Category Archives: Upcycled Art

Video

Charles Clary: Be Kind Rewind

An immersive solo exhibition of new work

by Charles Clary


Exhibition Dates: June 26 –August 8, 2020

Charles Clary: Be Kind Rewind

Paradigm Gallery is pleased to announce Be Kind Rewind, an immersive solo exhibition of new works by Contemporary artist, Charles Clary, opening* on June 26, 2020 and remaining on view through August 8, 2020. Presented as an immersive video store installation, Be Kind Rewind is comprised of 1,000 new paper relief works from Clary’s ongoing VHS series, making it the largest showing of VHS since its inception in 2016, and explores the cathartic power of shared nostalgia.

Charles Clary: Be Kind Rewind

VHS is a reactionary body of work to the passing of Clary’s parents, both of whom he had a complicated relationship with growing up. As they were often absent during his childhood, movies acted as a surrogate babysitter. Clary began thinking about how his nostalgia for a happier childhood could be translated through his work and used as a way to channel his grief. A pop culture fanatic, Clary began to notice cheap, 50 cent VHS tape copies of his favorite movies at his local thrift stores. Analog and carelessly discarded, these films held a lot of emotional significance to Clary, who saw them as “beautiful scarifications”, a traumatic moment healed by a film.

Charles Clary: Be Kind Rewind

Clary sourced every one of Be Kind Rewind’s massive number of works at thrift stores or garage sales, with a large number being old copies of horror movies. A self described ‘horror nut’, Clary always felt a kindred spirit to the final person standing in a scary movie – surviving through the trauma. Not wanting to take away from the cover’s imagery, Clary will design around what he feels is important and then will carefully cut and layer 15 pieces of paper into the slipcase, salvaging and elevating the artifact with a newfound intricacy and depth. Viewers will recognize old favorites like Tron, Labyrinth and Dark Crystal, movies that have become synonymous with Clary’s childhood cinematic history. Lovingly handmade, Be Kind Rewind reimagines a mom and pop video store where visitors can take coordinating tabs to the register to “rent” a tape, making it an immersive and joyful experience. From a first date to the surprise twist ending of a thriller, watching movies has become a communal human experience. Be Kind Rewind reminds us of our collective human spirit through the power of nostalgic connection and in doing so, brings us all a little bit closer.

Charles Clary: Be Kind Rewind

*Due to COVID-19, “Be Kind Rewind” will be available for viewing by appointment only or on https://www.paradigmarts.org/ until further notice. These policies are dependent on the current policies of the CDC, WHO and the Governor and Mayor’s offices. Paradigm Gallery’s number one priority is the safety and wellness of their visitors. For live updates on the exhibition and appointments, please visit the Paradigm website and socials. For any questions on Paradigm’s current policies, please email info@paradigm-gallery.com.

Charles Clary: Be Kind Rewind

About Charles Clary
Charles Clary was born in 1980 in Morristown, Tennessee. He received his BFA in painting with honors from Middle Tennessee State University and his MFA in painting from the Savannah College of Art and Design. He has shown in exhibitions at Galerie EVOLUTION-Pierre Cardin in Paris, France, Pierogi Gallery and Nancy Margolis Gallery in New York, Spoke art in San Francisco, and museum shows at Mesa Contemporary Art Museum, Gadsten Museum of Art, and Cornell Museum of Art. He has also completed a three week residency in Lacoste France, completed a painting assistantship with Joe Amrhein of Pierogi Gallery in Brooklyn NYC, and had work acquired by
fashion designer Pierre Cardin and gallery owner James Cohan.

Clary has been featured in numerous print and Internet interviews including, This is Colossal, WIRED magazine (US and UK), Hi Fructose, Beautifuldecay.com, Bluecanvas Magazine, and This Is Colossal as well as a recent feature in American Craft Magazine. He was also featured in the Art On Paper Art Fair with Kenise Barnes Fine Art. He has also been featured in publications including 500 Paper Objects, Paper Works, Paper Art, Papercraft 2, PUSH: Paper, and The New Twenties. Charles has exhibited regionally, nationally, and internationally in numerous solo and group shows. Clary currently lives and works in Conway SC.

About Paradigm Gallery
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. Now open 10 years, the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

Location:
746 S 4th St
Philadelphia, PA 19147
Media Contact:
Lainya Magaña, A&O PR
347 395 4155
lainya@aopublic.com

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Obsolescence

Ulla-Stina Wikander, Installation: After Work, 2018, Swan Chair, Table, Lamp, Shoes, Bag, Small Bag, Thermos, Books, Embroidery, Bag for Yarn, cross-stitch on found objects, mixed media.

Obsolescence, Ulla-Stina Wikander, Paradigm Gallery + Studio

Exhibition Dates: October 25 – November 23, 2019

Opening Reception: October 25th • 5:30 – 10pm

Paradigm Gallery + Studio (746 S 4th St) is pleased to present Obsolescence, a solo exhibition by Sweden-based artist Ulla-Stina Wikander, open October 25 – November 23, 2019. The artist’s first solo exhibition in the United States, Obsolescence, features new works from Wikander’s well-known series of household objects covered in colorful, vintage embroideries. Obsolescence will have a public opening reception on October 25 from 5:30 – 10:00pm.

Wikander began collecting vintage embroideries 15 years ago in antique stores and flea markets, initially attracted to the intricate designs of needlework textiles. Although Wikander was traditionally trained as a painter and sculptor, the unknown histories of the women who made the embroideries interested her and she began experimenting with her new collection.

Wikander’s earliest experimentation with textile began with covering a broken vacuum cleaner she had laying around in her home. Through a meticulous process of deconstruction and reassembly, she transformed the anachronistic tool into something visually absorbing and entirely new, giving the vacuum a new reason to exist. Although not all of the objects
Wikander covers are broken, they’re all out-dated. Through Wikander’s process, these retro items are transformed and recycled into fully contemporary sculptures.

On her practice Wikander says, “It is rather new for me to be a part of the textile community because I have always regarded myself as a painter and sculptor. While I do not embroider myself, I am always very meticulous when I choose my patterns. Embroidery is very hard to find nowadays, so I often travel to small towns in Sweden to find them. I have a big collection with hundreds of embroideries, organized into boxes by motif. I do not know if it is accepted among textile artists, to cut embroideries into pieces, but I think my work is a bit different. I always have a bad feeling that I am destroying a beautiful embroidery that someone else has made, but the recycling of something forgotten also feels current and good”.


The latest artworks included in Wikander’s Obsolescence exhibition are suffused with humor and critical explorations of feminism, domesticity, and upcycling. Her intricate textile constructions are shaped by the forms that lie underneath – including irons, blow dryers, shoes, bags, lamps, books, and phones. Freshly adorned in coverings of flowers, animals, and pastoral
scenes, the items transcend their former functionality and are simultaneously revelatory and recognizable. Wikander’s vibrant reappropriations are evocative formal studies that defy categorization and illicit equal parts dissonance and delight.

Obsolescence, Ulla-Stina Wikander, Paradigm Gallery + Studio

About Ulla-Stina Wikander
Ulla-Stina Wikander was born 1957 in Kungälv. She is currently living in Stockholm/Kullavik, Sweden and has been working as an artist since 1986. Wikander has shown extensively around the world in solo and group exhibitions including shows in the United States, Sweden and the UK.

About Paradigm
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

Location: Paradigm Gallery + Studio®, 746 S 4th St., Philadelphia, PA, 19147
Media Contact: Lainya Magaña, A&O PR lainya@aopublic.com

Thank you to Madison Fishman for the content of this post.

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2019

2019 AUTUMN INVITATIONAL, Off the Wall Gallery at Dirty Frank’s

2019 Annual Autumn Invitational at Off the Wall Gallery at Dirty Frank’s

The annual AUTUMN INVITATIONAL, which officially opens THIS THURSDAY, SEPTEMBER 26, 7-10 PM, is one of our favorite shows. For good reason.

By showcasing the artists who have achieved notable success over the past year, measured by sales and jury awards, it welcomes back artists who are truly fan favorites. And with this year’s edition in particular, it gives us a more in-depth look at the work of three exceptional artists:

* This marks the fourth time CAROL TASHJIAN has shown her work in our space. Across different media and subject matters, a common thread has emerged: a disciplined approach to her craft, which strips away the extraneous in favor of essence. When Carol has shown one or two works, viewers sometimes have to seek out the quiet refuge of her art. This time, with 19 works, we are happily immersed in her approach, with the litho crayon rubbings of trees on the right side of the Wall practically creating a meditative arboretum of sorts (to the extent that’s possible at Dirty Frank’s!).

* For WILD TYPE, aka, ORI ROE, the Invitational marks a third turn at OFF THE WALL and this time is indeed the charm, with 13 works that, as with Carol, finally create a critical mass and enable us to enter her unique worlds at the intersection of science and art. Wild Type takes her nom d’artiste from a wild-type strain — there are ori sequences in the mitochondrial DNA of such a mutated strain; similarly, Wild Type’s art-making practice applies fundamentals of organic chemistry to create “worlds with X, Y and Z coordinate space,” and to begin answering such deep questions as “What does it mean to exist in space?”

* As we count down, RUSTY EVELAND is returning for just the second time, after a tour de force debut in BREAKTHROUGHS FOR SHEILA. His art runs a wide gamut. Across eight pieces, spanning figure studies, an animated short projected in our 3D space, and mixed-media and found-object assemblages, Rusty never aspires to Carol’s introspection or Wild Type’s exploration but rather embraces an energy and enthusiasm that naturally draws audiences into his work.

* And it’s worth noting that while this show’s headliner is usually the winner of the Mary-Rowe Memorial Jury Prize, last year’s honoree, LINDSEY WAVREK, will next be on the Wall this coming March and April as a MARY LIZ FELLOW, the highest honor we bestow on any artist in our community.

We look forward to seeing you THURSDAY EVENING, and for those of you who would like to transcend mere attendance and become a PARTICIPATING ARTIST at our next Opening Reception, on November 17, please make sure to pick up an entry form for UNDER $100, our upcoming JURIED EXHIBITION.

We are accepting entries for the show — which invites any and all media and subject matters, priced at $95 or less — now through October 17. Take the top prize and you’ll not only be in that show; per the above note about Lindsey Wavrek, you’ll automatically be part of the 2020 AUTUMN INVITATIONAL!

UNDER 100 Entry Guidelines Poster, OTWGallery, September 2019
15th Annual Juried Exhibition, Off the Wall Gallery at Dirty Frank’s

Thank you to Togo Travalia, Manager, OFF THE WALL GALLERY at Dirty Frank’s for the content of this post. (He’s a really good writer!)

NE Corner, 13th & Pine Streets, Philadelphia, PA, 19107

offthewallgallery@gmail.com

facebook.com/OTWDirtyFranks

@OTWDirtyFranks

(215) 732-5010 (bar)(484) 357-6440 (cell)

Celebrating 40 years of revolutionary art

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pa•per

Rosa Leff, Sorry Not Sorry, 2019, hand-cut paper plate, 12” x 12”

pa•per
A Group Exhibition Curated by Jason Chen

Paradigm Gallery + Studio

Exhibition Dates: April 26 – May 18, 2019
Opening Reception: April 26, 2019 5:30 – 10pm


Paradigm Gallery + Studio is pleased to present pa•per, a group exhibition of paper works curated by Paradigm co-founder Jason Chen, opening on April 26, 2019 and remaining on view through May 18, 2019.

There will be a public opening reception on April 26th from 5:30 – 10pm. Though paper is often thought of as craft material, Chen’s exhibition, pa•per, tries to re-contextualize the medium by showcasing 15 artists who use nontraditional techniques to elevate it.

Included in the exhibition is Baltimore-based Rosa Leff, who is a member of The Guild of American Papercutters. Two of Leff’s pieces in pa•per, Dinner’s On Me and Sorry Not Sorry, incorporate traditional imagery that you might find on fine china plates. All of her work is cut by hand from a single sheet of paper.

While the exhibition does not range in medium, it ranges in technique. From surgical X-Acto blade cuts to minimal collage to Sally Hewitt’s series of paper reliefs, paper is transformed by technique and treatment. India-based Nayan and Vaishali’s ongoing project, 730 Days of Miniature, poses a creative challenge on the seemingly limited nature of the material. Each day, they spend four to six hours meticulously creating miniature paper bird artworks. Each one is colored and cut by hand, and layered to create a “2.5 dimensional” piece. These works and the show itself treats paper not as a background or foundation for artworks, but as a transformable material.

Jason Chen specifically chose artists who have not been featured ever before at Paradigm. Artists participating in pa•per include: Kanako Abe, Daria Aksenova, Joey Bates, Albert Chamillard, Colette Fu, Lizzie Gill, Sally Hewett, Danielle Krysa, Rosa Leff, Huntz Liu, Ryan Sarah Murphy, Marianne R. Petit, Lucha Rodríguez, and Nayan and Vaishali. The gallery is known for working with established and emerging paper artists, but pa•per’s lineup is fresh and unexpected.

pa•per is curated around art that is pushed beyond its practical applications into the world of fine art. The capacity of paper as a medium, rather than a surface to paint or draw on, highlights its potential of exceeding expectations.

(left) Sally Hewitt, Paperback, 2019, cartridge paper manipulated using needles, bodkins and embossing tools, 12 x 10” (right) Nayan and Vaishali, Impala and Red-billed Oxpeckers, 2019, layered cut paper and watercolor, 9 x 9 cm

Paradigm Gallery + Studio
Paradigm Gallery + Studio® exhibits contemporary artwork from around the world with a focus on Philadelphia-based artists. Established February 2010, the gallery began as a project between co-founders and curators, Jason Chen and Sara McCorriston, as a space in which to create artwork, to exhibit the work of their peers, and to invite the members of the community to create and collect in a welcoming gallery setting. To this day the gallery still aims to welcome all collectors, from first time to lifelong, and continues to support accessible work that welcomes a wide audience.

Location: Paradigm Gallery + Studio, 746 S 4th St., Philadelphia, PA 19147
Media Contact: Lainya Magaña, A&O PR, lainya@aopublic.com

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DoNArTNeWs – celebrating eleven years reporting on Philadelphia artists and art.

Moth

Black Moth Tattoo and GalleryRiot, Pen and ink on paper, David Jablow

Black Moth Tattoo Parlor and Gallery

Black Moth Tattoo and Gallery, 18 East Lancaster Avenue Ardmore, PA 19003

David Jablow  Further Adventures 

March 1st – March 31st

On first glance, my drawings are clearly narrative. What is often and easily missed is the very specific platform on which all of them are made. The drawings originate on vintage ‘doodle pad’ sheets from 20th century.

I collect and utilize these somewhat risqué novelty drawing pads. These mass-produced pads of paper feature incompletely drawn women (and occasionally men) with instructions to complete- or doodle in- the missing parts. And that’s what I do.  As a lifelong fan of the art and craft of illustration, representational drawing, comics, and cartooning, I use pen and ink to complete the incomplete images to make them my own.

The practice of ‘repurposing’ items from the past is quite popular. We’ve all seen the cable TV shows and passed by boutiques that take old antique doors and turn them into coffee tables, or crafters who take old military artifacts and turns them into lamps. Giving new life to objects left for dead is fun, quirky, and often times environmentally considerate.

What I’m doing with these old sheets of paper is ‘purposing’ them. I’m doing exactly what the printers had in mind when they originally produced and distributed them. I like the idea that I’m doing this decades after they were made, after they’ve been sitting in drawers until someone decided to post them for sale on eBay or Etsy. Perhaps ‘retro-purposed’ would be a more appropriate term for what I’m doing with these old doodle pads.

Regardless of they’re called or how they originate, I’ve found them to be ideal for my creative process.  When artist’s face a complete blank canvas or paper, they face that paradoxical problem of endless possibilities.  Too many options can often be constraining.

I sidestep this with the help of my muse. I simply access that part of the brain that we use when we play the game of charades. “What could she be doing.” my mind asks. Ideas then flow. I mentally sift through them and make loose sketches to narrow down the options. Which would make a drawing that I’d want to make?  What haven’t I done before? Maybe something funny, maybe macabre, or maybe I feel like challenging myself with some complex perspective angle. I get to draw it all..foliage, animals, technology, different eras of human history.  That’s half the fun. It’s always the same challenge and always new and different. –David Jablow

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/622854208172944/

Black Moth Tattoo and GalleryAttack #3, Mixed Media on Wood, Wendee Yudis

Works by Wendee Yudis

April 1st – 30th

Wendee Yudis is a serigraph mixed media artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990’s. The females in her work become icons that reoccur in new contexts and combinations to create a visual vocabulary. Many times they question the females’ role in society as well explore the various roles within ourselves. By juxtaposing various images, nuances are implied and tension is created to imply and explore new meanings. She primarily uses printmaking along with painting rather than printing in edition because it allows her more freedom to create spontaneously and to explore the subtleties of printmaking. Yudis typically print images or icons in combination with other images to create not only a dialogue between the images but also to create an illusion of being camouflaged by translucency, patterns, and layers to explore relationships seen and unseen.

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/628873590917632/

Black Moth Tattoo and Gallery

“A new fusion of custom body art and curated exhibitions brought to Montgomery County by local artist, Steve Martin. Expect more of the great ideas you have come to know me for. With 9 years professional experience I cover a range of disciplines in tattooing; from mandala and geometric designs, Japanese, neo-traditional, traditional Americana, custom lettering, as well as black and grey realism.

Celebrating 2 years in historic Ardmore, we’re turning heads with its premier tattoo parlor. I look forward to bringing to you, the art enthusiast and collector, a select presentation of custom tattoo designs as well as some of the finest works of art month after month. You can expect the professionalism, mindful customer service, attention to detail, and quality products in a clean and safe setting that you have known from me all these years.”

www.BlackMothTattooandGallery.com

18 East Lancaster Avenue
Ardmore, PA 19003
P. 610-642-1500

Thank you to Steve Martin for the content of this post.

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DoNArTNeWs – celebrating eleven years reporting on Philadelphia artists and art.