy, a region-wide initiative organized by the University of Pennsylvania Libraries, with major support from The Pew Center for Arts & Heritage.
Art of Poetry Opening Celebration—Heralding our two months of poetry-inspired programs, performance poets make our galleries sing with spoken word while artists blend language and art. Drink and Draw with Martha Rich—Sip while you sketch with this Philly-based artist and make zines inspired by memories, eavesdropping, and found text. Rich paints words and food with a penchant for the absurd. Her work has been featured in Rolling Stone, Bon Appétit, and Entertainment Weekly. (Materials provided; drinks available for purchase.) Poetry tours with The Philly Pigeon—Join this collective, which aims to elevate and popularize the art form of performance poetry, for a lively tour through the galleries.Gallery takeover with the museum’s Teen Ambassador Group (TAG)—This group of high school students work with curators, educators, and other museum staff to create programs especially for teens.
Slow Art Day
Slow Art Day—This annual international event encourages museum visitors to slow down with their favorite works of art and do some mindful looking.
Poetry Workshops with Michelle Taransky—Learn to slow down with the poetic techniques of describing and responding, and discover new ways of looking at art. 11:00 a.m. & 2:00 p.m.
Introspective Bookmaking with Candy Alexandra González—Explore the art of stillness and moving at a slower pace. Drop in for collaborative visual art and poetry exercises to produce a collectively made book.
Music in the Galleries: Lines/Patterns—Form and structure make the link between American visual artist Ellsworth Kelly and German baroque composer Johann Sebastian Bach. Presented in partnership with the Curtis Institute of Music. 1:30, 2:15 & 3:00 p.m.
Spotlight Gallery Conversations—Engage in slow looking and thoughtful discussion as a different artwork takes center stage during each of five hourly gallery tours, 11:00 a.m.–3:00 p.m
Family Festival: Poetry Party—April is International Poetry Month, so words are our art medium during this month’s Family Festival. Read a painting, write a sculpture, draw a poem. Join artist Martha Rich and fill the Great Stair Hall with your wonderful words.
Dawn Landes—Full of vivid storytelling, classic country themes, and eternal questions, the songwriting of this Nashville artist is as fresh as it is timeless.
Final Fridays: Def Poetry Reunion—Def Poetry Jam co-founder Danny Simmons invites some of Philly’s most recognized poets to gather for an evening of spoken artistry. Featuring Sonia Sanchez, Ursula Rucker, Black Ice, Vanessa German, Bonafide Rojas, and Jessica Care Moore. Hosted by Liza Jessie Peterson. A DJ set by Rich Medina with visuals by The Marksmen follows the performance. Please note that the museum will close at 5:00 p.m. before the performance, and will reopen at 6:00 p.m. for ticket holders only. Member tickets are on sale now. Public tickets go on sale March 8. Most galleries will be closed during this event, with the exception of exhibitions Whitman, Alabama, The Impressionist’s Eye, and Yoshitoshi: Spriti and Spectacle.
Talks & Tours
In the Artist’s Voice: Jennifer Crandall—Who is America? The filmmaker of Whitman, Alabama explores this question and more in a conversation with WHYY Executive Producer of Audio Content Elisabeth Perez-Luna. Support for this program was provided by the Albert M. Greenfield Foundation Fund for Education.
I was skimming your website today and realized… hey! I have something they might be interested in!
I am a junior graphic design major at the University of the Arts. Last year, I received a grant from the Corzo Center for the Creative Economy to create a ~new~ kind of women’s magazine. Jump cut to now… Issue No. 1 has been published! The Bridge Magazine features 17 original articles written by everyday women on topics like international breakups, uncomfortable conversations with your gyno, how to tell your boss that you are pregnant, first loves, and felony convictions.
This is a small project that was completed as a love letter to the amazing women I know, with the hopes of growing that circle, if even by a little bit. I partnered with Girls Inc. of Greater Philadelphia, with 25% of the proceeds benefiting their incredible programming for young women.
It would mean the world if you would consider highlighting the project on your website. I think your readers would be interested in the story of a project that is giving local women a platform to share their experiences. Thank you for your consideration! – Aubrey Fink
About The Bridge, Field Guide for the Female
I had the idea for this project after realizing how little I was getting from the articles in women’s magazines. I could get better advice on life, love, and work from my dog… he is a REALLY good boy. I recognized that I was getting incredible advice from the women in my family because they actually have my best interest at heart. There’s a level of love, kindness, and realness in their wisdom. They are the ones who get real with me about how to deal with the three luscious black hairs that grow out of my chin. I needed a way to collect and revisit the great advice I was receiving from the wise women around me. Hence, The Bridge was born.
About Girls, Inc.
In partnership with schools and at Girls Inc. centers, we focus on the development of the whole girl. She learns to value herself, take risks, and discover and develop her inherent strengths. The combination of long-lasting mentoring relationships, a pro-girl environment, and research-based programming equips girls to navigate gender, economic, and social barriers, and grow up healthy, educated, and independent. Informed by girls and their families, we also advocate for legislation and policies to increase opportunities and rights for all girls.
Thank you to Aubrey Fink for the content of this post.
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Jessica Dimuzio, award-winning children’s author, will read from her book
Bark! Bark! Bark for My Park! at DVAA
Jessica Dimuzio, VMD, conservation educator, author and veterinarian, will read from her book Bark! Bark! Bark for My Park! on Saturday, March 24, 2018 at 10:30 AM at Da Vinci Art Alliance, 704 Catharine Street in Philadelphia. This program is presented in collaboration with the Bella Vista Neighbors Association. This reading is appropriate for children 4 and older, conservation educators, gardeners and animal lovers of all ages.
Dr. Jessica Dimuzio graduated from the University of Pennsylvania School of Veterinary Medicine, specializing in wildlife preservation. She has conducted research on elephants, rhinos, and wild baboons and taught conservation programs in Africa, Asia, and North America. Dedicated to wildlife conservation, Dr. “D.” loves to get kids of all ages excited about wildlife and their natural habitats through her nonfiction writing, “too true” storytelling, classroom talks, and nature walks. She provides these programs through Nature Tales and Trails, LLC, the company she founded in 2011.
Her international award-winning book Bark! Bark! Bark for My Park! recounts the real story of how her five-pound puppy, Johnny Angel, saved a 690-acre farm park from destruction and is one of the few children’s books written on saving open space. It received the Silver Medal from Mom’s Choice Awards in the Green Earth Category and a rare RECOMMENDED from the US Review of Books.
Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs.
Da Vinci Art Alliance (DVAA) was founded in 1931 to serve the needs of local artists and artisans and to promote the edification and appreciation of the arts in the community. Our building in South Philadelphia was obtained in 1959 to provide community space and studio, and gallery spaces for our membership. DVAA members are a diverse group of creatives of all ages and backgrounds, including those with advanced degrees in their fields and those that are self-taught. Members include award-winning artists whose works are in museums and private collections across the country as well as emerging artists, showing work for their first time.
The Bella Vista Neighbors Association (BVNA) improves Bella Vista’s quality of life and strengthens community bonds. BVNA encourages civic involvement, provides a neutral and public discussion forum, preserves and augments our institutions and character, supports the delivery of government services, and promotes dialogue with elected officials. They are an independent and nonprofit organization.
Thank you to Linda Dubin Garfield for the content of this post. For more information, contact Linda Dubin Garfield at firstname.lastname@example.org
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This winter, the Philadelphia Museum of Art presents Keith Smith at Home, the first major monographic presentation of the artist’s work in five decades. Spanning his entire career, the exhibition brings together over 60 exceptional and varied examples of his handmade artist’s books and experimental photographs, prints, collages, and fabric pieces made over the last half century. The exhibition places special emphasis on his artist’s books, the work for which he is best known. Many of these works are from the artist’s collection and have not been exhibited publicly before.
Smith is an especially private person, and one whose life at home has been the inspiration for much of his art. Central to the installation is Book Number 82, Keith Smith at Home (1982), showing a sequence of views of his residence in Rochester, New York, where he has lived since 1975. Page by page, it conveys the passage of time: views of the same room shift, household objects trade places, and friends appear and reappear in framed artwork on the house’s walls. Visitors will be able to page through this book digitally on an iPad in the gallery.
The exhibition highlights books that challenge perceptions of what a book can be. Book Number 11, Up (1969) explores the interplay of images by alternating film-positive transparencies with opaque pages. As the film-positive page is turned, it creates the appearance of an image moving from one side of the page to the next. Book Number 91: a string book (1982) consists of cord, punched holes, and blank pages. Strings are extended across each page and spread in different patterns, sometimes taut and other times slack, creating an abstract and rhythmic narrative. Smith considers his string book to be photographic, as it deals with light, shadow, focus, motif, and sequence.
Smith has referred to his work as an open diary. Self-representation is a key motif, whether appearing lighthearted or uneasy. Some self-portraits reflect the struggles and joys the artist has experienced in coming out as a gay man, as in Untitled, from Roadside Attractions (1979), a multilayered photograph in which two silhouetted male figures caress each other’s shoulders.
Smith has said, “Social intimidation is not as odious as repression that is self-inflicted. When I permitted my work to speak openly, I gained my freedom and my self-respect.”
Also on view is a selection of handmade postcards, a format that Smith has experimented with since the 1960s. He made these cards with particular recipients in mind, but, feeling unable to part with them, has kept them. In addition, the exhibition features fabric pieces from the 1960s and 1970s. Among these is Margaret Gave me a Rainbow 2:30pm 21, November 1971, a collage of a photograph of an ear, curtain tassels, and an impression of the artist’s profile made on a color photocopier affixed to an army-issue bedsheet. Smith made Eye Quilt (1965), a full-size quilt screenprinted with a dense pattern of eyes, while a student at the Art Institute of Chicago.
Keith Smith: Word Play is a related installation on view in the Museum’s Library. This intimate display highlights the ways in which Smith uses word play, poetry, typography, and sequencing to create surprising relationships between images and text in his books.
Exhibition organizer Amanda N. Bock, The Lynne and Harold Honickman Assistant Curator of Photographs, said: “While Smith may seem shy personally, his art is candid, intimate, delightfully irreverent, and transgressive. To share a large body of his work with the public is an exciting and rare opportunity, and it underscores our commitment to showing provocative work by living artists.”
Smith’s reluctance to categorize his work established him as a rogue member of both the photography and printmaking departments at the School of the Art Institute of Chicago, where he graduated in 1967. His works are often radical departures from conventional books, and may unfold, light up, hang on the wall or in a corner, or be constructed of pencils or the shirt off the artist’s own back. Certain themes-friendship, love, desire, intimacy, and domesticity- recur. He has made over 300 artist’s books and over half a dozen seminal instructional manuals on bookbinding.
Smith’s work is represented in leading public and private collections, including the Art Institute of Chicago; the Museum of Fine Arts, Houston; the Museum of Modern Art, New York; the San Francisco Museum of Modern Art; the Los Angeles County Museum of Art; the Center for Creative Photography, Tucson; the Nelson-Atkins Museum; the George Eastman Museum, Rochester; the Victoria and Albert Museum, London; and the Philadelphia Museum of Art. He is the recipient of two Guggenheim Fellowships (1972 and 1980) and a National Endowment for the Arts Fellowship (1978), and has taught at the Art Institute of Chicago and the Visual Studies Workshop, Rochester.
Book Number 91, a string book, 1982, by Keith Smith, American, b. 1938. Artist’s book with cut outs, punched holes, and string. Courtesy of Keith Smith and Philip Zimmermann.
Sunday, March 4 | 2:30 p.m. | Perelman Building
Community Conversations open discussions about socially relevant topics.
Included in Pay What You Wish admission.
Saturdays, March 17, April 21, and May 5 | 1:30-4:30 p.m. | Perelman Building
Each session includes a tour of Keith Smith at Home with the exhibition curator.
Each workshop: $20 ($16 members); includes Perelman Building admission
Amanda N. Bock, The Lynne and Harold Honickman Assistant Curator of Photographs
Julian Levy Gallery, Ruth and Raymond G. Perelman Building
Installation Location, Library, Second Floor, Ruth and Raymond G. Perelman Building
Support for this exhibition was provided by The Robert Mapplethorpe Foundation.
We are Philadelphia’s art museum. A landmark building. A world-renowned collection. A place that welcomes everyone. We bring the arts to life, inspiring visitors-through scholarly study and creative play-to discover the spirit of imagination that lies in everyone. We connect people with the arts in rich and varied ways, making the experience of the Museum surprising, lively, and always memorable. We are committed to inviting visitors to see the world-and themselves-anew through the beauty and expressive power of the arts.