Tag Archives: mixed media art

Archives Alchemy

Philadelphia Dumpster Divers at The National Archives

Archives Alchemy: The Art of the Dumpster DiversOpening Reception: January 10th, 5:00 – 7:30pm Artwork will be displayed from Jan. 10 – April 24, 2014. Gallery Hours listed below. Location: National Archives at Philadelphia, 900 Market Street, Philadelphia, PA 19107-4292 (Entrance on Chestnut Street)

The Dumpster Divers of Philadelphia

The National Archives had miles of microfilm and piles of debris from moving records and renovations, doomed for the dumpster. “Call the Dumpster Divers!”  Who? The Dumpster Divers of Philadelphia are a group of over 40 found object artists, their artwork as diverse as the group and materials used. They were officially recognized with a 2012 City of Philadelphia Mayor’s Tribute for “helping to raise the consciousness of art lovers and heightened awareness of taking a creative approach to support a more sustainable city, country and world.”

This show is an unusual collaboration between two very different Philadelphia institutions and demonstrates the infinite possibilities available when we think outside the dumpster. Leslie Simon, Director, Research Services, the National Archives at Philadelphia said, “I challenged the Dumpster Divers of Philadelphia to create art out of the debris from our moves and renovations. Materials included decommissioned ladders and carts, miles of microfilm and readers, aged leather book bindings, as well as decommissioned electronics and displays, posters, photographs, and lots of red tape.”

Ann Keech, Philadelphia Dumpster Divers

Ann Keech, Archives CommemorativeArchives Alchemy: The Art of the Dumpster Divers at The National Archives

As a loosely bound collective of classically trained and self-taught artists the Dumpster Divers’ unique found object artwork has been exhibited at the American Visionary Art Museum, Noyes Museum of Art, Perkins Art Center, Please Touch Museum, the Garbage Museum and many other regional and national exhibitions. They are featured in books such as Found Object Art (Schiffer Art Book), books 1 and 2.  They established South Street galleries that have entranced more than fifty thousand people, while recycling these abandoned storefronts into viable neighborhood businesses. In the words of their founder, Neil Benson, “Trash is simply a failure of the imagination.”

Thus, in a new kind of alchemy, this partnership between the National Archives at Philadelphia and the Dumpster Divers of Philadelphia preserves, conveys and interprets stories of our pasts hidden in words and objects.

Susan Richards, Philadelphia Dumpster Divers

Susan Richards, Home Movies, Archives Alchemy: The Art of the Dumpster Divers at The National Archives

The National Archives at Philadelphia

The National Archives and Records Administration (NARA) is the record keeper of the Federal government. About 2% of all records created are preserved permanently and are available to the public, whether exploring family history, proving a veteran’s military service, or researching an historical topic. The National Archives at Philadelphia, one of 15 research facilities across the country, holds records of federal courts and agencies operating in Delaware, Maryland, Pennsylvania, Virginia and West Virginia. The records range from hand written 18th century customs manifests to 20th century scientific data.

Calendar Listing:  The Dumpster Divers of Philadelphia are exhibiting their unique found object artwork created for the National Archives at Philadelphia. Opening Reception January 10th, 5:00 – 7:30pm at the National Archives, 900 Market Street, Philadelphia, PA 19107-4292, 215-606-0101. Show runs from Jan. 10 – April 24, 2014. www.dumpsterdivers.org

Gallery Hours of Operation:

M-F:  8:30 am – 4:45 pm. Second Saturday of each month: 8 am – 4 pm. A Photo ID is required to enter Federal Buildings.

Address: National Archives at Philadelphia, 900 Market Street, Philadelphia, PA 19107-4292, 215-606-0101

Contacts: 

  • Leslie Simon, Director, Research Services, National Archives at Philadelphia, voice: 215-606-0101, fax: 215-606-0116, e-mail: leslie.simon@nara.gov

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Coupling at Off the Wall Gallery

Alice Gonglewski, Coupling at Off the Wall Gallery

Alice Gonglewski, Union #2-4, popsicle sticks and acrylic paint, $40.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling is the theme of the 9th Annual Juried Art Show at Off the Wall Gallery and artists took the concept into elusive yet eloquent mind spaces. Alice Gonglewski‘s Union series uses popsicle sticks to create a visual expression of family and home to it’s simplest symbols. The round and straight lines of the sticks, the black and white paint and the open and closed shapes evokes memories of home. I can almost hear the Mister Softee song, an ear worm that stirs memories of prosperity and poverty. The bare sticks represent food, comfort, safety and caring with minimal information and maximal content of narrative.

Laura Storck, Coupling at Off the Wall Gallery

Laura Storck, Elvis Pelvis, cyanotype from digital negative, $200.00, Coupling at Off the Wall Gallery at Dirty Franks

The combination of different photography techniques makes Elvis Pelvis pop on a wall with fifty other cool artworks. Laura used an x-ray as the negative for the cyanotype print. Mildly photosensitive solution is applied to a as paper and allowed to dry in a dark place. When the paper is exposed to light the negative, in this case the x-ray, controls the amount of chemical reaction. By mixing technologies the piece couples a view of the interior of a body while exposing the lines of the exterior. The deep blue is rich with tone and texture, the lines are descriptive and articulated, almost holographic. The painterly strokes of the photo-sensitive solution add a sense of immediacy and urgency.

Laura Storck’s photography can currently be viewed as part of Philly Photo Day, in their gallery at North 3rd Street and on a billboard in West Philly. Her exploration into silver emulsion photography is included in a group show called Silver Emulsion Red Hook Coffee and Tea, 765 South 4th Street, Philadelphia, PA, 19147. Opening Reception: Friday December 20th, 2013, 6:00 – 9:00pm

Erica Harney, Coupling at Off the Wall Gallery

Erica Harney, Rabbit/Credit Card, oil and mixed media on panel, $80.00, Coupling at Off the Wall Gallery at Dirty Franks

Erica Harney has been working on an art project which dove tailed perfectly with the theme of Coupling. By asking people to name two nouns, a Dadaist idea of Exquisite Corpse is created which is then painted as literally as possible. The paintings are refreshingly entertaining, the randomness of the combinations are like real life with problems, delights, challenges and comforts. There are four paintings in the show each coupling dual identities into one composition but Erica Harney has painted dozens of paintings using these restraints yet each painting stands on it’s own merits.

Karen Frank, Coupling at Off the Wall Gallery

Karen Frank, Mutual Admiration, acrylic on board, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

Coupling includes various media but the paintings are strong. It really feels like the paintings are active and intense paired with photography and mixed media. Karen Frank‘s seahorses, Mutual Admiration, combines the exotic and familiar with evocative marks and color ways. The piece is dreamy and child-like but the other-worldly context of life under water and the unintelligible form of communication between the beings feels empathic.

Jenn Warpoles paintings mix color, texture and surface to create evocations of emotion, experience and liveness. Abstracted yet anthropomorphic shapes create a visual dialog that speaks of love, despair, attraction and rejection. The small panels are powerful paintings with the atmospheric tones represented in washes of emotional color, a sensitive hand and restrained color palette design an emotional experience.

Jenn Warpole, Coupling at Off the Wall

Jenn Warpole, Untitled #2, oil on panel, $265.00, Coupling at Off the Wall Gallery at Dirty Franks

Hashtags and Archetypes by John Baccile is absolutely contemporary, elevating the computer screen shot from a moment of too much information into a rich and eloquent story. The visual language with overlays and multiple conversations feels so modern – post, post, post modern. Would the couple in the picture ever imagine a future with automatic photograph face recognition, predictive social media penetration and internet fame? John Baccile used a lowly material, the facebook page, and manipulated the elements with a sophisticated info-graphic capturing the past, present and future of portraiture.

John Baccile, Coupling at Off the Wall Gallery

John Baccile, Hashtags and Archetypes, digitally altered screen grab, $100.00, Coupling at Off the Wall Gallery at Dirty Franks

The photograph John Baccile used is one hundred years old, the algorithms in facebook look for identity matches in the faces creating an overlay of information and possible matches, it really gives off a Minority Report vibe and how we willingly allow investigation of our history.

Bill Myers photograph documents a modern sensibility towards photography and image making. The composition, color and forms takes the concept of Coupling to an intense contemporary level. The balance of the two figures, each with an emotional openness, evokes an emotional response, an autonomous reflex, from the energetic image layering character studies with line, tone and light. I can think of several artist to compare Bill Myers to but he truly is his own authentic self with a defined vision.

Bill Myers, Coupling at Off the Wall Gallery

Bill Myers, Standing Strong, digital photography, $50.00, Coupling at Off the Wall Gallery at Dirty Franks

Robert Yong Lee, Coupling at Off the Wall Gallery

Robert Yong Lee, Untitled (Ann Arbor, 2009), silver gelatin print, $150.00, Coupling at Off the Wall Gallery at Dirty Franks

Bob Lee‘s black and white photograph examines the idea of Coupling in a composition filled with memes, matches and metaphors. The seated figure before the painting has a jacket draped over his arm like the figure in the painting, while the seated man is looking down, the painted man is looking into the distance. The standing man on the left is reading while the statue of the standing woman is straining to listen. The two tableaus are divided by architectural elements that themselves represent similar yet opposite forces. This is the kind of art you can really spend time with finding deep and elusive narratives.

Coupling will be on the wall at Off the Wall Gallery through December 27th, there is a holiday party at Dirty Franks, 13th and Pine Streets, tonight, December 20th. I have two photographs in the show, too, I wrote about them in My Photo Day on DoNArTNeWs. The whole experience of the Coupling show was wonderfully creative; I was inspired to make new work and I was part of the creative team behind the show. The art I’ve described in this post is just a sampling of the excellence in the show and the diversity of talent in the Philadelphia contemporary art scene.

The experience of watching people actually look at the art show and really spend time looking at the work is the most satisfying feeling of all. I know I keep talking about Social Practice but Off the Wall Gallery at Dirty Franks has truly integrated itself into the fabric of the community by being inclusive and relevant through art and communications that is fun, high art in a dive bar, yet the result is intellectually satisfying in a really authentic feeling of community.

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Written by DoN Brewer. Thank you to Togo Travalia for the photographs in this post and for the excellent advertising and promotion of the show and individual artists through print and social media. I know of no other gallery who promotes each artist with such care. I really appreciate the effort and the love.

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Art in the Open 2014

Art in the Open, CFEVA

Art in the Open Application now due January 3rd, 2014

Professional artists working in all media are invited to participate in Art in the Open 2014. From Friday, May 16 through Sunday, May 18, 2014, artists will use Philadelphia’s Schuylkill River Banks as their studio space, creating new works of art ‘outside, on-site.’

Art in the Open re-frames the plein air tradition in a contemporary context, encouraging both artists and audiences to draw inspiration from the city’s natural and urban landscapes. Using the Schuylkill River Banks Park as studio space, participating artists will have the opportunity to explore new or extend current working methods, develop process-oriented projects, and respond to a compelling intersection of urban and natural spaces in the public realm. Selected artists will have the opportunity to participate in complementary programming, public engagement events, and to exhibit artwork created during AiO in the gallery at The Center for Emerging Visual Artists. For more information about the event and to view a gallery of AiO 2012 artists visit http://www.artintheopenphila.org.

 AiO Statistics:
• 8-12,000 visitors per year (on the Schuylkill Banks)
• 30+ Organizational Partners 25 Related programs off and on-site

2014 Art in the Open Jurors 
 
Gerard Brown Tyler School of Art at Temple University’s Center for the Arts 
Harry Philbrick Pennsylvania Academy of the Fine Arts Museum,
 Christine Pfister Pentimenti Gallery, 
Theresa Rose, FringeArts
.

Final application deadline is January 3, 2014. Local, national and international artists are invited to apply.
 To apply visit  https://cfeva.slideroom.com/#/login/program/17400 or

CLICK HERE TO APPLY

For more information or questions, contact Genevieve Coutroubis at Genevieve@cfeva.org.

Juror Information

Gerard Brown writes about art and makes pictures about language. His work has been exhibited in group- and one-person shows nation-wide. As an   independent curator, he has organized exhibitions throughout the Philadelphia region and has been the recipient of a Pennsylvania Council on the Arts Grant in Visual Arts Criticism. He earned his BFA from Boston University and his MFA from the School of the Art Institute of Chicago. He is currently an Assistant Professor and the Chairperson of Foundations at the Tyler School of Art at Temple University’s Center for the Arts.

Christine Pfister studied at Christie’s Education at Christie’s in New York and since 1995 she has been the Co-Owner and Director of Pentimenti Gallery in Philadelphia. She has given many lectures, and participated on panels, in the Philadelphia area. Lectures/panels include the University of Pennsylvania, the University of the Arts, the American Association of Museums, Pennsylvania Academy of the Fine Art, Moore College of Art & Design, Kutztown University, Kutztown, and more. She is active in a variety cultural organizations including CFEVA, ArtTable and the Maurice Rohrbach Fund.

Pentimenti Gallery exhibits contemporary art by emerging to mid-career artists. The gallery’s exhibitions were reviewed in major magazines and newspapers, such as Art in America, The Art Economist, Timeout New York, the Brooklyn Rail, USA Today, Philadelphia Style Magazine, Philadelphia Inquirer, and more. The gallery has exhibited nationally at various art fairs: Pulse NY, Volta NY, Texas Contemporary, Miami Project and CONTEXT Art Miami.

Harry Philbrick, Edna S. Tuttleman Director of the Pennsylvania Academy of the Fine Arts Museum, directs a museum known internationally for its collections of 19th- and 20th-century American art. The museum’s archives house important materials for the study of American art history, museums, and art training.  Mr. Philbrick is spearheading a revived engagement with contemporary art at PAFA, creating a substantial endowment to rekindle the Museum’s program of actively collecting contemporary art and curating an ambitious series of contemporary exhibitions.  Under his guidance the Museum will open a dedicated Works on Paper Gallery in September, 2013.

Mr. Philbrick has twenty-plus years of experience in museum management, exhibition curation, development, and educational programming and was the Director of The Aldrich Contemporary Art Museum from 1996 – 2010.  Mr. Philbrick furthered The Aldrich’s mission of exhibiting provocative and significant contemporary art and establishing education programs that serve as national models in museum education. Mr. Philbrick received his Master of Fine Arts from London University’s Goldsmiths’ College.  His own artwork has been exhibited in the United States and the United Kingdom.

Theresa Rose is currently the Visual Arts Program Director for FringeArts. From 2007-2012, Rose was Public Art Project Manager for the City of Philadelphia Office of Arts, Culture & the Creative Economy where she managed the Percent for Art program and lead the City’s first temporary public art commission, Soil Kitchen, by the artist team Futurefarmers. Independently, Rose is the founder and one of the organizers of Philly Stake, a micro-granting program for relevant & creative community engaging projects. She is also a Knight Foundation grantee for her upcoming participatory art and food series entitled Operation Food for Thought. Prior to her employment at FringeArts and city government; Rose worked on several projects as an independent curator and artist including exhibitions at Crane Arts, Seraphin Gallery and Little Berlin. She received her MFA from the Pennsylvania Academy of Fine Arts, where she co-chaired the Visiting Artist Lecture Series Program. 

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RiTUAL Reading Room

RiTUAL Reading Room, 110 Church Gallery

My Winter Coat, Barbara Henry, NJ and A Summer Morning’s Ritual, Pia De Girolamo

RiTUAL, Reading Room110 Church Gallery, 110 Church Street, Philadelphia PA 19106, 267 871 9375, HOURS: Thursday 1:30 – 6:30 pm, Friday 1:30 – 6:30 pm (except First Fridays, 5 – 8 pm) Saturday Noon – 4:00 pm, other times by appointment. 

ARTIST RECEPTION: 
Saturday, December 14, 2013, 
3:00 – 6:00 pm

110 Church Gallery invites you to retreat from the cold into our gallery, transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Fall in love with a book, buy it, and take it home.

Each of these books has been constructed from a single-sheet surface that is no larger than 11 x 17 inches. Over one hundred artists submitted books, addressing the theme: ritual.

RiTUAL Reading Room, 110 Church Gallery

RiTUAL, Reading Room110 Church Gallery

RiTUAL Reading Room is a meme based in Social Practice. To get the idea out into the Philadelphia art scene and have participation, the message had to be simple, easy to explain and memorably fun. By adding terms and conditions the curators established a concept that artists could share with each other, all you had to do was follow simple instructions. Making books in the Age of Digital Reproduction is a challenge to artists desiring to express themselves on paper. RiTUALS let’s the artist write whatever kind of book they like and then share the wall space with other artists, their work pixelated into the matrix of the meme, each book like a nerve connecting to the central nervous system of the art show. It really makes you think.

The design is simple and elegant with each book, loaded with information, waits to be unpacked by a viewer. Action is required to view the books displayed artfully in clear bags, concise tagging and information design creates a clever design experience. At the First Friday opening people ‘reading’ the books in random order mostly said, ‘Cool!’ There’s no better word.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL as a social practice experience is intellectually satisfying from the ad campaign with the sample instruction books to the on-line campaign to the virtual display, the idea is to express a concept within constraints. The books nearest the door are hung from display pins so the wind won’t blow them over, object-like books such as the tea-bag book are on pedestals and tables and the rest are displayed on slim racks with taut string keeping them in place.

The origami-like fold of the paper creates a four page book, with 8 sides and the opposite side of the paper can be a poster. There are books of prints, poems, recipes, photos, patterns, drawings, paintings, embroidery and sculpture. And there are stories told in eight pages that will make you laugh or cry. The tactility of handing the books and sharing the discoveries with others opened up communications so that people interacted instead of the anonymity of the library.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

RiTUAL creates an environment saturated with information, ideas and design. The cable knit sweater book by Kate Flake is an expression of the information technology of sewing  communicated as memetic code. A meme of cozy comfort is translated into the book in a language different from words; a thread of thought creates a story in an un-named tongue that is easily understood and re-interpretted into words.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Pia DeGirolamo’s books are delightfully informative and rich with style and taste. And by taste I mean food. Tomato Sauce Ritual teaches how to be resourceful and make yourself some decent Italian food; you live in Philly you should know how to make sauce. The illustrations, text and paper all add to the narrative in ways that are visually tasty.

RiTUAL Reading Room, 110 Church Gallery

110 Church GalleryRiTUAL, Reading Room

Thank you to Stella and Margaret from 110 Church Gallery for taking up this idea that involves depending on a lot of artists to create something new and making the exhibition a reality. The show has hundreds of books, there is an on-line catalog with pages about the artists and their books. RiTUAL is a lot of information that required deep thought and attention to detail to make happen.

110 Church Gallery consistently presents art that is thought provoking and unique, with RiTUAL the curators have communicated with the arts community in a way that they responded to with exciting and beautiful concepts of their own. Creating a spirit of community is the essence of the art show and if you spend time reading the books in the gallery you will learn about the people of our community and their rituals.

RiTUAL online catalog

Written and photographed by DoN Brewer except where noted.

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Trinity Memorial Church

Trinity Memorial Church, Ed SnyderTrinity Memorial Church Wreath Sale, 22nd and Spruce Streets, Philadelphia, Saturday, December 7th, 10:00am – 3:00pm

Ed Snyder will have his photography (including jewelry and greeting cards) for sale at this Saturday’s Trinity Memorial Church Annual Holiday Bazaar and Cafe Noel. Trinity Memorial Church‘s Great Hall is located at 22nd and Spruce Streets, Philadelphia. Dec. 7, 2013 from 10 am – 3 pm. Join us for holiday gifts, decorations and delicious food. This year Trinity Center for Urban Life sponsors a project to knit afghans for the guests of Wintershelter (http://communityoutreachpartnership.org/wintershelter). Come to the Bazaar to get instructions and free supplies.”

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