Category Archives: Mixed Media Art

Mixed media art by Philadelphia artists.

lapses

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

“lapses in Thinking By the person i Am”, Josephine Pryde at the Institute for Contemporary Art at the University of Pennsylvania

Recently, on the day after Christmas, I was lucky enough to catch Josephine Pryde‘s exhibit, “lapses in Thinking By the person i Am” just one day shy of its closing at the Institute of Contemporary Art (ICA) at the University of Pennsylvania.

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

This clean yet incredibly rich and interactive exhibit consisted of a series of photographs which focusses primarily on hands in various states of touch, from both the inanimate to the poetic. The sensory journey was enhanced by the opportunity to ride a miniature train, a 1:10 scale model Union Pacific two-car freight train running at 2 m.p.h. along the exhibit to view the images from the beginning to the end, and then back to the beginning. As I gazed upon the images, I wondered if this experience was metaphorical for seeing life’s moments flash before one’s eyes? Or was it analogous to memory? Did this action of movement add significance to what we may consider to be the mundane?

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

These beautiful portraits are visually pleasing in their color and choice of object under manipulation, such as a touch-sensitive lamp base, smartphone screen, sweater, zipper, and pine cone. Because these images were photographed using a macro lens, the viewer is instantly transported into the moment. The visions of touch are felt as cold, smooth, itchy, prickly, jagged.
Josephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck, view from model train

Excerpt taken from the ICA Josephine Pryde Gallery Guide:

“In the context of the gallery, it could be said that the composition, lighting, and general style of Josephine Pryde’s photographs recall fashion and portrait photography, but this would ignore the fact that fashion and portrait photography refer to art photographs, snapshots, documentary footage, and more…Curator Jamie Stevens writes of this series, “These images act as a potential record of how hands are being used today and become a close analysis of a new body semiotics that has arrived with ‘smart’ technologies.” We have always thought with our hands — building, gesturing, inventing.  What is new, and what Pryde has turned her lens onto in these images, is the way our mental processes can now be extended and broadcast via our fingertips.  There is a responsive potential from anytime and anywhere to anytime and anywhere.” — Anthony Elms, Chief Curator

lapses in Thinking By the person i Am, Josephine PrydeJosephine Pryde, lapses in Thinking By the person i Am, ICA, photograph by Laura Storck

Josephine Pryde (born 1967, Alnwick, UK; lives in Berlin and London) is Professor of Contemporary Art and Photography at the University of the Arts, Berlin.

https://www.facebook.com/pages/Josephine-Pryde/141080082632715?fref=ts#

http://icaphila.org/exhibitions/7462/josephine-pryde-lapses-in-thinking-by-the-person-i-am

The ICA at the University of Pennsylvania is free for all. Institute for Contemporary Art (ICA), 118 S. 36th Street, Philadelphia, PA 19104 (215) 898-7108 http://icaphila.org

Written and photographed by Laura Storck

Laura Storck Photography ARTIST. SCIENTIST. PHOTOGRAPHER. ROCK STAR.: https://laurastorck.wordpress.com/

Instagramhttp://instagram.com/laurastorck/

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Twitter: @Laura_Storck

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Man

Man Ray, Artsy.netMan Ray, Mona Lisa as seen by Duchamp (“La Joconde” vue par Duchamp), gelatin silver print, 6 3/5 ” x 4 1/10″, 1921-22,  Artsy.net

Man Ray was born as Emmanuel Radnitzky in South Philadelphia, Pennsylvania, U.S. in 1890. Born Henri-Robert-Marcel Duchamp on July 28, 1887 in Upper Normandy region of France, the grandson of a painter, Marcel Duchamp would have an immense impact on twentieth-century and twenty first-century art. The arguments and jabs go on to this day about photography being for artists with no talent, photography isn’t fine art, anyone can do it…someone wrote to me and said I should write about real art for a change. That’s so DADA.

“In 1915 he was introduced to Marcel Duchamp, who would become a lifelong friend and influence; he subsequently moved to Paris, practicing there for over 20 years.” – Artsy

 

“In 1919, Duchamp made a parody of the Mona Lisa by adorning a cheap reproduction of the painting with a mustache and goatee. To this he added the inscription L.H.O.O.Q., a phonetic game which, when read out loud in French quickly sounds like “Elle a chaud au cul”. This can be translated as “She has a hot ass”, implying that the woman in the painting is in a state of sexual excitement and availability. It may also have been intended as a Freudian joke, referring to Leonardo da Vinci‘s alleged homosexuality. Duchamp gave a “loose” translation of L.H.O.O.Q. as “there is fire down below” in a late interview with Arturo Schwarz. According to Rhonda Roland Shearer, the apparent Mona Lisa reproduction is in fact a copy modeled partly on Duchamp’s own face. Research published by Shearer also speculates that Duchamp himself may have created some of the objects which he claimed to be “found objects”. – Wikipedia

“The source for the fraternal friendship that linked the two men is to be found in their shared freedom and independence of spirit. Aside from a passion for chess, they shared a taste for the subversive and an irresistible desire to invent. Intellectually, their processes were similar. As art terrorists, they both knew how to place mines under artistic conventions, and their works, without being similar, nevertheless responded to the other.” – DADA Companion

Hi – my name is Joel, and I work at Artsy. While researching Man Ray, I found your page: http://brewermultimedia.com/2009/04/. I wanted to briefly tell you about Artsy‘s Man Ray page, and about our mission.

We strive to make all of the world’s art accessible to anyone online. Our Man Ray page, for example, provides visitors with Man Ray’s bio, over 100 of his works, exclusive articles, as well as up-to-date Man Ray exhibition listings. The page even includes related artist & category tags, plus suggested contemporary artists, allowing viewers to continue exploring art beyond our Man Ray page.

I’m contacting certain website & blog owners, and asking them to help us achieve our mission by adding a link to Artsy’s Man Ray page. In addition to spreading the word about our page, I believe your site visitors would enjoy this content.

If you are able to add a link to Artsy’s Man Ray page, please let me know, as I’d love to share it with my team.

Best,
Joel

“Of course, there will always be those who look only at technique, who ask “how,” while others of a more curious nature will ask “why.” Personally, I have always preferred inspiration to information.”
-Man Ray

Thanks Joel!

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Cairns

Brian Dickerson, Cairns, with an Essay by Miriam Seidel,  John Thornton Films

Brian Dickerson is an artist who knows how to wander, and how to make his way through uncertainty. Seeing the stone cairns of rural Ireland, he recognized them for what they were: mediators of mysterious places, markers for the lost, messages from the past. In Cairns, his new series of constructed paintings, he brings this understanding into a new form.” –Miriam Seidel

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RiTUAL

RiTUAL 2015, @HBHQ, Sarah Watkins Nathan

RiTUAL Reading Room 2015

“What are your rituals? RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place. In the winter months as the chill settles in and the days grow shorter come inside the RiTUAL Reading Room

December 5, 2015 — February 29, 2016

Exhibition Space: Heavy Bubble / @HBHQ, 1241 Carpenter Street 3rd Floor, Philadelphia, PA, 19147. On-line catalog RiTUAL Reading Room

RiTUAL 2015, @HBHQ, Sarah Watkins NathanSarah Watkins Nathan at RiTUAL Reading Room, photos by Judy Engle.

“@HBHQ will be transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Sip some, tea, coffee, or hot cider. Fall in love with a book, buy it, and take it home.” – HBHQ

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Phillustration 7

Phillustration 7, The Philadelphia Sketch Club, Tom LeonardPhillustration 7The Philadelphia Sketch Club, Tom Leonard, Sea Mammal Alphabet Book Cover, acrylic on illustration board

Phillustration 7, Illustration Exhibition at The Philadelphia Sketch Club

Phillustration 7 is an exhilarating exhibition dedicated to illustration in the historic art studio at The Philadelphia Sketch Club. The room is filled with information packed works, pulsing with memes, telling tales and making artistic insinuations to stir the imagination. The top prize went to Tom Leonard for Sea Mammal Alphabet Book, it’s cool to see a Philadelphia artist and educator win since the show has entries juried in from around the country. The panel he created is exquisite in it’s magical realism and information design.

“In the past seven years Tom Leonard has focused his work on children’s books usually with a view toward nature. His recent work combines a folk-art sophistication with a scientifically realistic interpretation. He has illustrated five books for Hyperion and Golden.

Tom Leonard now lives in Philadelphia and teaches illustration at the University of the Arts, in Philadelphia. He regularly goes to schools to discuss his work. His work has appeared in the Graphis Annual and several times in the Society of Illustrators.” – University of the Arts in Philadelphia

Illustrators are interesting people because they communicate visually using the languages of color, character and composition. Making metaphors and messaging with mark making, they possess a skill that is so rarified and refined their influence is felt throughout contemporary culture. For a unique opportunity to experience an exhibition of fine art illustration and an historic Pennsylvania landmark, go see Phillustration 7.

Phillustration 7, Philadelphia Sketch ClubPiya Wannachaiwong, Ymgarl Genestealer, digital and pencil, Phillustration 7, The Philadelphia Sketch Club

In researching this post I visited the websites of the artists, each one is as exciting and entertaining as any magazine. The breadth of media employed to achieve an artwork that stands on it’s own and promotes an idea, product or position is truly astonishing. The Philadelphia Sketch Club has a long history of presenting fine art exhibitions, providing illustration it’s own venue to share the art and adventure of creating effective commercial art is important.

Piya Wannachaiwong (that’s P-ya Wanna-chai-wong) was born in Yonkers, New York. He misspent his childhood drawing dinosaurs on paper, kitchen tables, windows, school books and living room walls. He earned his B A in Studio Arts from the College of the Holy Cross in Worcester, MA in 2001. Looking for a more thorough art education, he suddenly found himself at the Admissions office of the Academy of Art University in the City by the Bay (San Francisco). Three years later, someone gave him a piece of paper with the letters MFA 2005 on it, tossed him out the door and told him to be useful and get a job.” – Piya Wannachaiwong

Phillustration 7, Zachary Manbeck, Philadelphia Sketch ClubPhillustration 7, Zachary Manbeck, Something Wicked, digital, The Philadelphia Sketch Club

“I am currently studying Illustration at Philadelphia’s University of the Arts and will be receiving my BFA in Illustration in 2018.  I enjoy creating art that tells a story while being both playful and imaginative. Often in my images I ask myself “What is the narrative within the narrative?”, opening the door for multiple colliding stories packed into one fun image.  It is this thought process that keeps my illustrations unique and amusing, allowing their viewers to jump in and get lost in my imagery.” – Zachary Manbeck

Phillustration 7, Jacqueline Hines, The Philadelphia Sketch Club

Phillustration 7, Jacqueline Hines, Ichabod the Autumn Spirit, graphite and Photoshop CS6, The Philadelphia Sketch Club

“Earning their nickname due to their physique, choice of clothing, and a life goal to achieve green skin, Jacqueline a.k.a The Gothic Stringbean is a highly caffeinated, award-winning illustrator currently working on their BFA in Illustration at Moore College of Art and Design. Upon graduation, they plan to travel, listen to some good tunes and be content with a simple life of making good art.

Outside of illustration, some may notice them silently stalking around Philadelphia, PA in colorful polyester and yellow aviators. Otherwise, they like to drink tea, listen to their ever-growing record collection and learn about the wonderful world of the spooky paranormal.” – Jacqueline Hines

Phillustration 7, Pat Achilles, The Philadelphia Sketch ClubPhillustration 7, Pat Achilles, Ghost Tour from ‘Let’s Visit New Hope’, acrylic paint on illustration board, The Philadelphia Sketch Club

Pat Achilles captures that magic moment you always experience when you visit New Hope, the arts community along the Delaware River north of Philly. The atmospheric limited palette and shifty shapes immediately draws the viewer into a story, a ghost story. Sparking the imagination and telling tales is the goal of illustrators, to take us on a trip through a different realm.

Pat Achilles is an award-winning illustrator with over 20 years of experience in corporate, advertising, book and editorial illustration. Her styles range from highly realistic to humorous cartoons to children’s literature. She is a magna cum laude graduate of Moore College of Art in Philadelphia, where she was taught by the delightful Beth and Joe Krush and Bob Byrd. Pat is a co-founder of the Bucks County Illustrators Society and gives presentations on ‘What Authors Should Know about Book Illustration,’ geared especially for children’s book writers, and ‘Marketing for Illustrators.’ She is an adjunct professor in the illustration department at Moore.” – Pat Achilles

Phillustration 7, The Philadelphia Sketch ClubThis kid, Phillustration 7 through November 27th, 2015, The Philadelphia Sketch Club

Robert Bohne told me a story about when he was a kid an uncle took him to the Sketch Club and he knew right away he would be a member one day. Now Bob monitors a popular costumed life model workshop on Thursday afternoons, guiding and advising some of Philly’s finest artists that come to the club to draw and paint. I was drawing at Bob’s workshop last week and the energy and excellence of the artwork around me pushed me to really see what I was looking at and make marks that mean something. The Philadelphia Sketch Club’s President Rich Harrington chaired the exhibit and achieved a level of excellence that, for me, is transformative in it’s exploration of fine illustration.

The Philadelphia Sketch Club Gallery hours: Wednesday, Friday, Saturday, Sunday: 1:00 PM to 5:00 PM, 235 South Camac Street, Philadelphia PA, 19107

Phillustration 7 through November 27th, 2015.

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Written and photographed by DoN Brewer except where noted.

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