Category Archives: Philadelphia Art Galleries

Philadelphia art galleries DoN has visited.

Plastic Club

Sam Park, Plastic Club New Members

Sam Park, August Moon Hwatu Card, oil, $2200.00, Plastic Club New Members 2014

Hwa-tu is the Korean version of the Japanese playing card game Hanafuda (花札?) are playing cards of Japanese origin that are used to play a number of games. The name literally translates as “flower cards.”[1][2] The name also refers to games played with those cards. There are twelve suits, representing months. Each is designated a flower, and each suit has four cards. Typically, each suit will have two normal cards and two special cards. The point values could be considered unnecessary and arbitrary, as the most popular games only concern themselves with certain combinations of taken cards.” – wikipedia

Sam Park‘s painting is large, the limited palette and geometric composition richly layered with oil paint and symbolism. The artist uses the symbolism of the card game to reflect on the idea of being a new player in an established group. Sam created this painting for the Plastic Club New Members 2014 show, he explained to me a few weeks ago how he was looking forward to adding the final symbol after developing the surface of the painting. The cosmological composition is more than geometry, it speaks about light and the combination of clues toward realization. Park is also a realist painter, his self portrait in oils in the Tea Room is sensual and sensitive.

Elke H. Muller, Plastic Club New Members

Elke H. Muller, Bicycle, photograph, $85.00, Plastic Club New Members 2014

To become a member of the Plastic Club the artist has to be known by several members and present three artworks to be reviewed by the membership committee. At the Plastic Club the art of photography is held in high regard with a contemporary esthetic towards image making. Bicycle by Elke H. Muller is a complex composition with information rich shapes and planes. The vivid cyan blue print is artisanal and thought provoking, the composition is a deceptively simple descriptive urban landscape. This photo was made with tungsten film in daylight, hence the blue color.

Lauren Reed, Plastic Club New Members 2014

Lauren Reed, Colors of the Sky, watercolor & ink, $60.00, Plastic Club New Members 2014

Colors of the Sky seems influenced by photography with the repeated patterns but the mix of watercolor and ink uses the natural fractals of the media to create a cosmic landscape. Like watching the night sky fade through the trees, the paintings have an animated relationship as they each speak about precious moments of nature.

Janice Balson, Plastic Club New Members 2014

Janice Balson, Rising Tide, oil, $485.00,  Plastic Club New Members 2014

Janice Balson, Plastic Club New Members 2014

Janice Balson, River Walk, oil, $485.00, Plastic Club New Members 2014

Janice Balson’sRiver Walk is a meditative and atmospheric landscape that looks a lot like Forbidden Drive along the Wissahickon River to me. The sense of solitude in nature and the solid painting style creates a grounded perspective with a subtle depth of field and informative liquid-y paint strokes. The hues of color offer so much data towards the narrative of the scene, there is a sense of temperature, the sun on your face, creating a familiar sensation of being outdoors in Winter, walking the path.

Plastic Club New Members 2014

Roberta Gross, Vessels of Light, pastel, $1000.00, Glenn Benge, March on 6th Street, July 4, 2012, digital pigment print, $250.00, Louise Vinueza, Sun Sets, oil, $450.00,  Plastic Club New Members 2014 through January 24th, 2014 at 247 South Camac Street, Philadelphia, PA 19107

The Plastic Club New Members 2014 includes twenty-two new member artists with 71 works of art spread throughout the galleries of the Plastic Club. New member committer chair Michael Guinn has introduced the Philadelphia arts community to wonderful artistic talents and terrific personalities, the more the merrier.

I personally am so grateful for the acceptance, camaraderie and inspiration the Plastic Club provides to me and the arts community. The outstanding art shows, informative salons, artist’s workshops, eclectic movie nights, delightful dinners, parties, barbeques and cocktail parties all make for an inclusive and supportive yet expressive environment for an aspiring artist.

Thank you so much to Cythia Arkin, Susan Stromquist, Bob Jackson, Alan Klawans, Mike Guinn, the board of the  Plastic Club and the many enthusiastic volunteers for keeping the organization strong, resilient and relevant to the contemporary art scene. There may be an artistic renaissance happening in Philadelphia now, but the Plastic Club is the third oldest art club in the USA (established in 1897) and has been exhibiting contemporary art by Philadelphia regional artists all along.

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ECO + FASHION

ECO + FASHION, Art in City Hall

Philadelphia, January 6, 2014 – The City of Philadelphia’s Art in City Hall program introduces its latest juried group exhibition, ECO + FASHION, featuring the works of 18 local artists and an installation by local boutique, United by Blue.  The exhibit is located in the Art Gallery at City Hall, Room 116. A reception is scheduled for Wednesday, January 8th, from 5:00 -7:00 pm.

The 18 participating artists are:
 Ellen Benson & Paulette Heilbrun, Lucy Bigham, Katie Coble, Mary DeMarco, Georgina Gozum, Lesley Haas, Melissa Madonni Haims, Donnetta Irvis, Marilyn Lavins, Joanne Litz, Lauren Marsella, Sienna Martz, Maria Nevelson, Bernice Paul, Eva Preston, Katya Roelse, Kendal Wilkins and Natalie Zuk.

Artists and designers today are finding innovative and surprising ways to combine the fields of fashion, environmentalism, ecology, and art. For this exhibition, creatives were invited to submit works that address the issues of sustainability and eco-consciousness in the context of fashion and wearable art. Artists and designers responded by submitting works created from sustainable materials, addressing sustainability as a practice; some challenging our definition of fashion itself, while others presented wearable eco-friendly works.

The exhibit features a number of works created from found objects, including Kendal WilkinsCycle Crinoline, made from bicycle parts, wires and window screen. The piece transforms dozens of bicycle cranks, rims, chain wheels, and streams of chains into an elegant, sculptural evening gown.

Wilkins explains: “I drew my inspiration for Cycle Crinoline from Victorian and modern day fashion, and the desire to transform utilitarian objects into something feminine and elegant.”

Wilkins draws her love of repurposing materials from her fellow artists at Sweet Mable Folk Art & Fine Craft, where they regularly transform tired, unused, and orphaned materials.

Lauren Marsella’s sets of earrings Tarzhay Old Glory and Mastercard Ammo are statements about our contemporary consumer culture. They are made from cut-up credit cards and bullet shells.

“Although the roles these items often play trouble me, it is possible to transform them into something beautiful and functional, to assign new meaning to their power.

An exhibit that welcomes the usage of found objects wouldn’t be complete without representation from Philadelphia’s own Dumpster Divers. Eva Preston reclaims discarded shoes and leather bags, and uses these found materials to elevate her love of comics as in her Ode to Gene Autry. Artist Ellen Benson & Paulette Heilbrun piece together vintage jeans and t-shirts to create Super Girl.

Benson views her wearable art as an extension of herself: “One of the great things about being an artist is that you can dress outrageously, colorfully, outlandishly, crazily—and it’s encouraged or even expected, especially because I am a Dumpster diva/member of the Philadelphia Dumpster Divers!”

Some of the wearable eco-friendly pieces in the exhibit can be imagined on a fashion runway, such as Georgina Gozum’s Mod Sack Dress and Pina Strap Dress, made from organic pineapple fiber; Katie Coble’s hand-painted and sewn fabric series: Raindrop, Knit and Gown; Joanne Litz’s Scrap Dress and Vest Poncho, made from repurposed sweaters and cottons as part of the artist’s Steel Pony Project; Katya Roelse’s Long Dress made from silk voile and silk linen blends; Natalie Zuk’s Moss Dress, made from live moss wrapping itself around the body of her African fabric; and Melissa Madonni HaimsPlarn Dress, a product of 40 plastic shopping bags crafted into yarn.

Haims explains the eco-consciousness behind her dress, “I am doing two things: reducing the amount of waste going into landfills and giving something with a semi-finite lifespan another chance.”

The exhibit also includes fashion accessories: a plarn bag designed by Lucy Bigham, co-owner of Tosheka Textiles, a Nigerian company in West Philadelphia; various organic silk scarves hand-dyed by Marilyn Lavins, Donnetta Irvis, Mary DeMarco, and Bernice Paul; shoes made from Paper Artist, Lesley Haas; wooden brooches that can be pinned on or worn on a string by artist Maria Nevelson; and Sienna Martz’s wearable plant-like sculpture, Collar, which is made from silk organza and wool.  

Martz sees her work as a process to form an interaction between the body and non-native recycled materials. “The materials I use are mainly found, recycled, and repurposed.  Using traditional fiber techniques in a contemporary method, the interaction between materials becomes an essential element in the concepts of my work.”

The exhibit extends to the hallway just outside the gallery in one of the large display cases where United by Blue takes eco-conscious fashion to another level.  United By Blue is a sustainable brand of apparel that was started in May of 2010 in Philadelphia. They recently opened a store in Old City where they double as a coffee house.  For each item the brand sells, they remove a pound of trash from oceans and waterways through company organized and hosted cleanups.

ECO + FASHION was juried by Joan K. Smith, a local independent curator and member of the Art in City Hall Advisory Committee.  The committee is made of local arts professionals and is currently chaired by Amie Potsic, Executive Director for the Main Line Art Center.

The exhibit runs thru February 28th

Art in City Hall presents exhibitions that showcase contemporary artwork by emerging and professional visual artists from the Philadelphia region. Encompassing a variety of mediums, techniques, and subjects, this municipal program is committed to presenting a diversity of ideas and artistic explorations.  The program strives to link visual artists with the larger community by providing the public with a greater knowledge and appreciation of their artistic achievements.  For more information on Art In City Hall, visit: www.facebook.com/artincityhall.

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Coupling at Off the Wall Gallery

Alice Gonglewski, Coupling at Off the Wall Gallery

Alice Gonglewski, Union #2-4, popsicle sticks and acrylic paint, $40.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling is the theme of the 9th Annual Juried Art Show at Off the Wall Gallery and artists took the concept into elusive yet eloquent mind spaces. Alice Gonglewski‘s Union series uses popsicle sticks to create a visual expression of family and home to it’s simplest symbols. The round and straight lines of the sticks, the black and white paint and the open and closed shapes evokes memories of home. I can almost hear the Mister Softee song, an ear worm that stirs memories of prosperity and poverty. The bare sticks represent food, comfort, safety and caring with minimal information and maximal content of narrative.

Laura Storck, Coupling at Off the Wall Gallery

Laura Storck, Elvis Pelvis, cyanotype from digital negative, $200.00, Coupling at Off the Wall Gallery at Dirty Franks

The combination of different photography techniques makes Elvis Pelvis pop on a wall with fifty other cool artworks. Laura used an x-ray as the negative for the cyanotype print. Mildly photosensitive solution is applied to a as paper and allowed to dry in a dark place. When the paper is exposed to light the negative, in this case the x-ray, controls the amount of chemical reaction. By mixing technologies the piece couples a view of the interior of a body while exposing the lines of the exterior. The deep blue is rich with tone and texture, the lines are descriptive and articulated, almost holographic. The painterly strokes of the photo-sensitive solution add a sense of immediacy and urgency.

Laura Storck’s photography can currently be viewed as part of Philly Photo Day, in their gallery at North 3rd Street and on a billboard in West Philly. Her exploration into silver emulsion photography is included in a group show called Silver Emulsion Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Erica Harney, Coupling at Off the Wall Gallery

Erica Harney, Rabbit/Credit Card, oil and mixed media on panel, $80.00, Coupling at Off the Wall Gallery at Dirty Franks

Erica Harney has been working on an art project which dove tailed perfectly with the theme of Coupling. By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible. The paintings are refreshingly entertaining, the randomness of the combinations are like real life with problems, delights, challenges and comforts. There are four paintings in the show each coupling dual identities into one composition but Erica Harney has painted dozens of paintings using these restraints yet each painting stands on it’s own merits.

Karen Frank, Coupling at Off the Wall Gallery

Karen Frank, Mutual Admiration, acrylic on board, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling includes various media but the paintings are strong. It really feels like the paintings are active and intense paired with photography and mixed media. Karen Frank‘s seahorses, Mutual Admiration, combines the exotic and familiar with evocative marks and color ways. The piece is dreamy and child-like but the other-worldly context of life under water and the unintelligible form of communication between the beings feels empathic.

Jenn Warpoles paintings mix color, texture and surface to create evocations of emotion, experience and liveness. Abstracted yet anthropomorphic shapes create a visual dialog that speaks of love, despair, attraction and rejection. The small panels are powerful paintings with the atmospheric tones represented in washes of emotional color, a sensitive hand and restrained color palette design an emotional experience.

Jenn Warpole, Coupling at Off the Wall

Jenn Warpole, Untitled #2, oil on panel, $265.00, Coupling at Off the Wall Gallery at Dirty Franks

Hashtags and Archetypes by John Baccile is absolutely contemporary, elevating the computer screen shot from a moment of too much information into a rich and eloquent story. The visual language with overlays and multiple conversations feels so modern – post, post, post modern. Would the couple in the picture ever imagine a future with automatic photograph face recognition, predictive social media penetration and internet fame? John Baccile used a lowly material, the facebook page, and manipulated the elements with a sophisticated info-graphic capturing the past, present and future of portraiture.

John Baccile, Coupling at Off the Wall Gallery

John Baccile, Hashtags and Archetypes, digitally altered screen grab, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

The photograph John Baccile used is one hundred years old, the algorithms in facebook look for identity matches in the faces creating an overlay of information and possible matches, it really gives off a Minority Report vibe and how we willingly allow investigation of our history.

Bill Myers photograph documents a modern sensibility towards photography and image making. The composition, color and forms takes the concept of Coupling to an intense contemporary level. The balance of the two figures, each with an emotional openness, evokes an emotional response, an autonomous reflex, from the energetic image layering character studies with line, tone and light. I can think of several artist to compare Bill Myers to but he truly is his own authentic self with a defined vision.

Bill Myers, Coupling at Off the Wall Gallery

Bill Myers, Standing Strong, digital photography, $50.00, Coupling at Off the Wall Gallery at Dirty Franks

Robert Yong Lee, Coupling at Off the Wall Gallery

Robert Yong Lee, Untitled (Ann Arbor, 2009), silver gelatin print, $150.00, Coupling at Off the Wall Gallery at Dirty Franks

Bob Lee‘s black and white photograph examines the idea of Coupling in a composition filled with memes, matches and metaphors. The seated figure before the painting has a jacket draped over his arm like the figure in the painting, while the seated man is looking down, the painted man is looking into the distance. The standing man on the left is reading while the statue of the standing woman is straining to listen. The two tableaus are divided by architectural elements that themselves represent similar yet opposite forces. This is the kind of art you can really spend time with finding deep and elusive narratives.

Coupling will be on the wall at Off the Wall Gallery through December 27th, there is a holiday party at Dirty Franks, 13th and Pine Streets, tonight, December 20th. I have two photographs in the show, too, I wrote about them in My Photo Day on DoNArTNeWs. The whole experience of the Coupling show was wonderfully creative; I was inspired to make new work and I was part of the creative team behind the show. The art I’ve described in this post is just a sampling of the excellence in the show and the diversity of talent in the Philadelphia contemporary art scene.

The experience of watching people actually look at the art show and really spend time looking at the work is the most satisfying feeling of all. I know I keep talking about Social Practice but Off the Wall Gallery at Dirty Franks has truly integrated itself into the fabric of the community by being inclusive and relevant through art and communications that is fun, high art in a dive bar, yet the result is intellectually satisfying in a really authentic feeling of community.

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Written by DoN Brewer. Thank you to Togo Travalia for the photographs in this post and for the excellent advertising and promotion of the show and individual artists through print and social media. I know of no other gallery who promotes each artist with such care. I really appreciate the effort and the love.

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RiTUAL Reading Room

RiTUAL Reading Room, 110 Church Gallery

My Winter Coat, Barbara Henry, NJ and A Summer Morning’s Ritual, Pia De Girolamo

RiTUAL, Reading Room110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm) Saturday Noon – 4:00 pm, other times by appointment. 

ARTIST RECEPTION: 
Saturday, December 14, 2013, 
3:00 – 6:00 pm

110 Church Gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL Reading Room, 110 Church Gallery

RiTUAL, Reading Room110 Church Gallery

RiTUAL Reading Room is a meme based in Social Practice. To get the idea out into the Philadelphia art scene and have participation, the message had to be simple, easy to explain and memorably fun. By adding terms and conditions the curators established a concept that artists could share with each other, all you had to do was follow simple instructions. Making books in the Age of Digital Reproduction is a challenge to artists desiring to express themselves on paper. RiTUALS let’s the artist write whatever kind of book they like and then share the wall space with other artists, their work pixelated into the matrix of the meme, each book like a nerve connecting to the central nervous system of the art show. It really makes you think.

The design is simple and elegant with each book, loaded with information, waits to be unpacked by a viewer. Action is required to view the books displayed artfully in clear bags, concise tagging and information design creates a clever design experience. At the First Friday opening people ‘reading’ the books in random order mostly said, ‘Cool!’ There’s no better word.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL as a social practice experience is intellectually satisfying from the ad campaign with the sample instruction books to the on-line campaign to the virtual display, the idea is to express a concept within constraints. The books nearest the door are hung from display pins so the wind won’t blow them over, object-like books such as the tea-bag book are on pedestals and tables and the rest are displayed on slim racks with taut string keeping them in place.

The origami-like fold of the paper creates a four page book, with 8 sides and the opposite side of the paper can be a poster. There are books of prints, poems, recipes, photos, patterns, drawings, paintings, embroidery and sculpture. And there are stories told in eight pages that will make you laugh or cry. The tactility of handing the books and sharing the discoveries with others opened up communications so that people interacted instead of the anonymity of the library.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL creates an environment saturated with information, ideas and design. The cable knit sweater book by Kate Flake is an expression of the information technology of sewing  communicated as memetic code. A meme of cozy comfort is translated into the book in a language different from words; a thread of thought creates a story in an un-named tongue that is easily understood and re-interpretted into words.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Pia DeGirolamo’s books are delightfully informative and rich with style and taste. And by taste I mean food. Tomato Sauce Ritual teaches how to be resourceful and make yourself some decent Italian food; you live in Philly you should know how to make sauce. The illustrations, text and paper all add to the narrative in ways that are visually tasty.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Thank you to Stella and Margaret from 110 Church Gallery for taking up this idea that involves depending on a lot of artists to create something new and making the exhibition a reality. The show has hundreds of books, there is an on-line catalog with pages about the artists and their books. RiTUAL is a lot of information that required deep thought and attention to detail to make happen.

110 Church Gallery consistently presents art that is thought provoking and unique, with RiTUAL the curators have communicated with the arts community in a way that they responded to with exciting and beautiful concepts of their own. Creating a spirit of community is the essence of the art show and if you spend time reading the books in the gallery you will learn about the people of our community and their rituals.

RiTUAL online catalog

Written and photographed by DoN Brewer except where noted.

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RiTUAL

RiTUAL, Reading Room, 110 Church GalleryRiTUAL, Reading Room, 110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, 

HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm)
Saturday Noon – 4:00 pm, other times by appointment.

ARTIST RECEPTION: 
Saturday, December 14, 2013
3 – 6 pm

EXHIBITION: 
Friday, December 6, 2013 through
 Saturday, January 25, 2014

FIRST FRIDAYS
: Friday, December 6, 2013
, Friday, January 3, 2014 
5:00 – 8:00 pm

110 CHURCH gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place.

Pricing: $20, $75, $250 or free.

RiTUAL On-line catalog

CODE, DoN Brewer, RiTUALCODE, one sheet book, DoN BrewerRiTUAL, Reading Room110 Church Gallery

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