The Potency of the Female Figure
GLASSBORO, NJ – Rowan University Art Gallery welcomes guest curator Amie Potsic with this exhibition. Three women artists reframe the cultural construct of feminine as empowering in Enamored Armor. The opening reception and artist talk is on Thursday, November 29 from 6:00 – 8:00 p.m. The exhibit is on display from November 29, 2018 – January 12, 2019.
Featuring work by Marjan Moghaddam, Mari Ogihara, and Tiantian Li, Enamored Armor includes references inspired by art history, cultural specificity, and contemporary society. The classical figure serves as a basis, as the artists investigate the multiplicity of ways in which women choose to present and redefine themselves in pursuit of potency and self-discovery. Through video, painting, sculpture, and Augmented Reality, their work spans a historical spectrum of millennia with a finger on the pulse of current artistic practice, the women’s empowerment movement, and emerging technologies.
Marjan Moghaddam is an award-winning and pioneering digital artist and animator who works primarily with 3d computer graphics, motion capture, and digital media for animation, post-internet art. Her work has been exhibited internationally, in addition to curated shows at the Armory Show in NYC and Art Basel Miami. In her digital female bodies, Marjan utilizes aesthetic styles as part of a figural vocabulary that explores the evolving nature of humanity. The figures represent the deconstruction of the organic, and its fracturing and fragmentation as it migrates from the physical to the digital.
Mari Ogihara’s work ranges from female figures to colorful biomorphic sculptures. She connects her understanding of how a samurai got ready for battle with the way women throughout history have prepared their physical appearance for sexual intimacy. Ogihara has held international residencies in France, Japan, Brazil, and Mexico in addition to multiple residencies in the United States.
Tiantian Li’s work has been shown in numerous Philadelphia galleries in addition to major art museums in China. In her watercolors she explores ideation of female intimacy and emotions expressed through portraits of her lingerie superposition with portraits of historical characters from the renaissance period, which represents a time of enlightenment and romantic expression. She is encouraging women to take a positive perspective on their bodies and female representation while giving themselves the attention, humor, and respect they deserve.
The Rowan University Art Gallery is located at 301 High Street West. Free 2-hour public parking is available in the Mick Drive Parking Garage across the street from the gallery. Admission to the gallery, lecture, and reception is free and open to the public. Regular gallery hours are Monday – Wednesday, 10:00 a.m. to 5:00 p.m. and Thursday – Saturday, 10:00 a.m. to 7:00 p.m. Directions can be found on the gallery website. For more information, call 856-256-4521 or visit www.rowan.edu/artgallery.
Support for programming at Rowan University Art Galleries is also made possible by funds from the New Jersey State Council on the Arts, a partner agency of the National Endowment for the Arts.
“Baisser in Mary Boone, in Glassish & Waxish Glitch“ from marjan moghaddam on Vimeo.
Thank you to Mary Salvante for the content of this post.
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