Category Archives: DoNArTNeWs

Dreamscapes

Tammy Kushnir, Dreamscapes, Twenty-Two GalleryDefiant, acrylic on canvas by Tammy Kushnir

Tammy Kushnir, Dreamscapes, Twenty-Two Gallery

Dreamscapes in an accumulation of imaginary landscapes from fractured emotions and passion for color. The combination leads the viewer to embrace something within themselves and connect with the pieces. My hope is that those who see my art will walk away feeling something that perhaps they didn’t realize was a part of them & acknowledge it.
I create to find joy within myself and hopefully extend that to others through colors and impressions of paint. I want to stimulate the viewer emotionally as well as through physical interaction through the texture in the art. When a piece resonates with a viewer, I know my job is done.” – Tammy Kushnir
Opening Reception: Friday, March 8, 6:00 – 9:00pm
Exhibition runs through April 7th
Twenty-Two Gallery, 236 S. 22nd St., Philadelphia, PA 19103
215-772-1911
Wednesday thru Sunday; Noon to 6:00 PM
About Twenty-Two Gallery
Since 2003, Twenty-Two Gallery has been showing local emerging and established artists’ work. The gallery represents 24 artists that work in many mediums including oil, pastel, watercolor, photography, sculpture, various printing processes as well as mixed media.  This bright space with great light, nestled in Philadelphia’s premier neighborhood Rittenhouse Square, has art openings monthly on the “Second Friday” of each month.  These openings include an artist’s reception from 6PM to 9 PM.

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Plastic

Drawing Marathon, The Plastic Club

All Day Drawing Marathon at The Plastic Club

The annual Drawing Marathon is an art all day event; enjoy sketching, drawing, or painting at The Plastic Club on Sunday, March 10th, from 10:00am to 10:00pm.

247 South Camac Street, Philadelphia, PA 19107

(215) 545-9324

info@plasticclub.org

Admission to the event is $15 on a come-and-go basis; pay once, then you can leave and re-enter as you see fit. Photography is not permitted.

The Plastic Club will provide live models and setups for still life, as well as tables, chairs, and easels, simply bring your own art materials. Simultaneous sessions will give you your choice of artistic opportunities. Plans call for life drawing, portrait drawing and painting, long and short poses and croquis, still life setups, and experiments in “noir lighting” in the Plastic Club’s blacked-out basement.

Coffee, donuts, lunch and dinner will be available for a contribution.

Don’t miss this chance to sharpen your image-making skills and mingle with other artists at The Plastic Club.

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Die

 Ebony G. Patterson: if we must die

Ebony G. Patterson: if we must die

Ebony G. Patterson bears witness to the violence and social injustices

imposed upon the invisible and the voiceless

February 11 – April 20, 2019.

In dialog with the artist Wednesday, March 27 at 5:00 p.m

GLASSBORO, NJ – Known for her drawings, tapestries, videos, sculptures and installations that involve surfaces layered with flowers, glitter, lace and bead, Ebony G. Patterson’s works investigate forms of embellishment as they relate to youth culture within disenfranchised communities. That work is the focus of the newest exhibition at Rowan University Art GalleryEbony G. Patterson: If We Must Die. The exhibit is on display from February 11 – April 20, 2019.

In conjunction with the exhibit, a conversation with the artist will be held on Wednesday, March 27 at 5:00 p.m. in the gallery, led by visiting scholar Colette Gaiter, a professor in the Department of Art & Design and Department of Africana Studies at the University of Delaware. A reception will follow.

The two featured installations – Invisible Presence: Bling Memories and Of 72 – employ opulent, hand-embellished surfaces and brightly colored patterns that entice viewers to bear witness to the violence and social injustices imposed on the invisible and the voiceless. Patterson’s neo-Baroque works address masculinity, “bling,” visibility, and invisibility within the post-colonial context of her native Jamaica and within black youth culture globally. The references to Carnival in Patterson’s use of beads, plastic ornaments, and reflective materials echo her interest in mining international aesthetics in her practice.

 Ebony G. Patterson: if we must die

Born in Jamaica, Patterson received her BFA from Edna Manley College in Jamaica and an MFA from Sam Fox College of Design & Visual Arts in St. Louis. She has had recent solo exhibitions at The Perez Museum in Miami, The Studio Museum in Harlem, Atlanta Center for Contemporary Art, and Monique Meloche Gallery in Chicago. She was featured in biennials in Havana, Cuba; New Orleans; Jamaica; and Miami. She has exhibited in Brazil, Boston, and New York, in addition to group exhibitions at Seattle Art Museum, National Art Gallery of the Cayman Islands, and National Gallery of the Bahamas among others. Her work is included in a number of public collections, including The Studio Museum in Harlem and the Museum of Art and Design, New York; Nasher Museum of Art at Duke University, Durham, NC; Speed Art Museum, Louisville, KY; 21c Museum Hotels; and the National Gallery of Jamaica, Kingston.

The gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.

Support for programming at Rowan University Art Galleries is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.

Thank you to Mary Salvante for the content of this post.

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Disobedience

Civil Disobedience: Celebrating Queer Resilience presented by DVAASylvia Rivera and Marsha P. Johnson at the Stonewall Riots (click for large image)

Civil Disobedience: Celebrating Queer Resilience

presented by DVAA, Juried by Warren Muller, hosted at International House Philadelphia

East Alcove Gallery 3701 Chestnut St. (Open Hours: 8am–10pm)
– April 2nd through June 29th
– Public Opening Reception: April 2nd, 6:00 – 8:00pm

DVAA (Da Vinci Art Alliance) is proud to present Civil Disobedience: Celebrating Queer Resilience, an exhibition of artwork by Philadelphia artists which celebrates the resilience of the LGBTQ+ community. Coinciding with the 50th anniversary of the Stonewall Riots, this summer, Lightbox Film Center will feature a series of films featuring this pivotal moment in the struggle for LGBTQ civil rights. Just as American history has been broadly shaped by the politics of dissent, affecting everything from our labor laws to foreign policy, protest has continued to shape LGBTQ acceptance and liberation. Along with resistance and protest, the LGBTQ rights movement is also characterized by pride: enduring celebration of identity and love that empowers marginalized and antagonized communities to create change.

In partnership with Lightbox Film Center, Da Vinci Art Alliance will curate the related exhibition, Civil Disobedience: Celebrating Queer Resilience. This group exhibition and call for artwork celebrates the history of queer resilience and protest, art that celebrates a community that is unafraid to speak its mind.

“[History/Herstory] is made and preserved by and for particular classes of people, [but] a camera in some hands can preserve an alternate history.” – David Wojnarowicz.

PARTICIPATING ARTISTS: To be determined/announced by the juror

ABOUT THE JUROR:
Warren Muller is sculptor and co-founder of design studio and gallery, Bahdeebahdu. Best know for creating light sculptures from reclaimed objects, Muller imbues his assemblages with a uniquely playful spirit. His work draws on myths, fairy tales, and personal idiosyncrasies into his lit sculptures.

ABOUT DVAA:
MISSION: Da Vinci Art Alliance (DVAA) provides artists with a community that fosters artistic expression and growth through our exhibitions and programs.
VISION: DVAA is a supportive community of artists and creatives focused on capturing the spirit of Leonardo da Vinci. A luminary artist, scientist, architect, engineer, musician and humanitarian, Da Vinci’s curiosity inspires creativity, innovation and collaboration among our membership. Like Leonardo, we ask big questions, ponder complex ideas, experiment with form and create new ways of engaging with and sharing our art.

Contact: Dawn Kramlich, dawn@davinciartalliance.org

Thank you to Dawn Kramlich for the content of this post

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Leaf

Bill Scott, Hollis Taggart GalleriesLeaf and Line, oil on canvas, 63″ x 42″, Bill Scott, 2017

Bill Scott: Leaf and Line, Hollis Taggart Galleries

This month, Hollis Taggart Galleries will present Bill Scott: Leaf and Line, the artist’s seventh solo exhibition at the gallery, featuring twenty-five of Scott’s recent paintings. A catalogue accompanies this show with condensed critiques by eight contributors – artists, curators and writers – who offer very personal and inspired reactions to the painter’s lively compositions.

Bill Scott’s new body of work is rooted in his classic vibrant palette, fluid brush strokes and masterful balance of abstraction. Propelled by inspiration from nature, the painter continues his exploration of form and color in a fresh way. References to the natural world, details of leaves, blades of grass, branches and discernible elements of flora are boldly juxtaposed against areas of pure hues and spirited abstraction that dances with myriad details. The show once again is a testament to Scott’s imposing ability to dance the line between abstraction and representational, creating a tension in the viewer’s mind that asks the question; do we know this scene that is depicted before us? It is through this tension and this line of questioning that the viewer’s curiosity is peaked.

Bill Scott, Hollis Taggart GalleriesA Storybook October, oil on canvas, 48″ x 45″, Bill Scott, 2017

Demonstrating the confidence and control of a seasoned painter, Scott’s most recent studio offering reveals a freer, more expansive pictorial space and use of white. The surfaces of the works are comprised of layer after layer of paint – a skill he has been honing his whole career.  Complex, but never muddy, the overlapping elements in the paintings appear both spontaneous and carefully arranged at the same time.  A Garden in the Studio bursts with energy and is like most of Scott’s work, an affirmation of the sheer joy of painting. Similarly, in Leaf and Line, vague pictorial plant references are placed among undulating free forms of shapes and color and all set against a dramatic expanse of yellow in the upper quadrant. Harmony is always achieved with the painter’s virtuoso talent and pure intuition to combine hues, structure and movement.

Bill Scott, Hollis Taggart GalleriesHomage, oil on canvas, 60″ x 55″, Bill Scott, 2017

Scott, who lives and works in his native Philadelphia, spent what he considers to be pivotal periods of time working alongside Joan Mitchell in France and Jane Piper in Philadelphia.  He formally began his career studying at the Pennsylvania Academy of the Fine Arts in 1974, an institution at which he was to become a teacher for many years.  He is represented in countless museums, private collections and institutions, and he is a noted scholar on the work of the French Impressionist, Berthe Morisot.

Bill Scott: Leaf and LineHollis Taggart Galleries , Chelsea, 521 W 26th Street, 7th Floor, New York, NY 10001

March 15th through April 28th, 2018

Thank you to Ginx Hudgins for the content of this post.

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