Category Archives: Philadelphia Artists

Philadelphia’s art scene is vibrant, ever-changing, combining technique and technology for new visions of reality, creating a transformative influence on life-style in the urban community and beyond.

Krimes

Jesse Krimes: Apokaluptein16389067: II

Jesse Krimes: Apokaluptein16389067: II

By Laura Storck

As a native Philadelphian, I’d never visited the Eastern State Penitentiary, which is attributable to my own design as well as lack of desire.  Known as America’s most historic prison, Eastern State Penitentiary was once the most famous prison in the world due to its grand architecture and strict disciplinary practices. Notions of such harsh discipline, imprisonment, and being confined to small spaces renders fear and paralysis in my mind. However, after learning about the May First Friday unveiling of several artists at the ESP, this art enthusiast felt it was a perfect time to make the guarded effort to see this well-known space.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

I was especially intrigued after reading about the installation ofJesse Krimes, entitled Apokaluptein 16389067: II.  Jesse is a Philadelphia-based artist, who was indicted by the U.S. government on non-violent controlled substance charges, and served a 70-month federal prison term.  While serving his term, Jesse produced a breathtaking and evocative 39-panel landscape on bedsheets. His process is just as magnificent: Jesse transferred cutout images from the New York Times using a plastic spoon and hairgel he had purchased from the commissary. He used the spoon to press the sheet and hairgel onto the newspaper cutout which resulted in an inverse image on the sheet.  Lastly, the images were blended together with color pencil. With the help of prison guards who had supported his work, he was able to store the sheets in a prison locker before having each panel mailed home piece by piece upon completion. Jesse kept a running dialogue in his mind of each of the sheets, as he didn’t see the entire grouping of panels until his release.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

In it’s original iteration, Apokaluptein16389067 is 15 feet tall and 40 feet long.  The images are a grouped according to three major sections: the bottom represents Hell, the middle portion is a depiction of Earth, and the upper portion signifies Heaven.  A facsimile of the original is on display along the interior walls of an abandoned cell at the ESP. I spoke with Jesse about his artistic process, and he explained that the current installation was made by scanning the original bedsheets onto a large scanner and making a large print. He then made a copy of the large print (to mimic the inverse images that appear on the bedsheets due to the transfer) and affixed those pieces onto the walls of the prison cell exhibition space using hand sanitizer and a sealant. Jesse feels that this project has reached it’s zenith in as it’s final iteration at the Penitentiary.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

This installation is a brilliant collage of color, form, and text. The texture is reminiscent of decoupage or encaustic painting. In their entirety, the panels serve as an artistic time capsule.

The original title, Apokaluptein16389067, references the Greek origin of the word apocalypse which means to reveal; by definition, it is a cataclysmic event. The numbers reference the artist’s Federal Bureau of Prisons identification number. Of all the works on display at this First Friday event, I felt especially compelled to see this exhibit as I am both amazed and in awe of the power of human resilience.  Last year, I read wonderful meme that has since stuck with me:  “When written in Chinese, the word ‘crisis’ is composed of two characters. One represents danger and the other represents opportunity”. Jesse Krimes‘ work is the epitome and personification of this proverb. I hold much admiration for his creative self-motivation in making this impressively transcendent work of art during his own personal apocalypse.

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

Jesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, Subscribe to Philly Mural Arts on YouTube

Jesse Krimes: Apokaluptein16389067: II, Laura StorckJesse Krimes: Apokaluptein16389067: II, Eastern State Penitentiary, photograph by Laura Storck

www.jessekrimes.com

http://www.easternstate.org

Written and photographed by Laura Storck

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Roger Ricco

Roger Ricco, SAVERY GallerySAVERY Gallery is thrilled to announce the upcoming exhibition: Roger Ricco : Paintings & Photography showing in Philadelphia from Friday May 8th, through Sunday June 14, 2015. There will be a reception for the artist on Friday May 8th, from 6 to 9pm and an Artist’s Talk on Saturday May 23. SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

Roger Ricco : Paintings & Photography features work that spans from 2008 until today. Large scale paintings on canvas interspersed with digitally captured photographs line the walls of the main gallery and a collection of smaller photographs from his Eclipse series is displayed in the adjoining annex gallery. Heavily influenced by nature, the subjects are: flora, rock, jungle, birds, grottoes, as well as geometry and celestial beings. The artist employs photographic reference images, movie stills, fabricated tabletop “sets” and manipulations of scale as starting points for his technical exploration.

The paintings use a carefully limited dark palette full of inky blacks, grays and silvery-greens, no doubt influenced by the Northern light that filters through the enormous wall of glass in the artist’s Woodstock home and studio. Splashes of pinks, purples and cobalt blue add a luminosity, and a surprising femininity. Many of the works in the Jungle Dreaming series are dyptichs, connecting lines from one canvas to the other. His subjects emerge from dark washes of background with energetic marks as lighter, more detailed and recognizable plants, animals and environments. The larger individual canvases (some as large as 48×48) are representations of natural formations, bodies of water and looming natural occurrences, devoid of any evidence of humans or animals. The work presents nature that has been framed or captured elsewhere first, then investigates, follows, manipulates and finds moments of illumination. An other-worldly quality reverberates throughout the work.

In Ricco’s photographs from the Eclipse series, the artist also uses a pared-down color palette combined with similarly thoughtful formal presentation to present a study of what appears to be celestial bodies. Using arranged objects, studio sets and digital processing, the artist created images that appear as if they could have been captured by high powered telescope, or conversely, electron microscope. Their gallery presentation as deeply rich and satiny prints framed without glass allow the viewer to experience an intimate connection to the work while at the same time conjuring large, grand, metaphysically challenging ideas.

Roger Ricco is an internationally recognized multi-disciplinary artist working in painting, photography and video who is based in NY. He has won the Rome Prize in painting, worked with Irving Penn, and currently co-owns and operates Ricco-Maresca Gallery in New York City which represents the work of world-renowned Outsider Artists. He is a leading expert and multi-published author on Outsider Art.

Recently, he has exhibited with: KM Fine Arts, Los Angeles, Kenise Barnes Fine Art, Larchmont NY, Castell Gallery, Asheville, NC Mr. Ricco has also been faculty at School of Visual Arts in NYC in the Art History department and has lectured at Yale University, Bard College, Museum of American Folk Art, Cooper Union, and Zen Mountain Monastery among others.

For further questions, press inquiries, or images please contact Tory Savery: 267-687-7769 or 610-547-8434 gallery@saverydesign.com www.saverygallery.com

Roger Ricco, SAVERY GalleryRoger Ricco : Paintings & Photography May 8th, through Sunday June 14, 2015. Reception for the artist on Friday May 8th, from 6:00 to 9:00pm and an Artist’s Talk on Saturday May 23.

SAVERY Gallery 319 N. 11th Street Philadelphia PA 19107 267-687-7769

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Conclusions

Drawing Conclusions, LandLab, CFEVA,Drawing Conclusions: A LandLab Residency Exhibition

Exhibition runs April 13 – May 22.

Opening Reception Thursday, April 30, 5-7pm with Artist Talks at 6:00pm The Center for Emerging Visual Artists Gallery, 237 South 18th Street, The Barclay, 3rd Floor, Philadelphia, PA 19103 215-546-7775 | cfeva.org

Philadelphia, PA – The Center for Emerging Visual Artists (CFEVA) is pleased to present Drawing Conclusions an exhibition by CFEVA LandLab Artists in Residence. The exhibition will be on view in CFEVA’s gallery April 13 to May 22. There will be Artist Talks and a Reception on Thursday, April 30 from 5-7pm. There will be a closing reception featuring botanical cocktails by WE THE WEEDS on May 22 from 5-7pm. Gallery hours are Monday through Friday, 11am – 5pm and by appointment.

Drawing Conclusions features the work of LandLab Artist in Residents Jake BeckmanLeslie Birch, Hagan/Mills/Mills and WE THE WEEDS. This exhibition focuses on the results of each artist’s installation at the Schuylkill Center for Environmental Education and how the outcomes of their residency inform ecological restoration issues. Each artist will present the results of their installations, including documentation of the evolution of their installation over time, data collected and how their artistic process is influenced by the residency.

LandLab is a unique artist residency program that operates on multiple platforms: artistic creation, ecological restoration and education. A joint project of The Center for Emerging Visual Artists (CFEVA) and the Schuylkill Center for Environmental Education (SCEE) LandLab offers resources and space on the Schuylkill Center’s 340-acre wooded property for visual artists to engage audiences in the processes of ecological stewardship through scientific investigation and artistic creation.

Jake Beckman is a sculptor and educator living and working in Philadelphia. Jake teaches Art and Design at the Community College of Philadelphia and graduated with an M.F.A. in Sculpture from the Rhode Island School of Design and a B.A. in Art from Swarthmore College. In addition to making work that explores systems and materials that sustain our way of life through a wide range of media, Jake has had a lifelong interest in biology, chemistry and many of the other physical sciences. His work explores themes of transformation, process and legibility as he grapples with the relationship between labor, value and substance. Jake is interested in the origins of the manufactured environment, as well as a concept of the displaced and abstracted landscape; a landscape in which earth and rock are mined, crushed, sintered, shipped and recompiled into an ordered system of buildings, cities, and bridges. He uses the visual language of industry, as well as the raw ingredients of the built environment— coal, stone, ore, etc.—to explore the memory of a time when Americans were more intimately connected to the processes that constructed and sustained their material surroundings.

Leslie Birch fancies herself a tech geisha in Philadelphia. Her fascination with the combination of interactive art and robots led her swiftly to electronics. An original member of The Hacktory in Philadelphia, Leslie is an authority on LED “Throwies” and Arduino microcontrollers. Her artistic practice has led her to working with Leah Buechly, inventor of the first stitchable microcontroller and winning NASA’s International Space Apps Challenge for the Orbit Skirt – a skirt that can track the International Space Station, as well as Senti-8, a wrist band that allows astronauts to experience the scents they miss. More recently, another invention, the FLORAbrella, has garnered attention around the world as a color sensing umbrella that can match clothing and do rainbow patterns. Currently Leslie creates projects and tutorials for Adafruit, a DIY electronics company in New York promoting education. She can also be found blogging about wearables for both Adafruit and Element 14. Her hangout is Hive76, a hackerspace promoting open source hardware in the Spring Garden area. When not hacking hardware, Leslie shares her tech love through speaking engagements, teaching at the library’s MakerJawn program and planning events like LadyHacks. Her free time is spent hiking, camping, letterboxing and birding. Yes, she loves Star Wars and you can follow her @zengirl2.

Hagan/Mills/Mills is an arts collaborative consisting of Philadelphia based artists Maggie Mills, Ben Mills and Marguerita Hagan. Their LandLab project, Native Pollinator Garden focuses on Colony collapse Disorder (CCD). Colony Collapse Disorder (CCD)

“is a syndrome defined as a dead colony with no adult bees or dead bee bodies, but with a live queen and usually honey and immature bees still present.” (USDA)

Native Pollinator Garden provides a variety of native blooms that follow three full seasons of succession. This provides forage for several generations of pollinators each year. The beds are constructed of chemical-free Douglas fir, are filled with a blend of organic, local soil and leaf compost, and are planted with native, organically grown plants from a local nursery. Native Pollinator Garden addresses the threats posed by monoculture, non-native species’ parasites and disease, GMO’s, and pesticides. It serves as an example of the importance of local action on an individual level.

WE THE WEEDS is a botanical arts collaboration headed by artist Kaitlin Pomerantz and botanist Zya S. Levy that seeks to highlight and investigate the presence of the natural world within the manmade landscape. Past projects include ethno botanical tours, participatory art and science experiments, public art installations, educational outreach, and culinary and sensory plant experiences. WE THE WEEDS has worked in participation with Practice Gallery, the City of Philadelphia Mural Arts Program, the Asian Arts Initiative, and the Penn Center for Urban Research. The Schuylkill Center for Environmental Education inspires meaningful connections between people and nature. We use our forests and fields as a living laboratory to foster appreciation, deepen understanding, and encourage stewardship of the environment.

The Center for Emerging Visual Artists is dedicated to coordinating a strong regional support system for visual artists, to advance the careers of professional artists in the region, to promote relationships between artists and the communities in which they live, and to increase access to and promote interest and understanding of visual art among citizens of the community.

Support for LandLab is provided by the Knight Foundation, the National Endowment for the Arts, the Dolfinger-McMahon Foundation and the William Penn Foundation. This project was supported in part by the Pennsylvania Partners in the Arts program of the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts, a federal agency. Support also provided by PECO. This program is administered regionally by the Greater Philadelphia Cultural Alliance.

Thank you to Marnie Lersch, Program Associate for the content of this DoNArTNeWs post.  marnie@cfeva.org (215 )546-7775 ext 13

Philadelphia Open Studio Tours EAST: Oct 3 & 4 l WEST Oct. 17 & 18noon6pm

Center for Emerging Visual Artists The Barclay, 237 S. 18 St., Suite 3A Philadelphia PA 19103

www.cfeva.org l www.philaopenstudios.org

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Love

Paint a Face for Dawn's Place

ART IN LOVE PARK TO SUPPORT SURVIVORS OF HUMAN TRAFFICKING

Dawn’s Place to Display Public Art Project at Community Art Day: April 11 in Love Park

PHILADELPHIA –  Not many people are aware that slavery still exists. Most still find it hard to believe that slavery is happening in our country or state or neighborhoods today. Dawn’s Place the only residence of its kind in the tri-state area that proactively helps both domestic and international adult female victims of Commercial Sexual Exploitation (CSE) is striving to change that & in the neighborhoods of the Delaware Valley. And they need your support.

On Saturday, April 11 in Love Park (JFK Plaza) Philadelphia, Paint a Face for Dawn’s Place, a community art project to support survivors of human trafficking, will be displayed at Community Art Day. Art Day will take place from noon to 3:00 pm, featuring an outdoor installation of painted portraits of women, live music, spoken word performance, and live street portraits. For more information, visit www.aHomeforDawn.org.

“Human trafficking is just the tip of the iceberg”, says Sister Teresita Hinnegan, a medical mission Sister and co-founder of Dawn’s Place, a 9-bedroom residence in an undisclosed Philadelphia area location. It happens because of all the social and human injustice that’s been around from the beginning. We can focus on rescuing and restoring the victims, but unless we look at the demand side, the injustices that cause trafficking, it will continue.

Consider the following:

  • Within the United States, women, children and men are trafficked daily for commercial sex and forced labor.
  • Victims may be rich, poor, foreign nationals, U.S. citizens, adults, or children under 18.
  • Human trafficking generates $32 billion annually – half of that made in industrialized countries.
  • 80% of all transnational victims are women and girls.

 “It’s all about people who are living in poverty and have very few choices, and how to survive, Sister Teresita continues. Our culture has accepted prostitution. It s seen as a victimless crime. It is not. Prostitutes are labeled as criminals. They are not. They are victims. They need to be treated that way.”

Paint a Face for Dawn’s Place is a public art project organized by Dawn’s Place and Philadelphia artist, Joanna Fulginiti. The project asks members of the community to paint a face of a woman they love or admire. The paintings will be collected and displayed alongside information on human trafficking to rally community support for victims of this crime in the Delaware Valley. Community Art Day will include live performances by musician Rosa Diaz and artist Bonnie MacAllister. Members of the Photographic Society of Philadelphia will take professional street portraits that can be posted to social media or stored on a smartphone.

For interviews and additional media requests please contact: Sr. Michelle Loisel at 215-849-2396

Joanna Fulginiti at joannfulginiti@aol.com

Paint a Face for Dawn's Place

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Jambalaya

Group show with Jombi Supastar, Juan Dimida and James Tafel Shuster at bahdeebahduGroup Art Show with Jombi Supastar, Juan Dimida and James Tafel Shuster at bahdeebahdu

Opening Reception Thursday, April 9th, from 7 PM to 10 PM. Hope to see you there! bahdeebahdu, 1522 N. American Street, Philadelphia

“A fusion of styles, aesthetics and artistic mediums, JAMBALAYA promises a visual cuisine that’ll satiate the voracious creative appetite!” – bahdeebahdu

Featuring the visual work of Jombi Supastar, Juan Dimida and James Tafel Shuster, and the CD release of “The Missing Shade of Blue” by Bryan Cohen & James Shuster.

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James Tafel Shuster & Bryan Cohen’s CD Release Party at iMPeRFeCT Gallery on Fri. Feb. 20, 2015.