Tag Archives: Philadelphia Art

Mannequin

Mannequin, Laura StorckLauraquin, Laura Storck and Addison Geary, Mannequin at Da Vinci Art Alliance

Mannequin: A Group Photography Exhibition At Da Vinci Art Alliance – Opening January 6th

(Philadelphia, PA December 15th, 2015) Da Vinci Art Alliance, 704 Catharine  Street, Philadelphia, PA 19147 invites the public to Mannequin: A Group Photography Exhibition January 6th – 31st. Regular gallery hours for this exhibition will be Wednesdays, 6:00 – 8:00PM,Saturdays and Sundays, 1:00 – 5:00PM with an opening reception on January 6th from 6:00 – 9:00PM.

This exhibition shows the collective work of 30 Philadelphia-area photographers, each who share their own unique viewpoint of mannequins and their roles as life size models. The zany appeal of these articulated dolls prove both attractive and disconcerting at the same time; mysterious yet strangely familiar. This interesting dichotomy is being explored and interpreted through the vision of each artists’ lens.

“As this project has unfolded, I’ve come to observe and photograph mannequins of several different configurations, located in windows and within merchandizing displays,” says curator Laura Storck.

Mannequin, Laura StorckChelseaquin by Laura StorckMannequin: A Group Photography Exhibition at Da Vinci Art Alliance

“These models can vary demographically by neighborhood – even though the stores could be selling essentially the same product, each has a unique style and ambience which is reflected in their mannequins – the pose, color, and choice of whether or not to use a realistic face versus abstract, or even headless versions. The more expensive the clothing, the more rich-looking the mannequin seems. Mannequins in windows tend to have faces and are more eye catching, whereas those within the retail environment appear utilitarian. These silent salespeople were held in high regard during the surrealism movement of the early 20th century, as these objects blurred the lines between animate and inanimate, human and machine, the sexualized and the sexless, and ultimately life and death.”

Mannequin, Ed SnyderMannequin at Da Vinci Art Alliance, Ed Snyder, Heads

Written by Laura Storck

View more of Laura Storck’s work on Instagram @laurastorck under #philly_mannequins.

ABOUT DA VINCI ART ALLIANCEDa Vinci Art Alliance is a public, non-profit!501(c)(3) artists’ organization located in South Philadelphia. The organization was founded in 1931 to serve the needs of professional artists and artisans in the Delaware Valley. Da Vinci currently has over 140 members and is supported through membership dues, gallery/studio rentals, sales commissions, grants, and donations. It holds exhibitions of members’ and nonmembers’ artwork as well as special events, workshops, performances, poetry readings, and lectures. The mission of the non-profit artists-run organization is to support its members and to further community-based arts, cultural, and educational exchanges.

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Man

Man Ray, Artsy.netMan Ray, Mona Lisa as seen by Duchamp (“La Joconde” vue par Duchamp), gelatin silver print, 6 3/5 ” x 4 1/10″, 1921-22,  Artsy.net

Man Ray was born as Emmanuel Radnitzky in South Philadelphia, Pennsylvania, U.S. in 1890. Born Henri-Robert-Marcel Duchamp on July 28, 1887 in Upper Normandy region of France, the grandson of a painter, Marcel Duchamp would have an immense impact on twentieth-century and twenty first-century art. The arguments and jabs go on to this day about photography being for artists with no talent, photography isn’t fine art, anyone can do it…someone wrote to me and said I should write about real art for a change. That’s so DADA.

“In 1915 he was introduced to Marcel Duchamp, who would become a lifelong friend and influence; he subsequently moved to Paris, practicing there for over 20 years.” – Artsy

 

“In 1919, Duchamp made a parody of the Mona Lisa by adorning a cheap reproduction of the painting with a mustache and goatee. To this he added the inscription L.H.O.O.Q., a phonetic game which, when read out loud in French quickly sounds like “Elle a chaud au cul”. This can be translated as “She has a hot ass”, implying that the woman in the painting is in a state of sexual excitement and availability. It may also have been intended as a Freudian joke, referring to Leonardo da Vinci‘s alleged homosexuality. Duchamp gave a “loose” translation of L.H.O.O.Q. as “there is fire down below” in a late interview with Arturo Schwarz. According to Rhonda Roland Shearer, the apparent Mona Lisa reproduction is in fact a copy modeled partly on Duchamp’s own face. Research published by Shearer also speculates that Duchamp himself may have created some of the objects which he claimed to be “found objects”. – Wikipedia

“The source for the fraternal friendship that linked the two men is to be found in their shared freedom and independence of spirit. Aside from a passion for chess, they shared a taste for the subversive and an irresistible desire to invent. Intellectually, their processes were similar. As art terrorists, they both knew how to place mines under artistic conventions, and their works, without being similar, nevertheless responded to the other.” – DADA Companion

Hi – my name is Joel, and I work at Artsy. While researching Man Ray, I found your page: http://brewermultimedia.com/2009/04/. I wanted to briefly tell you about Artsy‘s Man Ray page, and about our mission.

We strive to make all of the world’s art accessible to anyone online. Our Man Ray page, for example, provides visitors with Man Ray’s bio, over 100 of his works, exclusive articles, as well as up-to-date Man Ray exhibition listings. The page even includes related artist & category tags, plus suggested contemporary artists, allowing viewers to continue exploring art beyond our Man Ray page.

I’m contacting certain website & blog owners, and asking them to help us achieve our mission by adding a link to Artsy’s Man Ray page. In addition to spreading the word about our page, I believe your site visitors would enjoy this content.

If you are able to add a link to Artsy’s Man Ray page, please let me know, as I’d love to share it with my team.

Best,
Joel

“Of course, there will always be those who look only at technique, who ask “how,” while others of a more curious nature will ask “why.” Personally, I have always preferred inspiration to information.”
-Man Ray

Thanks Joel!

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Cairns

Brian Dickerson, Cairns, with an Essay by Miriam Seidel,  John Thornton Films

Brian Dickerson is an artist who knows how to wander, and how to make his way through uncertainty. Seeing the stone cairns of rural Ireland, he recognized them for what they were: mediators of mysterious places, markers for the lost, messages from the past. In Cairns, his new series of constructed paintings, he brings this understanding into a new form.” –Miriam Seidel

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RiTUAL

RiTUAL 2015, @HBHQ, Sarah Watkins Nathan

RiTUAL Reading Room 2015

“What are your rituals? RiTUAL. A ceremonial act ~ Rites used in the course of worship ~ The performance of ceremonial acts ~ The prescribed form of conducting the ceremony ~ A method of procedure that is followed without variation ~ performance with gestures, words, and objects, often in a sequestered place. In the winter months as the chill settles in and the days grow shorter come inside the RiTUAL Reading Room

December 5, 2015 — February 29, 2016

Exhibition Space: Heavy Bubble / @HBHQ, 1241 Carpenter Street 3rd Floor, Philadelphia, PA, 19147. On-line catalog RiTUAL Reading Room

RiTUAL 2015, @HBHQ, Sarah Watkins NathanSarah Watkins Nathan at RiTUAL Reading Room, photos by Judy Engle.

“@HBHQ will be transformed into a reading room. Be surrounded by stories, engulfed by pages, dazzled by over two hundred books. Books on shelves. Books on tables. Books hanging. Walls covered with books on display. Take books down, curl up and read. Sip some, tea, coffee, or hot cider. Fall in love with a book, buy it, and take it home.” – HBHQ

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Moment

John D. Taylor, SAVERY GalleryUntitled #69, woodcut, 2013. John D. Taylor, Just a Moment at SAVERY Gallery

Just a Moment, solo exhibition of new prints by John D. Taylor

at SAVERY Gallery

SAVERY Gallery proudly announces the opening of Just a Moment, a solo exhibition of new prints by John D. Taylor.

Opening Friday December 4th, 2015, the exhibition will run through January 3rd, 2016 with a reception for the artist on Friday, December 4th from 6-9 PM.

Just a Moment is a cool and lyrical display in black and white notes on paper that echo the methods wherein they are born, the hand that crafts them, and the Artist’s search for discovery in the process. In her essay on the exhibition, Associate Curator at the University of Pennsylvania Heather Gibson Moqtaderi is witness to the following:

“An undercurrent of mystery courses through ‘Just a Moment’, from Taylor’s cryptic markings to ethereal spaces that feel like windows, portals, or pathways. Untitled #69 invokes the spirit of Robert Motherwell’s Open paintings, albeit in a very different manner, with a three-sided window shape that seemingly continues beyond the page. Taylor’s “window” is all the more enigmatic when paired with the ghostly, darkly inked shape floating nearby. Through these unfamiliar spaces, Taylor leads us to uncharted territory and asks that we make our own meaning.”

Comprised of about 40 Print works framed by the Artist’s own hand in the same rich woods in which he works: ebonized poplar, mahogany and maple, this exhibition is a study in time / tempo / texture and moments. The works themselves are a conversation in contrasts between Taylor’s loose, gestural style, his expressive influences, and his meticulous printing methods. In these woodcuts, texture from the chisel and the wood grain add character to his minimalist compositions, giving lightness and depth to the shapes he creates. His work is at some times clean, almost geometric, and at other times seemingly impulsive and improvisational in its mark making.

Freed from the focus of running an edition, each of Taylor’s prints are unique: meant to capture a moment and hold it for a second until passing into the next. Having succeeded that way, the Artist must move on to the “next now”.

John D. Taylor, SAVERY GalleryUntitled #24, woodcut, 2014, John D. Taylor, Just a Moment at SAVERY Gallery

John D. Taylor is an Artist, Cabinetmaker, Father, and longtime resident of West Philadelphia and Powelton Village. After studying painting at Cleveland Institute of Art in the mid 1960’s, he relocated to Philadelphia to study with Piero Dorazio and Angello Savelli at the University of Pennsylvania. He has long been integrated with the University and the Philadelphia art scene: first as a gallery preparatory at the Institute for Contemporary Art, and currently at the Arthur Ross Gallery where he has headed the installation crew for the past 30 years. He is a prolific artist, creating work in his shop and studio everyday and exhibiting most recently in his 2010 solo exhibition “Current Prints” at Art on the Avenue.

John D. Taylor, SAVERY GalleryUntitled #18, woodcut, 2015, John D. Taylor, Just a Moment at SAVERY Gallery

John D. Taylor, SAVERY GalleryUntitled #55, woodcut, 2015, John D. Taylor, Just a Moment at SAVERY Gallery

Just a Moment is Mr. Taylor’s first solo exhibition at SAVERY Gallery. For further questions, press inquiries, or images please contact: SAVERY GALLERY, 319 N. 11th Street, Philadelphia, PA,

Tory Savery or Caitlin Palmer 267-687-7769 or 610-547-8434 gallery@saverydesign.com www.saverygallery.com

Thank you to SAVERY Gallery for the content of this post.

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