Tag Archives: drawings

Reverberations

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Artists’ Talk at Cerulean Arts Gallery

Andrea Krupp, Cerulean Arts Gallery

Saturday, March 16 at 1:00. Lisa Sylvester and Andrea Krupp will be chatting about the work on display in Reverberations. If you haven’t had a chance to stop by, a visit is recommended. There is a real feeling of reverberation between the works in the gallery. It’s a visually striking pairing, as many have commented, and I agree – Tina and Mike did an excellent job curating this exhibit. It closes on March 24. – Andrea Krupp

The quote above is from an essay Andrea Krupp wrote for Reverberations, a jumping off point for the Artists’ Talk on Saturday perhaps.

And a Bonus! Right next door, the Cerulean Arts Collective opens a new round of solo exhibitions on the same day, from 2:00 – 5:00pm.

Andrea Krupp’s artist’s book Transmission from Elsewhere (pictured below) was selected for the Wayne Art Center Regional Spring Open, juried this year by Stuart Shils. The opening is on Sunday, March 31, 3:00 – 5:00 pm and runs through May 4th.

Wayne Art Center, 413 Maplewood Ave., Wayne, PA 19087. 

Andrea Krupp, Wayne Art Center Regional Spring Open

Da Vinci Art Alliance, 704 Catharine Street, Philadelphia, 19147.
A Northland drawing by Andrea Krupp was selected for Works On Paper II at Da Vinci Art Alliance, juried by Rochelle Toner. The opening reception is Sunday, March 17th at 1pm, runs through April 7th.

Thank you to Andrea Krupp for the content of this post.

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Plastic

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Drawing Marathon, The Plastic Club

All Day Drawing Marathon at The Plastic Club

The annual Drawing Marathon is an art all day event; enjoy sketching, drawing, or painting at The Plastic Club on Sunday, March 10th, from 10:00am to 10:00pm.

247 South Camac Street, Philadelphia, PA 19107

(215) 545-9324

info@plasticclub.org

Admission to the event is $15 on a come-and-go basis; pay once, then you can leave and re-enter as you see fit. Photography is not permitted.

The Plastic Club will provide live models and setups for still life, as well as tables, chairs, and easels, simply bring your own art materials. Simultaneous sessions will give you your choice of artistic opportunities. Plans call for life drawing, portrait drawing and painting, long and short poses and croquis, still life setups, and experiments in “noir lighting” in the Plastic Club’s blacked-out basement.

Coffee, donuts, lunch and dinner will be available for a contribution.

Don’t miss this chance to sharpen your image-making skills and mingle with other artists at The Plastic Club.

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Moth

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Black Moth Tattoo and GalleryRiot, Pen and ink on paper, David Jablow

Black Moth Tattoo Parlor and Gallery

Black Moth Tattoo and Gallery, 18 East Lancaster Avenue Ardmore, PA 19003

David Jablow  Further Adventures 

March 1st – March 31st

On first glance, my drawings are clearly narrative. What is often and easily missed is the very specific platform on which all of them are made. The drawings originate on vintage ‘doodle pad’ sheets from 20th century.

I collect and utilize these somewhat risqué novelty drawing pads. These mass-produced pads of paper feature incompletely drawn women (and occasionally men) with instructions to complete- or doodle in- the missing parts. And that’s what I do.  As a lifelong fan of the art and craft of illustration, representational drawing, comics, and cartooning, I use pen and ink to complete the incomplete images to make them my own.

The practice of ‘repurposing’ items from the past is quite popular. We’ve all seen the cable TV shows and passed by boutiques that take old antique doors and turn them into coffee tables, or crafters who take old military artifacts and turns them into lamps. Giving new life to objects left for dead is fun, quirky, and often times environmentally considerate.

What I’m doing with these old sheets of paper is ‘purposing’ them. I’m doing exactly what the printers had in mind when they originally produced and distributed them. I like the idea that I’m doing this decades after they were made, after they’ve been sitting in drawers until someone decided to post them for sale on eBay or Etsy. Perhaps ‘retro-purposed’ would be a more appropriate term for what I’m doing with these old doodle pads.

Regardless of they’re called or how they originate, I’ve found them to be ideal for my creative process.  When artist’s face a complete blank canvas or paper, they face that paradoxical problem of endless possibilities.  Too many options can often be constraining.

I sidestep this with the help of my muse. I simply access that part of the brain that we use when we play the game of charades. “What could she be doing.” my mind asks. Ideas then flow. I mentally sift through them and make loose sketches to narrow down the options. Which would make a drawing that I’d want to make?  What haven’t I done before? Maybe something funny, maybe macabre, or maybe I feel like challenging myself with some complex perspective angle. I get to draw it all..foliage, animals, technology, different eras of human history.  That’s half the fun. It’s always the same challenge and always new and different. –David Jablow

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/622854208172944/

Black Moth Tattoo and GalleryAttack #3, Mixed Media on Wood, Wendee Yudis

Works by Wendee Yudis

April 1st – 30th

Wendee Yudis is a serigraph mixed media artist whose paintings and prints have been exhibited in solo and group shows in galleries in NYC, Chicago, and Philadelphia since the mid-1990’s. The females in her work become icons that reoccur in new contexts and combinations to create a visual vocabulary. Many times they question the females’ role in society as well explore the various roles within ourselves. By juxtaposing various images, nuances are implied and tension is created to imply and explore new meanings. She primarily uses printmaking along with painting rather than printing in edition because it allows her more freedom to create spontaneously and to explore the subtleties of printmaking. Yudis typically print images or icons in combination with other images to create not only a dialogue between the images but also to create an illusion of being camouflaged by translucency, patterns, and layers to explore relationships seen and unseen.

Free and open to the public Tuesday through Sunday. More information can be found at https://www.facebook.com/events/628873590917632/

Black Moth Tattoo and Gallery

“A new fusion of custom body art and curated exhibitions brought to Montgomery County by local artist, Steve Martin. Expect more of the great ideas you have come to know me for. With 9 years professional experience I cover a range of disciplines in tattooing; from mandala and geometric designs, Japanese, neo-traditional, traditional Americana, custom lettering, as well as black and grey realism.

Celebrating 2 years in historic Ardmore, we’re turning heads with its premier tattoo parlor. I look forward to bringing to you, the art enthusiast and collector, a select presentation of custom tattoo designs as well as some of the finest works of art month after month. You can expect the professionalism, mindful customer service, attention to detail, and quality products in a clean and safe setting that you have known from me all these years.”

www.BlackMothTattooandGallery.com

18 East Lancaster Avenue
Ardmore, PA 19003
P. 610-642-1500

Thank you to Steve Martin for the content of this post.

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DECOROUS

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DECOROUS. Camp, Costello“Decorous exhibition, Installation view #1” Artwork by: Donald E. Camp and Aubrie Costello Ó Amie Potsic 2018

Iconic Philadelphia artists call for social justice and question American identity in

Decorous, the launch exhibition by Amie Potsic Art Advisory.

DECOROUS

Donald E. Camp  |  Aubrie Costello  |  Tom Judd

Curated and Presented by Amie Potsic, CEO & Principal Curator of Amie Potsic Art Advisory, LLC. 
In partnership with Michael Garden Group

July 19 – September 15, 2018

 – EVENTS –

OPENING RECEPTION: Thursday, August 16th, 6:00 PM – 8:00 PM

ADVISORY LAUNCH CELEBRATION & CLOSING RECEPTION: Saturday, September 15th, 6:30 PM – 9:00 PM

AMIE POTSIC INTERVIEWED ON ART WATCH RADIO: Wednesday, September 26th, 1:00 PM – 1:30 PM Listen on AM Radio WCHE Live stream at http://wche1520.com/project/art-watch/

Location: Space and Company, 2200 Walnut Street, Philadelphia, PA

Hours: Monday – Friday 9:00 AM – 5:00 PM. Evenings and weekends by appointment. Admission is free

Inquiries and information: Amie Potsic, CEO & Principal Curator, Amie Potsic Art Advisory, LLC

amie@amiepotsicartadvisory.com

www.amiepotsic.com

610.731.6312

Presented in partnership with: http://www.michaelgarden.com/

DECOROUS, CAMP Woman Who Writes, Lorene CareyDonald E. Camp, Woman Who Writes/ Lorene Carey, Casein and raw earth pigment on archival rag paper. Photographic Casein Monoprint 22” x 30”, 2006, Ó Donald E. Camp 2006

Philadelphia, PA – Amie Potsic Art Advisory presents Decorous, an exhibition featuring Donald E. Camp, Aubrie Costello, and Tom Judd at Space and Company, located at 2200 Walnut Street, Philadelphia, PA.  Curated and presented by Amie Potsic, CEO and Principal Curator of Amie Potsic Art Advisory, in partnership with Michael Garden Group, the show is on view now through September 15.  The opening reception will be on Thursday, August 16th from 6:00 – 8:00 PM.  The closing reception and Advisory Launch Celebration will be on Saturday, September 15 from 6:30 PM – 9:00 PM.  Both events are free and open to the public.  Hours are Monday through Friday 9:00 AM – 5:00 PM and by appointment.

Decorous, featuring Donald E. Camp, Aubrie Costello, and Tom Judd, elevates and honors the words, individuals, and histories in our collective unconscious.  The artists’ work melds social justice, politics, human rights, and personal narratives to yield a provocative and layered dialogue.  They give voice to those struggling to be heard, including African-American men, women, and those seeking a better life for their families.  With a distinctly American view on race, activism, and the frontier spirit, these artists invite us to confront and engage in conversation by elevating the every-man/woman to opulence, reverence, and relevance.

Presented at Space and Company, the artwork resonates with the ornate décor of the historic building.  The molding, accents, and chandeliers interact with the rough-around-the-edges aesthetic of the artwork to shed light on the fine line of between high and low culture as well as the line-in-the-sand drawn by class and racial differences.  Depicting those often marginalized as revered portraits and voicing their words in silk slogans alongside suited businessmen in free-fall conjures the possibility that roles can be reversed and identity can be reformed.

DECOROUS, JUDD, Diving figureTom Judd, Memories, 30” x 23”, Lithograph, printed by Ron Wyffels, 2018

Donald E. Camp is an NEA, Pew, and Guggenheim recipient whose work addressing the humanity of all people, including African-American men, has been influential on the national discourse related to race and human rights.  Tom Judd is a Pollock-Krasner awardee whose internationally exhibited paintings, collages, and documentaries have provided a vital American vision from coast to coast for decades.  During this exhibition, Judd also has new public art on view at the University of the Arts.  Aubrie Costello is a sought after silk-graffiti artist whose work speaks of truth and female power by creating interventions in galleries, public spaces, performances, and street art dialogues.  Together, their work embodies the growth, collaboration, and calls for social justice of our times.

Decorous is the launch exhibition presented by Amie Potsic Art Advisory, LLC.  The show celebrates the contributions of accomplished artists in Philadelphia while highlighting the curatorial expertise of the company’s founder. Potsic began the Advisory in January of 2018 in order to fill a void of support for artists, collectors, and institutions while helping them to create lasting artistic legacies.  Seeing a need among artists and collectors to plan for the future and create meaning from their life’s work, she now offers Legacy Planning as well as independent curatorial services and art advising. The closing reception for Decorous on September 15th will also serve as the launch celebration for the Advisory and will feature artist talks, entertainment, light fare, and libations.

DECOROUS, COSTELLO, StayAubrie Costello, Stay, Silk, chiffon, dressmaker pins, thread, 12” x 17”, 2017

Also this September, Potsic will be curating Natural Wonder, a large-scale photography and video exhibition presented through Inliquid at Park Towne Place.  The exhibition will feature Jenny Lynn, Caroline Elizabeth Savage, Keith Sharp, Laura Krasnow, and Leo Hylan.  Park Towne Place, located at 2200 Benjamin Franklin Pkwy in Philadelphia, will offer an opening reception for the exhibition on Thursday, September 20th at 6:00 PM.  Potsic and the artists in the exhibition will be presenting artists talks at the event.

On Wednesday, September 26th from 1:00 – 1:30 PM, Potsic will be interviewed on Art Watch Radio by host Lele Galer.  Potsic will discuss her Advisory and how she supports artists and collectors and provides legacy planning to solidify artistic legacies.  The show can be heard live on WCHE 1520 AM Radio and can be live streamed from their website at http://wche1520.com/project/art-watch/ .

Amie Potsic is the CEO and Principal Curator of Amie Potsic Art Advisory providing visionary and advisory support to artists, collectors, businesses, and institutions with expertise in Legacy Planning.  She is also Chair of the Art In City Hall Artistic Advisory Board to the Office of Arts and Culture of the City of Philadelphia as well as an established photographer and installation artist.  She has held faculty appointments at U.C. Berkeley and the San Francisco Art Institute and has been a guest lecturer at The International Center of Photography and The Delaware Contemporary. She also served as Director of Gallery 339, Director & Curator of the CDP at The Center for Emerging Visual Artists (CFEVA), Executive Director and Chief Curator of Main Line Art Center, and curated exhibitions for Philagrafika 2010 and The Philadelphia Museum of Art.

For more information, please contact Amie Potsic at amie@amiepotsicartadvisory.com or 610-731-6312.

Thank you to Amie Potsic for the content of this post.

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Kind

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Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Sarah Watkins Nathan

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241

July 13, 2018 to July 28, 2018

Some people sing the blues. Some people feel blue. Picasso has a blue period. Blue is one of the three primary color of pigments in painting and traditional color theory, as well as in the RGB color model. It lies between violet and green on the spectrum of visible light. The eye perceives blue when observing light with a dominant wavelength between approximately 450 and 495 nanometres. — Wikipedia

ARTIST RECEPTION: Saturday July 14, 4 – 6 PM

PUBLIC HOURS: Fridays + Saturdays 1 – 4 PM

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Thom Duffy

Did you know a blue jay’s feathers and a butterfly’s wings aren’t actually blue? Neither are your blue eyes. Pure water is, but only very slightly. From the colors we see in flowers and birds, to the hues we use in art and decoration, there’s more than one way to make a rainbow—and it all starts with molecules and structures that are too small to see. –Science Friday

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241Terri Fridkin

“The Post Office was the only establishment allowed to print postcards, and it held its monopoly until May 19, 1898, when Congress passed the Private Mailing Card Act, which allowed private publishers and printers to produce postcards. Initially, the United States government prohibited private companies from calling their cards “postcards”, so they were known as “souvenir cards” – Wikipedia

Kind of Blue: Postcard Show, 1241 CARPENTER STUDIOS + ARTSPACE 1241DoN Brewer

Miniature painting, also called (16th–17th century) limning, small, finely wrought portrait executed on vellum, prepared card, copper, or ivory. The name is derived from the minium, or red lead, used by the medieval illuminators. Arising from a fusion of the separate traditions of the illuminated manuscript and the medal, miniature painting flourished from the beginning of the 16th century down to the mid-19th century. – Britannica

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DoNArTNeWs – celebrating ten years reporting on Philadelphia artists and art.